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          <title><![CDATA[compression effect | Yosuke0312]]></title>
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          <pubDate>Sat, 07 Mar 2026 18:13:49 GMT</pubDate>
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          <title><![CDATA[Butterfly Effect  | イルミナ]]></title>
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          <pubDate>Sat, 06 Sep 2025 20:30:42 GMT</pubDate>
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          <title><![CDATA["A moment in time" While shooting the night sky at a local farm, someone walks in front of the camera to produce a brilliant effect that I will never be able to reproduce.   | Alexander Strandlien]]></title>
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          <description><![CDATA[在cizucu上查看更多Alexander Strandlien的精彩作品。]]></description>
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            <name>Alexander Strandlien</name>
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          <pubDate>Tue, 21 Apr 2026 22:40:25 GMT</pubDate>
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          <title><![CDATA[A film photograph of a cat next to a graffiti in York, United Kingdom. It was difficult to approach the cat and get its close-up shot, but I was satisfied with the warm and architectural effects achieved from a further perspective. | write me]]></title>
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          <pubDate>Fri, 06 Feb 2026 17:45:02 GMT</pubDate>
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          <title><![CDATA[2023.3.30 BCNR33  Camera : Canon Eos5DmarkⅣ Lens : EF70-200mm f/2.8L IS Ⅱ USM Filter : HAKUBA WIDE SCREW PL FILTER Location : 姿川アメニティパーク Date : 70mm SS 1/640sec f/2.8 ISO 100 Edit : Lrレタッチ→Ps現像  #bcnr33 #r33 #skylinegtr #nissanskylinegtr  #rb26dett  #r33gtr  #gtr33 #桜 #cherryblossom🌸  #cherryblossom  #桜の季節  #festival #utsunomiya  #tochigi  #japan  #total_japan #raw_community  #raw_allnature  #raw_japan  #canon  #canon_photos  #canonphotography  #eos  #my_eos_photo  #eos5dmark4  #eflens  #ef70200f28lis2usm  #一眼レフ  #カメラ好きな人と繋がりたい  #purpleline | hira_toshi]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/rzjeI6MK2yf4yW1UUeqX</link>
          <description><![CDATA[在cizucu上查看更多hira_toshi的精彩作品。]]></description>
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            <name>hira_toshi</name>
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          <title><![CDATA[2023.3.30 BCNR33  Camera : Canon Eos5DmarkⅣ Lens : EF70-200mm f/2.8L IS Ⅱ USM Location : 栃木県宇都宮市 Date : 150mm SS 1/500sec f/2.8 ISO 100 Edit : Lrレタッチ→Ps現像  #bcnr33 #r33 #skylinegtr #nissanskylinegtr  #rb26dett  #r33gtr  #gtr33 #桜 #cherryblossom🌸  #cherryblossom  #桜の季節  #festival #utsunomiya  #tochigi  #japan  #total_japan #raw_community  #raw_allnature  #raw_japan  #canon  #canon_photos  #canonphotography  #eos  #my_eos_photo  #eos5dmark4  #eflens  #ef70200f28lis2usm  #一眼レフ  #カメラ好きな人と繋がりたい  #purpleline | hira_toshi]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/7FCHbovNsbJX90mriVUc</link>
          <description><![CDATA[在cizucu上查看更多hira_toshi的精彩作品。]]></description>
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            <name>hira_toshi</name>
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          <pubDate>Mon, 21 Jul 2025 00:15:08 GMT</pubDate>
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          <title><![CDATA[Beverages No 1 Old Film Version.  A selection of fine beverages behind the bar of the local pub on King St E in the Corktown neighbourhood of Toronto Canada.  Original photography using a Canon EOS RP body with a Sigma 24-105mm F4 DG OS HSM Art Lens and Analog EFEX Pro 2 as a Lightroom plugin for the Old Film effect.  Brian Carson  The Learning Curve Photography  https://linktr.ee/thelearningcurvephotography  #toronto #streetsoftoronto #originalphotography #photography #canadian | The Learning Curve Photography]]></title>
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          <description><![CDATA[在cizucu上查看更多The Learning Curve Photography的精彩作品。]]></description>
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            <name>The Learning Curve Photography</name>
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          <pubDate>Mon, 27 Oct 2025 06:05:25 GMT</pubDate>
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          <title><![CDATA[Allan Gardens Conservatory Palm House No 4 Old Film Version.  The Allan Gardens Conservatory Palm House at 19 Horticultural Ave in Toronto Canada. The conservatory was built in 1879. In 1902, a fire destroyed the Horticultural Pavilion and parts of the conservatory. It's replacement, the cast iron and glass domed Palm House opened in 1910 and stands on the site today. It hosts a permanent collection of exotic plants and presents seasonal flower shows.  Original photography using a Canon EOS 60D body with a Canon EF 24-105mm f/4L IS USM lens and Analog EFEX Pro 2 as a Lightroom plugin for the Old Film effect.  Brian Carson  The Learning Curve Photography  https://linktr.ee/thelearningcurvephotography  #toronto #streetsoftoronto #blackandwhitephotography #bnw #originalphotography #photo #photography #architecture #building | The Learning Curve Photography]]></title>
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          <pubDate>Mon, 27 Oct 2025 05:33:26 GMT</pubDate>
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            <media:title><![CDATA[Allan Gardens Conservatory Palm House No 4 Old Film Version.  The Allan Gardens Conservatory Palm House at 19 Horticultural Ave in Toronto Canada. The conservatory was built in 1879. In 1902, a fire destroyed the Horticultural Pavilion and parts of the conservatory. It's replacement, the cast iron and glass domed Palm House opened in 1910 and stands on the site today. It hosts a permanent collection of exotic plants and presents seasonal flower shows.  Original photography using a Canon EOS 60D body with a Canon EF 24-105mm f/4L IS USM lens and Analog EFEX Pro 2 as a Lightroom plugin for the Old Film effect.  Brian Carson  The Learning Curve Photography  https://linktr.ee/thelearningcurvephotography  #toronto #streetsoftoronto #blackandwhitephotography #bnw #originalphotography #photo #photography #architecture #building | The Learning Curve Photography]]></media:title>
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          <title><![CDATA[Finding Color in the Noise  Street photography is often an exercise in patience and restraint. On Armenian Street in Georgetown, Penang, the umbrella installation fills the frame with repetition—layers of monochrome forms, tangled lines, and surrounding buildings competing relentlessly for attention. Every direction offers distraction. Nothing wants to stay quiet.  This photograph emerged from the challenge of seeing through that visual noise. The abundance of umbrellas and architectural clutter made it difficult to establish a clear subject. By isolating a single rainbow umbrella within the chaos, the image finds its anchor. Color becomes the language of focus, cutting through complexity and guiding the eye.  The result is not just documentation of a street art installation, but a reflection of the street photographer’s pursuit: to impose order on disorder, to wait for clarity within clutter, and to reveal meaning by choosing what to exclude. In a world full of visual repetition, sometimes one deliberate frame is enough to let individuality rise. | Big_Dins_Photos]]></title>
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          <description><![CDATA[在cizucu上查看更多Big_Dins_Photos的精彩作品。]]></description>
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          <pubDate>Sun, 18 Jan 2026 05:30:11 GMT</pubDate>
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            <media:title><![CDATA[Finding Color in the Noise  Street photography is often an exercise in patience and restraint. On Armenian Street in Georgetown, Penang, the umbrella installation fills the frame with repetition—layers of monochrome forms, tangled lines, and surrounding buildings competing relentlessly for attention. Every direction offers distraction. Nothing wants to stay quiet.  This photograph emerged from the challenge of seeing through that visual noise. The abundance of umbrellas and architectural clutter made it difficult to establish a clear subject. By isolating a single rainbow umbrella within the chaos, the image finds its anchor. Color becomes the language of focus, cutting through complexity and guiding the eye.  The result is not just documentation of a street art installation, but a reflection of the street photographer’s pursuit: to impose order on disorder, to wait for clarity within clutter, and to reveal meaning by choosing what to exclude. In a world full of visual repetition, sometimes one deliberate frame is enough to let individuality rise. | Big_Dins_Photos]]></media:title>
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          <title><![CDATA[普賢庵は、慶尚南道固城郡の秀台山にある寺院で、高さ13メートルの金銅薬師如来大仏がそびえ立つことで有名である。山の中腹に位置しているため眺めが良く、寺院の裏手には海も望める。特に秋には、山を彩る色とりどりの紅葉が巨大な仏像と相まって、壮観な景色を作り出す。  私は巨大な仏像と向き合ったとき、その圧倒的な大きさに息を呑み、心から畏敬の念を覚えた。  Bohyeonam is a Buddhist temple located on Sutaesan Mountain in Goseong-gun, Gyeongnam, and is renowned for its magnificent gilt-bronze Bhaisajyaguru Buddha statue that stands 13 meters tall. Situated on the mountainside, it offers stunning scenery, and the sea is also visible from behind the temple grounds. In particular, during autumn, the vibrant foliage painting the mountain in brilliant colors creates a breathtaking spectacle when set against the towering Buddha statue.  When I came face to face with the colossal Buddha, I was completely overwhelmed by its sheer size and felt a profound sense of wonder. | Park Seongjjn]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/JbuzsqUrrYKLPsJ0inNn</link>
          <description><![CDATA[在cizucu上查看更多Park Seongjjn的精彩作品。]]></description>
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            <name>Park Seongjjn</name>
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          <pubDate>Thu, 16 Apr 2026 21:53:37 GMT</pubDate>
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            <media:title><![CDATA[普賢庵は、慶尚南道固城郡の秀台山にある寺院で、高さ13メートルの金銅薬師如来大仏がそびえ立つことで有名である。山の中腹に位置しているため眺めが良く、寺院の裏手には海も望める。特に秋には、山を彩る色とりどりの紅葉が巨大な仏像と相まって、壮観な景色を作り出す。  私は巨大な仏像と向き合ったとき、その圧倒的な大きさに息を呑み、心から畏敬の念を覚えた。  Bohyeonam is a Buddhist temple located on Sutaesan Mountain in Goseong-gun, Gyeongnam, and is renowned for its magnificent gilt-bronze Bhaisajyaguru Buddha statue that stands 13 meters tall. Situated on the mountainside, it offers stunning scenery, and the sea is also visible from behind the temple grounds. In particular, during autumn, the vibrant foliage painting the mountain in brilliant colors creates a breathtaking spectacle when set against the towering Buddha statue.  When I came face to face with the colossal Buddha, I was completely overwhelmed by its sheer size and felt a profound sense of wonder. | Park Seongjjn]]></media:title>
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          <title><![CDATA[普賢庵は、慶尚南道固城郡の秀台山にある寺院で、高さ13メートルの金銅薬師如来大仏がそびえ立つことで有名である。山の中腹に位置しているため眺めが良く、寺院の裏手には海も望める。特に秋には、山を彩る色とりどりの紅葉が巨大な仏像と相まって、壮観な景色を作り出す。  私は巨大な仏像と向き合ったとき、その圧倒的な大きさに息を呑み、心から畏敬の念を覚えた。  Bohyeonam is a Buddhist temple located on Sutaesan Mountain in Goseong-gun, Gyeongnam, and is renowned for its magnificent gilt-bronze Bhaisajyaguru Buddha statue that stands 13 meters tall. Situated on the mountainside, it offers stunning scenery, and the sea is also visible from behind the temple grounds. In particular, during autumn, the vibrant foliage painting the mountain in brilliant colors creates a breathtaking spectacle when set against the towering Buddha statue.  When I came face to face with the colossal Buddha, I was completely overwhelmed by its sheer size and felt a profound sense of wonder. | Park Seongjjn]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/7GIVycJ7jNLjlkaVhlO8</link>
          <description><![CDATA[在cizucu上查看更多Park Seongjjn的精彩作品。]]></description>
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            <name>Park Seongjjn</name>
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          <pubDate>Thu, 16 Apr 2026 21:53:37 GMT</pubDate>
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            <media:title><![CDATA[普賢庵は、慶尚南道固城郡の秀台山にある寺院で、高さ13メートルの金銅薬師如来大仏がそびえ立つことで有名である。山の中腹に位置しているため眺めが良く、寺院の裏手には海も望める。特に秋には、山を彩る色とりどりの紅葉が巨大な仏像と相まって、壮観な景色を作り出す。  私は巨大な仏像と向き合ったとき、その圧倒的な大きさに息を呑み、心から畏敬の念を覚えた。  Bohyeonam is a Buddhist temple located on Sutaesan Mountain in Goseong-gun, Gyeongnam, and is renowned for its magnificent gilt-bronze Bhaisajyaguru Buddha statue that stands 13 meters tall. Situated on the mountainside, it offers stunning scenery, and the sea is also visible from behind the temple grounds. In particular, during autumn, the vibrant foliage painting the mountain in brilliant colors creates a breathtaking spectacle when set against the towering Buddha statue.  When I came face to face with the colossal Buddha, I was completely overwhelmed by its sheer size and felt a profound sense of wonder. | Park Seongjjn]]></media:title>
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          <title><![CDATA[Under the fluorescent glow of 7‑Eleven, a quiet kind of democracy unfolds. Here, in the threshold between street and shelter, differences dissolve—if only for a moment. Foreigners in transit, Thai locals on routine, migrant workers from Myanmar on break: they all arrive with the same gestures, the same small transactions, the same pause in motion. The counter becomes a shared horizon, where currencies, languages, and lives briefly align.  In Thailand, 7/11 is more than a convenience store—it is infrastructure, ritual, and refuge. It punctuates the day with iced coffees, toasted sandwiches, and the soft hum of air conditioning. It is a place of arrival without destination. Yet, embedded in this familiarity is a quiet tension: the rhythm of consumption mirrors the transient pace of those who pass through it. Quick, efficient, replaceable. A culture of immediacy—mirroring the itinerant lives of travelers who drift through, never fully staying.  There is a tenderness in this contradiction. Everyone loves 7/11. Not despite its uniformity, but because of it. It offers consistency in a landscape of movement. But that same consistency flattens difference, turning moments into transactions, encounters into routines.  This photograph captures that ambivalence. The saturated red hue—produced by pre-souped Kodak Gold 200 film—bathes the scene in a sense of heat and nostalgia, as if the image itself is dissolving under the weight of time and repetition. The familiar green-orange stripes are still visible, but altered, almost overwhelmed. What remains is an atmosphere: dense, fleeting, and slightly melancholic.  A place where everyone meets—yet no one stays. | analogbysissi]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/T23GHpu4jeBibaaVi8wS</link>
          <description><![CDATA[在cizucu上查看更多analogbysissi的精彩作品。]]></description>
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          <pubDate>Fri, 10 Apr 2026 15:23:09 GMT</pubDate>
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            <media:title><![CDATA[Under the fluorescent glow of 7‑Eleven, a quiet kind of democracy unfolds. Here, in the threshold between street and shelter, differences dissolve—if only for a moment. Foreigners in transit, Thai locals on routine, migrant workers from Myanmar on break: they all arrive with the same gestures, the same small transactions, the same pause in motion. The counter becomes a shared horizon, where currencies, languages, and lives briefly align.  In Thailand, 7/11 is more than a convenience store—it is infrastructure, ritual, and refuge. It punctuates the day with iced coffees, toasted sandwiches, and the soft hum of air conditioning. It is a place of arrival without destination. Yet, embedded in this familiarity is a quiet tension: the rhythm of consumption mirrors the transient pace of those who pass through it. Quick, efficient, replaceable. A culture of immediacy—mirroring the itinerant lives of travelers who drift through, never fully staying.  There is a tenderness in this contradiction. Everyone loves 7/11. Not despite its uniformity, but because of it. It offers consistency in a landscape of movement. But that same consistency flattens difference, turning moments into transactions, encounters into routines.  This photograph captures that ambivalence. The saturated red hue—produced by pre-souped Kodak Gold 200 film—bathes the scene in a sense of heat and nostalgia, as if the image itself is dissolving under the weight of time and repetition. The familiar green-orange stripes are still visible, but altered, almost overwhelmed. What remains is an atmosphere: dense, fleeting, and slightly melancholic.  A place where everyone meets—yet no one stays. | analogbysissi]]></media:title>
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