Kontur的照片 | 下载免版税和高分辨率图片 https://www.cizucu.com/zh-cn/explore/photos/kontur zh-cn 2026-05-26T05:03:23+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. zh-cn https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[地形图上标注的山路与河流路线 | maururu]]> https://www.cizucu.com/zh-cn/photos/CQUPCdeJdvtbCexhFrzC maururu https://www.cizucu.com/zh-cn/maururu https://www.cizucu.com/zh-cn/photos/CQUPCdeJdvtbCexhFrzC Sun, 07 Jan 2024 23:08:10 GMT 2026-01-24T18:10:13+09:00 https://cdn.cizucu.com/images/photos/CQUPCdeJdvtbCexhFrzC.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[梯田稻田的航拍俯视 | ぶらいあんと]]> https://www.cizucu.com/zh-cn/photos/3j8zUf0RrbknXN4iE8mo ぶらいあんと https://www.cizucu.com/zh-cn/users/UInchPmsOZP0abuVberMszu3vI52 https://www.cizucu.com/zh-cn/photos/3j8zUf0RrbknXN4iE8mo Wed, 10 Jan 2024 16:12:21 GMT 2026-01-24T16:44:48+09:00 https://cdn.cizucu.com/images/photos/3j8zUf0RrbknXN4iE8mo.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[梯田般的农田航拍俯瞰 | ぶらいあんと]]> https://www.cizucu.com/zh-cn/photos/X9ncbtRteSanuaPxhAqg ぶらいあんと https://www.cizucu.com/zh-cn/users/UInchPmsOZP0abuVberMszu3vI52 https://www.cizucu.com/zh-cn/photos/X9ncbtRteSanuaPxhAqg Wed, 10 Jan 2024 16:12:22 GMT 2026-01-24T16:44:45+09:00 https://cdn.cizucu.com/images/photos/X9ncbtRteSanuaPxhAqg.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[海岸梯田与绿色山坡的海景 | ジョーナカ]]> https://www.cizucu.com/zh-cn/photos/cQIJrZb2bYSGhkm66hgz ジョーナカ https://www.cizucu.com/zh-cn/jowsan https://www.cizucu.com/zh-cn/photos/cQIJrZb2bYSGhkm66hgz Mon, 11 Mar 2024 14:05:37 GMT 2026-01-23T00:29:35+09:00 https://cdn.cizucu.com/images/photos/cQIJrZb2bYSGhkm66hgz.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[ベトナムの田園風景 #東南アジア #アジア #棚田 #段々畑 | YuKoreeda ]]> https://www.cizucu.com/zh-cn/photos/ZL6lp85tKiw7dYC2e8mN YuKoreeda https://www.cizucu.com/zh-cn/yu___koreeda https://www.cizucu.com/zh-cn/photos/ZL6lp85tKiw7dYC2e8mN Fri, 31 May 2024 00:06:35 GMT 2026-03-24T03:01:45+09:00 https://cdn.cizucu.com/images/photos/ZL6lp85tKiw7dYC2e8mN.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[メイクブラシとシェーディング | fkyh]]> https://www.cizucu.com/zh-cn/photos/2QTW2wzAF4EbdCAnRnyw fkyh https://www.cizucu.com/zh-cn/users/EKRSPOiEWcTt9OV8cVt1fqAqdFr1 https://www.cizucu.com/zh-cn/photos/2QTW2wzAF4EbdCAnRnyw Mon, 12 Feb 2024 12:51:49 GMT 2026-01-23T20:19:47+09:00 https://cdn.cizucu.com/images/photos/2QTW2wzAF4EbdCAnRnyw.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[kotor - montenegro | saki.]]> https://www.cizucu.com/zh-cn/photos/zREjjC9JZLPP3vyHe4OS saki. https://www.cizucu.com/zh-cn/users/r0YcFFL0wpViJHgayk4QYngFTvz1 https://www.cizucu.com/zh-cn/photos/zREjjC9JZLPP3vyHe4OS Wed, 25 Mar 2026 18:50:31 GMT 2026-05-03T13:16:35+09:00 https://cdn.cizucu.com/images/photos/zREjjC9JZLPP3vyHe4OS.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[You are an ‘Art’ to Someone You know how they say, “oh what an honour to be a Muse to an Artist” Now whom to call ‘The Art’ and whom ‘The Artist’ is a frivolous battle. It is what is right in front of your eyes that tells everything. An Artist’s love for an ‘Art’ and a ‘Lover’s’ love for the ‘Artist’. It makes me wonder what could any “Art” count in the face of this strongest impulse called “Love” | Drishti Gowda]]> https://www.cizucu.com/zh-cn/photos/Q2UXrVZSja44vDkW9rcV Drishti Gowda https://www.cizucu.com/zh-cn/users/pz5fnme1yVgVSeHjB4YtCunhYCC3 https://www.cizucu.com/zh-cn/photos/Q2UXrVZSja44vDkW9rcV Fri, 20 Mar 2026 23:28:12 GMT 2026-04-20T10:28:48+09:00 https://cdn.cizucu.com/images/photos/Q2UXrVZSja44vDkW9rcV.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[线稿风格的少年侧脸 | YISO]]> https://www.cizucu.com/zh-cn/photos/64l18aBqTA9fGUFzd6ph YISO https://www.cizucu.com/zh-cn/users/L8Xb8tAZPSXkNPNts1baK1WQs6b2 https://www.cizucu.com/zh-cn/photos/64l18aBqTA9fGUFzd6ph Tue, 18 Feb 2025 20:26:04 GMT 2026-05-04T23:45:56+09:00 https://cdn.cizucu.com/images/photos/64l18aBqTA9fGUFzd6ph.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[＃しゃぶしゃぶ＃一人鍋＃牛しゃぶ | yukkama]]> https://www.cizucu.com/zh-cn/photos/oYKrOtMiYFXeaUnjxI9i yukkama https://www.cizucu.com/zh-cn/users/NrnmWgvuhXMx5ReKWsJ6U8V9jZU2 https://www.cizucu.com/zh-cn/photos/oYKrOtMiYFXeaUnjxI9i Tue, 19 Mar 2024 11:30:09 GMT 2026-01-22T20:36:35+09:00 https://cdn.cizucu.com/images/photos/oYKrOtMiYFXeaUnjxI9i.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival. In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]> https://www.cizucu.com/zh-cn/photos/cu3LZEeOyIJhneSTLWrR Lucho Dávila https://www.cizucu.com/zh-cn/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3 https://www.cizucu.com/zh-cn/photos/cu3LZEeOyIJhneSTLWrR Mon, 30 Mar 2026 21:51:53 GMT 2026-03-30T21:52:00+09:00 https://cdn.cizucu.com/images/photos/cu3LZEeOyIJhneSTLWrR.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[The City That Seduced the Lens Hidden within the velvet folds of the Mountains, Chefchaouen breathes in blue. Cobalt walls shimmer beneath the Moroccan sun like painted silk, while narrow alleyways curl through the city like whispered promises. The air is thick with the scent of cedarwood, orange blossom, and rain lingering on ancient stone. Somewhere in the distance, footsteps echo softly against worn staircases, dissolving into the hush of fluttering linen and the low murmur of evening prayers drifting through the hills. Light moves here like a lover’s hand. Slow, deliberate, intoxicating. It spills across indigo doorways and cascades over textured walls, tracing every crack and contour with liquid gold. Fingers graze cool plaster dampened by mountain air; the touch is velvety, almost skin-like, carrying the memory of centuries within its surface. Every corner unveils another act in this cinematic reverie: a doorway glowing like a scene from a forgotten romance, shadows swaying gently in the breeze, blue upon blue upon blue melting into infinity. The city does not simply invite the lens. It seduces it. And within that seduction, the photograph becomes more than an image; it becomes a longing suspended in time. | ian poh jin tze]]> https://www.cizucu.com/zh-cn/photos/yhkSrD4y2dZqOJlsBnNN ian poh jin tze https://www.cizucu.com/zh-cn/users/xBm5DX4dLSO8CyZ7W1PtKG7nVbo2 https://www.cizucu.com/zh-cn/photos/yhkSrD4y2dZqOJlsBnNN Thu, 21 May 2026 00:48:33 GMT 2026-05-21T00:48:33+09:00 https://cdn.cizucu.com/images/photos/yhkSrD4y2dZqOJlsBnNN.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[The City That Seduced the Lens Hidden within the velvet folds of the Mountains, Chefchaouen breathes in blue. Cobalt walls shimmer beneath the Moroccan sun like painted silk, while narrow alleyways curl through the city like whispered promises. The air is thick with the scent of cedarwood, orange blossom, and rain lingering on ancient stone. Somewhere in the distance, footsteps echo softly against worn staircases, dissolving into the hush of fluttering linen and the low murmur of evening prayers drifting through the hills. Light moves here like a lover’s hand. Slow, deliberate, intoxicating. It spills across indigo doorways and cascades over textured walls, tracing every crack and contour with liquid gold. Fingers graze cool plaster dampened by mountain air; the touch is velvety, almost skin-like, carrying the memory of centuries within its surface. Every corner unveils another act in this cinematic reverie: a doorway glowing like a scene from a forgotten romance, shadows swaying gently in the breeze, blue upon blue upon blue melting into infinity. The city does not simply invite the lens. It seduces it. And within that seduction, the photograph becomes more than an image; it becomes a longing suspended in time. | ian poh jin tze]]> https://www.cizucu.com/zh-cn/photos/ljHJYuGT1Pohm5qUAwqe ian poh jin tze https://www.cizucu.com/zh-cn/users/xBm5DX4dLSO8CyZ7W1PtKG7nVbo2 https://www.cizucu.com/zh-cn/photos/ljHJYuGT1Pohm5qUAwqe Thu, 21 May 2026 00:52:05 GMT 2026-05-21T00:52:05+09:00 https://cdn.cizucu.com/images/photos/ljHJYuGT1Pohm5qUAwqe.jpg?auto=format%2Ccompress&cs=srgb