Ảnh về Visages | Tải hình ảnh miễn phí bản quyền & độ phân giải cao https://www.cizucu.com/vi/explore/photos/visages vi 2026-04-08T18:49:09+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. vi https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[#Cuba #Havana #Vinales #キューバ | Douglas]]> https://www.cizucu.com/vi/photos/243BifQbgrSpk8jnS2UL Douglas https://www.cizucu.com/vi/douglasphotography747 https://www.cizucu.com/vi/photos/243BifQbgrSpk8jnS2UL Tue, 15 Aug 2023 23:33:03 GMT 2024-11-26T18:42:39+09:00 https://cdn.cizucu.com/images/photos/243BifQbgrSpk8jnS2UL.jpg?auto=compress,format <![CDATA[A Passage at 68° North At this latitude, the Nordic fishing villages sit quietly between sea and mountains, shaped by the landscape surrounding them. The bridges stretch across the islands, connecting these villages, appearing simple in form, yet remain resilient against the Arctic’s constant shifting weather. Even in harsh weather, there is a stillness here. A calm that exists within chaos. | Felicity Gan]]> https://www.cizucu.com/vi/photos/wFqZnMBFteLEsFN7qFAj Felicity Gan https://www.cizucu.com/vi/users/cea1tCcTJZWAVLzZHhrHHMjrlWQ2 https://www.cizucu.com/vi/photos/wFqZnMBFteLEsFN7qFAj Sun, 05 Apr 2026 17:23:19 GMT 2026-04-05T17:23:19+09:00 https://cdn.cizucu.com/images/photos/wFqZnMBFteLEsFN7qFAj.jpg?auto=compress,format <![CDATA[A Passage at 68° North At this latitude, the Nordic fishing villages sit quietly between sea and mountains, shaped by the landscape surrounding them. The bridges stretch across the islands, connecting these villages, appearing simple in form, yet remain resilient against the Arctic’s constant shifting weather. Even in harsh weather, there is a stillness here. A calm that exists within chaos. | Felicity Gan]]> https://www.cizucu.com/vi/photos/J6oW6BgNDWFx3cYDNu8e Felicity Gan https://www.cizucu.com/vi/users/cea1tCcTJZWAVLzZHhrHHMjrlWQ2 https://www.cizucu.com/vi/photos/J6oW6BgNDWFx3cYDNu8e Sat, 04 Apr 2026 23:27:00 GMT 2026-04-04T23:27:00+09:00 https://cdn.cizucu.com/images/photos/J6oW6BgNDWFx3cYDNu8e.jpg?auto=compress,format <![CDATA[This photograph represents a strong memory in my photographic journey as it reminds me of the moment where I noticed I may be able to take a decent photograph. It remains one of my favourite images I have taken to this day. | Sacks]]> https://www.cizucu.com/vi/photos/2hkapJsIJASbIcgPIcDd Sacks https://www.cizucu.com/vi/users/LJ6SynHup3Yf9AEa9mioDucx5vP2 https://www.cizucu.com/vi/photos/2hkapJsIJASbIcgPIcDd Sun, 05 Apr 2026 12:31:38 GMT 2026-04-05T12:31:38+09:00 https://cdn.cizucu.com/images/photos/2hkapJsIJASbIcgPIcDd.jpg?auto=compress,format <![CDATA[伊根の舟屋 Tango, at Kyoto’s northern edge, faces the Sea of Japan. Here, there is no city rush, only coastlines, fields, and the slow passage of seasons. Since ancient times, Tango has kept its distance from the world, preserving raw landscapes, fishing villages, and unembellished life. Ine’s boathouses hug the shore, ground floor for boats, upper floor for living. Wood absorbs the waves’ rhythm, light drifts across the water, and even time feels softened by the sea breeze. | Lawrence Liou]]> https://www.cizucu.com/vi/photos/QSmZJSkwkQbEHeB2lxtJ Lawrence Liou https://www.cizucu.com/vi/momoliou https://www.cizucu.com/vi/photos/QSmZJSkwkQbEHeB2lxtJ Sat, 21 Mar 2026 13:53:18 GMT 2026-03-21T13:53:18+09:00 https://cdn.cizucu.com/images/photos/QSmZJSkwkQbEHeB2lxtJ.jpg?auto=compress,format <![CDATA[Unlike most images that guide the eye to a single focal point, this scene resists hierarchy. Light, water, architecture, and movement compete gently for attention, inviting the viewer to wander rather than arrive. Its beauty lies in this quiet abundance, where nothing demands to be seen, yet everything is worth noticing. | Felicia Endellion Fernandez]]> https://www.cizucu.com/vi/photos/OmZRFThWg5DEJ1mEFKfr Felicia Endellion Fernandez https://www.cizucu.com/vi/users/fpNqm4uC7hdDEukZ0CMUigkt5C42 https://www.cizucu.com/vi/photos/OmZRFThWg5DEJ1mEFKfr Sun, 22 Mar 2026 03:14:19 GMT 2026-03-22T03:14:19+09:00 https://cdn.cizucu.com/images/photos/OmZRFThWg5DEJ1mEFKfr.jpg?auto=compress,format <![CDATA[Wong Kar Wai's Rhapsody. Inspired by the color palette of Wong Kar-wai’s cinema, this photograph explores memory as atmosphere rather than narrative. The yellow-green room evokes a childhood space altered by time, while the girl’s tights and skirt reference images I once loved and imagined for myself. The work becomes a projection of past emotions—uncertain, intimate, and softly lingering. | Erica_林瑋瑜]]> https://www.cizucu.com/vi/photos/JY74wsRQI1CZhEOkJ8cN Erica_林瑋瑜 https://www.cizucu.com/vi/erica09174 https://www.cizucu.com/vi/photos/JY74wsRQI1CZhEOkJ8cN Thu, 22 Jan 2026 22:48:13 GMT 2026-01-22T22:48:13+09:00 https://cdn.cizucu.com/images/photos/JY74wsRQI1CZhEOkJ8cN.jpg?auto=compress,format <![CDATA[Title: Fragments of a Memory Description: Fragments of a Memory explores how memories gradually lose their clarity over time, yet continue to leave behind vivid traces in our minds. The blurred light trails reflect the way past moments are remembered — not as sharp, fixed images, but as shifting impressions shaped by emotion and the passage of time. Short Version: A visual interpretation of how memories fade and fragment over time, while remaining emotionally vivid. | efebeydersiniz]]> https://www.cizucu.com/vi/photos/t5EKWiV3l1RaxQZmQv0z efebeydersiniz https://www.cizucu.com/vi/users/3cQhMeIly9XN4SFWBjT1y3Adio03 https://www.cizucu.com/vi/photos/t5EKWiV3l1RaxQZmQv0z Tue, 24 Mar 2026 09:47:38 GMT 2026-03-24T09:47:38+09:00 https://cdn.cizucu.com/images/photos/t5EKWiV3l1RaxQZmQv0z.jpg?auto=compress,format <![CDATA[To me, Kaohsiung is not just beautiful, but a place that has preserved a chapter of my life that will never come again. Those days slowly became warm words written by time, like the sea breeze brushing past Xiziwan at sunset, quiet yet unforgettable. So I always find a reason to visit Kaohsiung, not just to see the scenery, but to revisit those moments still carefully preserved by this city, the images etched deep in my memory. #urban | Lawrence Liou]]> https://www.cizucu.com/vi/photos/vYud2YEyOGXPbmCZzQXO Lawrence Liou https://www.cizucu.com/vi/momoliou https://www.cizucu.com/vi/photos/vYud2YEyOGXPbmCZzQXO Mon, 16 Feb 2026 14:07:55 GMT 2026-02-16T14:07:55+09:00 https://cdn.cizucu.com/images/photos/vYud2YEyOGXPbmCZzQXO.jpg?auto=compress,format <![CDATA[Title: The Moment In Between. It documents the seconds that exist between departure and arrival, between responsibility and rest. These moments often go unnoticed, yet they hold the weight of routine, devotion, and quiet resilienc. Through low light and restrained movement, the work invites viewers to slow down and recognize the d ignity found in ordinary transitions. This is not a story of travel, but of presence. These images are not about where people are going. They are about where they pause. | Chawin Terk]]> https://www.cizucu.com/vi/photos/trC4T1git609KqNYjLla Chawin Terk https://www.cizucu.com/vi/users/7ugzKDRQELhWd6MSSq6NBqQqSaA3 https://www.cizucu.com/vi/photos/trC4T1git609KqNYjLla Mon, 02 Feb 2026 18:05:46 GMT 2026-02-02T18:05:46+09:00 https://cdn.cizucu.com/images/photos/trC4T1git609KqNYjLla.jpg?auto=compress,format <![CDATA[The reflection of the church - On my daily walk between home and work, I pass one of Gothenburg’s most iconic churches. Rather than capturing its famous height, I focused on its reflection in the water to find a new perspective on a familiar sight. Choosing black and white helps strip away distractions, highlighting the quiet mood and the ripples in the surface. In these images, the solid stone of the city becomes fluid and dreamlike. This series is a tribute to the beauty we often overlook in our everyday routines. | Thitipong Sansanayuth]]> https://www.cizucu.com/vi/photos/uwiKstK9T328uSDcyJ8T Thitipong Sansanayuth https://www.cizucu.com/vi/users/w1yeoQHnipOQ3dvJB5zCRTsdpyr2 https://www.cizucu.com/vi/photos/uwiKstK9T328uSDcyJ8T Tue, 03 Feb 2026 20:57:57 GMT 2026-02-03T20:57:57+09:00 https://cdn.cizucu.com/images/photos/uwiKstK9T328uSDcyJ8T.jpg?auto=compress,format <![CDATA[Dreams here are not just pretty images, they are paths to travel, skies to soar, minimal lights at the end of an immense corridor. Architecture becomes a metaphor for the process, a liminal space: the darkness is the fears and those slits of light are the ideas and desires that call us from afar. What invites us to transit, always in movement towards that clarity and to the transit through new nuances: search, get lost, try again. In the end, more than finding a perfect dream, what remains is the mark of the path traveled, the wake of that inner journey that reveals who we are when we decide to follow what our spirit yearns for. | Daniel]]> https://www.cizucu.com/vi/photos/ZnyO3IOFX2BuEHliyvOr Daniel https://www.cizucu.com/vi/users/ZaW40P2crvZXPdx6NEX1YL6WGrp1 https://www.cizucu.com/vi/photos/ZnyO3IOFX2BuEHliyvOr Sun, 05 Apr 2026 19:57:46 GMT 2026-04-05T19:57:46+09:00 https://cdn.cizucu.com/images/photos/ZnyO3IOFX2BuEHliyvOr.jpg?auto=compress,format <![CDATA[I’ve always been interested in pushing the vertical format on social media — seeing how much story I could fit into a small rectangle. Around 2019, I started blending different images together, mostly out of instinct. I wasn’t trying to say anything specific. I was just experimenting, chasing energy, and making work that felt exciting. When I looked at this image, it made me remember a version of myself I hadn’t thought about in a while. Someone younger, reckless with energy, shooting almost every other weekend, posting constantly, chasing progress and social credit without questioning it. This image feels like those two versions existing at the same time. Not a before and after, but an overlap. It made me wonder if we forget how foolishly passionate we once were about the things we’re still doing every day. | Don Lim]]> https://www.cizucu.com/vi/photos/q5Y2PPw0VqFRE9uckJR5 Don Lim https://www.cizucu.com/vi/users/bkuZ69RpzEd7kWvHeCn1Iwchd2y1 https://www.cizucu.com/vi/photos/q5Y2PPw0VqFRE9uckJR5 Thu, 15 Jan 2026 16:03:31 GMT 2026-01-15T16:03:31+09:00 https://cdn.cizucu.com/images/photos/q5Y2PPw0VqFRE9uckJR5.jpg?auto=compress,format <![CDATA[Raeng Nóm Jai The Force That Draws the Heart I had already packed my bag when I noticed them. The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back. But something shifted. One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness. My battery was nearly dead. I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct. I turned the camera on. For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once. Then the camera died. The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred. But that single frame remained. Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome. I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk. Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear. And that was enough. | John Hupa]]> https://www.cizucu.com/vi/photos/sVh1uqHQzy9Jq3sPjFco John Hupa https://www.cizucu.com/vi/users/5pbld81DKVT8o45bBOOJ7CDUle72 https://www.cizucu.com/vi/photos/sVh1uqHQzy9Jq3sPjFco Wed, 11 Feb 2026 12:29:25 GMT 2026-02-11T12:29:25+09:00 https://cdn.cizucu.com/images/photos/sVh1uqHQzy9Jq3sPjFco.jpg?auto=compress,format <![CDATA[Raeng Nóm Jai The Force That Draws the Heart I had already packed my bag when I noticed them. The light was sinking fast, turning the sky into a quiet fire. The game had been going on for hours — dust rising, shoes scraping against concrete, laughter mixing with competition. Nothing extraordinary, just boys playing before night took the court back. But something shifted. One of them held the ball differently. His body leaned forward, not to pass, not to hesitate — but to rise. I felt it before it happened. The frame formed in my mind: the jump, the defender’s reach, the sun suspended behind them like a witness. My battery was nearly dead. I did not have time to test, to adjust, to repeat. There would be no second attempt. No correction. Just instinct. I turned the camera on. For a fraction of a second, everything aligned — body, ball, light, horizon. They lifted into the air, and I pressed the shutter once. Then the camera died. The ball would fall. The players would land. The sun would disappear. The game would continue as if nothing monumental had occurred. But that single frame remained. Raeng Nóm Jai — the force that draws the heart — is not gravity as science explains it. It is the pull toward a moment before it fully reveals itself. It is the discipline to trust what you feel forming. The courage to act without certainty of outcome. I do not chase images. I wait until they begin to pull at me — until hesitation becomes heavier than risk. Like gravity, art draws the human heart toward what feels true. In that one unrepeated second, instinct outweighed fear. And that was enough. | John Hupa]]> https://www.cizucu.com/vi/photos/cI8eCjEr7pTX08wnzCdu John Hupa https://www.cizucu.com/vi/users/5pbld81DKVT8o45bBOOJ7CDUle72 https://www.cizucu.com/vi/photos/cI8eCjEr7pTX08wnzCdu Wed, 11 Feb 2026 12:30:12 GMT 2026-02-11T12:30:12+09:00 https://cdn.cizucu.com/images/photos/cI8eCjEr7pTX08wnzCdu.jpg?auto=compress,format