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          <description><![CDATA[在cizucu上查看更多hira_toshi的精彩作品。]]></description>
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          <title><![CDATA[This is a picture I took back in 2018 in Italy, while travelling to the seaside with my friends for a longboard trip.   It is an important memory as it was a moment in my photography where I started to be more conscious of what I wanted to photograph and in which way, how to frame my subject and what elements to incorporate. A key photograph in my journey.  Was also a moment where I was able to be fully integrated in a community that allowed me to practice a sport I loved and to document it from the inside. | Ermanno Fissore]]></title>
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          <title><![CDATA["I wish I can be as carefree as a cat" my first thoughts when I'm on the way to school.  As a photographer, I’m drawn to moments that feel unexpected: scenes that carries a touch of humor and cuteness.  For the composition, I used the bicycle wheel as a foreground element to provide context while naturally guiding the viewer’s eye toward the main subject.  If this photo made you pause, smile, or "purrrr" a little, feel free to follow me @yaollingatyou on Instagram. Thanks for stopping by! Meoww!🐾 | Tay Yao]]></title>
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          <description><![CDATA[在cizucu上查看更多Tay Yao的精彩作品。]]></description>
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            <media:description><![CDATA[在cizucu上查看更多Tay Yao的精彩作品。]]></media:description>
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          <description><![CDATA[在cizucu上查看更多hira_toshi的精彩作品。]]></description>
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          <title><![CDATA[2025.7.20 NISSAN S14 Silvia.  見た中で一番白煙が凄かった。  Camera : Canon Eos1DXmarkⅢ Lens : EF600mm 1:4 L IS Ⅱ USM Filter : KANI C52WII Drop-in filter Holder with CPL Monopod : manfrotto element Location : 日光サーキット Date : 600mm SS 1/100sec f/13 ISO 100 Edit : Lrレタッチ →Ps現像  #s14 #nissan #silvia #s14silvia #sr20 #ドリフト #drift #drifting  #日産 #s14シルビア  #ドリフト好きな人と繋がりたい  #canon  #eos  #eos1dx  #eos1dxmarkiii  #ef600mmf4lisiiusm  #kanifilter  #一眼レフ  #カメラ好きな人と繋がりたい  #cizucu_photo  #purpleline | hira_toshi]]></title>
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          <description><![CDATA[在cizucu上查看更多hira_toshi的精彩作品。]]></description>
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          <title><![CDATA[This is a picture I took back in 2018 in Italy, while travelling to the seaside with my friends for a longboard trip.   It is an important memory as it was a moment in my photography where I started to be more conscious of what I wanted to photograph and in which way, how to frame my subject and what elements to incorporate. A key photograph in my journey.  Was also a moment where I was able to be fully integrated in a community that allowed me to practice a sport I loved and to document it from the inside. | Ermanno Fissore]]></title>
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          <description><![CDATA[在cizucu上查看更多Ermanno Fissore的精彩作品。]]></description>
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            <name>Ermanno Fissore</name>
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            <media:description><![CDATA[在cizucu上查看更多Ermanno Fissore的精彩作品。]]></media:description>
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          <title><![CDATA[2025.7.20 NISSAN S14 Silvia.  見た中で一番白煙が凄かった。  Camera : Canon Eos1DXmarkⅢ Lens : EF600mm 1:4 L IS Ⅱ USM Filter : KANI C52WII Drop-in filter Holder with CPL Monopod : manfrotto element Location : 日光サーキット Date : 600mm SS 1/100sec f/13 ISO 100 Edit : Lrレタッチ →Ps現像  #s14 #nissan #silvia #s14silvia #sr20 #ドリフト #drift #drifting  #日産 #s14シルビア  #ドリフト好きな人と繋がりたい  #canon  #eos  #eos1dx  #eos1dxmarkiii  #ef600mmf4lisiiusm  #kanifilter  #一眼レフ  #カメラ好きな人と繋がりたい  #cizucu_photo  #purpleline | hira_toshi]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/nsrrivBAtpvNC2yk7waT</link>
          <description><![CDATA[在cizucu上查看更多hira_toshi的精彩作品。]]></description>
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          <pubDate>Fri, 01 Aug 2025 19:47:26 GMT</pubDate>
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          <title><![CDATA[Hello everyone, I’m Simon, a photographer from Taiwan. I’m honored to have been invited to exhibit in Japan. I’ve been thinking about how to introduce Taiwan to foreigners through this exhibition. I realized that Taipei 101 is often the first attraction for many foreigners visiting Taiwan. Therefore, I wanted to showcase the beauty of Taiwan through this photo titled 'Taipei 101 with the Moon.'  Above all , I emphasize that none of the elements in this photo have been photoshopped. On the contrary, I specifically researched the position of the moon rising beforehand and visited the location multiple times. In the end, I was fortunate to have excellent visibility that night, along with a perfectly timed airplane flying by. I hope you enjoy it!  If you like my photos, welcome to join me on my instagram: simon_lee_photographer Let’s become friends in the photography community! | 德威 李]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/LeNpkFH6FjGpptgv0bOL</link>
          <description><![CDATA[在cizucu上查看更多德威 李的精彩作品。]]></description>
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            <name>德威 李</name>
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          <pubDate>Thu, 19 Feb 2026 16:51:52 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多德威 李的精彩作品。]]></media:description>
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          <title><![CDATA[Hello everyone, I’m Simon, a photographer from Taiwan. I’m honored to have been invited to exhibit in Japan. I’ve been thinking about how to introduce Taiwan to foreigners through this exhibition. I realized that Taipei 101 is often the first attraction for many foreigners visiting Taiwan. Therefore, I wanted to showcase the beauty of Taiwan through this photo titled 'Taipei 101 with the Moon.'  Above all , I emphasize that none of the elements in this photo have been photoshopped. On the contrary, I specifically researched the position of the moon rising beforehand and visited the location multiple times. In the end, I was fortunate to have excellent visibility that night, along with a perfectly timed airplane flying by. I hope you enjoy it!  If you like my photos, welcome to join me on my instagram: simon_lee_photographer Let’s become friends in the photography community! | 德威 李]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/LeNpkFH6FjGpptgv0bOL</link>
          <description><![CDATA[在cizucu上查看更多德威 李的精彩作品。]]></description>
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            <media:title><![CDATA[Hello everyone, I’m Simon, a photographer from Taiwan. I’m honored to have been invited to exhibit in Japan. I’ve been thinking about how to introduce Taiwan to foreigners through this exhibition. I realized that Taipei 101 is often the first attraction for many foreigners visiting Taiwan. Therefore, I wanted to showcase the beauty of Taiwan through this photo titled 'Taipei 101 with the Moon.'  Above all , I emphasize that none of the elements in this photo have been photoshopped. On the contrary, I specifically researched the position of the moon rising beforehand and visited the location multiple times. In the end, I was fortunate to have excellent visibility that night, along with a perfectly timed airplane flying by. I hope you enjoy it!  If you like my photos, welcome to join me on my instagram: simon_lee_photographer Let’s become friends in the photography community! | 德威 李]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多德威 李的精彩作品。]]></media:description>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/hgTYSErakAPBxlkfS9Iv</link>
          <description><![CDATA[在cizucu上查看更多a.da.md的精彩作品。]]></description>
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          <pubDate>Sun, 18 Jan 2026 15:17:34 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></media:title>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/5uQprujr5kh3O40uW4oI</link>
          <description><![CDATA[在cizucu上查看更多a.da.md的精彩作品。]]></description>
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          <pubDate>Sun, 18 Jan 2026 16:03:24 GMT</pubDate>
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          <title><![CDATA[ผลงานชิ้นนี้เริ่มจากการเฝ้ารอจังหวะหนึ่งที่อาจเกิดขึ้นเพียงครั้งเดียว  แม้ไม่ได้จัดวางองค์ประกอบใดเป็นพิเศษ ไม่ได้พยายามควบคุมทิศทางของแสงหรือการเคลื่อนไหวของนก  สิ่งที่เกิดขึ้นในภาพคือความไม่แน่นอนล้วนๆ  ทั้งจังหวะปีกที่กางออก และแสงที่สะท้อนแตกกระจายบนผิวน้ำ รวมถึงการอยากแสดงออกถึงความหมายที่ตั้ง  "นก" เป็นตัวแทนของการกล้าลองเป็นสัญลักษณ์ของการตัดสินใจในวินาทีที่ยังไม่รู้ผลลัพธ์  "การกางปีก" คือการยอมรับความเสี่ยงการเลือกเคลื่อนไหวแม้พื้นผิวน้ำด้านล่างจะไม่มั่นคง "แสงที่สะท้อน" เปรียบเหมือนการเผชิญหน้ากับสิ่งที่ไม่อาจควบคุมได้ทั้งสว่างและบาดตาสวยงามและท้าทาย  ภาพสำหรับผมเป็นการตั้งคำถามถึงการเติบโต  ว่าแท้จริงแล้วเราจะก้าวไปข้างหน้าได้อย่างไรก่อนความมั่นใจจะมาถึง . This work began with waiting for a moment that might happen only once. There was no deliberate arrangement of elements, no attempt to control the direction of light or the movement of the birds. What unfolded in the frame was pure uncertainty  the exact instant of wings opening, and the light scattering across the surface of the water. Along with that, there was an intention to express a deeper meaning behind what appears spontaneous.  The bird becomes a representation of courage  a symbol of decision made in a moment when the outcome is still unknown. The act of spreading its wings reflects the acceptance of risk, the choice to move even when the surface beneath feels unstable. The reflected light suggests confrontation  with something uncontrollable, at once radiant and blinding, beautiful and challenging.  For me, this image raises a question about growth: How do we move forward before confidence fully arrives? | Kazoula Faceana]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/nsDHElxfl7oe6XYMg1A6</link>
          <description><![CDATA[在cizucu上查看更多Kazoula Faceana的精彩作品。]]></description>
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          <pubDate>Sat, 14 Feb 2026 01:00:51 GMT</pubDate>
          <atom:updated>2026-02-21T11:10:25+09:00</atom:updated>
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            <media:title><![CDATA[ผลงานชิ้นนี้เริ่มจากการเฝ้ารอจังหวะหนึ่งที่อาจเกิดขึ้นเพียงครั้งเดียว  แม้ไม่ได้จัดวางองค์ประกอบใดเป็นพิเศษ ไม่ได้พยายามควบคุมทิศทางของแสงหรือการเคลื่อนไหวของนก  สิ่งที่เกิดขึ้นในภาพคือความไม่แน่นอนล้วนๆ  ทั้งจังหวะปีกที่กางออก และแสงที่สะท้อนแตกกระจายบนผิวน้ำ รวมถึงการอยากแสดงออกถึงความหมายที่ตั้ง  "นก" เป็นตัวแทนของการกล้าลองเป็นสัญลักษณ์ของการตัดสินใจในวินาทีที่ยังไม่รู้ผลลัพธ์  "การกางปีก" คือการยอมรับความเสี่ยงการเลือกเคลื่อนไหวแม้พื้นผิวน้ำด้านล่างจะไม่มั่นคง "แสงที่สะท้อน" เปรียบเหมือนการเผชิญหน้ากับสิ่งที่ไม่อาจควบคุมได้ทั้งสว่างและบาดตาสวยงามและท้าทาย  ภาพสำหรับผมเป็นการตั้งคำถามถึงการเติบโต  ว่าแท้จริงแล้วเราจะก้าวไปข้างหน้าได้อย่างไรก่อนความมั่นใจจะมาถึง . This work began with waiting for a moment that might happen only once. There was no deliberate arrangement of elements, no attempt to control the direction of light or the movement of the birds. What unfolded in the frame was pure uncertainty  the exact instant of wings opening, and the light scattering across the surface of the water. Along with that, there was an intention to express a deeper meaning behind what appears spontaneous.  The bird becomes a representation of courage  a symbol of decision made in a moment when the outcome is still unknown. The act of spreading its wings reflects the acceptance of risk, the choice to move even when the surface beneath feels unstable. The reflected light suggests confrontation  with something uncontrollable, at once radiant and blinding, beautiful and challenging.  For me, this image raises a question about growth: How do we move forward before confidence fully arrives? | Kazoula Faceana]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Kazoula Faceana的精彩作品。]]></media:description>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/5uQprujr5kh3O40uW4oI</link>
          <description><![CDATA[在cizucu上查看更多a.da.md的精彩作品。]]></description>
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          <pubDate>Sun, 18 Jan 2026 16:03:24 GMT</pubDate>
          <atom:updated>2026-01-18T16:03:51+09:00</atom:updated>
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            <media:title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]></media:title>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/cLMlwd2zuriHaAa7UIXB</link>
          <description><![CDATA[在cizucu上查看更多Arthur Liew的精彩作品。]]></description>
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            <name>Arthur Liew</name>
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          <pubDate>Sun, 22 Mar 2026 16:38:29 GMT</pubDate>
          <atom:updated>2026-03-22T16:38:29+09:00</atom:updated>
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            <media:description><![CDATA[在cizucu上查看更多Arthur Liew的精彩作品。]]></media:description>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/aCRdHvBtI6EE9pHD6Jud</link>
          <description><![CDATA[在cizucu上查看更多Arthur Liew的精彩作品。]]></description>
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            <name>Arthur Liew</name>
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          <pubDate>Sun, 22 Mar 2026 16:32:12 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多Arthur Liew的精彩作品。]]></media:description>
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