Forge的照片 | 下载免版税和高分辨率图片 https://www.cizucu.com/zh-cn/explore/photos/forge zh-cn 2026-04-18T20:21:17+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. zh-cn https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Not to forget. | 佐藤亜梨沙 │ Sato Arisa]]> https://www.cizucu.com/zh-cn/photos/xJFuytqtAfPdG8s5HpYn 佐藤亜梨沙 │ Sato Arisa https://www.cizucu.com/zh-cn/shirousa_uto https://www.cizucu.com/zh-cn/photos/xJFuytqtAfPdG8s5HpYn Fri, 21 Jun 2024 08:08:45 GMT 2024-06-23T15:21:15+09:00 https://cdn.cizucu.com/images/photos/xJFuytqtAfPdG8s5HpYn.jpg?auto=compress,format <![CDATA[忘れな草 Forget Me Not | ナオーキー]]> https://www.cizucu.com/zh-cn/photos/mQsOJWhZwdqU3VoJC5TN ナオーキー https://www.cizucu.com/zh-cn/nao_charisma129 https://www.cizucu.com/zh-cn/photos/mQsOJWhZwdqU3VoJC5TN Wed, 21 Feb 2024 17:39:33 GMT 2024-11-22T16:32:40+09:00 https://cdn.cizucu.com/images/photos/mQsOJWhZwdqU3VoJC5TN.jpg?auto=compress,format <![CDATA[Dialogue forme the 3rd age in Madrid | Pikanchor]]> https://www.cizucu.com/zh-cn/photos/mGXCcL6nb9teUIgwEqQv Pikanchor https://www.cizucu.com/zh-cn/users/BGZ8WhAoOLbR8IbStD2ON5jI9wo1 https://www.cizucu.com/zh-cn/photos/mGXCcL6nb9teUIgwEqQv Tue, 14 Oct 2025 06:35:00 GMT 2025-10-14T06:35:00+09:00 https://cdn.cizucu.com/images/photos/mGXCcL6nb9teUIgwEqQv.jpg?auto=compress,format <![CDATA[Beneath the Maple Fire. A solitary walk along a Gorge in Kyoto during sunrise, I stumbled across this woman walking along the banks | Aaron Thomas]]> https://www.cizucu.com/zh-cn/photos/dtwHBDnZoxHW6scSEqwq Aaron Thomas https://www.cizucu.com/zh-cn/users/IU5Rr6lYSKRwSFbMAX1u5PqBrel2 https://www.cizucu.com/zh-cn/photos/dtwHBDnZoxHW6scSEqwq Thu, 29 Jan 2026 12:04:00 GMT 2026-01-29T12:04:00+09:00 https://cdn.cizucu.com/images/photos/dtwHBDnZoxHW6scSEqwq.jpg?auto=compress,format <![CDATA[วัฒนธรรม อาหาร แฟชั่น ความย้อนแย้ง และความแตกต่างที่หลากหลาย คือจังหวะแห่งมหานครกรุงเทพ เมืองที่ความวุ่นวายไม่ใช่ความสับสน แต่คือพื้นที่ที่เติมเต็มและหล่อหลอมทุกพลังสร้างสรรค์ Culture, food, fashion, contradiction, and layered diversity form the rhythm of Bangkok, the metropolis where chaos is not confusion, but a space that nurtures and shapes every creative force. | Joe Kongsan]]> https://www.cizucu.com/zh-cn/photos/UTnbFDBJO3fIcK3p6eFi Joe Kongsan https://www.cizucu.com/zh-cn/users/9Db7kQufMlbUkh6mrd6lSRdLr8H3 https://www.cizucu.com/zh-cn/photos/UTnbFDBJO3fIcK3p6eFi Fri, 13 Feb 2026 13:55:21 GMT 2026-02-13T13:55:21+09:00 https://cdn.cizucu.com/images/photos/UTnbFDBJO3fIcK3p6eFi.jpg?auto=compress,format <![CDATA[In a city where ownership is rare and expression is regulated, this photograph captures the quiet reverence of Singapore’s car culture. Shaped by strict modification laws, soaring COE prices, and rising costs, each car becomes more than a machine — it is a symbol of devotion, restraint, and identity. What survives here is not excess, but intention: a sacred culture forged under limitation. | DORI]]> https://www.cizucu.com/zh-cn/photos/lUrE5MibITOs7WRzW9cq DORI https://www.cizucu.com/zh-cn/users/rBtgck6LohNr32NPWArgW9eXBCv2 https://www.cizucu.com/zh-cn/photos/lUrE5MibITOs7WRzW9cq Sat, 10 Jan 2026 14:29:13 GMT 2026-01-10T14:29:13+09:00 https://cdn.cizucu.com/images/photos/lUrE5MibITOs7WRzW9cq.jpg?auto=compress,format <![CDATA["In Darkness, We Find Light" Humanity has come so far to produce light and manipulate it that goes beyond its primary purpose which is to illuminate. Now we use light to inspire and tell stories in the dark. Science and ingenuity is a powerful driving force of our current technology. "Light Bending and Manipulation" with lens filters on multiple exposures capturing different artificial light sources. | JuskoLiy]]> https://www.cizucu.com/zh-cn/photos/y4dUsQS7SWFJtsiebLQ6 JuskoLiy https://www.cizucu.com/zh-cn/juskoliy https://www.cizucu.com/zh-cn/photos/y4dUsQS7SWFJtsiebLQ6 Sat, 21 Mar 2026 09:11:14 GMT 2026-03-21T09:11:14+09:00 https://cdn.cizucu.com/images/photos/y4dUsQS7SWFJtsiebLQ6.jpg?auto=compress,format <![CDATA[Industrial Scape, shot from inside The London Eye in London, United Kingdom. At 153 meters high in The London Eye, one is fed with abundance of sights to see, places that has more history than ever, you fixate on the slower, smaller things. Repetition, repetition. Buildings after buildings, what makes them special? Because like life, with abundance to see, places you slowly grow into — one must never forget to appreciate the slower, smaller things in life. | lucion j. orion]]> https://www.cizucu.com/zh-cn/photos/pOWIhFuCbZQak2IpEOky lucion j. orion https://www.cizucu.com/zh-cn/users/sHuYH7JK2ySh1yqgaj7U61AtsOl2 https://www.cizucu.com/zh-cn/photos/pOWIhFuCbZQak2IpEOky Sat, 18 Apr 2026 14:27:06 GMT 2026-04-18T14:27:06+09:00 https://cdn.cizucu.com/images/photos/pOWIhFuCbZQak2IpEOky.jpg?auto=compress,format <![CDATA[Industrial Scape, perspective from inside The London Eye in London, United Kingdom. 153 meters high from The London Eye, one is fed with a landscape of industrialized development, places that holds great history, it gives you the opportunity to fixate on the slower, smaller more meaningful things in life. Repetition, repetition. Buildings after buildings, what makes them special? Because like life, with abundance to see, places you slowly grow into — one must never forget to look past the walls and remember the lives it held within. | lucion j. orion]]> https://www.cizucu.com/zh-cn/photos/puyvXkP9v1WuoVMct1gm lucion j. orion https://www.cizucu.com/zh-cn/users/sHuYH7JK2ySh1yqgaj7U61AtsOl2 https://www.cizucu.com/zh-cn/photos/puyvXkP9v1WuoVMct1gm Sat, 18 Apr 2026 14:32:50 GMT 2026-04-18T14:32:50+09:00 https://cdn.cizucu.com/images/photos/puyvXkP9v1WuoVMct1gm.jpg?auto=compress,format <![CDATA[When I was 22 and fresh out of college, I spent every cent of my savings from part-time jobs on a 10-day solo trip to Japan. I only had my camera and a vintage lens—it was all I could afford back then. In Taiwan, I’d usually sleep until noon, but on that first solo journey, I was already out walking at 6 AM. I looked back and saw this scene... and I’ve never been able to forget it. Camera Sony A7 Lens Pentax super takumar 55mm F1.8 | enzos.fotography]]> https://www.cizucu.com/zh-cn/photos/EKKQ5MTzVzOirTLL0gk0 enzos.fotography https://www.cizucu.com/zh-cn/users/vQqlrmDO12aAZj6YfRZtkRgZ3FO2 https://www.cizucu.com/zh-cn/photos/EKKQ5MTzVzOirTLL0gk0 Fri, 20 Feb 2026 12:33:31 GMT 2026-02-20T12:33:31+09:00 https://cdn.cizucu.com/images/photos/EKKQ5MTzVzOirTLL0gk0.jpg?auto=compress,format <![CDATA[I’ve always been interested in pushing the vertical format on social media — seeing how much story I could fit into a small rectangle. Around 2019, I started blending different images together, mostly out of instinct. I wasn’t trying to say anything specific. I was just experimenting, chasing energy, and making work that felt exciting. When I looked at this image, it made me remember a version of myself I hadn’t thought about in a while. Someone younger, reckless with energy, shooting almost every other weekend, posting constantly, chasing progress and social credit without questioning it. This image feels like those two versions existing at the same time. Not a before and after, but an overlap. It made me wonder if we forget how foolishly passionate we once were about the things we’re still doing every day. | Don Lim]]> https://www.cizucu.com/zh-cn/photos/q5Y2PPw0VqFRE9uckJR5 Don Lim https://www.cizucu.com/zh-cn/users/bkuZ69RpzEd7kWvHeCn1Iwchd2y1 https://www.cizucu.com/zh-cn/photos/q5Y2PPw0VqFRE9uckJR5 Thu, 15 Jan 2026 16:03:31 GMT 2026-01-15T16:03:31+09:00 https://cdn.cizucu.com/images/photos/q5Y2PPw0VqFRE9uckJR5.jpg?auto=compress,format <![CDATA[Raeng Nóm Jai The Force That Draws the Heart I had already packed my bag when I noticed them. The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back. But something shifted. One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness. My battery was nearly dead. I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct. I turned the camera on. For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once. Then the camera died. The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred. But that single frame remained. Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome. I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk. Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear. And that was enough. | John Hupa]]> https://www.cizucu.com/zh-cn/photos/sVh1uqHQzy9Jq3sPjFco John Hupa https://www.cizucu.com/zh-cn/users/5pbld81DKVT8o45bBOOJ7CDUle72 https://www.cizucu.com/zh-cn/photos/sVh1uqHQzy9Jq3sPjFco Wed, 11 Feb 2026 12:29:25 GMT 2026-02-11T12:29:25+09:00 https://cdn.cizucu.com/images/photos/sVh1uqHQzy9Jq3sPjFco.jpg?auto=compress,format <![CDATA[Raeng Nóm Jai The Force That Draws the Heart I had already packed my bag when I noticed them. The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back. But something shifted. One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness. My battery was nearly dead. I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct. I turned the camera on. For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once. Then the camera died. The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred. But that single frame remained. Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome. I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk. Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear. And that was enough. | John Hupa]]> https://www.cizucu.com/zh-cn/photos/cI8eCjEr7pTX08wnzCdu John Hupa https://www.cizucu.com/zh-cn/users/5pbld81DKVT8o45bBOOJ7CDUle72 https://www.cizucu.com/zh-cn/photos/cI8eCjEr7pTX08wnzCdu Wed, 11 Feb 2026 12:30:12 GMT 2026-02-11T12:30:12+09:00 https://cdn.cizucu.com/images/photos/cI8eCjEr7pTX08wnzCdu.jpg?auto=compress,format <![CDATA[Feral Grace II: Bound, Yet Willing to Fly Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series. At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted. The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum. Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it. 《野性優雅 II：向前飛行的束縛》 《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。 在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。 畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。 真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]> https://www.cizucu.com/zh-cn/photos/4YB1R7rZka3WwEA2UxGN W Mick https://www.cizucu.com/zh-cn/mick116 https://www.cizucu.com/zh-cn/photos/4YB1R7rZka3WwEA2UxGN Sun, 21 Dec 2025 01:52:37 GMT 2025-12-21T01:52:37+09:00 https://cdn.cizucu.com/images/photos/4YB1R7rZka3WwEA2UxGN.jpg?auto=compress,format