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      <title>Ảnh về Scraps | Tải hình ảnh miễn phí bản quyền &amp; độ phân giải cao</title>
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      <description><![CDATA[Tìm 10 ảnh Scraps độ phân giải cao tốt nhất trên cizucu. Tất cả đều miễn phí bản quyền, tải xuống miễn phí và hoàn hảo cho mọi dự án mà không cần ghi nguồn.]]></description>
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          <title><![CDATA[なぜ、こうなったのだろうか？とシャッターを切った。  #animal #doll #ぬいぐるみ #ベンチ #広場 #MAOY #MNT #tokyo #cityscape #落としもの | つばさ製作所]]></title>
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          <description><![CDATA[Tải ảnh Ghế công viên với scraps thực phẩm và lá rụng chất lượng cao do つばさ製作所 chụp miễn phí trên cizucu.]]></description>
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          <pubDate>Thu, 12 Dec 2024 21:40:00 GMT</pubDate>
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          <title><![CDATA[Cloudy city scape. 『暗がりの先に』 | ek_photofeeling]]></title>
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          <description><![CDATA[Tải ảnh Đường chân trời thành phố với mây ấn tượng và màu sắc hoàng hôn chất lượng cao do ek_photofeeling chụp miễn phí trên cizucu.]]></description>
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          <pubDate>Sun, 17 Dec 2023 13:38:33 GMT</pubDate>
          <atom:updated>2025-03-27T23:56:04+09:00</atom:updated>
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            <media:description><![CDATA[Tải ảnh Đường chân trời thành phố với mây ấn tượng và màu sắc hoàng hôn chất lượng cao do ek_photofeeling chụp miễn phí trên cizucu.]]></media:description>
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          <title><![CDATA[【グレートーンな街】 西船橋駅前にて...  #SNAP #人物スナップ #オートバイ #バイクツーリング #旅の記録 #駅前 #モノクロ #ACRPS #マクロレンズ | RYUURI]]></title>
          <link>https://www.cizucu.com/vi/photos/4y3WV8Me3HQQVpJHi1Ma</link>
          <description><![CDATA[Tải ảnh Một chiếc xe máy băng qua ngã tư trong bối cảnh đô thị đen trắng chất lượng cao do RYUURI chụp miễn phí trên cizucu.]]></description>
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          <pubDate>Thu, 19 Dec 2024 22:40:04 GMT</pubDate>
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          <title><![CDATA[night scape | Gonta]]></title>
          <link>https://www.cizucu.com/vi/photos/qhoYGehkBFV8p9S3femy</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Gonta trên cizucu.]]></description>
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          <pubDate>Sat, 09 Mar 2024 19:13:44 GMT</pubDate>
          <atom:updated>2024-03-09T19:14:02+09:00</atom:updated>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Gonta trên cizucu.]]></media:description>
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          <title><![CDATA[yellow scape  #菜の花 | NaoAkimoto]]></title>
          <link>https://www.cizucu.com/vi/photos/9kyBkUYMchj0cmPU7OjA</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của NaoAkimoto trên cizucu.]]></description>
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          <pubDate>Thu, 23 May 2024 12:09:56 GMT</pubDate>
          <atom:updated>2024-05-23T12:10:20+09:00</atom:updated>
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          <title><![CDATA[【Scrap and Build】 廃車場のスクラップ...ちゃんと分解し整理され再構築「Build」される日も近い。※本来の意味とは違いますけどね...基本的に何かを変えるには何でも必要な「過程」だと思います...親友の写真や僕の私生活だったり(;´Д`A ```  #スクラップ #廃車場 #エンジン部品 #ドライブシャフト #リサイクル金属 #過剰現像 #部分レタッチ #Art | RYUURI]]></title>
          <link>https://www.cizucu.com/vi/photos/6NWGw7teGn7wANCjgsiJ</link>
          <description><![CDATA[Tải ảnh Một tập hợp dày đặc các động cơ và bộ phận cơ khí bị loại bỏ chất lượng cao do RYUURI chụp miễn phí trên cizucu.]]></description>
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          <pubDate>Mon, 29 Jul 2024 21:49:38 GMT</pubDate>
          <atom:updated>2025-03-27T23:58:11+09:00</atom:updated>
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            <media:title><![CDATA[【Scrap and Build】 廃車場のスクラップ...ちゃんと分解し整理され再構築「Build」される日も近い。※本来の意味とは違いますけどね...基本的に何かを変えるには何でも必要な「過程」だと思います...親友の写真や僕の私生活だったり(;´Д`A ```  #スクラップ #廃車場 #エンジン部品 #ドライブシャフト #リサイクル金属 #過剰現像 #部分レタッチ #Art | RYUURI]]></media:title>
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          <title><![CDATA["The Subconscious Screams"  Motion surrounds us, continuous and indifferent. The scream folds inward, unheard. In this tension between movement and stillness, the subconscious becomes the only voice, holding what cannot be expressed and be revealed. | BettyGoh]]></title>
          <link>https://www.cizucu.com/vi/photos/MRsr1Qr8mIhm1XFg4mdV</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của BettyGoh trên cizucu.]]></description>
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          <pubDate>Thu, 08 Jan 2026 23:25:19 GMT</pubDate>
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          <title><![CDATA[Capturing this moment during the Raulane festival was a race against the clock. The narrow, sloping lanes were crowded with people, making it difficult to find a clear spot to stand. As the procession moved quickly downhill, I had only a split second to frame the shot through my viewfinder. The central figure, wearing a traditional mask and a crown of bright pom-poms, is the heart of the image. Surrounded by local women in their signature Himachali caps, the scene shows the living history of the mountains. This photo isn't just about a festival; it’s about the luck and timing required to catch a sacred tradition in motion, right in the middle of a busy, cramped street. | shantanu sarwade]]></title>
          <link>https://www.cizucu.com/vi/photos/ptgrWt5D0viXPBHMmuIv</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của shantanu sarwade trên cizucu.]]></description>
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            <name>shantanu sarwade</name>
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          <pubDate>Fri, 13 Mar 2026 01:38:35 GMT</pubDate>
          <atom:updated>2026-03-13T01:38:35+09:00</atom:updated>
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            <media:title><![CDATA[Capturing this moment during the Raulane festival was a race against the clock. The narrow, sloping lanes were crowded with people, making it difficult to find a clear spot to stand. As the procession moved quickly downhill, I had only a split second to frame the shot through my viewfinder. The central figure, wearing a traditional mask and a crown of bright pom-poms, is the heart of the image. Surrounded by local women in their signature Himachali caps, the scene shows the living history of the mountains. This photo isn't just about a festival; it’s about the luck and timing required to catch a sacred tradition in motion, right in the middle of a busy, cramped street. | shantanu sarwade]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của shantanu sarwade trên cizucu.]]></media:description>
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          <title><![CDATA[Juliet in the garden, December 2025 By Leonie Freeman  In December 2025 I travelled to Ibiza to photograph a project about the colourful native Ibizan lizard facing extinction due to invasive snakes coming to the island. This lizard is an ancient species and a much loved symbol of the island. In the last decade numbers are down 80%, since snake eggs have been finding their way to Ibiza hidden in the roots of imported olive trees from mainland Spain. The snakes have multiplied hugely in numbers and have been killing and eating the lizards, who have no defence against the snakes. People living on Ibiza are coming together to try and save the beloved lizard, by making snake traps and lizard sanctuaries where hopefully numbers can recover.  I was collaborating with Joanna Hruby, of Theatre of the Ancients, a puppet maker and performance artist. Joanna was putting on a Christmas play about the lizard and snake problem, at Can Cristofol farm. The play was a version of Shakespeare’s Room & Juliet, ‘Un Amor Impossible’…. Or ‘an impossible love’ between two species who can not co-exist on the island. With children dressed in amazing hand make costumes, the feuding families of the original Shakespeare play were instead lizards and snakes.   Juliet, played by Fallon, was Juliet and fell in love with Romeo, a snake. In this portrait we see Fallon as Juliet, photographed at sunset in the orange garden at Can Cristofol. She is gleaming in the golden hour sun and it feels like she is in the garden of Eden.   Shot on Mamiya 645 Pro camera with 45mm Mamiya Sekor lens. Using Kodak Gold 200 film.  | Leonie Freeman]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Leonie Freeman trên cizucu.]]></description>
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            <name>Leonie Freeman</name>
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          <pubDate>Tue, 07 Apr 2026 23:00:45 GMT</pubDate>
          <atom:updated>2026-04-07T23:00:52+09:00</atom:updated>
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            <media:title><![CDATA[Juliet in the garden, December 2025 By Leonie Freeman  In December 2025 I travelled to Ibiza to photograph a project about the colourful native Ibizan lizard facing extinction due to invasive snakes coming to the island. This lizard is an ancient species and a much loved symbol of the island. In the last decade numbers are down 80%, since snake eggs have been finding their way to Ibiza hidden in the roots of imported olive trees from mainland Spain. The snakes have multiplied hugely in numbers and have been killing and eating the lizards, who have no defence against the snakes. People living on Ibiza are coming together to try and save the beloved lizard, by making snake traps and lizard sanctuaries where hopefully numbers can recover.  I was collaborating with Joanna Hruby, of Theatre of the Ancients, a puppet maker and performance artist. Joanna was putting on a Christmas play about the lizard and snake problem, at Can Cristofol farm. The play was a version of Shakespeare’s Room & Juliet, ‘Un Amor Impossible’…. Or ‘an impossible love’ between two species who can not co-exist on the island. With children dressed in amazing hand make costumes, the feuding families of the original Shakespeare play were instead lizards and snakes.   Juliet, played by Fallon, was Juliet and fell in love with Romeo, a snake. In this portrait we see Fallon as Juliet, photographed at sunset in the orange garden at Can Cristofol. She is gleaming in the golden hour sun and it feels like she is in the garden of Eden.   Shot on Mamiya 645 Pro camera with 45mm Mamiya Sekor lens. Using Kodak Gold 200 film.  | Leonie Freeman]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Leonie Freeman trên cizucu.]]></media:description>
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          <title><![CDATA[G-Book is an ongoing photography project that began in 2016, exploring themes of female identity, body consciousness, and self-perception. Through intimate portraiture and conceptual imagery, the project examines the evolving narratives of womanhood.  Most of my long-term projects have delved into themes of female, body consciousness and self-perception, incorporating visual textures such as scars, stretch marks, and skin as symbols of growth and transformation. By using natural light, deep contrasts, and experimental compositions, I aim to challenge conventional beauty standards while emphasizing the poetic essence of imperfection.  This photograph is one of the works in the ongoing project G-Book.  G-Book - MASTERPIECE, STEP BY STEP, YEAR BY YEAR.  From the first line to the final session, she returned, healed, and returned again. Working with a master of traditional Taiwanese tattooing, a simple outline grew into a full-back composition. The piece is not only ink on skin, but a ledger of years—discipline, trust, and craft.  G-Book 是一個自 2016 年開始的持續性攝影計劃，探索女性身份、身體意識與自我感知的主題。透過親密的肖像與概念性的影像，這個計劃檢視了女性氣質不斷演變的敘事。  我大部分的長期計劃都圍繞於女性、身體意識與自我感知的議題，並融入了疤痕、妊娠紋與肌膚等視覺紋理，作為成長與轉化的象徵。藉由自然光、強烈的明暗對比與實驗性的構圖，我試圖挑戰傳統的美學標準，同時凸顯不完美中所蘊含的詩意。  G-Book —— 歲歲年年  自第一筆至最後一次的刺青，她一次次回來，痊癒，再回來。與台灣傳統刺青大師合作，簡單的線條逐漸演變成整背的作品。這件作品不僅僅是皮膚上的墨跡，更是一份以歲月書寫的帳簿——紀律、信任與工藝。  這張照片是”G-Book“計劃中的作品之一 | shotbyje9_3]]></title>
          <link>https://www.cizucu.com/vi/photos/u6xSn3fkwJSSHC9JLUdV</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của shotbyje9_3 trên cizucu.]]></description>
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            <name>shotbyje9_3</name>
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          <pubDate>Thu, 02 Oct 2025 13:37:24 GMT</pubDate>
          <atom:updated>2025-10-02T13:37:24+09:00</atom:updated>
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            <media:title><![CDATA[G-Book is an ongoing photography project that began in 2016, exploring themes of female identity, body consciousness, and self-perception. Through intimate portraiture and conceptual imagery, the project examines the evolving narratives of womanhood.  Most of my long-term projects have delved into themes of female, body consciousness and self-perception, incorporating visual textures such as scars, stretch marks, and skin as symbols of growth and transformation. By using natural light, deep contrasts, and experimental compositions, I aim to challenge conventional beauty standards while emphasizing the poetic essence of imperfection.  This photograph is one of the works in the ongoing project G-Book.  G-Book - MASTERPIECE, STEP BY STEP, YEAR BY YEAR.  From the first line to the final session, she returned, healed, and returned again. Working with a master of traditional Taiwanese tattooing, a simple outline grew into a full-back composition. The piece is not only ink on skin, but a ledger of years—discipline, trust, and craft.  G-Book 是一個自 2016 年開始的持續性攝影計劃，探索女性身份、身體意識與自我感知的主題。透過親密的肖像與概念性的影像，這個計劃檢視了女性氣質不斷演變的敘事。  我大部分的長期計劃都圍繞於女性、身體意識與自我感知的議題，並融入了疤痕、妊娠紋與肌膚等視覺紋理，作為成長與轉化的象徵。藉由自然光、強烈的明暗對比與實驗性的構圖，我試圖挑戰傳統的美學標準，同時凸顯不完美中所蘊含的詩意。  G-Book —— 歲歲年年  自第一筆至最後一次的刺青，她一次次回來，痊癒，再回來。與台灣傳統刺青大師合作，簡單的線條逐漸演變成整背的作品。這件作品不僅僅是皮膚上的墨跡，更是一份以歲月書寫的帳簿——紀律、信任與工藝。  這張照片是”G-Book“計劃中的作品之一 | shotbyje9_3]]></media:title>
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