Documents的照片 | 下载免版税和高分辨率图片 https://www.cizucu.com/zh-cn/explore/photos/documents zh-cn 2026-05-05T12:49:37+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. zh-cn https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[These 2 photo are from my photo series called “無” (VOID) "VOID" is an exploration of the internal topography of displacement. As an international student, I exist within a carefully constructed fiction: the "well-being" I report to my family back home. This series documents the cost of that silence. Through my lens, the abstract weight of anxiety, depression, and frustration is given form. These images serve as a visual bridge between my hidden reality and the outside world—a language for the unspeakable. By revealing the fractured soul behind the facade, I invite the viewer to find their own echoes in my silence. All photo captured on Pentax 67 and printed by hand in the darkroom, the oppressive, pitch-black skies are the result of a chance encounter with light—an accidental exposure of the photo paper. | Him謙]]> https://www.cizucu.com/zh-cn/photos/F3NgSSzO6r8lgqyxoKae Him謙 https://www.cizucu.com/zh-cn/users/zjBHZF3XZ2fazvjboU8yuc0bVdA3 https://www.cizucu.com/zh-cn/photos/F3NgSSzO6r8lgqyxoKae Wed, 15 Apr 2026 13:40:04 GMT 2026-05-03T11:56:18+09:00 https://cdn.cizucu.com/images/photos/F3NgSSzO6r8lgqyxoKae.jpg?auto=compress,format <![CDATA[The Gentle Age – an ongoing series that I aim to document the patina and beauty of the imperfections of old timepieces focusing mainly on the precision instrument itself. | clarencanvas]]> https://www.cizucu.com/zh-cn/photos/OzGZ7S01M0zEt1IKjvkq clarencanvas https://www.cizucu.com/zh-cn/users/aHY0kimJ3CZiarK6MCfxxyGNDrs1 https://www.cizucu.com/zh-cn/photos/OzGZ7S01M0zEt1IKjvkq Fri, 01 May 2026 13:39:40 GMT 2026-05-01T13:39:40+09:00 https://cdn.cizucu.com/images/photos/OzGZ7S01M0zEt1IKjvkq.jpg?auto=compress,format <![CDATA[This was taken along the streets in Hoi An, Vietnam. It showcases a local artist painting. I found the sight interesting and took this picture to document it. | Keira Low]]> https://www.cizucu.com/zh-cn/photos/40hWL7ymfnZ7etXhBVJU Keira Low https://www.cizucu.com/zh-cn/kwiechaen https://www.cizucu.com/zh-cn/photos/40hWL7ymfnZ7etXhBVJU Tue, 13 Jan 2026 23:33:41 GMT 2026-01-13T23:33:41+09:00 https://cdn.cizucu.com/images/photos/40hWL7ymfnZ7etXhBVJU.jpg?auto=compress,format <![CDATA[The Gentle Age – an ongoing series that I aim to document the patina and beauty of the imperfections of old timepieces focusing mainly on the precision instrument itself. | clarencanvas]]> https://www.cizucu.com/zh-cn/photos/OzGZ7S01M0zEt1IKjvkq clarencanvas https://www.cizucu.com/zh-cn/users/aHY0kimJ3CZiarK6MCfxxyGNDrs1 https://www.cizucu.com/zh-cn/photos/OzGZ7S01M0zEt1IKjvkq Fri, 01 May 2026 13:39:40 GMT 2026-05-03T09:50:02+09:00 https://cdn.cizucu.com/images/photos/OzGZ7S01M0zEt1IKjvkq.jpg?auto=compress,format <![CDATA[This was taken along the streets in Hoi An, Vietnam. It showcases a local artist painting. I found the sight interesting and took this picture to document it. | Keira Low]]> https://www.cizucu.com/zh-cn/photos/40hWL7ymfnZ7etXhBVJU Keira Low https://www.cizucu.com/zh-cn/kwiechaen https://www.cizucu.com/zh-cn/photos/40hWL7ymfnZ7etXhBVJU Tue, 13 Jan 2026 23:33:41 GMT 2026-05-03T16:58:35+09:00 https://cdn.cizucu.com/images/photos/40hWL7ymfnZ7etXhBVJU.jpg?auto=compress,format <![CDATA[The other Japanese toilet. I began photographing washiki toilets in 2019. Unlike standard sit-down toilets, squat toilets and their accompanying tiles can be vibrant, eclectic, and often unexpected. Image quality can suffer, though, due to low light and spontaneous capture, but I think it’s important to document them before they disappear. | Jodi]]> https://www.cizucu.com/zh-cn/photos/bCYHvf2zYlSwIo1U3yK0 Jodi https://www.cizucu.com/zh-cn/users/BjkHJuxHd5hBn23eauUtaYI8BK72 https://www.cizucu.com/zh-cn/photos/bCYHvf2zYlSwIo1U3yK0 Sun, 19 Apr 2026 20:55:43 GMT 2026-04-19T20:55:43+09:00 https://cdn.cizucu.com/images/photos/bCYHvf2zYlSwIo1U3yK0.jpg?auto=compress,format <![CDATA[The other Japanese toilet. I began photographing washiki toilets in 2019. Unlike standard sit-down toilets, squat toilets and their accompanying tiles can be vibrant, eclectic, and often unexpected. Image quality can suffer, though, due to low light and spontaneous capture, but I think it’s important to document them before they disappear. | Jodi]]> https://www.cizucu.com/zh-cn/photos/bCYHvf2zYlSwIo1U3yK0 Jodi https://www.cizucu.com/zh-cn/users/BjkHJuxHd5hBn23eauUtaYI8BK72 https://www.cizucu.com/zh-cn/photos/bCYHvf2zYlSwIo1U3yK0 Sun, 19 Apr 2026 20:55:43 GMT 2026-05-03T11:33:24+09:00 https://cdn.cizucu.com/images/photos/bCYHvf2zYlSwIo1U3yK0.jpg?auto=compress,format <![CDATA[Title: The Moment In Between. It documents the seconds that exist between departure and arrival, between responsibility and rest. These moments often go unnoticed, yet they hold the weight of routine, devotion, and quiet resilienc. Through low light and restrained movement, the work invites viewers to slow down and recognize the d ignity found in ordinary transitions. This is not a story of travel, but of presence. These images are not about where people are going. They are about where they pause. | Chawin Terk]]> https://www.cizucu.com/zh-cn/photos/trC4T1git609KqNYjLla Chawin Terk https://www.cizucu.com/zh-cn/users/7ugzKDRQELhWd6MSSq6NBqQqSaA3 https://www.cizucu.com/zh-cn/photos/trC4T1git609KqNYjLla Mon, 02 Feb 2026 18:05:46 GMT 2026-02-02T18:05:46+09:00 https://cdn.cizucu.com/images/photos/trC4T1git609KqNYjLla.jpg?auto=compress,format <![CDATA["Waking gets earlier now, Sicily, 2019" - Taken from the series MTWTFSS, a fragmented photographic journal amassed almost accidentally and spanning over 15 years. Shot on film, Harris-Taylor captures the mundane and everyday, the minutia of everyday life. Borne out by love and a desire to document what surrounds her, the process of making the work is therapeutic and acts as an attempt to control that which can't be. | Sophie Harris-Taylor]]> https://www.cizucu.com/zh-cn/photos/OPN3NpM6QdtFUYQeC5SZ Sophie Harris-Taylor https://www.cizucu.com/zh-cn/users/XvsKmfiv1WdGFcpzAAdftVuhqJl1 https://www.cizucu.com/zh-cn/photos/OPN3NpM6QdtFUYQeC5SZ Sun, 05 Apr 2026 22:40:45 GMT 2026-04-05T22:40:45+09:00 https://cdn.cizucu.com/images/photos/OPN3NpM6QdtFUYQeC5SZ.jpg?auto=compress,format <![CDATA["Waking gets earlier now, Sicily, 2019" - Taken from the series MTWTFSS, a fragmented photographic journal amassed almost accidentally and spanning over 15 years. Shot on film, Harris-Taylor captures the mundane and everyday, the minutia of everyday life. Borne out by love and a desire to document what surrounds her, the process of making the work is therapeutic and acts as an attempt to control that which can't be. | Sophie Harris-Taylor]]> https://www.cizucu.com/zh-cn/photos/OPN3NpM6QdtFUYQeC5SZ Sophie Harris-Taylor https://www.cizucu.com/zh-cn/users/XvsKmfiv1WdGFcpzAAdftVuhqJl1 https://www.cizucu.com/zh-cn/photos/OPN3NpM6QdtFUYQeC5SZ Sun, 05 Apr 2026 22:40:45 GMT 2026-05-03T12:29:21+09:00 https://cdn.cizucu.com/images/photos/OPN3NpM6QdtFUYQeC5SZ.jpg?auto=compress,format <![CDATA[These 2 photo are from my photo series called “無” (VOID) "VOID" is an exploration of the internal topography of displacement. As an international student, I exist within a carefully constructed fiction: the "well-being" I report to my family back home. This series documents the cost of that silence. Through my lens, the abstract weight of anxiety, depression, and frustration is given form. These images serve as a visual bridge between my hidden reality and the outside world—a language for the unspeakable. By revealing the fractured soul behind the facade, I invite the viewer to find their own echoes in my silence. All photo captured on Pentax 67 and printed by hand in the darkroom, the oppressive, pitch-black skies are the result of a chance encounter with light—an accidental exposure of the photo paper. | Him謙]]> https://www.cizucu.com/zh-cn/photos/F3NgSSzO6r8lgqyxoKae Him謙 https://www.cizucu.com/zh-cn/users/zjBHZF3XZ2fazvjboU8yuc0bVdA3 https://www.cizucu.com/zh-cn/photos/F3NgSSzO6r8lgqyxoKae Wed, 15 Apr 2026 13:40:04 GMT 2026-04-15T13:40:04+09:00 https://cdn.cizucu.com/images/photos/F3NgSSzO6r8lgqyxoKae.jpg?auto=compress,format <![CDATA[This image is from a music video by FahProud. I had the opportunity to document both the photos and behind-the-scenes video during the shoot. Going back to shooting behind the scenes made me reflect on when I first started working as a photographer. I’ve always enjoyed capturing moments quietly, without anyone really noticing I’m there. I feel I do my best work when I have the freedom to observe and create, without the pressure of expectations. | michaelsirachuch]]> https://www.cizucu.com/zh-cn/photos/wPDTNPZo39s5BEYDr2EV michaelsirachuch https://www.cizucu.com/zh-cn/michaelsirachuch https://www.cizucu.com/zh-cn/photos/wPDTNPZo39s5BEYDr2EV Fri, 10 Apr 2026 01:55:23 GMT 2026-04-10T01:55:23+09:00 https://cdn.cizucu.com/images/photos/wPDTNPZo39s5BEYDr2EV.jpg?auto=compress,format <![CDATA[This photograph captures the intensity of Theyyam, a ritual where devotion, fire, and performance merge into a powerful spiritual moment. Shot in the midst of flying sparks and flames, the image reflects the raw energy and trance like state of the performer. My challenge was to document the moment without interrupting the sacred atmosphere while working in extremely low light and unpredictable fire bursts. Through this frame, I wanted to preserve not just the visual spectacle but the living cultural heritage behind the ritual | Saikiran Kesari]]> https://www.cizucu.com/zh-cn/photos/V5JHBW1HDaXNSD8IsPHt Saikiran Kesari https://www.cizucu.com/zh-cn/users/7yxwA3chDThYdBy723P8VLpXbGP2 https://www.cizucu.com/zh-cn/photos/V5JHBW1HDaXNSD8IsPHt Sun, 15 Mar 2026 19:21:10 GMT 2026-03-15T19:21:10+09:00 https://cdn.cizucu.com/images/photos/V5JHBW1HDaXNSD8IsPHt.jpg?auto=compress,format <![CDATA[This image is from a music video by FahProud. I had the opportunity to document both the photos and behind-the-scenes video during the shoot. Going back to shooting behind the scenes made me reflect on when I first started working as a photographer. I’ve always enjoyed capturing moments quietly, without anyone really noticing I’m there. I feel I do my best work when I have the freedom to observe and create, without the pressure of expectations. | michaelsirachuch]]> https://www.cizucu.com/zh-cn/photos/wPDTNPZo39s5BEYDr2EV michaelsirachuch https://www.cizucu.com/zh-cn/michaelsirachuch https://www.cizucu.com/zh-cn/photos/wPDTNPZo39s5BEYDr2EV Fri, 10 Apr 2026 01:55:23 GMT 2026-04-10T01:55:48+09:00 https://cdn.cizucu.com/images/photos/wPDTNPZo39s5BEYDr2EV.jpg?auto=compress,format <![CDATA[This is a picture I took back in 2018 in Italy, while travelling to the seaside with my friends for a longboard trip. It is an important memory as it was a moment in my photography where I started to be more conscious of what I wanted to photograph and in which way, how to frame my subject and what elements to incorporate. A key photograph in my journey. Was also a moment where I was able to be fully integrated in a community that allowed me to practice a sport I loved and to document it from the inside. | Ermanno Fissore]]> https://www.cizucu.com/zh-cn/photos/iWgKlpZUetvE4lAHwxZF Ermanno Fissore https://www.cizucu.com/zh-cn/users/6qIp7b5rUThHDg8BaM6lWYh75kj2 https://www.cizucu.com/zh-cn/photos/iWgKlpZUetvE4lAHwxZF Mon, 30 Mar 2026 07:27:25 GMT 2026-03-30T07:27:25+09:00 https://cdn.cizucu.com/images/photos/iWgKlpZUetvE4lAHwxZF.jpg?auto=compress,format <![CDATA[This photograph captures the intensity of Theyyam, a ritual where devotion, fire, and performance merge into a powerful spiritual moment. Shot in the midst of flying sparks and flames, the image reflects the raw energy and trance like state of the performer. My challenge was to document the moment without interrupting the sacred atmosphere while working in extremely low light and unpredictable fire bursts. Through this frame, I wanted to preserve not just the visual spectacle but the living cultural heritage behind the ritual | Saikiran Kesari]]> https://www.cizucu.com/zh-cn/photos/V5JHBW1HDaXNSD8IsPHt Saikiran Kesari https://www.cizucu.com/zh-cn/users/7yxwA3chDThYdBy723P8VLpXbGP2 https://www.cizucu.com/zh-cn/photos/V5JHBW1HDaXNSD8IsPHt Sun, 15 Mar 2026 19:21:10 GMT 2026-03-15T19:21:16+09:00 https://cdn.cizucu.com/images/photos/V5JHBW1HDaXNSD8IsPHt.jpg?auto=compress,format <![CDATA[The Last Interred I brought a medium format camera to my grandmother’s funeral to capture the beauty found in the face of death. Rather than a mournful event, we celebrated her life and marked a new chapter in our family’s collective memory. She was the last of us to be interred; the rising cost and difficulty of burial mean that those who follow her will not have the same physical anchor. Without the permanence of a grave, future generations risk becoming only faint memories. In this shift, these photographs are meant to do more than just document. They now act in place of the stone. | Kitty Chirapongse]]> https://www.cizucu.com/zh-cn/photos/p4nmJi7ozAJ0V0pp0po0 Kitty Chirapongse https://www.cizucu.com/zh-cn/users/6NcUAX3SVjaeZ4F1gQC9SxNeuKs2 https://www.cizucu.com/zh-cn/photos/p4nmJi7ozAJ0V0pp0po0 Mon, 06 Apr 2026 13:35:44 GMT 2026-04-06T13:35:44+09:00 https://cdn.cizucu.com/images/photos/p4nmJi7ozAJ0V0pp0po0.jpg?auto=compress,format <![CDATA[Happiness and grief are not emotions you would expect to co-exist at a wedding but somehow, it did for me on the day my older brother and sister-in-law got married. In 2022, months before my brother and sister-in-law got married, my paternal granddad passed on, missing his chance to see his very first grandchild get married. And being the secondary photographer at your sibling's wedding with that reminder just flashing through your mind the entire day, it silently increases the weight of your role and responsibility to document the occasion. Photographed is my paternal grandma who is still alive but does not remember my granddad due to her dementia and my brother alongside my sister-in-law who is telling my grandma that they were getting married that very day. The reason I chose this photo among all the photos I shot that day was because of how intimate it felt and how it reminded me of the importance of documentation. Although my granddad never made it to the wedding, my grandma did and for that, I'm thankful I got to document these moments during such a loaded occasion. With all that in mind, I hope you walk away from this photo, documenting more moments in your own life because someday, someone would want to look back on a moment when they still had you. | Tristan Tan]]> https://www.cizucu.com/zh-cn/photos/HYQtjMa45dQlz5PrPH13 Tristan Tan https://www.cizucu.com/zh-cn/users/sveWBa5Xithgvc2oZ0zUbvnYPKn2 https://www.cizucu.com/zh-cn/photos/HYQtjMa45dQlz5PrPH13 Sat, 21 Feb 2026 04:20:42 GMT 2026-02-21T04:20:42+09:00 https://cdn.cizucu.com/images/photos/HYQtjMa45dQlz5PrPH13.jpg?auto=compress,format <![CDATA[This is a picture I took back in 2018 in Italy, while travelling to the seaside with my friends for a longboard trip. It is an important memory as it was a moment in my photography where I started to be more conscious of what I wanted to photograph and in which way, how to frame my subject and what elements to incorporate. A key photograph in my journey. Was also a moment where I was able to be fully integrated in a community that allowed me to practice a sport I loved and to document it from the inside. | Ermanno Fissore]]> https://www.cizucu.com/zh-cn/photos/iWgKlpZUetvE4lAHwxZF Ermanno Fissore https://www.cizucu.com/zh-cn/users/6qIp7b5rUThHDg8BaM6lWYh75kj2 https://www.cizucu.com/zh-cn/photos/iWgKlpZUetvE4lAHwxZF Mon, 30 Mar 2026 07:27:25 GMT 2026-03-30T07:27:37+09:00 https://cdn.cizucu.com/images/photos/iWgKlpZUetvE4lAHwxZF.jpg?auto=compress,format <![CDATA[Title: Dream Job They call Mumbai the "City of Dreams," but for the millions of migrants who arrive here every year, the real "dream job" is simply making a life. It is a 24/7 contract with the city—negotiating space in a shared apartment, finding quiet in the chaos, and keeping your ambition alive in a 10x10 room. Originally captured in a 1:1 square format to mirror the cramped, boxed-in reality of bachelor life, these A2 prints document the unpolished, unglamorous side of the hustle. This is my visual diary of the "commute," the "overtime," and the "payoff" of being a Mumbaikar. Curated for the Photo Poster Project by Cizucu Inc. Harkat studio, Andheri, Mumbai. | Bhavik Solanki]]> https://www.cizucu.com/zh-cn/photos/TZwAqaxggJkW3ZVK8vLW Bhavik Solanki https://www.cizucu.com/zh-cn/users/Lw8SQXEDQZdNrdETD1aJEYoIMU63 https://www.cizucu.com/zh-cn/photos/TZwAqaxggJkW3ZVK8vLW Sat, 14 Mar 2026 11:37:09 GMT 2026-03-14T11:37:09+09:00 https://cdn.cizucu.com/images/photos/TZwAqaxggJkW3ZVK8vLW.jpg?auto=compress,format