Helm的照片 | 下载免版税和高分辨率图片 https://www.cizucu.com/zh-cn/explore/photos/helm zh-cn 2026-05-01T00:18:21+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. zh-cn https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[hilm | Yuya]]> https://www.cizucu.com/zh-cn/photos/99rgcw2X1KxOk0tLuwtP Yuya https://www.cizucu.com/zh-cn/yu6101photo https://www.cizucu.com/zh-cn/photos/99rgcw2X1KxOk0tLuwtP Wed, 15 Jan 2025 19:24:11 GMT 2025-01-15T19:56:17+09:00 https://cdn.cizucu.com/images/photos/99rgcw2X1KxOk0tLuwtP.jpg?auto=compress,format <![CDATA[シャンプーを嫌がる猫 #猫 #動物 #生き物 #ペット #シャンプー #animal #help #love #cat #pet #kitty #cute #shout #funny #shampoo | eriko]]> https://www.cizucu.com/zh-cn/photos/c7ViJVB3nG8Bk2wZzRZg eriko https://www.cizucu.com/zh-cn/users/VPyyWuW6pWhvCm1rpBV6m5INcPE2 https://www.cizucu.com/zh-cn/photos/c7ViJVB3nG8Bk2wZzRZg Wed, 28 Feb 2024 09:31:43 GMT 2025-03-27T23:54:44+09:00 https://cdn.cizucu.com/images/photos/c7ViJVB3nG8Bk2wZzRZg.jpg?auto=compress,format <![CDATA[Held in Silence | kaede]]> https://www.cizucu.com/zh-cn/photos/XoTy56Dk8H31liNrteBr kaede https://www.cizucu.com/zh-cn/users/9fxCGIMr2SUNlV3LKP8MM7DAdz53 https://www.cizucu.com/zh-cn/photos/XoTy56Dk8H31liNrteBr Sat, 01 Nov 2025 15:06:01 GMT 2025-11-01T15:06:01+09:00 https://cdn.cizucu.com/images/photos/XoTy56Dk8H31liNrteBr.jpg?auto=compress,format <![CDATA[Hoarfrost elm | Gonta]]> https://www.cizucu.com/zh-cn/photos/5LAd6lFZ5IcplRwIh8dO Gonta https://www.cizucu.com/zh-cn/users/24n3U291BeT3mYqe3w3flVA89QD2 https://www.cizucu.com/zh-cn/photos/5LAd6lFZ5IcplRwIh8dO Thu, 15 Feb 2024 23:24:57 GMT 2024-11-23T03:48:16+09:00 https://cdn.cizucu.com/images/photos/5LAd6lFZ5IcplRwIh8dO.jpg?auto=compress,format <![CDATA[#一方通行 #oneway #hellって書いてある #落書きはやめましょう #台北 #taipei #台湾 #白 #駐輪 #gr3x #snap | naotake_speaks]]> https://www.cizucu.com/zh-cn/photos/AHMXJdeJS2ZtceUMCODZ naotake_speaks https://www.cizucu.com/zh-cn/naotake_speaks https://www.cizucu.com/zh-cn/photos/AHMXJdeJS2ZtceUMCODZ Sat, 09 Aug 2025 17:25:38 GMT 2025-08-09T17:25:38+09:00 https://cdn.cizucu.com/images/photos/AHMXJdeJS2ZtceUMCODZ.jpg?auto=compress,format <![CDATA[One day, the girl decided to let go of the things she held dear. | ojisan_f2.8]]> https://www.cizucu.com/zh-cn/photos/o1Kej9sITQazMKbgsf98 ojisan_f2.8 https://www.cizucu.com/zh-cn/users/rg2Rd5Lf3rdGRnUiFVH79jmkXJQ2 https://www.cizucu.com/zh-cn/photos/o1Kej9sITQazMKbgsf98 Sun, 08 Mar 2026 00:17:13 GMT 2026-03-08T00:17:13+09:00 https://cdn.cizucu.com/images/photos/o1Kej9sITQazMKbgsf98.jpg?auto=compress,format <![CDATA[She rises without hurry. Light repeats itself along the wall. Her gaze is steady held somewhere between where she has been and where she is going. Nothing dramatic happens here. Yet everything continues. The city carries her forward one quiet ascent at a time. | gary.pwk]]> https://www.cizucu.com/zh-cn/photos/vrxnvlgI1DKuw6rb8dAd gary.pwk https://www.cizucu.com/zh-cn/users/fQDX5PB5CpaA5Mz9Pqx0qJcMpoE3 https://www.cizucu.com/zh-cn/photos/vrxnvlgI1DKuw6rb8dAd Sat, 17 Jan 2026 23:47:40 GMT 2026-01-17T23:47:40+09:00 https://cdn.cizucu.com/images/photos/vrxnvlgI1DKuw6rb8dAd.jpg?auto=compress,format <![CDATA[It's not enough to be held by Earth, we must explore its depth...地球に抱かれているだけでは足りない。私たちはその奥深くを探求しなければならない。 | Meg.Sose]]> https://www.cizucu.com/zh-cn/photos/QQtAkuX9g03gCjb3KnmK Meg.Sose https://www.cizucu.com/zh-cn/users/HgjOZIUW8zckNaIM3aCNAnBvQtD2 https://www.cizucu.com/zh-cn/photos/QQtAkuX9g03gCjb3KnmK Sat, 11 Apr 2026 09:08:47 GMT 2026-04-11T09:08:47+09:00 https://cdn.cizucu.com/images/photos/QQtAkuX9g03gCjb3KnmK.jpg?auto=compress,format <![CDATA[Colors held by different shapes and organized by orders are making conversations that create a kind of harmonious rhythm and accidental quality of beauty. This snapshot in Kyoto the other day summed up what I enjoy most about drifting in the city: to surround myself with such accidental beauty. And I can’t wait to go back. | lylayaki]]> https://www.cizucu.com/zh-cn/photos/a4fBI4zbBXs7zFf3S8qB lylayaki https://www.cizucu.com/zh-cn/lylayaki https://www.cizucu.com/zh-cn/photos/a4fBI4zbBXs7zFf3S8qB Tue, 17 Oct 2023 23:52:55 GMT 2024-11-26T12:16:13+09:00 https://cdn.cizucu.com/images/photos/a4fBI4zbBXs7zFf3S8qB.jpg?auto=compress,format <![CDATA[Title: “Still There” This was my last morning in the condo I stayed in during COVID. It was my safe space. Nothing special happened here, but it held a lot of quiet moments. I left, but something of me stayed. Even now, I still think about this room. | Paikography]]> https://www.cizucu.com/zh-cn/photos/AMw9m3EIxHkr7poTbLtS Paikography https://www.cizucu.com/zh-cn/users/dIShQCeptpYPVeYYyCXGdaGj7OL2 https://www.cizucu.com/zh-cn/photos/AMw9m3EIxHkr7poTbLtS Sun, 12 Apr 2026 04:04:09 GMT 2026-04-12T04:04:09+09:00 https://cdn.cizucu.com/images/photos/AMw9m3EIxHkr7poTbLtS.jpg?auto=compress,format <![CDATA[One of the most unique and dearest photo that I have taken for my best friend who got married. It was the first time I was asked to help take photos for an important moment in life. It was the first time my photo was shared by Sony Singapore Instagram. Hope everyone like this special piece from me :) | Loh Jia Qi]]> https://www.cizucu.com/zh-cn/photos/aJ26GaRiGUkX2qF0ZIHm Loh Jia Qi https://www.cizucu.com/zh-cn/users/osPUPpShEQbnmqPEbi6DtFbdwaG2 https://www.cizucu.com/zh-cn/photos/aJ26GaRiGUkX2qF0ZIHm Thu, 19 Feb 2026 08:58:36 GMT 2026-02-19T08:58:36+09:00 https://cdn.cizucu.com/images/photos/aJ26GaRiGUkX2qF0ZIHm.jpg?auto=compress,format <![CDATA[Industrial Scape, perspective from inside The London Eye in London, United Kingdom. 153 meters high from The London Eye, one is fed with a landscape of industrialized development, places that holds great history, it gives you the opportunity to fixate on the slower, smaller more meaningful things in life. Repetition, repetition. Buildings after buildings, what makes them special? Because like life, with abundance to see, places you slowly grow into — one must never forget to look past the walls and remember the lives it held within. | lucion j. orion]]> https://www.cizucu.com/zh-cn/photos/puyvXkP9v1WuoVMct1gm lucion j. orion https://www.cizucu.com/zh-cn/users/sHuYH7JK2ySh1yqgaj7U61AtsOl2 https://www.cizucu.com/zh-cn/photos/puyvXkP9v1WuoVMct1gm Sat, 18 Apr 2026 14:32:50 GMT 2026-04-18T14:32:50+09:00 https://cdn.cizucu.com/images/photos/puyvXkP9v1WuoVMct1gm.jpg?auto=compress,format <![CDATA[Full sky of lantern is one of the magnificent things you must experience once in a life. This moment was capture during the Yi Peng and Loy krathong festival held in Chiang Mai, Thailand. Yi Peng features the sky lantern while Loy Krathong involve floating of a basket or vessel. Yi Peng is originated from Lanna culture in northern Thailand. It means the second full moon of lanna calender month, is a religious event that people put up the lanterns to show devotion to Buddha, to worship the god in the high heaven. It is believed that lantern will carry away all the unfortunate things and making ways for good luck and bright future. People also putting the krathong to show gratefulness to the goddess of water, letting go of anger and bad luck you have been holding in the past and welcoming the good fortune that’s free of negativity in the coming year. Shot by iPhone 16 Pro Max | Jing Kang]]> https://www.cizucu.com/zh-cn/photos/FD6FQi6UblP8Ok9v6tQJ Jing Kang https://www.cizucu.com/zh-cn/jklifeimmerse https://www.cizucu.com/zh-cn/photos/FD6FQi6UblP8Ok9v6tQJ Tue, 17 Mar 2026 01:23:33 GMT 2026-03-17T01:23:33+09:00 https://cdn.cizucu.com/images/photos/FD6FQi6UblP8Ok9v6tQJ.jpg?auto=compress,format <![CDATA[These are my mother’s hands, with the flowers she loves. She has always said that her hands are ugly.
Growing up in poverty,
she had to help with farming from a very young age.
Years of hard labor and heavy housework
have left marks on her hands that time cannot erase. But to me, these are the hands I am deeply grateful for—
the hands that held me
and protected me as I grew up. Through this image,
I hope more people can see the strength, history,
and quiet magnificence these hands carry. これは、母の手と、母の好きな花です。 母はいつも、自分の手は醜いと言います。
貧しい家庭に育ち、
幼い頃から農作業を手伝ってきました。
長年の労働と家事によって、
その手には消えることのない歳月の跡が刻まれています。 けれど私にとって、この手は
私を抱き、守り、育ててくれた大切な手です。 この写真を通して、
この手に刻まれた力強い歴史と、
その中にある静かな美しさが伝わればと思います。

 這是我母親的手，和她喜歡的花。 母親總說自己的手很醜。
因為從小家境貧困，
年幼時便要協助耕作。
長年的勞動與繁重的家務，
讓歲月在她的手上留下無法抹去的痕跡。 而我卻深深感謝這雙手——
捧著我、守護著我長大。 我希望，
能讓更多人看見這雙手所承載的壯麗痕跡。 | JoJo Tsai 蔡易蓁]]> https://www.cizucu.com/zh-cn/photos/v0tznKhGxq4p8f6QJS7I JoJo Tsai 蔡易蓁 https://www.cizucu.com/zh-cn/jojotsai https://www.cizucu.com/zh-cn/photos/v0tznKhGxq4p8f6QJS7I Thu, 19 Feb 2026 04:15:08 GMT 2026-02-19T04:15:08+09:00 https://cdn.cizucu.com/images/photos/v0tznKhGxq4p8f6QJS7I.jpg?auto=compress,format <![CDATA[These are my mother’s hands, with the flowers she loves. She has always said that her hands are ugly.
Growing up in poverty,
she had to help with farming from a very young age.
Years of hard labor and heavy housework
have left marks on her hands that time cannot erase. But to me, these are the hands I am deeply grateful for—
the hands that held me
and protected me as I grew up. Through this image,
I hope more people can see the strength, history,
and quiet magnificence these hands carry. これは、母の手と、母の好きな花です。 母はいつも、自分の手は醜いと言います。
貧しい家庭に育ち、
幼い頃から農作業を手伝ってきました。
長年の労働と家事によって、
その手には消えることのない歳月の跡が刻まれています。 けれど私にとって、この手は
私を抱き、守り、育ててくれた大切な手です。 この写真を通して、
この手に刻まれた力強い歴史と、
その中にある静かな美しさが伝わればと思います。

 這是我母親的手，和她喜歡的花。 母親總說自己的手很醜。
因為從小家境貧困，
年幼時便要協助耕作。
長年的勞動與繁重的家務，
讓歲月在她的手上留下無法抹去的痕跡。 而我卻深深感謝這雙手——
捧著我、守護著我長大。 我希望，
能讓更多人看見這雙手所承載的壯麗痕跡。 | JoJo Tsai 蔡易蓁]]> https://www.cizucu.com/zh-cn/photos/M1X8wUZ1MnOhWKaCnonb JoJo Tsai 蔡易蓁 https://www.cizucu.com/zh-cn/jojotsai https://www.cizucu.com/zh-cn/photos/M1X8wUZ1MnOhWKaCnonb Thu, 19 Feb 2026 04:18:22 GMT 2026-02-19T04:18:22+09:00 https://cdn.cizucu.com/images/photos/M1X8wUZ1MnOhWKaCnonb.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/zh-cn/photos/cLMlwd2zuriHaAa7UIXB Arthur Liew https://www.cizucu.com/zh-cn/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/zh-cn/photos/cLMlwd2zuriHaAa7UIXB Sun, 22 Mar 2026 16:38:29 GMT 2026-03-22T16:38:29+09:00 https://cdn.cizucu.com/images/photos/cLMlwd2zuriHaAa7UIXB.jpg?auto=compress,format <![CDATA[The Lost Romance and Dances was born from a dream and a place, the Seven Sisters Cliff. I had imagined it for a very long time, and when I finally stood there, the experience felt otherworldly. The sunset unveiled colors I had never seen before, painting the horizon in tones so magical that time itself seemed to pause. As evening dissolved into night, the cliffs transformed. What was once radiant with color became stark, monochrome, almost like the aftertaste of a love once held and suddenly taken away. This place felt alive with memory, a witness to joy, heartbreak, and longing through countless lives that had passed across its edge. At its heart, The Lost Romance and Dances is a meditation on memory and return. The work drifts like a forgotten tide, carrying back fragments of love, loss, and longing. It is dedicated to those who have loved deeply and lost, who return not to reclaim but to rediscover. Within its imagery rests a fragile devotion, a romance both fleeting and eternal, kept alive in the quiet dance ofmemories returning. | INKAN]]> https://www.cizucu.com/zh-cn/photos/c6X5QFypeVexSKsL3yma INKAN https://www.cizucu.com/zh-cn/users/394o0WNHj6P0jZeascrsAkgBWDx1 https://www.cizucu.com/zh-cn/photos/c6X5QFypeVexSKsL3yma Sat, 14 Mar 2026 02:33:47 GMT 2026-03-14T02:33:47+09:00 https://cdn.cizucu.com/images/photos/c6X5QFypeVexSKsL3yma.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/zh-cn/photos/aCRdHvBtI6EE9pHD6Jud Arthur Liew https://www.cizucu.com/zh-cn/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/zh-cn/photos/aCRdHvBtI6EE9pHD6Jud Sun, 22 Mar 2026 16:32:12 GMT 2026-03-22T16:32:12+09:00 https://cdn.cizucu.com/images/photos/aCRdHvBtI6EE9pHD6Jud.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/zh-cn/photos/RDduCIQ1jlKWBqn7gdBH Arthur Liew https://www.cizucu.com/zh-cn/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/zh-cn/photos/RDduCIQ1jlKWBqn7gdBH Sun, 22 Mar 2026 16:29:33 GMT 2026-03-22T16:29:33+09:00 https://cdn.cizucu.com/images/photos/RDduCIQ1jlKWBqn7gdBH.jpg?auto=compress,format <![CDATA[This photograph is part of Gulabi, a documentary series named after my grandmother, capturing the quiet rhythms of her life in her modest home in Udupi, Karnataka, India. At ninety, her presence held both fragility and strength — a living archive of memory, resilience, and grace. In this frame, she sits in stillness while a small cat rests on her shoulder, an unspoken companionship that softens the solitude often associated with aging. The gesture is simple, yet deeply human — care expressed without words. Gulabi took her last breath in February 2025. This image, and the series as a whole, is one I return to often. It fills me with quiet pride to know that her presence will continue to live on through these photographs for years to come. The series reflects on aging as a state of dignity rather than decline. It invites us to reconsider what we overlook: the beauty of routine, the intimacy of silence, and the emotional landscapes contained within everyday life. Moving forward, I hope to continue exploring themes of human consciousness and intergenerational spiritual connection. My challenge is to document with tenderness and honesty — preserving and creating stories that risk disappearing in the speed of modern life, while safeguarding the essence of what it means to be truly human and to coexist in this world. | Shetty Karthik]]> https://www.cizucu.com/zh-cn/photos/SaattyEITUWZ19MyOfcT Shetty Karthik https://www.cizucu.com/zh-cn/users/4CAGdl8B7GXvaOKe9WeEAoMcJ232 https://www.cizucu.com/zh-cn/photos/SaattyEITUWZ19MyOfcT Tue, 24 Feb 2026 18:17:48 GMT 2026-02-24T18:17:48+09:00 https://cdn.cizucu.com/images/photos/SaattyEITUWZ19MyOfcT.jpg?auto=compress,format