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          <title><![CDATA[#テクスチャ #アジア #藁 #背景 #素材 #マテリアル #asia #texture #background #material | YuKoreeda ]]></title>
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          <pubDate>Wed, 07 Feb 2024 16:22:18 GMT</pubDate>
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          <title><![CDATA[An aerial view of a snow-covered forest, showcasing tall evergreen trees blanketed in frost. | Matthieu]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/2umeGgMytCpxuCwxahRD</link>
          <description><![CDATA[在cizucu上查看更多Matthieu的精彩作品。]]></description>
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            <name>Matthieu</name>
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          <pubDate>Mon, 09 Feb 2026 01:05:44 GMT</pubDate>
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            <media:title><![CDATA[An aerial view of a snow-covered forest, showcasing tall evergreen trees blanketed in frost. | Matthieu]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Matthieu的精彩作品。]]></media:description>
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          <title><![CDATA[Dramatic aerial view of thick cloud layers with a towering cumulonimbus cloud rising into a dark, stormy sky. | Matthieu]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/imbXmZ8vMdtYYxlnIfdv</link>
          <description><![CDATA[在cizucu上查看更多Matthieu的精彩作品。]]></description>
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          <pubDate>Mon, 09 Feb 2026 01:00:56 GMT</pubDate>
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            <media:description><![CDATA[在cizucu上查看更多Matthieu的精彩作品。]]></media:description>
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          <title><![CDATA[This photo is of my maternal grandmother, Ila. I This image is my favourite representation of her because in it, I see all the women that came before her, and all the women that came from her. It is a reminder of how her sense of self has persevered, untouched by the burden of all the other identities she has carried through life. | Prachi21]]></title>
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          <description><![CDATA[在cizucu上查看更多Prachi21的精彩作品。]]></description>
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            <name>Prachi21</name>
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          <pubDate>Sun, 15 Mar 2026 23:46:29 GMT</pubDate>
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            <media:title><![CDATA[This photo is of my maternal grandmother, Ila. I This image is my favourite representation of her because in it, I see all the women that came before her, and all the women that came from her. It is a reminder of how her sense of self has persevered, untouched by the burden of all the other identities she has carried through life. | Prachi21]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Prachi21的精彩作品。]]></media:description>
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          <title><![CDATA[Happiness and grief are not emotions you would expect to co-exist at a wedding but somehow, it did for me on the day my older brother and sister-in-law got married.  In 2022, months before my brother and sister-in-law got married, my paternal granddad passed on, missing his chance to see his very first grandchild get married.  And being the secondary photographer at your sibling's wedding with that reminder just flashing through your mind the entire day, it silently increases the weight of your role and responsibility to document the occasion.  Photographed is my paternal grandma who is still alive but does not remember my granddad due to her dementia and my brother alongside my sister-in-law who is telling my grandma that they were getting married that very day.  The reason I chose this photo among all the photos I shot that day was because of how intimate it felt and how it reminded me of the importance of documentation.  Although my granddad never made it to the wedding, my grandma did and for that, I'm thankful I got to document these moments during such a loaded occasion.  With all that in mind, I hope you walk away from this photo, documenting more moments in your own life because someday, someone would want to look back on a moment when they still had you. | Tristan Tan]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/HYQtjMa45dQlz5PrPH13</link>
          <description><![CDATA[在cizucu上查看更多Tristan Tan的精彩作品。]]></description>
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            <name>Tristan Tan</name>
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          <pubDate>Sat, 21 Feb 2026 04:20:42 GMT</pubDate>
          <atom:updated>2026-02-21T04:20:42+09:00</atom:updated>
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            <media:title><![CDATA[Happiness and grief are not emotions you would expect to co-exist at a wedding but somehow, it did for me on the day my older brother and sister-in-law got married.  In 2022, months before my brother and sister-in-law got married, my paternal granddad passed on, missing his chance to see his very first grandchild get married.  And being the secondary photographer at your sibling's wedding with that reminder just flashing through your mind the entire day, it silently increases the weight of your role and responsibility to document the occasion.  Photographed is my paternal grandma who is still alive but does not remember my granddad due to her dementia and my brother alongside my sister-in-law who is telling my grandma that they were getting married that very day.  The reason I chose this photo among all the photos I shot that day was because of how intimate it felt and how it reminded me of the importance of documentation.  Although my granddad never made it to the wedding, my grandma did and for that, I'm thankful I got to document these moments during such a loaded occasion.  With all that in mind, I hope you walk away from this photo, documenting more moments in your own life because someday, someone would want to look back on a moment when they still had you. | Tristan Tan]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Tristan Tan的精彩作品。]]></media:description>
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          <title><![CDATA[« Liquid Metropolis » Here, the concrete city finally succumbs to the 'floating world.' In this reflection on the palace moat, the rigid grid of modern skyscrapers liquefies into wavering abstract lines. The solidity of the architecture is revealed as an illusion, echoing the Ukiyo-e philosophy that the material world is fluid and ever-changing.  Note: This work is currently competing in the 23rd International Photography Awards (IPA).  ここで、コンクリートの都市はついに「浮世」に屈します。皇居の堀のこの反射の中で、現代の摩天楼の硬直したグリッドは、揺らめく抽象的な線へと溶け出します。建築の堅固さは幻影として露呈し、物質的な世界は流動的で常に変化するという浮世絵の哲学と共鳴しています。 備考： 本作品は、第23回 IPA (International Photography Awards) のコンペティション参加作品です。 | Corinne Vallienne]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/6DbTw6LLaMPcXGOIJ9iS</link>
          <description><![CDATA[在cizucu上查看更多Corinne Vallienne的精彩作品。]]></description>
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            <name>Corinne Vallienne</name>
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          <pubDate>Sat, 31 Jan 2026 17:12:14 GMT</pubDate>
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            <media:title><![CDATA[« Liquid Metropolis » Here, the concrete city finally succumbs to the 'floating world.' In this reflection on the palace moat, the rigid grid of modern skyscrapers liquefies into wavering abstract lines. The solidity of the architecture is revealed as an illusion, echoing the Ukiyo-e philosophy that the material world is fluid and ever-changing.  Note: This work is currently competing in the 23rd International Photography Awards (IPA).  ここで、コンクリートの都市はついに「浮世」に屈します。皇居の堀のこの反射の中で、現代の摩天楼の硬直したグリッドは、揺らめく抽象的な線へと溶け出します。建築の堅固さは幻影として露呈し、物質的な世界は流動的で常に変化するという浮世絵の哲学と共鳴しています。 備考： 本作品は、第23回 IPA (International Photography Awards) のコンペティション参加作品です。 | Corinne Vallienne]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Corinne Vallienne的精彩作品。]]></media:description>
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