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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Eagan Hsu trên cizucu.]]></media:description>
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          <title><![CDATA[人が消えた風景  映画「I am Legend」ではマネキンを街に置いて 毎日話しかけるシーンがある 自分一人しかいない世界になったとき わたしもマネキンに話しかけるのかもしれない  #cityscape #RPG #RPGHLLS #TOKKYO | つばさ製作所]]></title>
          <link>https://www.cizucu.com/vi/photos/6uCpmEjJkySw2mqNfH48</link>
          <description><![CDATA[Tải ảnh Mannequin đứng ngoài trời gần một tòa nhà hiện đại trong tông màu đen trắng chất lượng cao do つばさ製作所 chụp miễn phí trên cizucu.]]></description>
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            <name>つばさ製作所</name>
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          <pubDate>Thu, 08 Aug 2024 22:19:29 GMT</pubDate>
          <atom:updated>2024-08-09T17:10:33+09:00</atom:updated>
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            <media:title><![CDATA[人が消えた風景  映画「I am Legend」ではマネキンを街に置いて 毎日話しかけるシーンがある 自分一人しかいない世界になったとき わたしもマネキンに話しかけるのかもしれない  #cityscape #RPG #RPGHLLS #TOKKYO | つばさ製作所]]></media:title>
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            <media:description><![CDATA[Tải ảnh Mannequin đứng ngoài trời gần một tòa nhà hiện đại trong tông màu đen trắng chất lượng cao do つばさ製作所 chụp miễn phí trên cizucu.]]></media:description>
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          <title><![CDATA[This photo is of my maternal grandmother, Ila. I This image is my favourite representation of her because in it, I see all the women that came before her, and all the women that came from her. It is a reminder of how her sense of self has persevered, untouched by the burden of all the other identities she has carried through life. | Prachi21]]></title>
          <link>https://www.cizucu.com/vi/photos/WjIERfIZnKTsGjLNFP7V</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Prachi21 trên cizucu.]]></description>
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            <name>Prachi21</name>
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          <pubDate>Sun, 15 Mar 2026 23:46:29 GMT</pubDate>
          <atom:updated>2026-03-15T23:46:29+09:00</atom:updated>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Prachi21 trên cizucu.]]></media:description>
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          <title><![CDATA[In December 2025, I mentored a group of medical students from Lee Kong Chian Medical School on their overseas community involvement project (OCIP) in Kolkata.   Project Kolkata serves women who are currently or formerly in the sex trade. Project Kolkata partners local NGOs to conduct health screenings and health education for these women and their children.   Human trafficking remains a significant problem in India. West Bengal, where Kolkata is the capital and largest city of, ranks consistently at the top of states with the highest number of human trafficking incidents and resulting crime rates. Most of the victims are women and children, transported through the state’s borders of Nepal and Bangladesh, to be recruited into the sex trade.   Many of the women who are actively in the sex trade came to our health screening wearing masks. Their faces are not shown in the photographs. | DrChuaYang]]></title>
          <link>https://www.cizucu.com/vi/photos/KZDnxBOM6WBleZ6DoLfC</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của DrChuaYang trên cizucu.]]></description>
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            <name>DrChuaYang</name>
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          <pubDate>Wed, 11 Mar 2026 19:46:29 GMT</pubDate>
          <atom:updated>2026-03-11T19:46:29+09:00</atom:updated>
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            <media:title><![CDATA[In December 2025, I mentored a group of medical students from Lee Kong Chian Medical School on their overseas community involvement project (OCIP) in Kolkata.   Project Kolkata serves women who are currently or formerly in the sex trade. Project Kolkata partners local NGOs to conduct health screenings and health education for these women and their children.   Human trafficking remains a significant problem in India. West Bengal, where Kolkata is the capital and largest city of, ranks consistently at the top of states with the highest number of human trafficking incidents and resulting crime rates. Most of the victims are women and children, transported through the state’s borders of Nepal and Bangladesh, to be recruited into the sex trade.   Many of the women who are actively in the sex trade came to our health screening wearing masks. Their faces are not shown in the photographs. | DrChuaYang]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của DrChuaYang trên cizucu.]]></media:description>
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          <title><![CDATA[Flowers and women are often associated with softness and fragility, shaped by long-standing societal expectations.   This photograph challenges that assumption. The unwavering glare confronts the viewer directly, asserting strength, presence, and resolve. Paired with floral imagery, the contrast becomes deliberate: delicacy does not diminish power.   Through this gaze, the work affirms that women embody resilience and strength equal to men, occupying their place in society with authority rather than quiet submission. | Shawn Lim]]></title>
          <link>https://www.cizucu.com/vi/photos/G1pEI8qxiuHKo467vUR2</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Shawn Lim trên cizucu.]]></description>
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            <name>Shawn Lim</name>
            <uri>https://www.cizucu.com/vi/users/xqTklW7ZRMMZLnKUUWJS4uVjhh53</uri>
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          <pubDate>Sat, 17 Jan 2026 02:27:45 GMT</pubDate>
          <atom:updated>2026-01-17T02:27:45+09:00</atom:updated>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Shawn Lim trên cizucu.]]></media:description>
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          <title><![CDATA[Capturing this moment during the Raulane festival was a race against the clock. The narrow, sloping lanes were crowded with people, making it difficult to find a clear spot to stand. As the procession moved quickly downhill, I had only a split second to frame the shot through my viewfinder. The central figure, wearing a traditional mask and a crown of bright pom-poms, is the heart of the image. Surrounded by local women in their signature Himachali caps, the scene shows the living history of the mountains. This photo isn't just about a festival; it’s about the luck and timing required to catch a sacred tradition in motion, right in the middle of a busy, cramped street. | shantanu sarwade]]></title>
          <link>https://www.cizucu.com/vi/photos/ptgrWt5D0viXPBHMmuIv</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của shantanu sarwade trên cizucu.]]></description>
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            <name>shantanu sarwade</name>
            <uri>https://www.cizucu.com/vi/users/z0yPobGDqLSJ9surYr8iKVCRybm2</uri>
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          <pubDate>Fri, 13 Mar 2026 01:38:35 GMT</pubDate>
          <atom:updated>2026-03-13T01:38:35+09:00</atom:updated>
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            <media:title><![CDATA[Capturing this moment during the Raulane festival was a race against the clock. The narrow, sloping lanes were crowded with people, making it difficult to find a clear spot to stand. As the procession moved quickly downhill, I had only a split second to frame the shot through my viewfinder. The central figure, wearing a traditional mask and a crown of bright pom-poms, is the heart of the image. Surrounded by local women in their signature Himachali caps, the scene shows the living history of the mountains. This photo isn't just about a festival; it’s about the luck and timing required to catch a sacred tradition in motion, right in the middle of a busy, cramped street. | shantanu sarwade]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của shantanu sarwade trên cizucu.]]></media:description>
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