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          <title><![CDATA[Biển chỉ dẫn ga Hase với văn bản tiếng Nhật và romaji | 鉄観音重工]]></title>
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          <title><![CDATA[Biển chỉ dẫn ga Miyajimaguchi với chữ Nhật và romaji | taso583]]></title>
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          <title><![CDATA[Biển chỉ dẫn ga Kameoka với văn bản tiếng Nhật và romaji | nextphoto55]]></title>
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          <title><![CDATA[Biển chỉ dẫn ga Seikōgen bằng tiếng Nhật và Romaji | nnnoooo]]></title>
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          <description><![CDATA[Tải ảnh Biển chỉ dẫn ga Seikōgen bằng tiếng Nhật và Romaji chất lượng cao do nnnoooo chụp miễn phí trên cizucu.]]></description>
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          <title><![CDATA[Biển báo của Ga Maibara hiển thị tên ga bằng chữ kanji và romaji | モノヒョー]]></title>
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          <description><![CDATA[Tải ảnh Biển báo của Ga Maibara hiển thị tên ga bằng chữ kanji và romaji chất lượng cao do モノヒョー chụp miễn phí trên cizucu.]]></description>
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          <title><![CDATA[Biển chỉ dẫn ga Tofukuji bằng tiếng Nhật và romaji | モノヒョー]]></title>
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          <description><![CDATA[Tải ảnh Biển chỉ dẫn ga Tofukuji bằng tiếng Nhật và romaji chất lượng cao do モノヒョー chụp miễn phí trên cizucu.]]></description>
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          <title><![CDATA[Biển hiệu ga Akashi với chữ kanji và romaji | モノヒョー]]></title>
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          <description><![CDATA[Tải ảnh Biển hiệu ga Akashi với chữ kanji và romaji chất lượng cao do モノヒョー chụp miễn phí trên cizucu.]]></description>
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          <title><![CDATA[When the light falls,  some walk into the light,  while others remain in the shadow. | 易辰]]></title>
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        <item>
          <title><![CDATA[Standstill From the window of a passing Shinkansen, a dense queue of taxis waits in silence outside Nagoya Station.  Vehicles built for motion remain suspended in place, forming a temporary stillness within the flow of the city.  Seen from speed, the city appears motionless. | sho13nabe]]></title>
          <link>https://www.cizucu.com/vi/photos/DVqwj97uZqe2SH06OmL4</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của sho13nabe trên cizucu.]]></description>
          <author>
            <name>sho13nabe</name>
            <uri>https://www.cizucu.com/vi/sho_13</uri>
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          <pubDate>Wed, 25 Mar 2026 19:40:59 GMT</pubDate>
          <atom:updated>2026-03-25T19:40:59+09:00</atom:updated>
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            <media:title><![CDATA[Standstill From the window of a passing Shinkansen, a dense queue of taxis waits in silence outside Nagoya Station.  Vehicles built for motion remain suspended in place, forming a temporary stillness within the flow of the city.  Seen from speed, the city appears motionless. | sho13nabe]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/DVqwj97uZqe2SH06OmL4.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của sho13nabe trên cizucu.]]></media:description>
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        <item>
          <title><![CDATA[A silhouetted figure stands beneath an umbrella as a rainbow emerges through the fading storm. The composition balances stillness and motion the grounded presence of the subject against the passing flight of birds. This work explores hope not as certainty, but as persistence. It lives in the decision to remain present, even when clarity hasn’t arrived yet. | __rohit.uk]]></title>
          <link>https://www.cizucu.com/vi/photos/nenShS4kXESrtZTORN2U</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của __rohit.uk trên cizucu.]]></description>
          <author>
            <name>__rohit.uk</name>
            <uri>https://www.cizucu.com/vi/users/EkllMyLWYUZnXsclfgSc1GTOYUC3</uri>
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          <pubDate>Thu, 26 Mar 2026 07:23:01 GMT</pubDate>
          <atom:updated>2026-03-26T07:23:01+09:00</atom:updated>
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            <media:title><![CDATA[A silhouetted figure stands beneath an umbrella as a rainbow emerges through the fading storm. The composition balances stillness and motion the grounded presence of the subject against the passing flight of birds. This work explores hope not as certainty, but as persistence. It lives in the decision to remain present, even when clarity hasn’t arrived yet. | __rohit.uk]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/nenShS4kXESrtZTORN2U.jpg?fm=jpg" type="image/jpeg" width="2981" height="4173" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/nenShS4kXESrtZTORN2U.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/nenShS4kXESrtZTORN2U.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của __rohit.uk trên cizucu.]]></media:description>
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        <item>
          <title><![CDATA[A Passage at 68° North  At this latitude, the Nordic fishing villages sit quietly between sea and mountains, shaped by the landscape surrounding them. The bridges stretch across the islands, connecting these villages, appearing simple in form, yet remain resilient against the Arctic’s constant shifting weather.  Even in harsh weather, there is a stillness here. A calm that exists within chaos. | Felicity Gan]]></title>
          <link>https://www.cizucu.com/vi/photos/wFqZnMBFteLEsFN7qFAj</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Felicity Gan trên cizucu.]]></description>
          <author>
            <name>Felicity Gan</name>
            <uri>https://www.cizucu.com/vi/users/cea1tCcTJZWAVLzZHhrHHMjrlWQ2</uri>
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          <pubDate>Sun, 05 Apr 2026 17:23:19 GMT</pubDate>
          <atom:updated>2026-04-05T17:23:19+09:00</atom:updated>
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            <media:title><![CDATA[A Passage at 68° North  At this latitude, the Nordic fishing villages sit quietly between sea and mountains, shaped by the landscape surrounding them. The bridges stretch across the islands, connecting these villages, appearing simple in form, yet remain resilient against the Arctic’s constant shifting weather.  Even in harsh weather, there is a stillness here. A calm that exists within chaos. | Felicity Gan]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/wFqZnMBFteLEsFN7qFAj.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Felicity Gan trên cizucu.]]></media:description>
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        <item>
          <title><![CDATA[A Passage at 68° North  At this latitude, the Nordic fishing villages sit quietly between sea and mountains, shaped by the landscape surrounding them. The bridges stretch across the islands, connecting these villages, appearing simple in form, yet remain resilient against the Arctic’s constant shifting weather.  Even in harsh weather, there is a stillness here. A calm that exists within chaos. | Felicity Gan]]></title>
          <link>https://www.cizucu.com/vi/photos/J6oW6BgNDWFx3cYDNu8e</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Felicity Gan trên cizucu.]]></description>
          <author>
            <name>Felicity Gan</name>
            <uri>https://www.cizucu.com/vi/users/cea1tCcTJZWAVLzZHhrHHMjrlWQ2</uri>
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          <pubDate>Sat, 04 Apr 2026 23:27:00 GMT</pubDate>
          <atom:updated>2026-04-04T23:27:00+09:00</atom:updated>
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            <media:title><![CDATA[A Passage at 68° North  At this latitude, the Nordic fishing villages sit quietly between sea and mountains, shaped by the landscape surrounding them. The bridges stretch across the islands, connecting these villages, appearing simple in form, yet remain resilient against the Arctic’s constant shifting weather.  Even in harsh weather, there is a stillness here. A calm that exists within chaos. | Felicity Gan]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/J6oW6BgNDWFx3cYDNu8e.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/J6oW6BgNDWFx3cYDNu8e.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Felicity Gan trên cizucu.]]></media:description>
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        <item>
          <title><![CDATA[Memory doesn't manifest as a clear image. It feels more like a fading sensation, blurry and often elusive. This series captures that feeling. The afterimage in each photograph isn't a mistake. It reflects my way of remembering: the flowers remain present, but they are slowly fading. I chose not to cling to their beauty. What lingers for me isn't the flower itself, but its trace, a reminder that life is temporary. This is where my journey begins. | Nayoung]]></title>
          <link>https://www.cizucu.com/vi/photos/H8kjUw4s4hrqBulgGNLl</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Nayoung trên cizucu.]]></description>
          <author>
            <name>Nayoung</name>
            <uri>https://www.cizucu.com/vi/users/dG3PxV81AtbvL9OB3hitUDX5O2E3</uri>
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          <pubDate>Mon, 30 Mar 2026 10:00:56 GMT</pubDate>
          <atom:updated>2026-03-30T10:00:56+09:00</atom:updated>
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            <media:title><![CDATA[Memory doesn't manifest as a clear image. It feels more like a fading sensation, blurry and often elusive. This series captures that feeling. The afterimage in each photograph isn't a mistake. It reflects my way of remembering: the flowers remain present, but they are slowly fading. I chose not to cling to their beauty. What lingers for me isn't the flower itself, but its trace, a reminder that life is temporary. This is where my journey begins. | Nayoung]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/H8kjUw4s4hrqBulgGNLl.jpg?fm=jpg" type="image/jpeg" width="4961" height="7016" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/H8kjUw4s4hrqBulgGNLl.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/H8kjUw4s4hrqBulgGNLl.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Nayoung trên cizucu.]]></media:description>
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        <item>
          <title><![CDATA['The Master of Stares'  Half revealed, fully formidable.  The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect.  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/vi/photos/GmG5c98t8qyvIemmkbiY</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Jasmine Ee (Wildlife with Jas) trên cizucu.]]></description>
          <author>
            <name>Jasmine Ee (Wildlife with Jas)</name>
            <uri>https://www.cizucu.com/vi/users/JYFpvmoAhif1BR46v1VEaz8x1ag2</uri>
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          <pubDate>Mon, 16 Mar 2026 19:26:03 GMT</pubDate>
          <atom:updated>2026-03-16T19:26:03+09:00</atom:updated>
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            <media:title><![CDATA['The Master of Stares'  Half revealed, fully formidable.  The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect.  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/GmG5c98t8qyvIemmkbiY.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/GmG5c98t8qyvIemmkbiY.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Jasmine Ee (Wildlife with Jas) trên cizucu.]]></media:description>
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        <item>
          <title><![CDATA[“The Master of Stillness”  Half revealed, fully formidable. The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect, a behaviour that has earned them the nickname “the master of stillness.”  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/vi/photos/1eyhxZQn4uTXWO7fHhv6</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Jasmine Ee (Wildlife with Jas) trên cizucu.]]></description>
          <author>
            <name>Jasmine Ee (Wildlife with Jas)</name>
            <uri>https://www.cizucu.com/vi/users/JYFpvmoAhif1BR46v1VEaz8x1ag2</uri>
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          <pubDate>Sat, 24 Jan 2026 20:08:23 GMT</pubDate>
          <atom:updated>2026-01-24T20:08:23+09:00</atom:updated>
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            <media:title><![CDATA[“The Master of Stillness”  Half revealed, fully formidable. The shoebill stork’s textured bill and piercing eye speak of patience, precision, and survival in Uganda’s wetlands.   Shoebills hunt by standing motionless for long periods, relying on intense focus and patience. That piercing stare isn’t aggression. It’s calculation. They strike only when the timing is perfect, a behaviour that has earned them the nickname “the master of stillness.”  Despite its formidable presence, the shoebill is Vulnerable, threatened by wetland loss and disturbance. Fewer than 10,000 individuals are believed to remain in the wild. Uganda plays a crucial role in its survival, with community-based ecotourism helping protect critical breeding habitats. | Jasmine Ee (Wildlife with Jas)]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/1eyhxZQn4uTXWO7fHhv6.jpg?fm=jpg" type="image/jpeg" width="1536" height="2048" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1eyhxZQn4uTXWO7fHhv6.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1eyhxZQn4uTXWO7fHhv6.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Jasmine Ee (Wildlife with Jas) trên cizucu.]]></media:description>
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        <item>
          <title><![CDATA[“I Wasn’t Looking at the Scenery, I Was Looking at Time.”  This is my hometown by the sea. The west coast used to be always overcast— a dull grey sky, rusted warehouses, and faint memories cast in shadow. Back in high school, I never really liked this place.  Now it’s been redeveloped—cleaner, brighter. And even though none of the old signs remain, I find myself lifting my camera every time I return.  The breeze feels softer now. Calmer, somehow more forgiving.  Shot with the Nikon Zf. It wasn’t just the landscape that changed. Maybe my way of seeing it did too.  #nikonzf #leicalove #minimalismphotography #capitalminimalism #streetphotography #moodytones #photomemoir #visualstorytelling #japanphotography #都市とミニマリズム #キャピタルミニマリズム  | Andy]]></title>
          <link>https://www.cizucu.com/vi/photos/mnHH5KKfeYHgwdqRIp0E</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Andy trên cizucu.]]></description>
          <author>
            <name>Andy</name>
            <uri>https://www.cizucu.com/vi/andy</uri>
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          <pubDate>Thu, 01 May 2025 09:35:29 GMT</pubDate>
          <atom:updated>2025-05-01T09:35:46+09:00</atom:updated>
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            <media:title><![CDATA[“I Wasn’t Looking at the Scenery, I Was Looking at Time.”  This is my hometown by the sea. The west coast used to be always overcast— a dull grey sky, rusted warehouses, and faint memories cast in shadow. Back in high school, I never really liked this place.  Now it’s been redeveloped—cleaner, brighter. And even though none of the old signs remain, I find myself lifting my camera every time I return.  The breeze feels softer now. Calmer, somehow more forgiving.  Shot with the Nikon Zf. It wasn’t just the landscape that changed. Maybe my way of seeing it did too.  #nikonzf #leicalove #minimalismphotography #capitalminimalism #streetphotography #moodytones #photomemoir #visualstorytelling #japanphotography #都市とミニマリズム #キャピタルミニマリズム  | Andy]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Andy trên cizucu.]]></media:description>
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          <title><![CDATA[This photo was taken on a scorching afternoon in Southern China, just days before I moved to London. I was walking to my grandparents' graves to say goodbye. It was my first time going there all by myself, and I felt like at that moment, I had truly become a mature adult.  Along the way, I 'borrowed' a few lotus seed pods from a neighbor's pond to bring them a taste of summer. To me, memory is like these loofah vines: fragile and seasonal, yet stubbornly clinging to the sturdy trunk of home. Even now in London, the scent of the heat and the texture of those lotus seeds remain vivid—a living link to the roots I left behind. | hichubbypotato]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của hichubbypotato trên cizucu.]]></description>
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          <pubDate>Sun, 05 Apr 2026 10:17:07 GMT</pubDate>
          <atom:updated>2026-04-05T10:17:07+09:00</atom:updated>
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            <media:title><![CDATA[This photo was taken on a scorching afternoon in Southern China, just days before I moved to London. I was walking to my grandparents' graves to say goodbye. It was my first time going there all by myself, and I felt like at that moment, I had truly become a mature adult.  Along the way, I 'borrowed' a few lotus seed pods from a neighbor's pond to bring them a taste of summer. To me, memory is like these loofah vines: fragile and seasonal, yet stubbornly clinging to the sturdy trunk of home. Even now in London, the scent of the heat and the texture of those lotus seeds remain vivid—a living link to the roots I left behind. | hichubbypotato]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của hichubbypotato trên cizucu.]]></media:description>
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          <title><![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。  In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]></title>
          <link>https://www.cizucu.com/vi/photos/zBVH8vhJGiud2L34AWx1</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Park Seongjjn trên cizucu.]]></description>
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            <name>Park Seongjjn</name>
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          <pubDate>Wed, 22 Apr 2026 22:07:39 GMT</pubDate>
          <atom:updated>2026-04-22T22:07:39+09:00</atom:updated>
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            <media:title><![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。  In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Park Seongjjn trên cizucu.]]></media:description>
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          <title><![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。  In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]></title>
          <link>https://www.cizucu.com/vi/photos/vOCvJjkgnBuOr1S8axhJ</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Park Seongjjn trên cizucu.]]></description>
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            <name>Park Seongjjn</name>
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          <pubDate>Sun, 19 Apr 2026 23:07:22 GMT</pubDate>
          <atom:updated>2026-04-19T23:07:22+09:00</atom:updated>
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            <media:title><![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。  In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Park Seongjjn trên cizucu.]]></media:description>
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          <title><![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。  In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]></title>
          <link>https://www.cizucu.com/vi/photos/v0mqxmWKtkFVtHmBGIug</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Park Seongjjn trên cizucu.]]></description>
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            <name>Park Seongjjn</name>
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          <pubDate>Thu, 16 Apr 2026 21:40:58 GMT</pubDate>
          <atom:updated>2026-04-16T21:40:58+09:00</atom:updated>
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            <media:title><![CDATA[2022年の冬、一人で訪れた福岡の旅。あの頃はキヤノン EOS RP のボディに50mmレンズだけを持って行き、写真を撮っていた。当時はさまざまな画角で撮れなくて、本当に残念だったけれど、そのおかげで今も記憶の中に福岡の風景がくっきりと刻まれている。  In the winter of 2022, I took a solo trip to Fukuoka. Back then, I brought only a Canon EOS RP body with a 50mm lens and took photos with just that setup. At the time, I felt a real sense of disappointment at not being able to shoot with a variety of focal lengths — but thanks to that limitation, the scenes of Fukuoka remain vivid and clear in my memory even now. | Park Seongjjn]]></media:title>
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