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      <title>Ảnh về Shucking | Tải hình ảnh miễn phí bản quyền &amp; độ phân giải cao</title>
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          <title><![CDATA[sulking  #streetsnap | 卯月 彩耀 / Irumi Uzuki]]></title>
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            <name>卯月 彩耀 / Irumi Uzuki</name>
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          <pubDate>Sun, 15 Jun 2025 18:13:35 GMT</pubDate>
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            <media:title><![CDATA[sulking  #streetsnap | 卯月 彩耀 / Irumi Uzuki]]></media:title>
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          <title><![CDATA[매화(梅花)/ Among the apricot blossoms of apricot trees, the apricot blossoms that bloom red flowers are called red apricots. This picture was taken using Kodak Aerofilm on Yashika Electro 35. Aerofilm is a medium- and high-altitude aviation reconnaissance film with a film with a lot of red sticking out. Therefore, I tried to maximize the red color by taking a red apricot with this film. The apricot flower is said to be the first flower to bloom in spring through winter. Therefore, the apricot flower symbolizes incision and noble mind. I thought that the red apricot flower turns red in winter by bleeding from the bitter wind as the white petals of the existing apricot flower bloom. I thought that the red apricot flower was a difficult blooming and extracting red beauty. Even if you look at the red color of the red apricot flower and feel tired and painful now, it would be good to know that the blood you shed now makes you look the most beautiful | umani]]></title>
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            <name>umani</name>
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          <pubDate>Sun, 17 Aug 2025 21:47:14 GMT</pubDate>
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            <media:title><![CDATA[매화(梅花)/ Among the apricot blossoms of apricot trees, the apricot blossoms that bloom red flowers are called red apricots. This picture was taken using Kodak Aerofilm on Yashika Electro 35. Aerofilm is a medium- and high-altitude aviation reconnaissance film with a film with a lot of red sticking out. Therefore, I tried to maximize the red color by taking a red apricot with this film. The apricot flower is said to be the first flower to bloom in spring through winter. Therefore, the apricot flower symbolizes incision and noble mind. I thought that the red apricot flower turns red in winter by bleeding from the bitter wind as the white petals of the existing apricot flower bloom. I thought that the red apricot flower was a difficult blooming and extracting red beauty. Even if you look at the red color of the red apricot flower and feel tired and painful now, it would be good to know that the blood you shed now makes you look the most beautiful | umani]]></media:title>
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          <title><![CDATA[I was initially drawn to the visual harmony in the background: a woman in black-and-white walking her dog, their outfits matching with a deliberate aesthetic and symmetry.   But the street has a way of interrupting. In the foreground, an auto-rickshaw driver had dropped his pants, re-tucking his shirt. A gesture of professional pride performed with total indifference to the public eye.  While one half of the street is conscious of how they are seen, the other is simply existing in the thick of a long workday. It also got me questioning that "decency" is often a matter of perspective; for the driver, he wasn't exposing himself, he was simply preparing for his next fare. | Shikhar Bafna]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Shikhar Bafna trên cizucu.]]></description>
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            <name>Shikhar Bafna</name>
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          <pubDate>Sun, 15 Mar 2026 02:16:04 GMT</pubDate>
          <atom:updated>2026-03-15T02:16:04+09:00</atom:updated>
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            <media:title><![CDATA[I was initially drawn to the visual harmony in the background: a woman in black-and-white walking her dog, their outfits matching with a deliberate aesthetic and symmetry.   But the street has a way of interrupting. In the foreground, an auto-rickshaw driver had dropped his pants, re-tucking his shirt. A gesture of professional pride performed with total indifference to the public eye.  While one half of the street is conscious of how they are seen, the other is simply existing in the thick of a long workday. It also got me questioning that "decency" is often a matter of perspective; for the driver, he wasn't exposing himself, he was simply preparing for his next fare. | Shikhar Bafna]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Shikhar Bafna trên cizucu.]]></media:description>
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          <title><![CDATA[Alienation of Dharavi :   A Bombay slum with a $1-billion informal economy  “We stopped the Adani Group’s redevelopment survey twice in protest. Our homes, our work, our lives are here. Redevelopment will only mean displacement. They say anyone who came after 2000 will be pushed far away, and even we must pay to stay,” says Naseem, a Dharavi resident.  In picture : Labourers stacking up a sack of clay — This is from Dharavi’s informal pottery industry, which has been running for over 100 years. Dharavi, spread across 590 acres, is home to nearly a million people from diverse backgrounds. Pottery is just one of many livelihoods here, alongside leather, garments, and others — all now at risk of being displaced & alienated by the proposed slum redevelopment plan. | Bombay Noir]]></title>
          <link>https://www.cizucu.com/vi/photos/blvZqys7p3C6BXz4owuH</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Bombay Noir trên cizucu.]]></description>
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            <name>Bombay Noir</name>
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          <pubDate>Sat, 14 Mar 2026 13:27:45 GMT</pubDate>
          <atom:updated>2026-03-14T13:27:45+09:00</atom:updated>
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            <media:title><![CDATA[Alienation of Dharavi :   A Bombay slum with a $1-billion informal economy  “We stopped the Adani Group’s redevelopment survey twice in protest. Our homes, our work, our lives are here. Redevelopment will only mean displacement. They say anyone who came after 2000 will be pushed far away, and even we must pay to stay,” says Naseem, a Dharavi resident.  In picture : Labourers stacking up a sack of clay — This is from Dharavi’s informal pottery industry, which has been running for over 100 years. Dharavi, spread across 590 acres, is home to nearly a million people from diverse backgrounds. Pottery is just one of many livelihoods here, alongside leather, garments, and others — all now at risk of being displaced & alienated by the proposed slum redevelopment plan. | Bombay Noir]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Bombay Noir trên cizucu.]]></media:description>
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          <title><![CDATA[Title: Is this a Phoenix?  Story: How do we visualize a new start? For the 2026 Marina Bay Countdown, I stood at the Helix Bridge watching the sky erupt, but I chose to look for the life hidden within the light.  This vertical poster, "Is this a Phoenix?", is a symmetrical re-imagining of that first midnight of 2026. By mirroring the vibrant rainbow fireworks and stacking the architectural icons of Singapore, a mythical silhouette emerged from the data. To some, it is the 'Sovereign Butterfly'—a regal symbol of grace and the quiet metamorphosis into a new and beautiful life. To others, it is a Phoenix rising, fueled by the explosive energy of the city’s celebration.  I chose this title to invite the community to engage with the 'soul' of the image. Whether you see the delicate wings of a butterfly or the fiery ascent of a phoenix, the essence remains the same: a powerful, vertical rise into a new chapter. This piece marks the beginning of a year where we define our own rebirth, spreading our wings over the foundations of the past to soar into a vibrant 2026. | Victor Zhuo]]></title>
          <link>https://www.cizucu.com/vi/photos/HaRlbV8HZph6qTP7CEe0</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Victor Zhuo trên cizucu.]]></description>
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            <name>Victor Zhuo</name>
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          <pubDate>Tue, 06 Jan 2026 15:31:12 GMT</pubDate>
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            <media:title><![CDATA[Title: Is this a Phoenix?  Story: How do we visualize a new start? For the 2026 Marina Bay Countdown, I stood at the Helix Bridge watching the sky erupt, but I chose to look for the life hidden within the light.  This vertical poster, "Is this a Phoenix?", is a symmetrical re-imagining of that first midnight of 2026. By mirroring the vibrant rainbow fireworks and stacking the architectural icons of Singapore, a mythical silhouette emerged from the data. To some, it is the 'Sovereign Butterfly'—a regal symbol of grace and the quiet metamorphosis into a new and beautiful life. To others, it is a Phoenix rising, fueled by the explosive energy of the city’s celebration.  I chose this title to invite the community to engage with the 'soul' of the image. Whether you see the delicate wings of a butterfly or the fiery ascent of a phoenix, the essence remains the same: a powerful, vertical rise into a new chapter. This piece marks the beginning of a year where we define our own rebirth, spreading our wings over the foundations of the past to soar into a vibrant 2026. | Victor Zhuo]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Victor Zhuo trên cizucu.]]></media:description>
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