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          <title><![CDATA[There is something quietly magical about cherry blossoms. I've been drawn to them since I was a child. Although I dream of visiting Japan someday to see them in full bloom, Gardens by the Bay gave us a chance to exper ience that fleeting beauty right here in Singapore. | Anamika]]></title>
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          <title><![CDATA[A young man with coconuts in the greenery. This photograph reminds me of the days when I lived on a tropical island and spent my time exploring rice terraces and dense green paths. Such unexpected encounters stay in memory, as they carry a sense of simplicity and everyday life that together shape the experience of living in a new place. They may not feel significant in the moment, but over time they become an important part of one’s memories. | Uliana Buravleva]]></title>
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          <description><![CDATA[在cizucu上查看更多Uliana Buravleva的精彩作品。]]></description>
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          <description><![CDATA[在cizucu上查看更多Uliana Buravleva的精彩作品。]]></description>
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          <title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></title>
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          <title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></title>
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          <title><![CDATA[this is a photo of my daughter on our first trip to ramsgate shortly after arriving to the uk from south africa.... it was her first time seeing "the ocean" ( i know not technically the ocean) her reaction to the envirnoment and the way she played reminded me of family trips i used to take with my family to the beach... one of the few ways my step father and i would connect, it was always one of my safe spaces... taking the moment to watch zoe experience uninterrupted joy like this was beautiful to watch... shooting this day on film also ensured that i didnt spend the entire day glued to my camera.... i took a few moments to capture a few memorable moments, and then put the camera away and enjoyed the time with my family... the very reason i started shooting film in the first place | nicole louw]]></title>
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          <description><![CDATA[在cizucu上查看更多nicole louw的精彩作品。]]></description>
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          <title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness - a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/CxXrx2pjX0GCiSt7KmKs</link>
          <description><![CDATA[在cizucu上查看更多Moodeeprincess的精彩作品。]]></description>
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            <name>Moodeeprincess</name>
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          <pubDate>Sun, 05 Apr 2026 06:30:24 GMT</pubDate>
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          <title><![CDATA[this is a photo of my daughter on our first trip to ramsgate shortly after arriving to the uk from south africa.... it was her first time seeing "the ocean" ( i know not technically the ocean) her reaction to the envirnoment and the way she played reminded me of family trips i used to take with my family to the beach... one of the few ways my step father and i would connect, it was always one of my safe spaces... taking the moment to watch zoe experience uninterrupted joy like this was beautiful to watch... shooting this day on film also ensured that i didnt spend the entire day glued to my camera.... i took a few moments to capture a few memorable moments, and then put the camera away and enjoyed the time with my family... the very reason i started shooting film in the first place | nicole louw]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/1xgtagvhQjCkpLkzPfay</link>
          <description><![CDATA[在cizucu上查看更多nicole louw的精彩作品。]]></description>
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          <pubDate>Mon, 06 Apr 2026 00:30:03 GMT</pubDate>
          <atom:updated>2026-04-06T00:30:03+09:00</atom:updated>
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            <media:title><![CDATA[this is a photo of my daughter on our first trip to ramsgate shortly after arriving to the uk from south africa.... it was her first time seeing "the ocean" ( i know not technically the ocean) her reaction to the envirnoment and the way she played reminded me of family trips i used to take with my family to the beach... one of the few ways my step father and i would connect, it was always one of my safe spaces... taking the moment to watch zoe experience uninterrupted joy like this was beautiful to watch... shooting this day on film also ensured that i didnt spend the entire day glued to my camera.... i took a few moments to capture a few memorable moments, and then put the camera away and enjoyed the time with my family... the very reason i started shooting film in the first place | nicole louw]]></media:title>
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          <title><![CDATA[This work documents the vibrant Vittal Birdev Yatra, also known as the Yellow Festival, celebrated in Pattan Kodoli near Kolhapur, Maharashtra. What drew me to this festival was not just the explosion of turmeric in the air, but the faith behind it. Thousands of devotees gather, chanting and covering everything in yellow as a symbol of devotion, hope, and gratitude for a good agricultural season.  At the heart of the festival sits Sri Keloba Rajabau Waghmode, lovingly called the “Old Man,” under a banyan tree. People throw haldi over him and seek his blessings. He is believed to be a messenger of God, someone who predicts rain, farming conditions, and the community’s future.  Through my photographs, I wanted to capture more than color I wanted to show belief, tradition, and the emotional connection between people and ritual. One challenge was working in dense turmeric clouds, protecting my gear while staying present in the moment. Going forward, I want to continue documenting such cultural stories that reflect India’s deep rooted heritage and living traditions. | Streetwala]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/pFQEsppBNxxk6rpAASrB</link>
          <description><![CDATA[在cizucu上查看更多Streetwala的精彩作品。]]></description>
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            <name>Streetwala</name>
            <uri>https://www.cizucu.com/zh-cn/users/OGYs9dPuIAXJAbbtI7qDEOZ2cq82</uri>
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          <pubDate>Wed, 25 Feb 2026 14:36:03 GMT</pubDate>
          <atom:updated>2026-02-25T14:36:30+09:00</atom:updated>
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            <media:title><![CDATA[This work documents the vibrant Vittal Birdev Yatra, also known as the Yellow Festival, celebrated in Pattan Kodoli near Kolhapur, Maharashtra. What drew me to this festival was not just the explosion of turmeric in the air, but the faith behind it. Thousands of devotees gather, chanting and covering everything in yellow as a symbol of devotion, hope, and gratitude for a good agricultural season.  At the heart of the festival sits Sri Keloba Rajabau Waghmode, lovingly called the “Old Man,” under a banyan tree. People throw haldi over him and seek his blessings. He is believed to be a messenger of God, someone who predicts rain, farming conditions, and the community’s future.  Through my photographs, I wanted to capture more than color I wanted to show belief, tradition, and the emotional connection between people and ritual. One challenge was working in dense turmeric clouds, protecting my gear while staying present in the moment. Going forward, I want to continue documenting such cultural stories that reflect India’s deep rooted heritage and living traditions. | Streetwala]]></media:title>
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          <title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/jrUyyDVwvyIJ5TtiMGXS</link>
          <description><![CDATA[在cizucu上查看更多Moodeeprincess的精彩作品。]]></description>
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            <name>Moodeeprincess</name>
            <uri>https://www.cizucu.com/zh-cn/users/sAbIZy3WtmPbbh0KhuBXR9mFchv2</uri>
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          <pubDate>Sun, 05 Apr 2026 06:44:38 GMT</pubDate>
          <atom:updated>2026-04-05T06:44:45+09:00</atom:updated>
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            <media:title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></media:title>
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