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          <title><![CDATA[雨の日のカフェ   #cafe #cityscape #terrace | つばさ製作所]]></title>
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          <description><![CDATA[在cizucu免费下载由つばさ製作所拍摄的高质量现代环境中排列的金属线椅和桌子照片。]]></description>
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          <pubDate>Thu, 03 Apr 2025 23:00:23 GMT</pubDate>
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          <title><![CDATA[テガラランライステラスの上空からDJIドローンで撮影  📍Tegallalang Rice Terrace, Bali       テガラランライステラス  #バリ島 #ライステラス #棚田 #自然 #ジャングル | Reiri]]></title>
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          <pubDate>Wed, 15 May 2024 23:48:15 GMT</pubDate>
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          <title><![CDATA[#coffee #terrine #strawberry #flower  コーヒーとスイーツと至福の時間  お喋りに花が咲くのは 美味しいコーヒーがあるから？   iPhone | tsuki]]></title>
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          <description><![CDATA[在cizucu上查看更多tsuki的精彩作品。]]></description>
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          <pubDate>Sun, 27 Aug 2023 07:21:06 GMT</pubDate>
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          <title><![CDATA[Trace | sora.days]]></title>
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          <pubDate>Mon, 20 Oct 2025 12:45:20 GMT</pubDate>
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          <title><![CDATA[Small Lives, Vast Mountains   Likir, Ladakh. One afternoon I wandered onto a terrace quietly sitting between mountains. Two girls ran and laughed under the full sun, small lives moving freely inside a vast world. | HarshJanii]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/rBOfpXMDmXFioHC52yTg</link>
          <description><![CDATA[在cizucu上查看更多HarshJanii的精彩作品。]]></description>
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          <pubDate>Sat, 14 Mar 2026 08:43:06 GMT</pubDate>
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          <title><![CDATA[Small Lives, Vast Mountains   Likir, Ladakh. One afternoon I wandered onto a terrace quietly sitting between mountains. Two girls ran and laughed under the full sun, small lives moving freely inside a vast world. | HarshJanii]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/J68jEKa2ry984T52TdIP</link>
          <description><![CDATA[在cizucu上查看更多HarshJanii的精彩作品。]]></description>
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          <pubDate>Mon, 16 Mar 2026 02:03:43 GMT</pubDate>
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          <title><![CDATA[Left behind, by the window.  Light lingers where someone once stood— a quiet trace, almost gone.  —  窓辺に、置き去りにされたもの。  光の中に、さっきまでの気配が 静かに残っている。  #日常の再発見 #静かな時間 #光と影 | benjamin]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/zetA4pd8NNub7vWUUyAb</link>
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          <pubDate>Thu, 26 Mar 2026 20:09:57 GMT</pubDate>
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            <media:title><![CDATA[Left behind, by the window.  Light lingers where someone once stood— a quiet trace, almost gone.  —  窓辺に、置き去りにされたもの。  光の中に、さっきまでの気配が 静かに残っている。  #日常の再発見 #静かな時間 #光と影 | benjamin]]></media:title>
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          <title><![CDATA[A young man with coconuts in the greenery. This photograph reminds me of the days when I lived on a tropical island and spent my time exploring rice terraces and dense green paths. Such unexpected encounters stay in memory, as they carry a sense of simplicity and everyday life that together shape the experience of living in a new place. They may not feel significant in the moment, but over time they become an important part of one’s memories. | Uliana Buravleva]]></title>
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          <description><![CDATA[在cizucu上查看更多Uliana Buravleva的精彩作品。]]></description>
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            <media:title><![CDATA[A young man with coconuts in the greenery. This photograph reminds me of the days when I lived on a tropical island and spent my time exploring rice terraces and dense green paths. Such unexpected encounters stay in memory, as they carry a sense of simplicity and everyday life that together shape the experience of living in a new place. They may not feel significant in the moment, but over time they become an important part of one’s memories. | Uliana Buravleva]]></media:title>
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          <title><![CDATA[Memory doesn't manifest as a clear image. It feels more like a fading sensation, blurry and often elusive. This series captures that feeling. The afterimage in each photograph isn't a mistake. It reflects my way of remembering: the flowers remain present, but they are slowly fading. I chose not to cling to their beauty. What lingers for me isn't the flower itself, but its trace, a reminder that life is temporary. This is where my journey begins. | Nayoung]]></title>
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            <name>Nayoung</name>
            <uri>https://www.cizucu.com/zh-cn/users/dG3PxV81AtbvL9OB3hitUDX5O2E3</uri>
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          <pubDate>Mon, 30 Mar 2026 10:00:56 GMT</pubDate>
          <atom:updated>2026-03-30T10:00:56+09:00</atom:updated>
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            <media:title><![CDATA[Memory doesn't manifest as a clear image. It feels more like a fading sensation, blurry and often elusive. This series captures that feeling. The afterimage in each photograph isn't a mistake. It reflects my way of remembering: the flowers remain present, but they are slowly fading. I chose not to cling to their beauty. What lingers for me isn't the flower itself, but its trace, a reminder that life is temporary. This is where my journey begins. | Nayoung]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Nayoung的精彩作品。]]></media:description>
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          <title><![CDATA[Some people feel that black and white photos look like memorial photos,  But to me, it’s not about death it feels more like a trace that's left behind  When color is taken away, we focus more on the expression, emotion, and the details we usually miss.  Black and white doesn’t create distance, it actually brings us closer to the subject.  So this image is not about an ending, it's about a more honest way of seeing.  and also i took this photo is her birthday present | Vanness Choon]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/4qSsAEGav42A4r1AUng8</link>
          <description><![CDATA[在cizucu上查看更多Vanness Choon的精彩作品。]]></description>
          <author>
            <name>Vanness Choon</name>
            <uri>https://www.cizucu.com/zh-cn/users/MId4f4RKdtcmg9JLGphmluDRwKv2</uri>
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          <pubDate>Tue, 07 Apr 2026 19:26:51 GMT</pubDate>
          <atom:updated>2026-04-07T19:26:51+09:00</atom:updated>
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            <media:title><![CDATA[Some people feel that black and white photos look like memorial photos,  But to me, it’s not about death it feels more like a trace that's left behind  When color is taken away, we focus more on the expression, emotion, and the details we usually miss.  Black and white doesn’t create distance, it actually brings us closer to the subject.  So this image is not about an ending, it's about a more honest way of seeing.  and also i took this photo is her birthday present | Vanness Choon]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Vanness Choon的精彩作品。]]></media:description>
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          <title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/FGecy4iXa0FxyLmFPs1x</link>
          <description><![CDATA[在cizucu上查看更多Serene Teo的精彩作品。]]></description>
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            <name>Serene Teo</name>
            <uri>https://www.cizucu.com/zh-cn/users/MS8bT7nahBOt8T9NcnwxpToVv9h1</uri>
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          <pubDate>Sun, 15 Mar 2026 16:26:26 GMT</pubDate>
          <atom:updated>2026-03-15T16:26:26+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Serene Teo的精彩作品。]]></media:description>
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          <title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/4ZXYEpJisBKlm4YA82Qu</link>
          <description><![CDATA[在cizucu上查看更多Serene Teo的精彩作品。]]></description>
          <author>
            <name>Serene Teo</name>
            <uri>https://www.cizucu.com/zh-cn/users/MS8bT7nahBOt8T9NcnwxpToVv9h1</uri>
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          <pubDate>Mon, 16 Mar 2026 23:54:50 GMT</pubDate>
          <atom:updated>2026-03-16T23:54:50+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Serene Teo的精彩作品。]]></media:description>
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          <title><![CDATA[The Lion’s Awakening: A Legacy in Motion  Once a vibrant thread woven into the fabric of daily life, the Lion Dance is becoming a fading echo of the past. The thunder of the drums has grown distant, and the kaleidoscopic flicker of the lion is a rarer sight on our modern streets.  Yet, beneath the silk and fur lies a timeless narrative. The performance is more than a spectacle; it is a story of resilience. It follows the lion as it awakens, navigates treacherous terrain, and crosses mountains and rivers in a symbolic quest for meaning and purpose.  Documenting this art is a form of preservation. By capturing the spirit of the dance, we ensure that its identity isn't lost to time. It is a quiet and hopeful bridge that carries the stories of our ancestors into the light of the future, ensuring the lion continues to roar for generations to come. | snapsbyxavier]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/mGaSMUo72Va9G9aRQKpq</link>
          <description><![CDATA[在cizucu上查看更多snapsbyxavier的精彩作品。]]></description>
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            <name>snapsbyxavier</name>
            <uri>https://www.cizucu.com/zh-cn/snapsbyxavier</uri>
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          <pubDate>Tue, 14 Apr 2026 21:36:49 GMT</pubDate>
          <atom:updated>2026-04-14T21:36:49+09:00</atom:updated>
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            <media:title><![CDATA[The Lion’s Awakening: A Legacy in Motion  Once a vibrant thread woven into the fabric of daily life, the Lion Dance is becoming a fading echo of the past. The thunder of the drums has grown distant, and the kaleidoscopic flicker of the lion is a rarer sight on our modern streets.  Yet, beneath the silk and fur lies a timeless narrative. The performance is more than a spectacle; it is a story of resilience. It follows the lion as it awakens, navigates treacherous terrain, and crosses mountains and rivers in a symbolic quest for meaning and purpose.  Documenting this art is a form of preservation. By capturing the spirit of the dance, we ensure that its identity isn't lost to time. It is a quiet and hopeful bridge that carries the stories of our ancestors into the light of the future, ensuring the lion continues to roar for generations to come. | snapsbyxavier]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多snapsbyxavier的精彩作品。]]></media:description>
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          <title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/cu3LZEeOyIJhneSTLWrR</link>
          <description><![CDATA[在cizucu上查看更多Lucho Dávila的精彩作品。]]></description>
          <author>
            <name>Lucho Dávila</name>
            <uri>https://www.cizucu.com/zh-cn/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3</uri>
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          <pubDate>Mon, 30 Mar 2026 21:51:53 GMT</pubDate>
          <atom:updated>2026-03-30T21:51:53+09:00</atom:updated>
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            <media:title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Lucho Dávila的精彩作品。]]></media:description>
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          <title><![CDATA[這張照片拍攝於法國巴黎蒙馬特高地，靠近聖心堂的一處斜坡。現場的建築其實是筆直佇立的，但透過地勢與取景角度的轉換，畫面呈現出傾斜的視覺效果，形成介於真實與錯覺之間的感知。  我在按下快門的當下，意識到我們所看見的，往往並不完全等同於事物本身。視角的改變，可以重新定義現實的樣貌。  這張照片拍攝於我前往日本生活之前的一段獨自旅行之中。對我而言，那是一段帶著不確定與期待的過渡時期，也是面對未知的練習。  或許就像這個畫面一樣，世界並不總是穩定而確定的，但也正因如此，我們得以在其中找到新的觀看方式與前進的方向。  この写真は、パリ・モンマルトルの坂道で撮影したものです。本来まっすぐな建物が、視点と地形によって傾いて見えています。  見えているものが、そのままの現実とは限らない。視点が変わるだけで、世界のかたちは大きく変わると感じました。  日本での生活を始める前、一人で旅をしていたときの一枚です。不安と期待のあいだで踏み出した、小さな一歩でもありました。  This photograph was taken on a hillside in Montmartre, Paris. Although the building stands upright in reality, it appears tilted through the angle of view and terrain.  It reminded me that what we see is not always the reality itself. A shift in perspective can completely transform how the world appears.  I took this photo while traveling alone, just before starting a new chapter of my life in Japan.It reflects a small step I took between uncertainty and anticipation. | Sherry]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/aJ6lf1OBvCTgTp9ljqKa</link>
          <description><![CDATA[在cizucu上查看更多Sherry的精彩作品。]]></description>
          <author>
            <name>Sherry</name>
            <uri>https://www.cizucu.com/zh-cn/sherrylulo</uri>
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          <pubDate>Sat, 04 Apr 2026 22:20:56 GMT</pubDate>
          <atom:updated>2026-04-04T22:20:56+09:00</atom:updated>
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            <media:title><![CDATA[這張照片拍攝於法國巴黎蒙馬特高地，靠近聖心堂的一處斜坡。現場的建築其實是筆直佇立的，但透過地勢與取景角度的轉換，畫面呈現出傾斜的視覺效果，形成介於真實與錯覺之間的感知。  我在按下快門的當下，意識到我們所看見的，往往並不完全等同於事物本身。視角的改變，可以重新定義現實的樣貌。  這張照片拍攝於我前往日本生活之前的一段獨自旅行之中。對我而言，那是一段帶著不確定與期待的過渡時期，也是面對未知的練習。  或許就像這個畫面一樣，世界並不總是穩定而確定的，但也正因如此，我們得以在其中找到新的觀看方式與前進的方向。  この写真は、パリ・モンマルトルの坂道で撮影したものです。本来まっすぐな建物が、視点と地形によって傾いて見えています。  見えているものが、そのままの現実とは限らない。視点が変わるだけで、世界のかたちは大きく変わると感じました。  日本での生活を始める前、一人で旅をしていたときの一枚です。不安と期待のあいだで踏み出した、小さな一歩でもありました。  This photograph was taken on a hillside in Montmartre, Paris. Although the building stands upright in reality, it appears tilted through the angle of view and terrain.  It reminded me that what we see is not always the reality itself. A shift in perspective can completely transform how the world appears.  I took this photo while traveling alone, just before starting a new chapter of my life in Japan.It reflects a small step I took between uncertainty and anticipation. | Sherry]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/aJ6lf1OBvCTgTp9ljqKa.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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            <media:description><![CDATA[在cizucu上查看更多Sherry的精彩作品。]]></media:description>
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