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          <title><![CDATA[This photograph was taken at 萬里海灘 in Taiwan.  On that day, a friend and I planned to photograph each other using film cameras. What remains in this image is not a pose, but the most honest moment I saw of him.  I have always felt that he is a unique person. Perhaps shaped by certain experiences, there is a quiet loneliness in his eyes whenever we talk. Even when he says “it’s fine” or “it doesn’t matter,” that gaze never truly disappears.  This photograph focuses on his eyes — the moment I realized that although we were traveling together, the loneliness was still there. Unique people often walk alone, yet continue to survive gently in this world.  This work is dedicated to everyone who feels lonely, but keeps moving forward, including myself. | Erica_林瑋瑜]]></title>
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          <title><![CDATA[In His Eyes(2025).  What remains in this image is not a pose, but the most honest moment I saw of him.  On that day, a friend and I photographed each other using film.  I have always felt that he is a unique person. Perhaps shaped by certain experiences, there is a quiet loneliness in his eyes when I look at him. Even when he says “it’s okay” or “it doesn’t matter,” that gaze never truly disappears.  This photograph focuses on his eyes — the moment I realized that although we were traveling together, the loneliness was still there. Unique people often walk alone, yet continue to survive gently in this world.  This work is dedicated to everyone who feels lonely, but keeps moving forward regardless, including myself. | Erica_林瑋瑜]]></title>
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          <title><![CDATA[At first glance, this image may be another black and white shot focusing on clean lines, strong light, a subject placed precisely within the frame. But look a little longer, and you’ll notice there are actually two acts of seeing happening. On the left, the photographer crouches, framing, deciding, directing. On the right, the subject stands in the light but she is composed, almost architectural herself. Yet, she isn’t passive. The way she leans into the wall, the tilt of the hat, the choice to face away — she shapes the image just as much. So who is in control? The photographer chooses where to stand, when to press the shutter. But the subject chooses how to exist within that moment: what to reveal, what to withhold. This photograph sits in that quiet tension. Not a moment of control, but of negotiation,  where seeing and being seen meet, and neither fully belongs to one alone. | Keith Wee]]></title>
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            <media:title><![CDATA[At first glance, this image may be another black and white shot focusing on clean lines, strong light, a subject placed precisely within the frame. But look a little longer, and you’ll notice there are actually two acts of seeing happening. On the left, the photographer crouches, framing, deciding, directing. On the right, the subject stands in the light but she is composed, almost architectural herself. Yet, she isn’t passive. The way she leans into the wall, the tilt of the hat, the choice to face away — she shapes the image just as much. So who is in control? The photographer chooses where to stand, when to press the shutter. But the subject chooses how to exist within that moment: what to reveal, what to withhold. This photograph sits in that quiet tension. Not a moment of control, but of negotiation,  where seeing and being seen meet, and neither fully belongs to one alone. | Keith Wee]]></media:title>
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          <title><![CDATA[At first glance, this image may be another black and white shot focusing on clean lines, strong light, a subject placed precisely within the frame. But look a little longer, and you’ll notice there are actually two acts of seeing happening. On the left, the photographer crouches, framing, deciding, directing. On the right, the subject stands in the light but she is composed, almost architectural herself. Yet, she isn’t passive. The way she leans into the wall, the tilt of the hat, the choice to face away — she shapes the image just as much. So who is in control? The photographer chooses where to stand, when to press the shutter. But the subject chooses how to exist within that moment: what to reveal, what to withhold. This photograph sits in that quiet tension. Not a moment of control, but of negotiation,  where seeing and being seen meet, and neither fully belongs to one alone. | Keith Wee]]></title>
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          <title><![CDATA[The Lion’s Awakening: A Legacy in Motion  Once a vibrant thread woven into the fabric of daily life, the Lion Dance is becoming a fading echo of the past. The thunder of the drums has grown distant, and the kaleidoscopic flicker of the lion is a rarer sight on our modern streets.  Yet, beneath the silk and fur lies a timeless narrative. The performance is more than a spectacle; it is a story of resilience. It follows the lion as it awakens, navigates treacherous terrain, and crosses mountains and rivers in a symbolic quest for meaning and purpose.  Documenting this art is a form of preservation. By capturing the spirit of the dance, we ensure that its identity isn't lost to time. It is a quiet and hopeful bridge that carries the stories of our ancestors into the light of the future, ensuring the lion continues to roar for generations to come. | snapsbyxavier]]></title>
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          <link>https://www.cizucu.com/zh-cn/photos/mGaSMUo72Va9G9aRQKpq</link>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
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          <description><![CDATA[在cizucu上查看更多Arthur Liew的精彩作品。]]></description>
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          <pubDate>Sun, 22 Mar 2026 16:32:12 GMT</pubDate>
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            <media:title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Arthur Liew的精彩作品。]]></media:description>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
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          <description><![CDATA[在cizucu上查看更多Arthur Liew的精彩作品。]]></description>
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            <name>Arthur Liew</name>
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          <pubDate>Sun, 22 Mar 2026 16:29:33 GMT</pubDate>
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