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          <title><![CDATA[手工制作的列表架，允许用户自由留言 | 葉山 あも]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/WfdolJMIYwosM3rl2aTv</link>
          <description><![CDATA[在cizucu免费下载由葉山 あも拍摄的高质量手工制作的列表架，允许用户自由留言照片。]]></description>
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          <title><![CDATA[在蓝天下自由舞动的女性轮廓 | 夜寝子]]></title>
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          <description><![CDATA[在cizucu免费下载由夜寝子拍摄的高质量在蓝天下自由舞动的女性轮廓照片。]]></description>
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            <media:description><![CDATA[在cizucu免费下载由夜寝子拍摄的高质量在蓝天下自由舞动的女性轮廓照片。]]></media:description>
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          <title><![CDATA[From above, the world is naturally divided into proportions. The road occupies one third, the rest left to the sea and the wind.  A vehicle moves along the Aewol coast of Jeju Island, not to reach a destination, but to let the eye wander freely within the choice of one third. | Lawrence Liou]]></title>
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          <description><![CDATA[在cizucu上查看更多Lawrence Liou的精彩作品。]]></description>
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            <media:description><![CDATA[在cizucu上查看更多Lawrence Liou的精彩作品。]]></media:description>
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          <title><![CDATA[Small Lives, Vast Mountains   Likir, Ladakh. One afternoon I wandered onto a terrace quietly sitting between mountains. Two girls ran and laughed under the full sun, small lives moving freely inside a vast world. | HarshJanii]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/rBOfpXMDmXFioHC52yTg</link>
          <description><![CDATA[在cizucu上查看更多HarshJanii的精彩作品。]]></description>
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            <media:description><![CDATA[在cizucu上查看更多HarshJanii的精彩作品。]]></media:description>
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          <title><![CDATA[Small Lives, Vast Mountains   Likir, Ladakh. One afternoon I wandered onto a terrace quietly sitting between mountains. Two girls ran and laughed under the full sun, small lives moving freely inside a vast world. | HarshJanii]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/J68jEKa2ry984T52TdIP</link>
          <description><![CDATA[在cizucu上查看更多HarshJanii的精彩作品。]]></description>
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            <uri>https://www.cizucu.com/zh-cn/harshjanii</uri>
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            <media:description><![CDATA[在cizucu上查看更多HarshJanii的精彩作品。]]></media:description>
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          <title><![CDATA[Living in Happyland  In 2019, I spent a weekend in Aroma, Tondo, Manila — an informal settlement often known as Happyland. The name comes from Hapilan, meaning dump site, a reminder of the harsh environment the community lives in.   I was invited by a friend who runs a shelter for boys in the area. During my time there, I met children and families living in extreme poverty, many relying on scavenging at nearby dump sites to survive. Yet what stayed with me was not just the hardship, but the warmth of the people. I was welcomed openly, with laughter, curiosity, and generosity that felt deeply sincere.   As a photographer, I struggled with how to tell this story. Rather than focusing only on deprivation, I chose to document moments of hope — the smiles, friendships, and quiet resilience of everyday life. The children spoke freely about their dreams of becoming nurses, engineers, and software developers, believing strongly in a future beyond their present circumstances.   This experience reshaped my understanding of happiness, showing me how dignity, community, and hope endure even in the most difficult places. | Victor Tan KH]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/5rLps4AdmWu1rEHn4sQW</link>
          <description><![CDATA[在cizucu上查看更多Victor Tan KH的精彩作品。]]></description>
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          <title><![CDATA[Juliet in the garden, December 2025 By Leonie Freeman  In December 2025 I travelled to Ibiza to photograph a project about the colourful native Ibizan lizard facing extinction due to invasive snakes coming to the island. This lizard is an ancient species and a much loved symbol of the island. In the last decade numbers are down 80%, since snake eggs have been finding their way to Ibiza hidden in the roots of imported olive trees from mainland Spain. The snakes have multiplied hugely in numbers and have been killing and eating the lizards, who have no defence against the snakes. People living on Ibiza are coming together to try and save the beloved lizard, by making snake traps and lizard sanctuaries where hopefully numbers can recover.  I was collaborating with Joanna Hruby, of Theatre of the Ancients, a puppet maker and performance artist. Joanna was putting on a Christmas play about the lizard and snake problem, at Can Cristofol farm. The play was a version of Shakespeare’s Room & Juliet, ‘Un Amor Impossible’…. Or ‘an impossible love’ between two species who can not co-exist on the island. With children dressed in amazing hand make costumes, the feuding families of the original Shakespeare play were instead lizards and snakes.   Juliet, played by Fallon, was Juliet and fell in love with Romeo, a snake. In this portrait we see Fallon as Juliet, photographed at sunset in the orange garden at Can Cristofol. She is gleaming in the golden hour sun and it feels like she is in the garden of Eden.   Shot on Mamiya 645 Pro camera with 45mm Mamiya Sekor lens. Using Kodak Gold 200 film.  | Leonie Freeman]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/LcfITjpuir5fca1v6H39</link>
          <description><![CDATA[在cizucu上查看更多Leonie Freeman的精彩作品。]]></description>
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          <pubDate>Tue, 07 Apr 2026 23:00:45 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多Leonie Freeman的精彩作品。]]></media:description>
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