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      <title>Ảnh về Uprooted | Tải hình ảnh miễn phí bản quyền &amp; độ phân giải cao</title>
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          <title><![CDATA[Ảnh của một cây bị lật úp phủ rêu trong rừng | マイホト]]></title>
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          <description><![CDATA[Tải ảnh Ảnh của một cây bị lật úp phủ rêu trong rừng chất lượng cao do マイホト chụp miễn phí trên cizucu.]]></description>
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            <name>マイホト</name>
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          <pubDate>Thu, 11 Jul 2024 17:38:28 GMT</pubDate>
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          <title><![CDATA[Gốc cây bị lật với rễ lộ ra được bao quanh bởi cây cỏ trong rừng | くまもりこ]]></title>
          <link>https://www.cizucu.com/vi/photos/huJ6hN54fjKQckdpIvnd</link>
          <description><![CDATA[Tải ảnh Gốc cây bị lật với rễ lộ ra được bao quanh bởi cây cỏ trong rừng chất lượng cao do くまもりこ chụp miễn phí trên cizucu.]]></description>
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            <name>くまもりこ</name>
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          <pubDate>Mon, 04 Mar 2024 13:39:02 GMT</pubDate>
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            <media:description><![CDATA[Tải ảnh Gốc cây bị lật với rễ lộ ra được bao quanh bởi cây cỏ trong rừng chất lượng cao do くまもりこ chụp miễn phí trên cizucu.]]></media:description>
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          <title><![CDATA[Một bông hoa vàng mới nảy mầm từ mặt đất | あんだば]]></title>
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          <description><![CDATA[Tải ảnh Một bông hoa vàng mới nảy mầm từ mặt đất chất lượng cao do あんだば chụp miễn phí trên cizucu.]]></description>
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            <name>あんだば</name>
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          <pubDate>Thu, 11 Jul 2024 10:28:44 GMT</pubDate>
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          <title><![CDATA[Đậu nảy mầm với chồi xanh tươi trong bát trang trí | まぁめ]]></title>
          <link>https://www.cizucu.com/vi/photos/4xe8sghZbo4ZXOq3xF4d</link>
          <description><![CDATA[Tải ảnh Đậu nảy mầm với chồi xanh tươi trong bát trang trí chất lượng cao do まぁめ chụp miễn phí trên cizucu.]]></description>
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            <name>まぁめ</name>
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          <pubDate>Tue, 23 Jan 2024 11:04:16 GMT</pubDate>
          <atom:updated>2024-11-25T02:36:40+09:00</atom:updated>
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            <media:description><![CDATA[Tải ảnh Đậu nảy mầm với chồi xanh tươi trong bát trang trí chất lượng cao do まぁめ chụp miễn phí trên cizucu.]]></media:description>
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          <title><![CDATA[Thee Kuttichathan Theyyam, captured in Kozhikode, embodies the fiery spirit of the revered deity believed to be the mischievous yet protective child spirit of Lord Shiva and Goddess Parvati.  Rooted in centuries old folklore, this ritual invokes Kuttichathan through vibrant costume, rhythmic chenda drum beats, dance, and sacred fire.  The photograph is not just an image of a ritual, but a living story of Kerala’s cultural heritage, preserved in flame and motion, witnessed by the local community and visitors from different parts of the world who comes together in spirit of faith and culture. Performed by the very talented Nidheesh Peruvannan Sir. | Poulomi Das]]></title>
          <link>https://www.cizucu.com/vi/photos/0ufaljTfbGbNMY5rPlRC</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Poulomi Das trên cizucu.]]></description>
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            <name>Poulomi Das</name>
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          <pubDate>Sat, 14 Mar 2026 22:35:46 GMT</pubDate>
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            <media:title><![CDATA[Thee Kuttichathan Theyyam, captured in Kozhikode, embodies the fiery spirit of the revered deity believed to be the mischievous yet protective child spirit of Lord Shiva and Goddess Parvati.  Rooted in centuries old folklore, this ritual invokes Kuttichathan through vibrant costume, rhythmic chenda drum beats, dance, and sacred fire.  The photograph is not just an image of a ritual, but a living story of Kerala’s cultural heritage, preserved in flame and motion, witnessed by the local community and visitors from different parts of the world who comes together in spirit of faith and culture. Performed by the very talented Nidheesh Peruvannan Sir. | Poulomi Das]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Poulomi Das trên cizucu.]]></media:description>
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          <title><![CDATA[In the restless heart of Mumbai, the historic Brihanmumbai Municipal Corporation Building rises like a silent monument to time. Its intricate architecture stands unmoved, rooted in history, while the world around it flows endlessly.  The streaks of light racing across the frame are not merely vehicles—they are fragments of human stories. Each trail is a journey, a fleeting moment of someone chasing a destination, a dream, or simply tomorrow. In contrast, the illuminated structure remains calm and composed, as if quietly observing the city’s endless rhythm.  This photograph becomes a dialogue between permanence and impermanence. The building represents memory, identity, and the weight of the past, while the flowing lights symbolize the urgency of the present and the uncertainty of the future. Together they form a visual metaphor for Mumbai itself—a city where history stands firm while millions of dreams rush forward every second. | Nishikantsnaps]]></title>
          <link>https://www.cizucu.com/vi/photos/wrp6m3nBJ201XnfheCWK</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Nishikantsnaps trên cizucu.]]></description>
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            <name>Nishikantsnaps</name>
            <uri>https://www.cizucu.com/vi/users/Rki5wUVOK0fCsi9t5F3X8uJCrIb2</uri>
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          <pubDate>Fri, 13 Mar 2026 13:29:26 GMT</pubDate>
          <atom:updated>2026-03-13T13:29:26+09:00</atom:updated>
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            <media:title><![CDATA[In the restless heart of Mumbai, the historic Brihanmumbai Municipal Corporation Building rises like a silent monument to time. Its intricate architecture stands unmoved, rooted in history, while the world around it flows endlessly.  The streaks of light racing across the frame are not merely vehicles—they are fragments of human stories. Each trail is a journey, a fleeting moment of someone chasing a destination, a dream, or simply tomorrow. In contrast, the illuminated structure remains calm and composed, as if quietly observing the city’s endless rhythm.  This photograph becomes a dialogue between permanence and impermanence. The building represents memory, identity, and the weight of the past, while the flowing lights symbolize the urgency of the present and the uncertainty of the future. Together they form a visual metaphor for Mumbai itself—a city where history stands firm while millions of dreams rush forward every second. | Nishikantsnaps]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Nishikantsnaps trên cizucu.]]></media:description>
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          <title><![CDATA[This work documents the vibrant Vittal Birdev Yatra, also known as the Yellow Festival, celebrated in Pattan Kodoli near Kolhapur, Maharashtra. What drew me to this festival was not just the explosion of turmeric in the air, but the faith behind it. Thousands of devotees gather, chanting and covering everything in yellow as a symbol of devotion, hope, and gratitude for a good agricultural season.  At the heart of the festival sits Sri Keloba Rajabau Waghmode, lovingly called the “Old Man,” under a banyan tree. People throw haldi over him and seek his blessings. He is believed to be a messenger of God, someone who predicts rain, farming conditions, and the community’s future.  Through my photographs, I wanted to capture more than color I wanted to show belief, tradition, and the emotional connection between people and ritual. One challenge was working in dense turmeric clouds, protecting my gear while staying present in the moment. Going forward, I want to continue documenting such cultural stories that reflect India’s deep rooted heritage and living traditions. | Streetwala]]></title>
          <link>https://www.cizucu.com/vi/photos/pFQEsppBNxxk6rpAASrB</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Streetwala trên cizucu.]]></description>
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            <name>Streetwala</name>
            <uri>https://www.cizucu.com/vi/users/OGYs9dPuIAXJAbbtI7qDEOZ2cq82</uri>
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          <pubDate>Wed, 25 Feb 2026 14:36:03 GMT</pubDate>
          <atom:updated>2026-02-25T14:36:03+09:00</atom:updated>
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            <media:title><![CDATA[This work documents the vibrant Vittal Birdev Yatra, also known as the Yellow Festival, celebrated in Pattan Kodoli near Kolhapur, Maharashtra. What drew me to this festival was not just the explosion of turmeric in the air, but the faith behind it. Thousands of devotees gather, chanting and covering everything in yellow as a symbol of devotion, hope, and gratitude for a good agricultural season.  At the heart of the festival sits Sri Keloba Rajabau Waghmode, lovingly called the “Old Man,” under a banyan tree. People throw haldi over him and seek his blessings. He is believed to be a messenger of God, someone who predicts rain, farming conditions, and the community’s future.  Through my photographs, I wanted to capture more than color I wanted to show belief, tradition, and the emotional connection between people and ritual. One challenge was working in dense turmeric clouds, protecting my gear while staying present in the moment. Going forward, I want to continue documenting such cultural stories that reflect India’s deep rooted heritage and living traditions. | Streetwala]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Streetwala trên cizucu.]]></media:description>
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          <title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Lucho Dávila trên cizucu.]]></description>
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            <name>Lucho Dávila</name>
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          <pubDate>Mon, 30 Mar 2026 21:51:53 GMT</pubDate>
          <atom:updated>2026-03-30T21:51:53+09:00</atom:updated>
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