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      <description><![CDATA[Tìm 7 ảnh Training độ phân giải cao tốt nhất trên cizucu. Tất cả đều miễn phí bản quyền, tải xuống miễn phí và hoàn hảo cho mọi dự án mà không cần ghi nguồn.]]></description>
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          <title><![CDATA[Bàn tay cầm hoa xanh resting on balcony railing | 彩]]></title>
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          <description><![CDATA[Tải ảnh Bàn tay cầm hoa xanh resting on balcony railing chất lượng cao do 彩 chụp miễn phí trên cizucu.]]></description>
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          <pubDate>Thu, 28 Nov 2024 23:24:53 GMT</pubDate>
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            <media:description><![CDATA[Tải ảnh Bàn tay cầm hoa xanh resting on balcony railing chất lượng cao do 彩 chụp miễn phí trên cizucu.]]></media:description>
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          <title><![CDATA[Khung cảnh công viên với bầu trời xanh và cây cối xanh b railing trắng và lối đi lát | モノヒョー]]></title>
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          <description><![CDATA[Tải ảnh Khung cảnh công viên với bầu trời xanh và cây cối xanh b railing trắng và lối đi lát chất lượng cao do モノヒョー chụp miễn phí trên cizucu.]]></description>
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          <pubDate>Wed, 20 Mar 2024 13:19:40 GMT</pubDate>
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            <media:description><![CDATA[Tải ảnh Khung cảnh công viên với bầu trời xanh và cây cối xanh b railing trắng và lối đi lát chất lượng cao do モノヒョー chụp miễn phí trên cizucu.]]></media:description>
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          <title><![CDATA["Color Raining"  **사진을 처음 입문할 때 찍은 사진입니다. 앞으로도 피사체를 바라보는 순수한 시선과 선명한 색감을 담아내겠습니다 | 김대운]]></title>
          <link>https://www.cizucu.com/vi/photos/DwvbEzEZBC2wrTJVfQqx</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của 김대운 trên cizucu.]]></description>
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            <name>김대운</name>
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          <pubDate>Fri, 05 Sep 2025 22:33:47 GMT</pubDate>
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            <media:title><![CDATA["Color Raining"  **사진을 처음 입문할 때 찍은 사진입니다. 앞으로도 피사체를 바라보는 순수한 시선과 선명한 색감을 담아내겠습니다 | 김대운]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của 김대운 trên cizucu.]]></media:description>
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          <title><![CDATA[This was taken in Beijing, forbidden palace. It shows a tour guide raising a red fish, which is a popular symbol in Chinese culture, depicting wealth. | Keira Low]]></title>
          <link>https://www.cizucu.com/vi/photos/khdIMNFnIdgHiYxlvIMb</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Keira Low trên cizucu.]]></description>
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            <name>Keira Low</name>
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          <pubDate>Tue, 03 Feb 2026 08:03:45 GMT</pubDate>
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            <media:title><![CDATA[This was taken in Beijing, forbidden palace. It shows a tour guide raising a red fish, which is a popular symbol in Chinese culture, depicting wealth. | Keira Low]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Keira Low trên cizucu.]]></media:description>
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          <title><![CDATA[While passing through this space, I noticed the sunlight tracing the part of the architecture, casting shadows from the pillars across the ground. At that very moment, a passerby walked through the light.  For a brief second, the passerby, the shadows, and the space aligned. This is a quiet reminder of how small we are within the spaces we move through, and how quickly such moments pass. | helloocheryl]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của helloocheryl trên cizucu.]]></description>
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          <pubDate>Mon, 16 Mar 2026 13:34:59 GMT</pubDate>
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            <media:title><![CDATA[While passing through this space, I noticed the sunlight tracing the part of the architecture, casting shadows from the pillars across the ground. At that very moment, a passerby walked through the light.  For a brief second, the passerby, the shadows, and the space aligned. This is a quiet reminder of how small we are within the spaces we move through, and how quickly such moments pass. | helloocheryl]]></media:title>
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          <title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></title>
          <link>https://www.cizucu.com/vi/photos/cu3LZEeOyIJhneSTLWrR</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Lucho Dávila trên cizucu.]]></description>
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            <name>Lucho Dávila</name>
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          <pubDate>Mon, 30 Mar 2026 21:51:53 GMT</pubDate>
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            <media:title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Lucho Dávila trên cizucu.]]></media:description>
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          <title><![CDATA[The Common Kingfisher may be small, but it is incredibly fast. When it bursts out of the water, it can reach speeds of 40–65 km/h, leaving only a split second to capture the moment. Photographing this instant is extremely challenging. As the bird emerges, water droplets scatter in every direction, often confusing the camera’s autofocus. In this case, the kingfisher was diving into a shaded pocket surrounded by branches, making it even harder for the camera to lock onto the subject instead of the busy background. Shot handheld at 800mm, every movement was magnified while tracking the bird’s unpredictable flight. Interestingly, the kingfisher was not hunting—it was simply diving repeatedly to take a quick shower. After three dives into the same spot, everything aligned for a brief fraction of a second. With the speed and precision of the Sony α1 paired with the reach of the Sony FE 400–800mm lens, I was able to capture the moment—tack sharp as the kingfisher burst out of the water. | thebirdingdude]]></title>
          <link>https://www.cizucu.com/vi/photos/bITb7ULYlXIwtideTst0</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của thebirdingdude trên cizucu.]]></description>
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          <pubDate>Thu, 12 Mar 2026 22:48:04 GMT</pubDate>
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            <media:title><![CDATA[The Common Kingfisher may be small, but it is incredibly fast. When it bursts out of the water, it can reach speeds of 40–65 km/h, leaving only a split second to capture the moment. Photographing this instant is extremely challenging. As the bird emerges, water droplets scatter in every direction, often confusing the camera’s autofocus. In this case, the kingfisher was diving into a shaded pocket surrounded by branches, making it even harder for the camera to lock onto the subject instead of the busy background. Shot handheld at 800mm, every movement was magnified while tracking the bird’s unpredictable flight. Interestingly, the kingfisher was not hunting—it was simply diving repeatedly to take a quick shower. After three dives into the same spot, everything aligned for a brief fraction of a second. With the speed and precision of the Sony α1 paired with the reach of the Sony FE 400–800mm lens, I was able to capture the moment—tack sharp as the kingfisher burst out of the water. | thebirdingdude]]></media:title>
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