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      <title>Ảnh về Pulleys | Tải hình ảnh miễn phí bản quyền &amp; độ phân giải cao</title>
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          <title><![CDATA[Hình ảnh của một pulley đen với trục kim loại | gorilla1]]></title>
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          <description><![CDATA[Tải ảnh Hình ảnh của một pulley đen với trục kim loại chất lượng cao do gorilla1 chụp miễn phí trên cizucu.]]></description>
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          <pubDate>Sat, 03 Feb 2024 09:19:08 GMT</pubDate>
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          <title><![CDATA[Cận cảnh các pulley và thành phần của động cơ | gorilla1]]></title>
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          <description><![CDATA[Tải ảnh Cận cảnh các pulley và thành phần của động cơ chất lượng cao do gorilla1 chụp miễn phí trên cizucu.]]></description>
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          <pubDate>Wed, 24 Jan 2024 10:25:47 GMT</pubDate>
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          <title><![CDATA[Hình ảnh cho thấy một pully kim loại với bề mặt mịn và thiết kế hình tròn có lỗ lắp ở phía dưới | gorilla1]]></title>
          <link>https://www.cizucu.com/vi/photos/2xi1MlXUDKDmRfAhVoZK</link>
          <description><![CDATA[Tải ảnh Hình ảnh cho thấy một pully kim loại với bề mặt mịn và thiết kế hình tròn có lỗ lắp ở phía dưới chất lượng cao do gorilla1 chụp miễn phí trên cizucu.]]></description>
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          <pubDate>Sat, 03 Feb 2024 09:19:05 GMT</pubDate>
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            <media:description><![CDATA[Tải ảnh Hình ảnh cho thấy một pully kim loại với bề mặt mịn và thiết kế hình tròn có lỗ lắp ở phía dưới chất lượng cao do gorilla1 chụp miễn phí trên cizucu.]]></media:description>
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          <title><![CDATA[A quiet revelation. A small, soft thing leaning toward something vast—no rush, no drama. Just growth pulled by light. | Anamika]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Anamika trên cizucu.]]></description>
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            <name>Anamika</name>
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          <pubDate>Mon, 09 Feb 2026 13:21:14 GMT</pubDate>
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            <media:title><![CDATA[A quiet revelation. A small, soft thing leaning toward something vast—no rush, no drama. Just growth pulled by light. | Anamika]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Anamika trên cizucu.]]></media:description>
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          <title><![CDATA[思いがけない一瞬に、 心が引き寄せられた。  In an unexpected moment, my heart was pulled in.  | benjamin]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của benjamin trên cizucu.]]></description>
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            <name>benjamin</name>
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          <pubDate>Wed, 25 Mar 2026 20:14:17 GMT</pubDate>
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            <media:title><![CDATA[思いがけない一瞬に、 心が引き寄せられた。  In an unexpected moment, my heart was pulled in.  | benjamin]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của benjamin trên cizucu.]]></media:description>
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          <title><![CDATA[This photo taken in Suzhou, China reminds of the quiet geometry of canals and alleys of the city. Taken in black-and-white, the edges dissolve and familiar forms become abstracted echoes. It is a small, personal testimony of feeling out of place and creating in that dislocation. | Darren Low]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Darren Low trên cizucu.]]></description>
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            <name>Darren Low</name>
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          <pubDate>Sun, 15 Mar 2026 11:44:02 GMT</pubDate>
          <atom:updated>2026-03-15T11:44:02+09:00</atom:updated>
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            <media:title><![CDATA[This photo taken in Suzhou, China reminds of the quiet geometry of canals and alleys of the city. Taken in black-and-white, the edges dissolve and familiar forms become abstracted echoes. It is a small, personal testimony of feeling out of place and creating in that dislocation. | Darren Low]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Darren Low trên cizucu.]]></media:description>
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          <title><![CDATA["I used to take pictures of things that caught my eye. Now, I take pictures to understand what I’m seeing.  This photograph represents more than just a single moment, it’s a reflection of my entire practice. Whether I’ve been traveling for studies, work, or just for fun, I’ve always walked around cities to experience it and took pictures of things that caught my eye.  Over time, I realized that photography was helping me understand places and people better. I stopped using maps and started letting my intuition guide me through unknown corners and alleys. Now, it has reached a point where I don’t have to think - it’s just therapeutic. When I need to shut the noise off, I walk and I take photos. | Shikhar Bafna]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Shikhar Bafna trên cizucu.]]></description>
          <author>
            <name>Shikhar Bafna</name>
            <uri>https://www.cizucu.com/vi/users/DDGF9kV7LRTTzHwN2CUG3pTvfwA2</uri>
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          <pubDate>Tue, 17 Mar 2026 00:11:35 GMT</pubDate>
          <atom:updated>2026-03-17T00:11:35+09:00</atom:updated>
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            <media:title><![CDATA["I used to take pictures of things that caught my eye. Now, I take pictures to understand what I’m seeing.  This photograph represents more than just a single moment, it’s a reflection of my entire practice. Whether I’ve been traveling for studies, work, or just for fun, I’ve always walked around cities to experience it and took pictures of things that caught my eye.  Over time, I realized that photography was helping me understand places and people better. I stopped using maps and started letting my intuition guide me through unknown corners and alleys. Now, it has reached a point where I don’t have to think - it’s just therapeutic. When I need to shut the noise off, I walk and I take photos. | Shikhar Bafna]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Shikhar Bafna trên cizucu.]]></media:description>
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          <title><![CDATA[Feral Grace II: Bound, Yet Willing to Fly  Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series.  At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted.  The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum.  Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it.  《野性優雅 II：向前飛行的束縛》  《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。  在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。  畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。  真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của W Mick trên cizucu.]]></description>
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            <name>W Mick</name>
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          <pubDate>Sun, 21 Dec 2025 01:52:37 GMT</pubDate>
          <atom:updated>2025-12-21T01:52:37+09:00</atom:updated>
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            <media:title><![CDATA[Feral Grace II: Bound, Yet Willing to Fly  Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series.  At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted.  The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum.  Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it.  《野性優雅 II：向前飛行的束縛》  《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。  在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。  畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。  真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của W Mick trên cizucu.]]></media:description>
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