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          <title><![CDATA[Cảnh One World Trade Center nổi bật trên đường chân trời Manhattan | fyonetsu]]></title>
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          <title><![CDATA[One World Trade Center cao chót vót trong đường chân trời Manhattan với các tòa nhà chọc trời xung quanh | fyonetsu]]></title>
          <link>https://www.cizucu.com/vi/photos/zSVJEX7Sx0a4HY6Nu6dB</link>
          <description><![CDATA[Tải ảnh One World Trade Center cao chót vót trong đường chân trời Manhattan với các tòa nhà chọc trời xung quanh chất lượng cao do fyonetsu chụp miễn phí trên cizucu.]]></description>
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          <pubDate>Tue, 16 Jan 2024 21:13:07 GMT</pubDate>
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          <title><![CDATA[Đường chân trời Manhattan ở New York với One World Trade Center vào lúc hoàng hôn | ゆう]]></title>
          <link>https://www.cizucu.com/vi/photos/MtT9Osrv3ClqDSq73Ax1</link>
          <description><![CDATA[Tải ảnh Đường chân trời Manhattan ở New York với One World Trade Center vào lúc hoàng hôn chất lượng cao do ゆう chụp miễn phí trên cizucu.]]></description>
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          <title><![CDATA[Đường chân trời New York với One World Trade Center trên nền trời xanh và cảnh quan nước | Pepper05]]></title>
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          <description><![CDATA[Tải ảnh Đường chân trời New York với One World Trade Center trên nền trời xanh và cảnh quan nước chất lượng cao do Pepper05 chụp miễn phí trên cizucu.]]></description>
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          <pubDate>Sun, 11 Feb 2024 11:37:19 GMT</pubDate>
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          <title><![CDATA[Góc nhìn toàn cảnh về đường chân trời New York với One World Trade Center và các tòa nhà chọc trời hiện đại | fyonetsu]]></title>
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          <description><![CDATA[Tải ảnh Góc nhìn toàn cảnh về đường chân trời New York với One World Trade Center và các tòa nhà chọc trời hiện đại chất lượng cao do fyonetsu chụp miễn phí trên cizucu.]]></description>
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          <title><![CDATA[Trace | sora.days]]></title>
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          <pubDate>Mon, 20 Oct 2025 12:45:20 GMT</pubDate>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của sora.days trên cizucu.]]></media:description>
          </media:group>
          <webfeeds:featuredImage>https://cdn.cizucu.com/images/photos/DLyZesRmoKNdjbXwVsO0.jpg?auto=compress,format</webfeeds:featuredImage>
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        <item>
          <title><![CDATA[Đường chân trời New York với One World Trade Center và những đám mây ấn tượng | 도형]]></title>
          <link>https://www.cizucu.com/vi/photos/iSDsZMHbIgcS0TbcsIAd</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của 도형 trên cizucu.]]></description>
          <author>
            <name>도형</name>
            <uri>https://www.cizucu.com/vi/users/QoPcABCbFzQtD4zvonNToAEF6eC3</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/vi/photos/iSDsZMHbIgcS0TbcsIAd</guid>
          <pubDate>Sat, 07 Mar 2026 13:44:14 GMT</pubDate>
          <atom:updated>2026-03-07T13:44:14+09:00</atom:updated>
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            <media:title><![CDATA[Đường chân trời New York với One World Trade Center và những đám mây ấn tượng | 도형]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/iSDsZMHbIgcS0TbcsIAd.jpg?fm=jpg" type="image/jpeg" width="3020" height="4027" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/iSDsZMHbIgcS0TbcsIAd.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/iSDsZMHbIgcS0TbcsIAd.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/iSDsZMHbIgcS0TbcsIAd.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của 도형 trên cizucu.]]></media:description>
          </media:group>
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        <item>
          <title><![CDATA[Left behind, by the window.  Light lingers where someone once stood— a quiet trace, almost gone.  —  窓辺に、置き去りにされたもの。  光の中に、さっきまでの気配が 静かに残っている。  #日常の再発見 #静かな時間 #光と影 | benjamin]]></title>
          <link>https://www.cizucu.com/vi/photos/zetA4pd8NNub7vWUUyAb</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của benjamin trên cizucu.]]></description>
          <author>
            <name>benjamin</name>
            <uri>https://www.cizucu.com/vi/benjamin</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/vi/photos/zetA4pd8NNub7vWUUyAb</guid>
          <pubDate>Thu, 26 Mar 2026 20:09:57 GMT</pubDate>
          <atom:updated>2026-03-26T20:09:57+09:00</atom:updated>
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            <media:title><![CDATA[Left behind, by the window.  Light lingers where someone once stood— a quiet trace, almost gone.  —  窓辺に、置き去りにされたもの。  光の中に、さっきまでの気配が 静かに残っている。  #日常の再発見 #静かな時間 #光と影 | benjamin]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/zetA4pd8NNub7vWUUyAb.jpg?fm=jpg" type="image/jpeg" width="3610" height="5415" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/zetA4pd8NNub7vWUUyAb.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/zetA4pd8NNub7vWUUyAb.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/zetA4pd8NNub7vWUUyAb.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của benjamin trên cizucu.]]></media:description>
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        <item>
          <title><![CDATA[In December 2025, I mentored a group of medical students from Lee Kong Chian Medical School on their overseas community involvement project (OCIP) in Kolkata.   Project Kolkata serves women who are currently or formerly in the sex trade. Project Kolkata partners local NGOs to conduct health screenings and health education for these women and their children.   Human trafficking remains a significant problem in India. West Bengal, where Kolkata is the capital and largest city of, ranks consistently at the top of states with the highest number of human trafficking incidents and resulting crime rates. Most of the victims are women and children, transported through the state’s borders of Nepal and Bangladesh, to be recruited into the sex trade.   Many of the women who are actively in the sex trade came to our health screening wearing masks. Their faces are not shown in the photographs. | DrChuaYang]]></title>
          <link>https://www.cizucu.com/vi/photos/KZDnxBOM6WBleZ6DoLfC</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của DrChuaYang trên cizucu.]]></description>
          <author>
            <name>DrChuaYang</name>
            <uri>https://www.cizucu.com/vi/users/GWI7CPKnpjcKL3y0b7xMpqZRTg12</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/vi/photos/KZDnxBOM6WBleZ6DoLfC</guid>
          <pubDate>Wed, 11 Mar 2026 19:46:29 GMT</pubDate>
          <atom:updated>2026-03-11T19:46:29+09:00</atom:updated>
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            <media:title><![CDATA[In December 2025, I mentored a group of medical students from Lee Kong Chian Medical School on their overseas community involvement project (OCIP) in Kolkata.   Project Kolkata serves women who are currently or formerly in the sex trade. Project Kolkata partners local NGOs to conduct health screenings and health education for these women and their children.   Human trafficking remains a significant problem in India. West Bengal, where Kolkata is the capital and largest city of, ranks consistently at the top of states with the highest number of human trafficking incidents and resulting crime rates. Most of the victims are women and children, transported through the state’s borders of Nepal and Bangladesh, to be recruited into the sex trade.   Many of the women who are actively in the sex trade came to our health screening wearing masks. Their faces are not shown in the photographs. | DrChuaYang]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/KZDnxBOM6WBleZ6DoLfC.jpg?fm=jpg" type="image/jpeg" width="3557" height="5030" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/KZDnxBOM6WBleZ6DoLfC.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/KZDnxBOM6WBleZ6DoLfC.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/KZDnxBOM6WBleZ6DoLfC.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của DrChuaYang trên cizucu.]]></media:description>
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        <item>
          <title><![CDATA[OK Commuter I: Dissolved Hours  Ghosted in blue and white, the commuter exists only as a trace—neither arriving nor leaving, but endlessly passing through. Time slips here, stretched and smeared, ungraspable. In this blur lies a familiar truth: whole portions of our lives dissolve in transit, unmarked and unremembered, carried away in the rhythm of getting somewhere else. | Paddy]]></title>
          <link>https://www.cizucu.com/vi/photos/wGXzElHr1eBGOoHwptoM</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Paddy trên cizucu.]]></description>
          <author>
            <name>Paddy</name>
            <uri>https://www.cizucu.com/vi/users/1GGRwG7jDWNBYbt5kpsLVjwWOAl2</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/vi/photos/wGXzElHr1eBGOoHwptoM</guid>
          <pubDate>Mon, 20 Apr 2026 21:05:50 GMT</pubDate>
          <atom:updated>2026-04-20T21:05:50+09:00</atom:updated>
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            <media:title><![CDATA[OK Commuter I: Dissolved Hours  Ghosted in blue and white, the commuter exists only as a trace—neither arriving nor leaving, but endlessly passing through. Time slips here, stretched and smeared, ungraspable. In this blur lies a familiar truth: whole portions of our lives dissolve in transit, unmarked and unremembered, carried away in the rhythm of getting somewhere else. | Paddy]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/wGXzElHr1eBGOoHwptoM.jpg?fm=jpg" type="image/jpeg" width="4000" height="6000" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/wGXzElHr1eBGOoHwptoM.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/wGXzElHr1eBGOoHwptoM.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/wGXzElHr1eBGOoHwptoM.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Paddy trên cizucu.]]></media:description>
          </media:group>
          <webfeeds:featuredImage>https://cdn.cizucu.com/images/photos/wGXzElHr1eBGOoHwptoM.jpg?auto=compress,format</webfeeds:featuredImage>
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        <item>
          <title><![CDATA[Memory doesn't manifest as a clear image. It feels more like a fading sensation, blurry and often elusive. This series captures that feeling. The afterimage in each photograph isn't a mistake. It reflects my way of remembering: the flowers remain present, but they are slowly fading. I chose not to cling to their beauty. What lingers for me isn't the flower itself, but its trace, a reminder that life is temporary. This is where my journey begins. | Nayoung]]></title>
          <link>https://www.cizucu.com/vi/photos/H8kjUw4s4hrqBulgGNLl</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Nayoung trên cizucu.]]></description>
          <author>
            <name>Nayoung</name>
            <uri>https://www.cizucu.com/vi/users/dG3PxV81AtbvL9OB3hitUDX5O2E3</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/vi/photos/H8kjUw4s4hrqBulgGNLl</guid>
          <pubDate>Mon, 30 Mar 2026 10:00:56 GMT</pubDate>
          <atom:updated>2026-03-30T10:00:56+09:00</atom:updated>
          <enclosure url="https://cdn.cizucu.com/images/photos/H8kjUw4s4hrqBulgGNLl.jpg?fm=jpg" length="0" type="image/jpeg" />
          <media:group>
            <media:title><![CDATA[Memory doesn't manifest as a clear image. It feels more like a fading sensation, blurry and often elusive. This series captures that feeling. The afterimage in each photograph isn't a mistake. It reflects my way of remembering: the flowers remain present, but they are slowly fading. I chose not to cling to their beauty. What lingers for me isn't the flower itself, but its trace, a reminder that life is temporary. This is where my journey begins. | Nayoung]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/H8kjUw4s4hrqBulgGNLl.jpg?fm=jpg" type="image/jpeg" width="4961" height="7016" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/H8kjUw4s4hrqBulgGNLl.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/H8kjUw4s4hrqBulgGNLl.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/H8kjUw4s4hrqBulgGNLl.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Nayoung trên cizucu.]]></media:description>
          </media:group>
          <webfeeds:featuredImage>https://cdn.cizucu.com/images/photos/H8kjUw4s4hrqBulgGNLl.jpg?auto=compress,format</webfeeds:featuredImage>
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        <item>
          <title><![CDATA[Neon, pigment, and the unblinking eye of childhood. On this stretch of Tokyo stone, the ritual of the "maid" is laid bare—not as a fantasy, but as a trade. As one girl constructs a costume of necessity, another deciphers the alchemy of the adult world. Between the glow of the screen and the silence of the pram, the city’s true face is found in the space between those who are performing, those who are watching, and those who have already looked away. | Petratheactionsuperstar]]></title>
          <link>https://www.cizucu.com/vi/photos/JpBL1xNfUyJEXEAjQECk</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Petratheactionsuperstar trên cizucu.]]></description>
          <author>
            <name>Petratheactionsuperstar</name>
            <uri>https://www.cizucu.com/vi/users/cGhdI6z90hf12ObxDv2NMx2pUms2</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/vi/photos/JpBL1xNfUyJEXEAjQECk</guid>
          <pubDate>Wed, 18 Mar 2026 04:11:12 GMT</pubDate>
          <atom:updated>2026-03-18T04:11:12+09:00</atom:updated>
          <enclosure url="https://cdn.cizucu.com/images/photos/JpBL1xNfUyJEXEAjQECk.jpg?fm=jpg" length="0" type="image/jpeg" />
          <media:group>
            <media:title><![CDATA[Neon, pigment, and the unblinking eye of childhood. On this stretch of Tokyo stone, the ritual of the "maid" is laid bare—not as a fantasy, but as a trade. As one girl constructs a costume of necessity, another deciphers the alchemy of the adult world. Between the glow of the screen and the silence of the pram, the city’s true face is found in the space between those who are performing, those who are watching, and those who have already looked away. | Petratheactionsuperstar]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/JpBL1xNfUyJEXEAjQECk.jpg?fm=jpg" type="image/jpeg" width="5152" height="7728" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/JpBL1xNfUyJEXEAjQECk.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/JpBL1xNfUyJEXEAjQECk.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/JpBL1xNfUyJEXEAjQECk.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Petratheactionsuperstar trên cizucu.]]></media:description>
          </media:group>
          <webfeeds:featuredImage>https://cdn.cizucu.com/images/photos/JpBL1xNfUyJEXEAjQECk.jpg?auto=compress,format</webfeeds:featuredImage>
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        <item>
          <title><![CDATA[Some people feel that black and white photos look like memorial photos,  But to me, it’s not about death it feels more like a trace that's left behind  When color is taken away, we focus more on the expression, emotion, and the details we usually miss.  Black and white doesn’t create distance, it actually brings us closer to the subject.  So this image is not about an ending, it's about a more honest way of seeing.  and also i took this photo is her birthday present | Vanness Choon]]></title>
          <link>https://www.cizucu.com/vi/photos/4qSsAEGav42A4r1AUng8</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Vanness Choon trên cizucu.]]></description>
          <author>
            <name>Vanness Choon</name>
            <uri>https://www.cizucu.com/vi/users/MId4f4RKdtcmg9JLGphmluDRwKv2</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/vi/photos/4qSsAEGav42A4r1AUng8</guid>
          <pubDate>Tue, 07 Apr 2026 19:26:51 GMT</pubDate>
          <atom:updated>2026-04-07T19:26:51+09:00</atom:updated>
          <enclosure url="https://cdn.cizucu.com/images/photos/4qSsAEGav42A4r1AUng8.jpg?fm=jpg" length="0" type="image/jpeg" />
          <media:group>
            <media:title><![CDATA[Some people feel that black and white photos look like memorial photos,  But to me, it’s not about death it feels more like a trace that's left behind  When color is taken away, we focus more on the expression, emotion, and the details we usually miss.  Black and white doesn’t create distance, it actually brings us closer to the subject.  So this image is not about an ending, it's about a more honest way of seeing.  and also i took this photo is her birthday present | Vanness Choon]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/4qSsAEGav42A4r1AUng8.jpg?fm=jpg" type="image/jpeg" width="3194" height="4800" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/4qSsAEGav42A4r1AUng8.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/4qSsAEGav42A4r1AUng8.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/4qSsAEGav42A4r1AUng8.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Vanness Choon trên cizucu.]]></media:description>
          </media:group>
          <webfeeds:featuredImage>https://cdn.cizucu.com/images/photos/4qSsAEGav42A4r1AUng8.jpg?auto=compress,format</webfeeds:featuredImage>
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        <item>
          <title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></title>
          <link>https://www.cizucu.com/vi/photos/cu3LZEeOyIJhneSTLWrR</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Lucho Dávila trên cizucu.]]></description>
          <author>
            <name>Lucho Dávila</name>
            <uri>https://www.cizucu.com/vi/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/vi/photos/cu3LZEeOyIJhneSTLWrR</guid>
          <pubDate>Mon, 30 Mar 2026 21:51:53 GMT</pubDate>
          <atom:updated>2026-03-30T21:51:53+09:00</atom:updated>
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            <media:title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Lucho Dávila trên cizucu.]]></media:description>
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