Angling的照片 | 下载免版税和高分辨率图片 https://www.cizucu.com/zh-cn/explore/photos/angling zh-cn 2026-04-07T08:41:11+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. zh-cn https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Hanging around | LukyPhotoDiary]]> https://www.cizucu.com/zh-cn/photos/iKoNlSXaNq98AaDSMZVm LukyPhotoDiary https://www.cizucu.com/zh-cn/users/r5X7P39BeFPRjRyc3j2eqWp8ZjK2 https://www.cizucu.com/zh-cn/photos/iKoNlSXaNq98AaDSMZVm Fri, 19 Dec 2025 00:34:11 GMT 2025-12-19T00:34:11+09:00 https://cdn.cizucu.com/images/photos/iKoNlSXaNq98AaDSMZVm.jpg?auto=compress,format <![CDATA[Some stories were left hanging in the night #懷舊氛圍 #Nostalgia #UrbanStories #NightPhotography #PayphoneVibes #城市夜景 #MoodyVibes #Street | Wee]]> https://www.cizucu.com/zh-cn/photos/durt3XMsZpLRVGHhDmOk Wee https://www.cizucu.com/zh-cn/users/canqHYy9pXY5B11gyQqx3jcPe5z1 https://www.cizucu.com/zh-cn/photos/durt3XMsZpLRVGHhDmOk Wed, 08 Oct 2025 16:59:09 GMT 2025-10-08T16:59:09+09:00 https://cdn.cizucu.com/images/photos/durt3XMsZpLRVGHhDmOk.jpg?auto=compress,format <![CDATA[This is the man hanging out in Prague. I feel like this depicts our daily struggle to survive in our cut throat working culture. | Jonathan Hosea]]> https://www.cizucu.com/zh-cn/photos/KEo7lQWTiNz5MNSK5bCT Jonathan Hosea https://www.cizucu.com/zh-cn/users/ruGhhlOJk8PXxwvQok30IK0W8JE3 https://www.cizucu.com/zh-cn/photos/KEo7lQWTiNz5MNSK5bCT Mon, 23 Mar 2026 00:12:05 GMT 2026-03-23T00:12:05+09:00 https://cdn.cizucu.com/images/photos/KEo7lQWTiNz5MNSK5bCT.jpg?auto=compress,format <![CDATA[Backyard Flowers No 125 Color Version. Continuation of an ongoing series of photographs of flowers grown in our backyard and in the gardens of our neighborhood here in Toronto Canada. Original photography using a Canon EOS 60D body with a Sigma 17-70mm f2.8 DC Macro OS lens. Brian Carson The Learning Curve Photography https://linktr.ee/thelearningcurvephotography #flowers #flowerphotography #nature #naturephotography #originalphotography #photoproject | The Learning Curve Photography]]> https://www.cizucu.com/zh-cn/photos/h3ZRJs1A4sO5Tj6NqNFq The Learning Curve Photography https://www.cizucu.com/zh-cn/users/wFGodvFnMXe8zuo86nPboGZQaff1 https://www.cizucu.com/zh-cn/photos/h3ZRJs1A4sO5Tj6NqNFq Mon, 27 Oct 2025 05:35:05 GMT 2025-10-27T05:35:05+09:00 https://cdn.cizucu.com/images/photos/h3ZRJs1A4sO5Tj6NqNFq.jpg?auto=compress,format <![CDATA[Backyard Flowers In Black And White No 74. An ongoing series of black and white photographs of flowers grown in our backyard and in the gardens of our neighborhood here in Toronto Canada. Original photography using a Canon EOS 60D body with a Sigma 17-70mm f2.8 DC Macro OS lens and Silver EFEX Pro as a Lightroom plugin for the Black and White conversion. Brian Carson The Learning Curve Photography https://linktr.ee/thelearningcurvephotography #flowers #flowerphotography #nature #blackandwhitephotography #bnw #noiretblanc #originalphotography #photoproject | The Learning Curve Photography]]> https://www.cizucu.com/zh-cn/photos/gfphgQKDWyrg9wmTplIP The Learning Curve Photography https://www.cizucu.com/zh-cn/users/wFGodvFnMXe8zuo86nPboGZQaff1 https://www.cizucu.com/zh-cn/photos/gfphgQKDWyrg9wmTplIP Fri, 28 Nov 2025 02:11:16 GMT 2025-11-28T02:11:16+09:00 https://cdn.cizucu.com/images/photos/gfphgQKDWyrg9wmTplIP.jpg?auto=compress,format <![CDATA[Tombstone Shadow No 22. An ongoing series of black and white photos exploring the landscape and architecture of various cemeteries in and around the Toronto Canada area. From Mount Pleasant Cemetery at 375 Mt Pleasant Rd. Original photography using a Canon EOS 60D body with a Canon EF 24-105mm f/4L IS USM lens and Silver EFEX Pro as a Lightroom plugin for the Black and White conversion. Brian Carson The Learning Curve Photography https://linktr.ee/thelearningcurvephotography #toronto #blackandwhitephotography #bnw #originalphotography #photoproject #architecture #cemetery #graveyard | The Learning Curve Photography]]> https://www.cizucu.com/zh-cn/photos/lkhFXwfyiP9m1ACnYPIo The Learning Curve Photography https://www.cizucu.com/zh-cn/users/wFGodvFnMXe8zuo86nPboGZQaff1 https://www.cizucu.com/zh-cn/photos/lkhFXwfyiP9m1ACnYPIo Fri, 28 Nov 2025 02:20:44 GMT 2025-11-28T02:20:44+09:00 https://cdn.cizucu.com/images/photos/lkhFXwfyiP9m1ACnYPIo.jpg?auto=compress,format <![CDATA[Random Street Portrait No 72. An ongoing series of candid photos exploring the day to day life of the people in and around the Toronto Canada area. Heading to the birthday party. On York St near Wellington St W. Original photography using a Canon EOS 60D body with a Canon EF 24-105mm f/4L IS USM lens and Silver EFEX Pro as a Lightroom plugin for the Black and White conversion. Brian Carson The Learning Curve Photography https://linktr.ee/thelearningcurvephotography #toronto #streetsoftoronto #torontolife #blackandwhitephotography #bnw #originalphotography #photography #photoproject #streetphotography #streetphotographybw #canadian | The Learning Curve Photography]]> https://www.cizucu.com/zh-cn/photos/y9JuSsFM1N7jJ3IodJrz The Learning Curve Photography https://www.cizucu.com/zh-cn/users/wFGodvFnMXe8zuo86nPboGZQaff1 https://www.cizucu.com/zh-cn/photos/y9JuSsFM1N7jJ3IodJrz Mon, 12 Jan 2026 08:57:46 GMT 2026-01-12T08:57:46+09:00 https://cdn.cizucu.com/images/photos/y9JuSsFM1N7jJ3IodJrz.jpg?auto=compress,format <![CDATA[When I walked into the Time Square’s Starbucks, what caught my eyes was more than a decorum, it was almost like it was reminding or mocking me of something. It was then I captured this and it was pure cinema in a shot. This showed me how we are equally hanging by a thread; emptied, face down, and yet clinging to the last ounce of reassurance that we are not alone. That every other person walking into this coffee shop is facing the same verge of meeting rock bottom. Emptied once again; passing through the entrance to refill life back into themselves knowing well they are incessantly bound to this perfunctory drudgery. | Drishti Gowda]]> https://www.cizucu.com/zh-cn/photos/lePw6oiR2g3KSHPdN3nt Drishti Gowda https://www.cizucu.com/zh-cn/users/pz5fnme1yVgVSeHjB4YtCunhYCC3 https://www.cizucu.com/zh-cn/photos/lePw6oiR2g3KSHPdN3nt Mon, 16 Mar 2026 23:06:23 GMT 2026-03-16T23:06:23+09:00 https://cdn.cizucu.com/images/photos/lePw6oiR2g3KSHPdN3nt.jpg?auto=compress,format <![CDATA[This photograph is part of Gulabi, a documentary series named after my grandmother, capturing the quiet rhythms of her life in her modest home in Udupi, Karnataka, India. At ninety, her presence held both fragility and strength — a living archive of memory, resilience, and grace. In this frame, she sits in stillness while a small cat rests on her shoulder, an unspoken companionship that softens the solitude often associated with aging. The gesture is simple, yet deeply human — care expressed without words. Gulabi took her last breath in February 2025. This image, and the series as a whole, is one I return to often. It fills me with quiet pride to know that her presence will continue to live on through these photographs for years to come. The series reflects on aging as a state of dignity rather than decline. It invites us to reconsider what we overlook: the beauty of routine, the intimacy of silence, and the emotional landscapes contained within everyday life. Moving forward, I hope to continue exploring themes of human consciousness and intergenerational spiritual connection. My challenge is to document with tenderness and honesty — preserving and creating stories that risk disappearing in the speed of modern life, while safeguarding the essence of what it means to be truly human and to coexist in this world. | Shetty Karthik]]> https://www.cizucu.com/zh-cn/photos/SaattyEITUWZ19MyOfcT Shetty Karthik https://www.cizucu.com/zh-cn/users/4CAGdl8B7GXvaOKe9WeEAoMcJ232 https://www.cizucu.com/zh-cn/photos/SaattyEITUWZ19MyOfcT Tue, 24 Feb 2026 18:17:48 GMT 2026-02-24T18:17:48+09:00 https://cdn.cizucu.com/images/photos/SaattyEITUWZ19MyOfcT.jpg?auto=compress,format <![CDATA[that day of play at the pool with 5 adults looking on. Nephew had no cousin to play with as his uncle (me) decided not to have any kids. A somewhat familiar sight in an aging society like Singapore. this was one of the few times he "dived" under as he was still building on his water confidence. Doing much better now! Photo was taken with a sports housing that was acquired due to the appeal of surfing photography - a genre that brings together my love for nature and sports at the same time. But never got to try to date. In the mean time, have always been looking for the opportunity to take half and half shots like these that capture moments in two separate worlds in the same frame. | Jon H. Tan]]> https://www.cizucu.com/zh-cn/photos/K5m8PKwVJqxEaB4ZWpBU Jon H. Tan https://www.cizucu.com/zh-cn/users/20imYutBQqgfimzRIf5FLCsYQzF2 https://www.cizucu.com/zh-cn/photos/K5m8PKwVJqxEaB4ZWpBU Thu, 19 Mar 2026 22:59:39 GMT 2026-03-19T22:59:39+09:00 https://cdn.cizucu.com/images/photos/K5m8PKwVJqxEaB4ZWpBU.jpg?auto=compress,format <![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival. In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]> https://www.cizucu.com/zh-cn/photos/cu3LZEeOyIJhneSTLWrR Lucho Dávila https://www.cizucu.com/zh-cn/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3 https://www.cizucu.com/zh-cn/photos/cu3LZEeOyIJhneSTLWrR Mon, 30 Mar 2026 21:51:53 GMT 2026-03-30T21:51:53+09:00 https://cdn.cizucu.com/images/photos/cu3LZEeOyIJhneSTLWrR.jpg?auto=compress,format <![CDATA[This photograph created in 2021 is from a series of self-portraits called 'A study in Self' which has been ongoing since a few years. Around 2016-17, I found myself to be going through a serious mental health crisis, navigating through depression, anxiety and being diagnosed with OCD because of some resurfaced childhood trauma. Soon enough I had to be admitted to a rehabilitation center and put on medicines to recover, and couldn't really see myself living my life beyond my early 20s. As I was homebound during these phases, Self-portraiture came to me as a way of trying to find stillness and meaning within all the chaos of my life through these years. It became a means of reconnecting with myself and my body and mind. It was kind of a reassurance of my existence when I felt that I had lost myself. One such photograph among many self-portraits is this one, which was viscerally and spontaneously created depicting the stillness and serenity that I deeply craved inside. | Surabhi Manisha]]> https://www.cizucu.com/zh-cn/photos/3qQ9cLri7b8sRcD0GTKu Surabhi Manisha https://www.cizucu.com/zh-cn/users/xwqmdkMqmhbP6pXfFd9dfmBRW2k1 https://www.cizucu.com/zh-cn/photos/3qQ9cLri7b8sRcD0GTKu Sat, 14 Mar 2026 22:52:50 GMT 2026-03-14T22:52:50+09:00 https://cdn.cizucu.com/images/photos/3qQ9cLri7b8sRcD0GTKu.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/zh-cn/photos/cLMlwd2zuriHaAa7UIXB Arthur Liew https://www.cizucu.com/zh-cn/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/zh-cn/photos/cLMlwd2zuriHaAa7UIXB Sun, 22 Mar 2026 16:38:29 GMT 2026-03-22T16:38:29+09:00 https://cdn.cizucu.com/images/photos/cLMlwd2zuriHaAa7UIXB.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/zh-cn/photos/aCRdHvBtI6EE9pHD6Jud Arthur Liew https://www.cizucu.com/zh-cn/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/zh-cn/photos/aCRdHvBtI6EE9pHD6Jud Sun, 22 Mar 2026 16:32:12 GMT 2026-03-22T16:32:12+09:00 https://cdn.cizucu.com/images/photos/aCRdHvBtI6EE9pHD6Jud.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/zh-cn/photos/RDduCIQ1jlKWBqn7gdBH Arthur Liew https://www.cizucu.com/zh-cn/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/zh-cn/photos/RDduCIQ1jlKWBqn7gdBH Sun, 22 Mar 2026 16:29:33 GMT 2026-03-22T16:29:33+09:00 https://cdn.cizucu.com/images/photos/RDduCIQ1jlKWBqn7gdBH.jpg?auto=compress,format <![CDATA[G-Book is an ongoing photography project that began in 2016, exploring themes of female identity, body consciousness, and self-perception. Through intimate portraiture and conceptual imagery, the project examines the evolving narratives of womanhood. Most of my long-term projects have delved into themes of female, body consciousness and self-perception, incorporating visual textures such as scars, stretch marks, and skin as symbols of growth and transformation. By using natural light, deep contrasts, and experimental compositions, I aim to challenge conventional beauty standards while emphasizing the poetic essence of imperfection. This photograph is one of the works in the ongoing project G-Book. G-Book - MASTERPIECE, STEP BY STEP, YEAR BY YEAR. From the first line to the final session, she returned, healed, and returned again. Working with a master of traditional Taiwanese tattooing, a simple outline grew into a full-back composition. The piece is not only ink on skin, but a ledger of years—discipline, trust, and craft. G-Book 是一個自 2016 年開始的持續性攝影計劃，探索女性身份、身體意識與自我感知的主題。透過親密的肖像與概念性的影像，這個計劃檢視了女性氣質不斷演變的敘事。 我大部分的長期計劃都圍繞於女性、身體意識與自我感知的議題，並融入了疤痕、妊娠紋與肌膚等視覺紋理，作為成長與轉化的象徵。藉由自然光、強烈的明暗對比與實驗性的構圖，我試圖挑戰傳統的美學標準，同時凸顯不完美中所蘊含的詩意。 G-Book —— 歲歲年年 自第一筆至最後一次的刺青，她一次次回來，痊癒，再回來。與台灣傳統刺青大師合作，簡單的線條逐漸演變成整背的作品。這件作品不僅僅是皮膚上的墨跡，更是一份以歲月書寫的帳簿——紀律、信任與工藝。 這張照片是”G-Book“計劃中的作品之一 | shotbyje9_3]]> https://www.cizucu.com/zh-cn/photos/u6xSn3fkwJSSHC9JLUdV shotbyje9_3 https://www.cizucu.com/zh-cn/users/hmqEmG8wfhU70SggnLFpm5U0eVy1 https://www.cizucu.com/zh-cn/photos/u6xSn3fkwJSSHC9JLUdV Thu, 02 Oct 2025 13:37:24 GMT 2025-10-02T13:37:24+09:00 https://cdn.cizucu.com/images/photos/u6xSn3fkwJSSHC9JLUdV.jpg?auto=compress,format