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      <title>Ảnh về Openings | Tải hình ảnh miễn phí bản quyền &amp; độ phân giải cao</title>
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      <description><![CDATA[Tìm 9 ảnh Openings độ phân giải cao tốt nhất trên cizucu. Tất cả đều miễn phí bản quyền, tải xuống miễn phí và hoàn hảo cho mọi dự án mà không cần ghi nguồn.]]></description>
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          <title><![CDATA[【看板を背負う】 一時期そんなブランド品も流行りましたね。  #スナップ #SNAP #スナップショット #人物スナップ #Monochrome #モノクロ #m4/3 | RYUURI]]></title>
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          <description><![CDATA[Tải ảnh Cảnh thời trang đường phố đen trắng với túi có logo 'OPENING CEREMONY' chất lượng cao do RYUURI chụp miễn phí trên cizucu.]]></description>
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            <name>RYUURI</name>
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          <pubDate>Sat, 14 Sep 2024 21:28:47 GMT</pubDate>
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            <media:description><![CDATA[Tải ảnh Cảnh thời trang đường phố đen trắng với túi có logo 'OPENING CEREMONY' chất lượng cao do RYUURI chụp miễn phí trên cizucu.]]></media:description>
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          <title><![CDATA[A small opening in the sky. | mana.]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của mana. trên cizucu.]]></description>
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          <pubDate>Sun, 08 Feb 2026 15:51:18 GMT</pubDate>
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            <media:title><![CDATA[A small opening in the sky. | mana.]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của mana. trên cizucu.]]></media:description>
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          <title><![CDATA[Title: Endless Evenings | TanJourney]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của TanJourney trên cizucu.]]></description>
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          <pubDate>Sun, 12 Apr 2026 16:06:27 GMT</pubDate>
          <atom:updated>2026-04-12T16:06:27+09:00</atom:updated>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của TanJourney trên cizucu.]]></media:description>
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          <title><![CDATA[When I got stuck in Vietnam for about five months during the pandemic, it made me realize that it's possible to have a life outside my home country with only a few things with me.  In 2022, when some countries slowly started opening up again, I decided to take the opportunity to go somewhere far for at least a year. Somehow, I ended up in Latin America.  My first stop was Peru. | Gemille]]></title>
          <link>https://www.cizucu.com/vi/photos/s65vpQ0QqettMSkqyDml</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Gemille trên cizucu.]]></description>
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            <name>Gemille</name>
            <uri>https://www.cizucu.com/vi/users/vHupKCVWeAc7ks57TyoOEaIhk5A3</uri>
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          <pubDate>Sun, 05 Apr 2026 02:11:15 GMT</pubDate>
          <atom:updated>2026-04-05T02:11:15+09:00</atom:updated>
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            <media:title><![CDATA[When I got stuck in Vietnam for about five months during the pandemic, it made me realize that it's possible to have a life outside my home country with only a few things with me.  In 2022, when some countries slowly started opening up again, I decided to take the opportunity to go somewhere far for at least a year. Somehow, I ended up in Latin America.  My first stop was Peru. | Gemille]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Gemille trên cizucu.]]></media:description>
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          <title><![CDATA[It was a gloomy evening in the City of London when the fog suddenly rolled in, thicker and lower than anything I had ever experienced before. I had my Nikon F80 loaded with CineStill 800T, and the film captured the atmosphere perfectly, turning the red aviation lights into something almost otherworldly. One of those rare evenings where everything just comes together in the most unexpected way. | jan.onfilm]]></title>
          <link>https://www.cizucu.com/vi/photos/BFygWEW5tiUY8HZyMWZt</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của jan.onfilm trên cizucu.]]></description>
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            <name>jan.onfilm</name>
            <uri>https://www.cizucu.com/vi/users/1ImxtRpVhSVMpna3Y7cjjyOCIKQ2</uri>
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          <pubDate>Tue, 31 Mar 2026 16:33:37 GMT</pubDate>
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            <media:title><![CDATA[It was a gloomy evening in the City of London when the fog suddenly rolled in, thicker and lower than anything I had ever experienced before. I had my Nikon F80 loaded with CineStill 800T, and the film captured the atmosphere perfectly, turning the red aviation lights into something almost otherworldly. One of those rare evenings where everything just comes together in the most unexpected way. | jan.onfilm]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của jan.onfilm trên cizucu.]]></media:description>
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          <title><![CDATA[This was one of those evenings where I had no plan. I'd been moving through Tokyo all day and finally let myself sit down. The light started softening outside, Tokyo Tower caught the last of the sun, and the whole room fell into this gentle hush. I love that the chairs are empty here. It felt like the city was offering me a pause, and I just needed to notice it. One frame, handheld, no setup. A quiet memory I get to keep. | Mikie Lee]]></title>
          <link>https://www.cizucu.com/vi/photos/40kaTXIJ0fSF1uqlmHYH</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Mikie Lee trên cizucu.]]></description>
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            <name>Mikie Lee</name>
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          <pubDate>Sun, 19 Apr 2026 20:44:09 GMT</pubDate>
          <atom:updated>2026-04-19T20:44:09+09:00</atom:updated>
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            <media:title><![CDATA[This was one of those evenings where I had no plan. I'd been moving through Tokyo all day and finally let myself sit down. The light started softening outside, Tokyo Tower caught the last of the sun, and the whole room fell into this gentle hush. I love that the chairs are empty here. It felt like the city was offering me a pause, and I just needed to notice it. One frame, handheld, no setup. A quiet memory I get to keep. | Mikie Lee]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/40kaTXIJ0fSF1uqlmHYH.jpg?fm=jpg" type="image/jpeg" width="4597" height="6896" />
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Mikie Lee trên cizucu.]]></media:description>
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          <title><![CDATA[Hi, this is a portrait of a middle-aged man that I took back in 2020. I was on a solo trip to India to experience the Holi festival. It was an eye-opening experience for me, and I am honoured to have experienced this festival first-hand.  After the main celebration at Shri Dwarkadhish Temple, where devotees threw coloured powder at one another, I took to the streets just outside the temple, where the party continued, with people dancing and singing. Among the many portraits I took that day, I chanced upon this man and signalled to ask if it was okay for me to snap a quick portrait of him—and thus, this image was created. | Amsyar Ashaary]]></title>
          <link>https://www.cizucu.com/vi/photos/1Kl9GX36axe5C6q3oIK8</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Amsyar Ashaary trên cizucu.]]></description>
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            <name>Amsyar Ashaary</name>
            <uri>https://www.cizucu.com/vi/users/NYQnRsGNukaUvFN4jvkAi4hQZbO2</uri>
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          <pubDate>Sun, 22 Mar 2026 21:53:43 GMT</pubDate>
          <atom:updated>2026-03-22T21:53:43+09:00</atom:updated>
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            <media:title><![CDATA[Hi, this is a portrait of a middle-aged man that I took back in 2020. I was on a solo trip to India to experience the Holi festival. It was an eye-opening experience for me, and I am honoured to have experienced this festival first-hand.  After the main celebration at Shri Dwarkadhish Temple, where devotees threw coloured powder at one another, I took to the streets just outside the temple, where the party continued, with people dancing and singing. Among the many portraits I took that day, I chanced upon this man and signalled to ask if it was okay for me to snap a quick portrait of him—and thus, this image was created. | Amsyar Ashaary]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1Kl9GX36axe5C6q3oIK8.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1Kl9GX36axe5C6q3oIK8.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Amsyar Ashaary trên cizucu.]]></media:description>
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          <title><![CDATA[Hi, this is a portrait of a father and son that I took back in 2020. I was on a solo trip to India to experience the Holi festival. It was an eye-opening experience for me, and I am honoured to have experienced this festival first-hand.  After the main celebration at Shri Dwarkadhish Temple, where devotees threw coloured powder at one another, I took to the streets just outside the temple, where the party continued, with people dancing and singing. Among the many portraits I took that day, I chanced upon this father and son and signalled to ask if it was okay for me to snap a quick portrait of them—and thus, this image was created. | Amsyar Ashaary]]></title>
          <link>https://www.cizucu.com/vi/photos/0dwoPbHAGQlxMTLop6kw</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Amsyar Ashaary trên cizucu.]]></description>
          <author>
            <name>Amsyar Ashaary</name>
            <uri>https://www.cizucu.com/vi/users/NYQnRsGNukaUvFN4jvkAi4hQZbO2</uri>
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          <pubDate>Sun, 22 Mar 2026 23:15:29 GMT</pubDate>
          <atom:updated>2026-03-22T23:15:29+09:00</atom:updated>
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            <media:title><![CDATA[Hi, this is a portrait of a father and son that I took back in 2020. I was on a solo trip to India to experience the Holi festival. It was an eye-opening experience for me, and I am honoured to have experienced this festival first-hand.  After the main celebration at Shri Dwarkadhish Temple, where devotees threw coloured powder at one another, I took to the streets just outside the temple, where the party continued, with people dancing and singing. Among the many portraits I took that day, I chanced upon this father and son and signalled to ask if it was okay for me to snap a quick portrait of them—and thus, this image was created. | Amsyar Ashaary]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Amsyar Ashaary trên cizucu.]]></media:description>
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          <title><![CDATA[I was drawn to the realm of infrared photography for the way it plays with light and colour beyond what we can visibly see day to day — like uncovering a hidden layer of the world, almost painterly at times. This image was shot at the newly built Jurong Lake Gardens, on the bridge facing towards Cascade Pavilion. Using a full-spectrum converted NEX-6 with a 16mm F2.8 prime lens and an 850nm filter, the result is a high-contrast sky with glowing foliage while the dark roof of the pavilion grounds the composition. Coincidentally, two ladies in dresses happened to be walking through, appearing bright white in the shot and naturally drawing the eye to the centre. The pavilion opening also frames them from within, almost like a screen inside the image. Going forward, I'm still exploring how full-spectrum photography can be used to reframe familiar spaces — not just in black and white, as I've also worked in other colour spectrums — making the everyday feel strangely unfamiliar. | Iak Gnix]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Iak Gnix trên cizucu.]]></description>
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          <pubDate>Mon, 20 Apr 2026 04:42:16 GMT</pubDate>
          <atom:updated>2026-04-20T04:42:16+09:00</atom:updated>
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            <media:title><![CDATA[I was drawn to the realm of infrared photography for the way it plays with light and colour beyond what we can visibly see day to day — like uncovering a hidden layer of the world, almost painterly at times. This image was shot at the newly built Jurong Lake Gardens, on the bridge facing towards Cascade Pavilion. Using a full-spectrum converted NEX-6 with a 16mm F2.8 prime lens and an 850nm filter, the result is a high-contrast sky with glowing foliage while the dark roof of the pavilion grounds the composition. Coincidentally, two ladies in dresses happened to be walking through, appearing bright white in the shot and naturally drawing the eye to the centre. The pavilion opening also frames them from within, almost like a screen inside the image. Going forward, I'm still exploring how full-spectrum photography can be used to reframe familiar spaces — not just in black and white, as I've also worked in other colour spectrums — making the everyday feel strangely unfamiliar. | Iak Gnix]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Iak Gnix trên cizucu.]]></media:description>
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