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          <title><![CDATA[「群衆の中の一点」 人の流れに埋もれる日常の中でも、[一瞬]だけ浮かび上がる個の存在を切り取りました。時間の速さと人の存在感、その対比を表現しています。 | wasabi]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/DvQRomvmbtkkxJ1WBJI5</link>
          <description><![CDATA[在cizucu上查看更多wasabi的精彩作品。]]></description>
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            <name>wasabi</name>
            <uri>https://www.cizucu.com/zh-cn/users/wZUCP3Sp6wXYvyVoHT6Zz2zXEd42</uri>
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          <pubDate>Fri, 03 Oct 2025 15:56:10 GMT</pubDate>
          <atom:updated>2026-05-03T21:49:05+09:00</atom:updated>
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            <media:description><![CDATA[在cizucu上查看更多wasabi的精彩作品。]]></media:description>
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          <title><![CDATA[Taking care of #halatefoto #blackandwhite #bw #leica #jakarta #oldlady #woman #asianwoman #oldpeople   | novantino]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/hZOCQdFyuaqYfKRWvvuK</link>
          <description><![CDATA[在cizucu上查看更多novantino的精彩作品。]]></description>
          <author>
            <name>novantino</name>
            <uri>https://www.cizucu.com/zh-cn/users/IkRl799BouhofsG6DqaMr4W56dU2</uri>
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          <pubDate>Sun, 26 Jan 2025 18:56:07 GMT</pubDate>
          <atom:updated>2026-01-19T13:22:47+09:00</atom:updated>
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            <media:description><![CDATA[在cizucu上查看更多novantino的精彩作品。]]></media:description>
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          <title><![CDATA[This work begins with a habit of observing how people live in everyday spaces. Rather than staging scenes, I focus on noticing unposed moments — natural gestures, quiet movements, and the in-between times that often go unseen. I am drawn to how individuals move through shared spaces, briefly connected by time and place, each following their own rhythm. Through this approach, I aim to tell quiet stories of people’s lives, shaped not by milestones, but by the accumulation of ordinary moments. | Lee Mia]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/SnkJJ24O9HQfvsmxIg1M</link>
          <description><![CDATA[在cizucu上查看更多Lee Mia的精彩作品。]]></description>
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            <name>Lee Mia</name>
            <uri>https://www.cizucu.com/zh-cn/users/MknbfnePALYkgmaciy5ZWKr2Hi22</uri>
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          <pubDate>Sun, 11 Jan 2026 20:20:38 GMT</pubDate>
          <atom:updated>2026-05-03T17:03:59+09:00</atom:updated>
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            <media:title><![CDATA[This work begins with a habit of observing how people live in everyday spaces. Rather than staging scenes, I focus on noticing unposed moments — natural gestures, quiet movements, and the in-between times that often go unseen. I am drawn to how individuals move through shared spaces, briefly connected by time and place, each following their own rhythm. Through this approach, I aim to tell quiet stories of people’s lives, shaped not by milestones, but by the accumulation of ordinary moments. | Lee Mia]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Lee Mia的精彩作品。]]></media:description>
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          <title><![CDATA['The Master of Stares'  Half revealed, fully formidable.  The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect.  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/GmG5c98t8qyvIemmkbiY</link>
          <description><![CDATA[在cizucu上查看更多Jasmine Ee (Wildlife with Jas)的精彩作品。]]></description>
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            <name>Jasmine Ee (Wildlife with Jas)</name>
            <uri>https://www.cizucu.com/zh-cn/users/JYFpvmoAhif1BR46v1VEaz8x1ag2</uri>
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          <pubDate>Mon, 16 Mar 2026 19:26:03 GMT</pubDate>
          <atom:updated>2026-05-03T13:44:32+09:00</atom:updated>
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            <media:title><![CDATA['The Master of Stares'  Half revealed, fully formidable.  The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect.  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Jasmine Ee (Wildlife with Jas)的精彩作品。]]></media:description>
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          <title><![CDATA[“The Master of Stillness”  Half revealed, fully formidable. The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect, a behaviour that has earned them the nickname “the master of stillness.”  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/1eyhxZQn4uTXWO7fHhv6</link>
          <description><![CDATA[在cizucu上查看更多Jasmine Ee (Wildlife with Jas)的精彩作品。]]></description>
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            <name>Jasmine Ee (Wildlife with Jas)</name>
            <uri>https://www.cizucu.com/zh-cn/users/JYFpvmoAhif1BR46v1VEaz8x1ag2</uri>
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          <pubDate>Sat, 24 Jan 2026 20:08:23 GMT</pubDate>
          <atom:updated>2026-01-24T20:08:44+09:00</atom:updated>
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            <media:title><![CDATA[“The Master of Stillness”  Half revealed, fully formidable. The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect, a behaviour that has earned them the nickname “the master of stillness.”  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Jasmine Ee (Wildlife with Jas)的精彩作品。]]></media:description>
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          <title><![CDATA[Title: Dining with her  Series: Dreams  Status: On-going  About:  This is the first entry in this series, this as part of photo-essay  will have a total of 15 main pictorial works and supporting supplements.   “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage.  REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief.  This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function.  I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations.   - - -  Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100  Fomadon LQN  Year: August, 2025 - present  Photo: November 2025   *** | Eli Mastaine]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/lLVqB9q7T3gHEIJx8LId</link>
          <description><![CDATA[在cizucu上查看更多Eli Mastaine的精彩作品。]]></description>
          <author>
            <name>Eli Mastaine</name>
            <uri>https://www.cizucu.com/zh-cn/users/UfuI5w0ikDdd8SHxxQS0fW6D9dE3</uri>
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          <pubDate>Mon, 09 Mar 2026 02:16:10 GMT</pubDate>
          <atom:updated>2026-05-03T14:06:24+09:00</atom:updated>
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            <media:title><![CDATA[Title: Dining with her  Series: Dreams  Status: On-going  About:  This is the first entry in this series, this as part of photo-essay  will have a total of 15 main pictorial works and supporting supplements.   “Dreams", in this series I wanted to pictorialize what I could remember from my most vivid, intense, and memorable dreams that occurred / occurs to me during the REM phase, which is said to be the primary, deep-sleep stage.  REM dreams are often characterized as intense, emotional, and story-like, compared to non-REM dreams, which are often more thought-like or brief.  This stage is said to be characterized by high brain activity, rapid eye movement, and temporary muscle paralysis. It typically happens in cycles throughout the night, aiding in memory consolidation, emotional regulation, and cognitive function.  I could not remember everything or every dream, but I note down and visualise what I could remember in my journal, this is also an effort to understand human persona & individual psyche, I try to detach myself from self and observe as an outsider treating myself as a mere subject. I try to be impartial and restrict projection of personal beliefs when making these observations.   - - -  Details: Mamiya RB67, Mamiya-Sekor Macro C 150/4.5 Fomapan 100  Fomadon LQN  Year: August, 2025 - present  Photo: November 2025   *** | Eli Mastaine]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Eli Mastaine的精彩作品。]]></media:description>
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