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          <title><![CDATA[pray  #snap #sea #Hawaii #sky | nako]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/WosBCWzNaBCOsyeOUuS4</link>
          <description><![CDATA[在cizucu上查看更多nako的精彩作品。]]></description>
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            <name>nako</name>
            <uri>https://www.cizucu.com/zh-cn/__n_k_ooo</uri>
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          <pubDate>Fri, 18 Jul 2025 13:19:33 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多nako的精彩作品。]]></media:description>
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          <title><![CDATA[Laundry Under a Grey Sky  #tokyocameraclub #東京カメラ部 #streetphotography #streetphotographyjapan #urbanphotography #sonyphotography #sonyalpha #東京写真 #モノクロ写真 #ファインダー越しの私の世界 | dz a.k.a dashan]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/fZwirLSumfXpUTfAA69y</link>
          <description><![CDATA[在cizucu上查看更多dz a.k.a dashan的精彩作品。]]></description>
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            <name>dz a.k.a dashan</name>
            <uri>https://www.cizucu.com/zh-cn/dz</uri>
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          <pubDate>Sat, 21 Feb 2026 11:06:42 GMT</pubDate>
          <atom:updated>2026-02-21T11:06:42+09:00</atom:updated>
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            <media:title><![CDATA[Laundry Under a Grey Sky  #tokyocameraclub #東京カメラ部 #streetphotography #streetphotographyjapan #urbanphotography #sonyphotography #sonyalpha #東京写真 #モノクロ写真 #ファインダー越しの私の世界 | dz a.k.a dashan]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多dz a.k.a dashan的精彩作品。]]></media:description>
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          <title><![CDATA[A fast-paced Bangkok night 大きな地震でスワンナプーム空港は大騒動だった。なんとかGrabでバンコクの街に出てくると、人のパワーがあふれて、スピード感が肌に当たるような夜だった | navi]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/nGd1bsDIpGIWNiwKW5L8</link>
          <description><![CDATA[在cizucu上查看更多navi的精彩作品。]]></description>
          <author>
            <name>navi</name>
            <uri>https://www.cizucu.com/zh-cn/users/7wDo2nYHqqUH5RNPwjy1NkS4Wk12</uri>
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          <pubDate>Sun, 27 Apr 2025 01:14:03 GMT</pubDate>
          <atom:updated>2025-04-27T01:14:30+09:00</atom:updated>
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            <media:title><![CDATA[A fast-paced Bangkok night 大きな地震でスワンナプーム空港は大騒動だった。なんとかGrabでバンコクの街に出てくると、人のパワーがあふれて、スピード感が肌に当たるような夜だった | navi]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多navi的精彩作品。]]></media:description>
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          <title><![CDATA[While exploring a rainy West Lake in Hangzhou, the vivid red against the grey mist caught my eye as this man stood motionless in his Hanfu. To me, this scene visually represents a moment of timelessness amidst the modern crowd. | Samuel Sze]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/Euxc8AGNtXvBqK53bTEx</link>
          <description><![CDATA[在cizucu上查看更多Samuel Sze的精彩作品。]]></description>
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            <name>Samuel Sze</name>
            <uri>https://www.cizucu.com/zh-cn/users/gKr8SsRAEma8IIVoZHxOGBB4U4I3</uri>
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          <pubDate>Sun, 18 Jan 2026 13:37:25 GMT</pubDate>
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            <media:title><![CDATA[While exploring a rainy West Lake in Hangzhou, the vivid red against the grey mist caught my eye as this man stood motionless in his Hanfu. To me, this scene visually represents a moment of timelessness amidst the modern crowd. | Samuel Sze]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Samuel Sze的精彩作品。]]></media:description>
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          <title><![CDATA[Summer in Japan is always filled with energy despite the intense heat accompanying the high humidity. Amidst the heat, a group of Theraveda Buddhists hosted the Hti-Hoisting ceremony for a newly built Pagoda in Saitama. One of the fun moment is that the sponsor throw the money into the crowd and the crowd tried to grab them as much as possible. This is unique cultural moment which can be seen only in Myanmar. | kelvintetsuya]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/nzPjCStIaDaI13iYDJl2</link>
          <description><![CDATA[在cizucu上查看更多kelvintetsuya的精彩作品。]]></description>
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            <name>kelvintetsuya</name>
            <uri>https://www.cizucu.com/zh-cn/users/Y9dOOQ3yyXfiOjiYVyOhdfZOanS2</uri>
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          <pubDate>Wed, 18 Feb 2026 02:32:54 GMT</pubDate>
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            <media:title><![CDATA[Summer in Japan is always filled with energy despite the intense heat accompanying the high humidity. Amidst the heat, a group of Theraveda Buddhists hosted the Hti-Hoisting ceremony for a newly built Pagoda in Saitama. One of the fun moment is that the sponsor throw the money into the crowd and the crowd tried to grab them as much as possible. This is unique cultural moment which can be seen only in Myanmar. | kelvintetsuya]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多kelvintetsuya的精彩作品。]]></media:description>
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          <title><![CDATA[“Crow Citizens is the introspection of contemporaneous human dynamism.”   How do you envision yourself as another life form? Are you a unicorn? Maybe a nightingale? Sensefully, I considered myself a Crow Citizen. Crow Citizens are the lifeform that learn the endless wisdom from a borderless world till the era of enlightenment. They aim sharply and swoop down to grab their daily food; some are edible, and some are poisonous. It is their judgment to decide their ideal meals.  Location: Romaneenart Part, Bangkok, Thailand | Kemodis & Things]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/wWI285ZIdxxtMN20sebE</link>
          <description><![CDATA[在cizucu上查看更多Kemodis & Things的精彩作品。]]></description>
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            <name>Kemodis & Things</name>
            <uri>https://www.cizucu.com/zh-cn/users/Bm6oHF1qX6TSj9LX4pGyLUzNNeG2</uri>
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          <pubDate>Sat, 14 Feb 2026 22:47:33 GMT</pubDate>
          <atom:updated>2026-02-14T22:47:33+09:00</atom:updated>
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            <media:title><![CDATA[“Crow Citizens is the introspection of contemporaneous human dynamism.”   How do you envision yourself as another life form? Are you a unicorn? Maybe a nightingale? Sensefully, I considered myself a Crow Citizen. Crow Citizens are the lifeform that learn the endless wisdom from a borderless world till the era of enlightenment. They aim sharply and swoop down to grab their daily food; some are edible, and some are poisonous. It is their judgment to decide their ideal meals.  Location: Romaneenart Part, Bangkok, Thailand | Kemodis & Things]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Kemodis & Things的精彩作品。]]></media:description>
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          <title><![CDATA[“I Wasn’t Looking at the Scenery, I Was Looking at Time.”  This is my hometown by the sea. The west coast used to be always overcast— a dull grey sky, rusted warehouses, and faint memories cast in shadow. Back in high school, I never really liked this place.  Now it’s been redeveloped—cleaner, brighter. And even though none of the old signs remain, I find myself lifting my camera every time I return.  The breeze feels softer now. Calmer, somehow more forgiving.  Shot with the Nikon Zf. It wasn’t just the landscape that changed. Maybe my way of seeing it did too.  #nikonzf #leicalove #minimalismphotography #capitalminimalism #streetphotography #moodytones #photomemoir #visualstorytelling #japanphotography #都市とミニマリズム #キャピタルミニマリズム  | Andy]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/mnHH5KKfeYHgwdqRIp0E</link>
          <description><![CDATA[在cizucu上查看更多Andy的精彩作品。]]></description>
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            <name>Andy</name>
            <uri>https://www.cizucu.com/zh-cn/andy</uri>
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          <pubDate>Thu, 01 May 2025 09:35:29 GMT</pubDate>
          <atom:updated>2025-05-01T09:35:46+09:00</atom:updated>
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            <media:title><![CDATA[“I Wasn’t Looking at the Scenery, I Was Looking at Time.”  This is my hometown by the sea. The west coast used to be always overcast— a dull grey sky, rusted warehouses, and faint memories cast in shadow. Back in high school, I never really liked this place.  Now it’s been redeveloped—cleaner, brighter. And even though none of the old signs remain, I find myself lifting my camera every time I return.  The breeze feels softer now. Calmer, somehow more forgiving.  Shot with the Nikon Zf. It wasn’t just the landscape that changed. Maybe my way of seeing it did too.  #nikonzf #leicalove #minimalismphotography #capitalminimalism #streetphotography #moodytones #photomemoir #visualstorytelling #japanphotography #都市とミニマリズム #キャピタルミニマリズム  | Andy]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Andy的精彩作品。]]></media:description>
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          <title><![CDATA[那天沒有特別的預兆，人們照常經過，步伐穩定而急促，像各自趕往既定的下一幕。 顏色被收進低調的灰與黑裡，連時間也顯得安靜而順從。 只有中央那一點紅，停在原地，像還沒被寫進故事的角色。 於是所有人繼續前行，而那個尚未開始的片段，被留在原處，等待被想起。  There was no omen that day. People passed by as usual, their steps steady and hurried, as if rushing toward their own predetermined next scenes. Colors were tucked away into muted grays and blacks; even time seemed quiet and submissive. Only that single speck of red in the center remained still—like a character yet to be written into the story. And so, everyone moved on, leaving that unbegun fragment behind, waiting to be remembered. | SSU JUNG-LIN]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/nrmMSu53qtACfC79tYUG</link>
          <description><![CDATA[在cizucu上查看更多SSU JUNG-LIN的精彩作品。]]></description>
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            <name>SSU JUNG-LIN</name>
            <uri>https://www.cizucu.com/zh-cn/users/3Gt1sECFJgTHYNVKKNZk1guHeOv1</uri>
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          <pubDate>Sat, 11 Apr 2026 18:29:42 GMT</pubDate>
          <atom:updated>2026-04-11T18:29:42+09:00</atom:updated>
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            <media:title><![CDATA[那天沒有特別的預兆，人們照常經過，步伐穩定而急促，像各自趕往既定的下一幕。 顏色被收進低調的灰與黑裡，連時間也顯得安靜而順從。 只有中央那一點紅，停在原地，像還沒被寫進故事的角色。 於是所有人繼續前行，而那個尚未開始的片段，被留在原處，等待被想起。  There was no omen that day. People passed by as usual, their steps steady and hurried, as if rushing toward their own predetermined next scenes. Colors were tucked away into muted grays and blacks; even time seemed quiet and submissive. Only that single speck of red in the center remained still—like a character yet to be written into the story. And so, everyone moved on, leaving that unbegun fragment behind, waiting to be remembered. | SSU JUNG-LIN]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/nrmMSu53qtACfC79tYUG.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
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          <title><![CDATA[There was a time when I truly loved working as a behind-the-scenes photographer.  But I wasn’t just capturing moments, I was chasing stories, experimenting with new techniques, trying to see how far I could push a frame.  This photo came from that phase. It almost looks like a hand reaching out, about to grab the woman’s head, something straight out of a horror film. But in reality, it was from a heartbreaking music video.  I think that contrast says a lot about where my mind was back then. I miss that version of me, the one who kept trying, who wasn’t afraid to explore, even if the outcome was uncertain. That’s why I chose this as one of my memory photos. | NAREE W.]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/iKqqshPR8xDzThyxXEmt</link>
          <description><![CDATA[在cizucu上查看更多NAREE W.的精彩作品。]]></description>
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            <name>NAREE W.</name>
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          <pubDate>Sun, 12 Apr 2026 11:49:13 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多NAREE W.的精彩作品。]]></media:description>
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          <title><![CDATA[March, Unlived  I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence.  In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls.  Here,  where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between.  And yet I find myself missing that fragile hesitation.  The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months.  I traded that uncertainty for endless warmth, for skies that do not question themselves.  But March— March was never about certainty.  It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return.  Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole.  And here, palm leaves move without memory.  I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility.  And maybe that is what I miss most: not the cold, not the country—  but the feeling of something beginning without knowing if it will last. | analogbysissi]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/ZGnqRjAS6NTCzWe3Irv5</link>
          <description><![CDATA[在cizucu上查看更多analogbysissi的精彩作品。]]></description>
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          <pubDate>Wed, 25 Mar 2026 15:24:24 GMT</pubDate>
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            <media:title><![CDATA[March, Unlived  I left before the thaw could speak, before the sidewalks loosened their grip on salt and silence.  In the country where I am from, March is a quiet revolution— not loud, not certain, but felt in the soft rebellion of light lingering just a breath longer on familiar walls.  Here,  where I chose to live for now, seasons do not hesitate. The air is already complete, lush, unwavering— no trembling in-between.  And yet I find myself missing that fragile hesitation.  The way winter would loosen its cold fingers slowly, as if unsure it should let go. The way people would almost smile again, as if remembering something they hadn’t needed in months.  I traded that uncertainty for endless warmth, for skies that do not question themselves.  But March— March was never about certainty.  It was about sitting between worlds, coat half-open, heart unsure, waiting for something unnamed to return.  Somewhere, my family gathers around a table set for Easter, voices rising like the first birds, familiar, imperfect, whole.  And here, palm leaves move without memory.  I chose the sun, but I think of that soft, grey light— how it carried hope not as a promise, but as a possibility.  And maybe that is what I miss most: not the cold, not the country—  but the feeling of something beginning without knowing if it will last. | analogbysissi]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多analogbysissi的精彩作品。]]></media:description>
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