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          <title><![CDATA[cảnh 3D trừu tượng với các giọt và bong bóng màu xanh phát sáng | chiru_na]]></title>
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          <description><![CDATA[Tải miễn phí hình ảnh chất lượng cao về cảnh 3D trừu tượng với các giọt và bong bóng màu xanh phát sáng do chiru_na chụp trên cizucu.]]></description>
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          <pubDate>Fri, 14 Jun 2024 18:52:43 GMT</pubDate>
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          <title><![CDATA[robot phát sáng toàn thân trên nền đen | あお🐐]]></title>
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          <pubDate>Wed, 13 Nov 2024 16:22:12 GMT</pubDate>
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          <title><![CDATA[天の川と星空を玉ボケさせました #天の川 #星空 | AYUMOON]]></title>
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          <description><![CDATA[Tải miễn phí hình ảnh chất lượng cao về khung cảnh chụp ảnh thiên văn ban đêm với dải Ngân Hà và các vì sao dạng bokeh do AYUMOON chụp trên cizucu.]]></description>
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          <pubDate>Fri, 30 Aug 2024 17:06:19 GMT</pubDate>
          <atom:updated>2026-05-06T20:08:33+09:00</atom:updated>
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            <media:description><![CDATA[Tải miễn phí hình ảnh chất lượng cao về khung cảnh chụp ảnh thiên văn ban đêm với dải Ngân Hà và các vì sao dạng bokeh do AYUMOON chụp trên cizucu.]]></media:description>
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          <title><![CDATA[三宅坂の朝、朝日がすべてのモノをシルエットにする。  #シルエット #MYZ #HZM #tokyo #cityscape | つばさ製作所]]></title>
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          <description><![CDATA[Tải miễn phí hình ảnh chất lượng cao về Cảnh thành phố Miyakezaka buổi sáng, mọi thứ thành hình bóng đen dưới ánh mặt trời do つばさ製作所 chụp trên cizucu.]]></description>
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          <pubDate>Thu, 28 Nov 2024 21:46:49 GMT</pubDate>
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            <media:description><![CDATA[Tải miễn phí hình ảnh chất lượng cao về Cảnh thành phố Miyakezaka buổi sáng, mọi thứ thành hình bóng đen dưới ánh mặt trời do つばさ製作所 chụp trên cizucu.]]></media:description>
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          <title><![CDATA[Premiere  | novantino]]></title>
          <link>https://www.cizucu.com/vi/photos/gF7XdsBwxVhGryHOcbhd</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của novantino trên cizucu.]]></description>
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          <pubDate>Sun, 26 Jan 2025 18:54:48 GMT</pubDate>
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          <title><![CDATA[During my time in Japan, I often photographed people on the street using slow shutter speeds. One evening, just before the end of the workday, I encountered an office worker standing at a crosswalk, momentarily lost in thought. Through the use of a slow shutter, the atmosphere of his working life was gently softened, rendered a little lighter, and less heavy than it might have felt in reality. | shotbyje9_3]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của shotbyje9_3 trên cizucu.]]></description>
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          <pubDate>Sat, 14 Feb 2026 16:13:03 GMT</pubDate>
          <atom:updated>2026-05-03T15:15:19+09:00</atom:updated>
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            <media:title><![CDATA[During my time in Japan, I often photographed people on the street using slow shutter speeds. One evening, just before the end of the workday, I encountered an office worker standing at a crosswalk, momentarily lost in thought. Through the use of a slow shutter, the atmosphere of his working life was gently softened, rendered a little lighter, and less heavy than it might have felt in reality. | shotbyje9_3]]></media:title>
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          <title><![CDATA[這座城市的真實呼吸，往往不在繁華的主幹道，而是藏匿於建築背後的巷弄（Alleyways）。本件作品拍攝於溫哥華，創作者延續其建築攝影的空間透視感，將鏡頭轉向城市的背面，在冷冽的日常中，框列出一場極具社會批判意味的視覺碰撞。  畫面中，兩個人物構成了強烈的生存狀態對比：左側女子抬頭挺胸、步態自信，手邊的紅色皮包作為畫面中唯一的暖色破口，象徵著都市中的資源、優勢與能動性；而畫面右側，另一位身穿綠色兜帽的身影則彎腰駝背，幾乎與身旁的綠色工業垃圾桶融為一體，隱喻著在社會發展結構下被掩埋、停滯且被迫隱形的邊緣群體。  紅與綠的色彩牽制，抬頭與彎腰的姿態落差。在深邃的後巷透視與右側巨大「N」字牆的壓迫下，攝影師將兩條不對等的生命軌跡凍結於同一個時空，對「城市擴張中誰被看見、誰被遺忘」提出了深刻且無聲的叩問。  The true breath of a city is rarely found on its bustling main streets; rather, it is hidden within the alleyways behind its architecture. Shot in Vancouver, this piece extends the photographer's signature spatial perspective from architectural photography, turning the lens toward the city's backside to frame a visual collision laden with social critique amidst the cold, urban everyday.  Within the frame, two figures form a stark contrast in their states of existence. The woman on the left walks with an upright, confident posture, her red handbag serving as the only warm visual breakthrough in the image—a symbol of urban resources, privilege, and agency. On the right, a figure in a green hoodie hunches over, almost blending into the adjacent green industrial dumpsters, serving as a metaphor for the marginalized groups buried, stagnated, and rendered invisible by the structures of social development.  The visual tension between red and green, the physical disparity between the upright and the hunched. Under the profound perspective of the alleyway and the oppressive weight of the giant "N" on the right wall, the photographer freezes two unequal life trajectories in the same space and time, raising a profound, silent question: In the midst of urban expansion, who is seen, and who is forgotten? | Jerry Hung]]></title>
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            <name>Jerry Hung</name>
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          <pubDate>Wed, 11 Mar 2026 02:56:35 GMT</pubDate>
          <atom:updated>2026-03-11T02:57:54+09:00</atom:updated>
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            <media:title><![CDATA[這座城市的真實呼吸，往往不在繁華的主幹道，而是藏匿於建築背後的巷弄（Alleyways）。本件作品拍攝於溫哥華，創作者延續其建築攝影的空間透視感，將鏡頭轉向城市的背面，在冷冽的日常中，框列出一場極具社會批判意味的視覺碰撞。  畫面中，兩個人物構成了強烈的生存狀態對比：左側女子抬頭挺胸、步態自信，手邊的紅色皮包作為畫面中唯一的暖色破口，象徵著都市中的資源、優勢與能動性；而畫面右側，另一位身穿綠色兜帽的身影則彎腰駝背，幾乎與身旁的綠色工業垃圾桶融為一體，隱喻著在社會發展結構下被掩埋、停滯且被迫隱形的邊緣群體。  紅與綠的色彩牽制，抬頭與彎腰的姿態落差。在深邃的後巷透視與右側巨大「N」字牆的壓迫下，攝影師將兩條不對等的生命軌跡凍結於同一個時空，對「城市擴張中誰被看見、誰被遺忘」提出了深刻且無聲的叩問。  The true breath of a city is rarely found on its bustling main streets; rather, it is hidden within the alleyways behind its architecture. Shot in Vancouver, this piece extends the photographer's signature spatial perspective from architectural photography, turning the lens toward the city's backside to frame a visual collision laden with social critique amidst the cold, urban everyday.  Within the frame, two figures form a stark contrast in their states of existence. The woman on the left walks with an upright, confident posture, her red handbag serving as the only warm visual breakthrough in the image—a symbol of urban resources, privilege, and agency. On the right, a figure in a green hoodie hunches over, almost blending into the adjacent green industrial dumpsters, serving as a metaphor for the marginalized groups buried, stagnated, and rendered invisible by the structures of social development.  The visual tension between red and green, the physical disparity between the upright and the hunched. Under the profound perspective of the alleyway and the oppressive weight of the giant "N" on the right wall, the photographer freezes two unequal life trajectories in the same space and time, raising a profound, silent question: In the midst of urban expansion, who is seen, and who is forgotten? | Jerry Hung]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/xfe6FBSx8ZpSdo7Yn4Vv.jpg?auto=format%2Ccompress&amp;cs=srgb&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Jerry Hung trên cizucu.]]></media:description>
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