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          <title><![CDATA[Taking the road less travelled and often getting lost. Bvumba Mountains, Zimbabwe.  | Shayden Cathro]]></title>
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          <title><![CDATA[This photo reflects how meaning often lives not in the subject itself, but in the way light chooses what to reveal and what to leave behind. | puzzlehobs]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/N4xr7wiWiyHtHagbfN1b</link>
          <description><![CDATA[在cizucu上查看更多puzzlehobs的精彩作品。]]></description>
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            <name>puzzlehobs</name>
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          <pubDate>Mon, 05 Jan 2026 22:19:31 GMT</pubDate>
          <atom:updated>2026-01-17T23:06:27+09:00</atom:updated>
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            <media:description><![CDATA[在cizucu上查看更多puzzlehobs的精彩作品。]]></media:description>
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          <title><![CDATA["A World Beyond" Astrophotography often reminds us that while we look toward distant worlds, some of the most profound experiences happen here on Earth.  This image captures both: A world far beyond our reach, and the start of something unexpectedly close. | Bhavya Bhasin]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/hXXPApOOwqgPXoM4X0bV</link>
          <description><![CDATA[在cizucu上查看更多Bhavya Bhasin的精彩作品。]]></description>
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            <name>Bhavya Bhasin</name>
            <uri>https://www.cizucu.com/zh-cn/users/sy24bFu06QbkDSnCLUDbCv4v3SG3</uri>
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          <pubDate>Sun, 15 Mar 2026 05:55:55 GMT</pubDate>
          <atom:updated>2026-03-15T05:56:20+09:00</atom:updated>
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            <media:title><![CDATA["A World Beyond" Astrophotography often reminds us that while we look toward distant worlds, some of the most profound experiences happen here on Earth.  This image captures both: A world far beyond our reach, and the start of something unexpectedly close. | Bhavya Bhasin]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Bhavya Bhasin的精彩作品。]]></media:description>
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          <title><![CDATA[The other Japanese toilet. I began photographing washiki toilets in 2019. Unlike standard sit-down toilets, squat toilets and their accompanying tiles can be vibrant, eclectic, and often unexpected. Image quality can suffer, though, due to low light and spontaneous capture, but I think it’s important to document them before they disappear. | Jodi]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/bCYHvf2zYlSwIo1U3yK0</link>
          <description><![CDATA[在cizucu上查看更多Jodi的精彩作品。]]></description>
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            <name>Jodi</name>
            <uri>https://www.cizucu.com/zh-cn/users/BjkHJuxHd5hBn23eauUtaYI8BK72</uri>
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          <pubDate>Sun, 19 Apr 2026 20:55:43 GMT</pubDate>
          <atom:updated>2026-05-03T11:33:24+09:00</atom:updated>
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            <media:title><![CDATA[The other Japanese toilet. I began photographing washiki toilets in 2019. Unlike standard sit-down toilets, squat toilets and their accompanying tiles can be vibrant, eclectic, and often unexpected. Image quality can suffer, though, due to low light and spontaneous capture, but I think it’s important to document them before they disappear. | Jodi]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Jodi的精彩作品。]]></media:description>
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          <title><![CDATA[This photograph was made during a period when I found myself unable to articulate my thoughts around mortality. My friend, who is living with cancer, became a quiet presence through which these feelings surfaced.  The dried flowers reference what has already passed — fragility, time, and the inevitability of change. Through this image, I am trying to view death differently: to embrace its presence, and in doing so, to celebrate the life that remains. Often, we do not truly think about death until it touches someone close to us. | Lousycameraman]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/zwyI5V45BjqrtNtht6mx</link>
          <description><![CDATA[在cizucu上查看更多Lousycameraman的精彩作品。]]></description>
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            <name>Lousycameraman</name>
            <uri>https://www.cizucu.com/zh-cn/lousycameraman</uri>
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          <pubDate>Tue, 20 Jan 2026 16:30:45 GMT</pubDate>
          <atom:updated>2026-05-03T16:34:18+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was made during a period when I found myself unable to articulate my thoughts around mortality. My friend, who is living with cancer, became a quiet presence through which these feelings surfaced.  The dried flowers reference what has already passed — fragility, time, and the inevitability of change. Through this image, I am trying to view death differently: to embrace its presence, and in doing so, to celebrate the life that remains. Often, we do not truly think about death until it touches someone close to us. | Lousycameraman]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Lousycameraman的精彩作品。]]></media:description>
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          <title><![CDATA[For thirteen years, photography has taught me to slow down and notice the quiet poetry of everyday life. I am drawn to ordinary people doing ordinary things—walking, waiting, working, resting. Moments that often pass unnoticed, yet through the lens these fleeting fragments become something extraordinary.  On Charles Bridge in Prague, during golden hour, a street artist sketches the portrait of a passing tourist while the world moves around them. In a scene filled with faces, the only one we do not see is the artist’s—hidden as he brings another’s likeness to life.  For me, this simple moment reflects the heart of my photography: finding wonder in the ordinary and meaning in moments we often tend to miss in our everday lives. | Trishita Bhattacharya]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/Cnx1Icbp0otPJg2yjyDm</link>
          <description><![CDATA[在cizucu上查看更多Trishita Bhattacharya的精彩作品。]]></description>
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            <name>Trishita Bhattacharya</name>
            <uri>https://www.cizucu.com/zh-cn/users/OuzxF4GGQ7ebp6bu41IVc9KRYQP2</uri>
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          <pubDate>Mon, 16 Mar 2026 00:57:12 GMT</pubDate>
          <atom:updated>2026-05-03T13:45:57+09:00</atom:updated>
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            <media:title><![CDATA[For thirteen years, photography has taught me to slow down and notice the quiet poetry of everyday life. I am drawn to ordinary people doing ordinary things—walking, waiting, working, resting. Moments that often pass unnoticed, yet through the lens these fleeting fragments become something extraordinary.  On Charles Bridge in Prague, during golden hour, a street artist sketches the portrait of a passing tourist while the world moves around them. In a scene filled with faces, the only one we do not see is the artist’s—hidden as he brings another’s likeness to life.  For me, this simple moment reflects the heart of my photography: finding wonder in the ordinary and meaning in moments we often tend to miss in our everday lives. | Trishita Bhattacharya]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/Cnx1Icbp0otPJg2yjyDm.jpg?fm=jpg" type="image/jpeg" width="3000" height="4500" />
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            <media:description><![CDATA[在cizucu上查看更多Trishita Bhattacharya的精彩作品。]]></media:description>
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          <title><![CDATA[This photograph features The Shard, one of London’s most iconic skyscrapers, rising sharply into the sky. Framed alongside a living tree, the image reflects a dialogue between modern architecture and nature, two forces often seen as separate, yet deeply connected. It invites us to imagine a future where human progress grows in harmony with the natural world. | Shariyar Khan]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/g1RMOarFQ2PKoMzje9vp</link>
          <description><![CDATA[在cizucu上查看更多Shariyar Khan的精彩作品。]]></description>
          <author>
            <name>Shariyar Khan</name>
            <uri>https://www.cizucu.com/zh-cn/users/Pu7img7DHgXbKAp7DLauxk6ltDJ2</uri>
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          <pubDate>Wed, 29 Apr 2026 19:25:02 GMT</pubDate>
          <atom:updated>2026-05-03T09:59:22+09:00</atom:updated>
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            <media:title><![CDATA[This photograph features The Shard, one of London’s most iconic skyscrapers, rising sharply into the sky. Framed alongside a living tree, the image reflects a dialogue between modern architecture and nature, two forces often seen as separate, yet deeply connected. It invites us to imagine a future where human progress grows in harmony with the natural world. | Shariyar Khan]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/g1RMOarFQ2PKoMzje9vp.jpg?fm=jpg" type="image/jpeg" width="3456" height="5184" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/g1RMOarFQ2PKoMzje9vp.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[在cizucu上查看更多Shariyar Khan的精彩作品。]]></media:description>
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        <item>
          <title><![CDATA[Cranes: Delicate yet sturdy, they symbolize construction, transformation, and new beginnings. They can be found in cities all around the world, in a wide variety of shapes and designs. Often we pass by without even noticing them, or pay them little attention despite their size and presence. Sometimes they stand alone, like guardians watching over a construction site; sometimes they dance in groups – a metallic ballet above the city’s rooftops. | kameleon]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/LCYrJx0VrHNBntUbdvLY</link>
          <description><![CDATA[在cizucu上查看更多kameleon的精彩作品。]]></description>
          <author>
            <name>kameleon</name>
            <uri>https://www.cizucu.com/zh-cn/users/4fSxXNg6gSdXvpbdUsxLvAbq3Vn2</uri>
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          <pubDate>Wed, 29 Apr 2026 22:28:56 GMT</pubDate>
          <atom:updated>2026-05-03T09:59:23+09:00</atom:updated>
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            <media:title><![CDATA[Cranes: Delicate yet sturdy, they symbolize construction, transformation, and new beginnings. They can be found in cities all around the world, in a wide variety of shapes and designs. Often we pass by without even noticing them, or pay them little attention despite their size and presence. Sometimes they stand alone, like guardians watching over a construction site; sometimes they dance in groups – a metallic ballet above the city’s rooftops. | kameleon]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/LCYrJx0VrHNBntUbdvLY.jpg?fm=jpg" type="image/jpeg" width="3024" height="4032" />
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            <media:description><![CDATA[在cizucu上查看更多kameleon的精彩作品。]]></media:description>
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          <title><![CDATA[During my time in Japan, I often photographed people on the street using slow shutter speeds. One evening, just before the end of the workday, I encountered an office worker standing at a crosswalk, momentarily lost in thought. Through the use of a slow shutter, the atmosphere of his working life was gently softened, rendered a little lighter, and less heavy than it might have felt in reality. | shotbyje9_3]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/tSIfEWLMHno8LISBBm7K</link>
          <description><![CDATA[在cizucu上查看更多shotbyje9_3的精彩作品。]]></description>
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            <name>shotbyje9_3</name>
            <uri>https://www.cizucu.com/zh-cn/users/hmqEmG8wfhU70SggnLFpm5U0eVy1</uri>
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          <pubDate>Sat, 14 Feb 2026 16:13:03 GMT</pubDate>
          <atom:updated>2026-05-03T15:15:19+09:00</atom:updated>
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            <media:title><![CDATA[During my time in Japan, I often photographed people on the street using slow shutter speeds. One evening, just before the end of the workday, I encountered an office worker standing at a crosswalk, momentarily lost in thought. Through the use of a slow shutter, the atmosphere of his working life was gently softened, rendered a little lighter, and less heavy than it might have felt in reality. | shotbyje9_3]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/tSIfEWLMHno8LISBBm7K.jpg?fm=jpg" type="image/jpeg" width="3200" height="4800" />
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            <media:description><![CDATA[在cizucu上查看更多shotbyje9_3的精彩作品。]]></media:description>
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          <title><![CDATA[Beneath the graceful arches, people getting from one place to another. And then, a young family passes through a pocket of light, almost as if it softly found them. They don’t pause, yet somehow they stand out together, unhurried, and full of quiet warmth. There’s something so comforting in that simple moment, a reminder that even in the midst of movement, it’s often the small, shared moments that feel the most meaningful | helloocheryl]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/ubCwxQX8HgZMkNvlCxLC</link>
          <description><![CDATA[在cizucu上查看更多helloocheryl的精彩作品。]]></description>
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            <name>helloocheryl</name>
            <uri>https://www.cizucu.com/zh-cn/users/fZsvJr0XchbUBYHFf4Jx5BYsJyC3</uri>
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          <pubDate>Sun, 03 May 2026 00:50:13 GMT</pubDate>
          <atom:updated>2026-05-03T10:31:05+09:00</atom:updated>
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            <media:title><![CDATA[Beneath the graceful arches, people getting from one place to another. And then, a young family passes through a pocket of light, almost as if it softly found them. They don’t pause, yet somehow they stand out together, unhurried, and full of quiet warmth. There’s something so comforting in that simple moment, a reminder that even in the midst of movement, it’s often the small, shared moments that feel the most meaningful | helloocheryl]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多helloocheryl的精彩作品。]]></media:description>
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          <title><![CDATA[Flowers and women are often associated with softness and fragility, shaped by long-standing societal expectations.   This photograph challenges that assumption. The unwavering glare confronts the viewer directly, asserting strength, presence, and resolve. Paired with floral imagery, the contrast becomes deliberate: delicacy does not diminish power.   Through this gaze, the work affirms that women embody resilience and strength equal to men, occupying their place in society with authority rather than quiet submission. | Shawn Lim]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/G1pEI8qxiuHKo467vUR2</link>
          <description><![CDATA[在cizucu上查看更多Shawn Lim的精彩作品。]]></description>
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            <name>Shawn Lim</name>
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          <pubDate>Sat, 17 Jan 2026 02:27:45 GMT</pubDate>
          <atom:updated>2026-01-17T22:40:24+09:00</atom:updated>
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            <media:title><![CDATA[Flowers and women are often associated with softness and fragility, shaped by long-standing societal expectations.   This photograph challenges that assumption. The unwavering glare confronts the viewer directly, asserting strength, presence, and resolve. Paired with floral imagery, the contrast becomes deliberate: delicacy does not diminish power.   Through this gaze, the work affirms that women embody resilience and strength equal to men, occupying their place in society with authority rather than quiet submission. | Shawn Lim]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Shawn Lim的精彩作品。]]></media:description>
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          <title><![CDATA[Memory doesn't manifest as a clear image. It feels more like a fading sensation, blurry and often elusive. This series captures that feeling. The afterimage in each photograph isn't a mistake. It reflects my way of remembering: the flowers remain present, but they are slowly fading. I chose not to cling to their beauty. What lingers for me isn't the flower itself, but its trace, a reminder that life is temporary. This is where my journey begins. | Nayoung]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/H8kjUw4s4hrqBulgGNLl</link>
          <description><![CDATA[在cizucu上查看更多Nayoung的精彩作品。]]></description>
          <author>
            <name>Nayoung</name>
            <uri>https://www.cizucu.com/zh-cn/users/dG3PxV81AtbvL9OB3hitUDX5O2E3</uri>
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          <pubDate>Mon, 30 Mar 2026 10:00:56 GMT</pubDate>
          <atom:updated>2026-05-03T12:59:21+09:00</atom:updated>
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            <media:title><![CDATA[Memory doesn't manifest as a clear image. It feels more like a fading sensation, blurry and often elusive. This series captures that feeling. The afterimage in each photograph isn't a mistake. It reflects my way of remembering: the flowers remain present, but they are slowly fading. I chose not to cling to their beauty. What lingers for me isn't the flower itself, but its trace, a reminder that life is temporary. This is where my journey begins. | Nayoung]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Nayoung的精彩作品。]]></media:description>
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          <title><![CDATA[This work begins with a habit of observing how people live in everyday spaces. Rather than staging scenes, I focus on noticing unposed moments — natural gestures, quiet movements, and the in-between times that often go unseen. I am drawn to how individuals move through shared spaces, briefly connected by time and place, each following their own rhythm. Through this approach, I aim to tell quiet stories of people’s lives, shaped not by milestones, but by the accumulation of ordinary moments. | Lee Mia]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/SnkJJ24O9HQfvsmxIg1M</link>
          <description><![CDATA[在cizucu上查看更多Lee Mia的精彩作品。]]></description>
          <author>
            <name>Lee Mia</name>
            <uri>https://www.cizucu.com/zh-cn/users/MknbfnePALYkgmaciy5ZWKr2Hi22</uri>
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          <pubDate>Sun, 11 Jan 2026 20:20:38 GMT</pubDate>
          <atom:updated>2026-05-03T17:03:59+09:00</atom:updated>
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            <media:title><![CDATA[This work begins with a habit of observing how people live in everyday spaces. Rather than staging scenes, I focus on noticing unposed moments — natural gestures, quiet movements, and the in-between times that often go unseen. I am drawn to how individuals move through shared spaces, briefly connected by time and place, each following their own rhythm. Through this approach, I aim to tell quiet stories of people’s lives, shaped not by milestones, but by the accumulation of ordinary moments. | Lee Mia]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Lee Mia的精彩作品。]]></media:description>
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