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          <title><![CDATA[Arcade Streetsnap camera：LeicaD-LUX-8 #TOKYO #Streetsnap | はな]]></title>
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          <title><![CDATA[Arcade Streetsnap camera：LeicaD-LUX-8 #TOKYO #Streetsnap | はな]]></title>
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          <title><![CDATA[#cafe #circle #cascara #bbc | Kotaro Kawabata]]></title>
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          <description><![CDATA[在cizucu免费下载由Kotaro Kawabata拍摄的高质量一杯橙色饮料放在阳光照射的木桌上照片。]]></description>
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          <title><![CDATA[#ファサード #facade #東京 #tokyo #streetphotography #light_nikon #nikoncreators #nikonz8 #z8 #z40mmf2 | naotake_speaks]]></title>
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          <pubDate>Thu, 30 Jan 2025 22:51:22 GMT</pubDate>
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          <title><![CDATA[#沖縄 #市場 #アーケード #okinawa #arcade | yousuke]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/ErCXuqDOGe57fMIn0FVM</link>
          <description><![CDATA[在cizucu上查看更多yousuke的精彩作品。]]></description>
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          <title><![CDATA[Facade  #architecture #building #cityscape #tokyo #Roppongi #Akasaka | つばさ製作所]]></title>
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          <description><![CDATA[在cizucu上查看更多つばさ製作所的精彩作品。]]></description>
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          <title><![CDATA[Graduation day at Tōdai (東大) - Imperial University of Tokyo.  Summer '25, Sept, I got captured inside Gothic cloister arcade, peeking at people through the keyhole, this entry has expanded space and time around me. | A pagan angel]]></title>
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          <description><![CDATA[在cizucu上查看更多A pagan angel的精彩作品。]]></description>
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            <name>A pagan angel</name>
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          <title><![CDATA[These 2 photo are from my photo series called “無” (VOID)  "VOID" is an exploration of the internal topography of displacement. As an international student, I exist within a carefully constructed fiction: the "well-being" I report to my family back home. This series documents the cost of that silence. Through my lens, the abstract weight of anxiety, depression, and frustration is given form. These images serve as a visual bridge between my hidden reality and the outside world—a language for the unspeakable. By revealing the fractured soul behind the facade, I invite the viewer to find their own echoes in my silence.  All photo captured on Pentax 67 and printed by hand in the darkroom, the oppressive, pitch-black skies are the result of a chance encounter with light—an accidental exposure of the photo paper. | Him謙]]></title>
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          <description><![CDATA[在cizucu上查看更多Him謙的精彩作品。]]></description>
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          <pubDate>Wed, 15 Apr 2026 13:40:04 GMT</pubDate>
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            <media:title><![CDATA[These 2 photo are from my photo series called “無” (VOID)  "VOID" is an exploration of the internal topography of displacement. As an international student, I exist within a carefully constructed fiction: the "well-being" I report to my family back home. This series documents the cost of that silence. Through my lens, the abstract weight of anxiety, depression, and frustration is given form. These images serve as a visual bridge between my hidden reality and the outside world—a language for the unspeakable. By revealing the fractured soul behind the facade, I invite the viewer to find their own echoes in my silence.  All photo captured on Pentax 67 and printed by hand in the darkroom, the oppressive, pitch-black skies are the result of a chance encounter with light—an accidental exposure of the photo paper. | Him謙]]></media:title>
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          <title><![CDATA[I was drawn to the realm of infrared photography for the way it plays with light and colour beyond what we can visibly see day to day — like uncovering a hidden layer of the world, almost painterly at times. This image was shot at the newly built Jurong Lake Gardens, on the bridge facing towards Cascade Pavilion. Using a full-spectrum converted NEX-6 with a 16mm F2.8 prime lens and an 850nm filter, the result is a high-contrast sky with glowing foliage while the dark roof of the pavilion grounds the composition. Coincidentally, two ladies in dresses happened to be walking through, appearing bright white in the shot and naturally drawing the eye to the centre. The pavilion opening also frames them from within, almost like a screen inside the image. Going forward, I'm still exploring how full-spectrum photography can be used to reframe familiar spaces — not just in black and white, as I've also worked in other colour spectrums — making the everyday feel strangely unfamiliar. | Iak Gnix]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/EuqZ40ka5ByBc8BhK5vv</link>
          <description><![CDATA[在cizucu上查看更多Iak Gnix的精彩作品。]]></description>
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            <name>Iak Gnix</name>
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          <pubDate>Mon, 20 Apr 2026 04:42:16 GMT</pubDate>
          <atom:updated>2026-04-20T04:42:16+09:00</atom:updated>
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            <media:description><![CDATA[在cizucu上查看更多Iak Gnix的精彩作品。]]></media:description>
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