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          <title><![CDATA[【observer】 #blackandwhite #monochrome | KBT]]></title>
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          <title><![CDATA[Rudra Yogini -  Two striking art forms, striding parallelly towards oneness, as the traverse, creates a consecrated path to observe. | Keya Atul Padalkar]]></title>
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          <title><![CDATA[sûrement ma personne préférée à observer et à photographier. Les photos sont encore plus belles quand il y a le cœur à l’ouvrage  | Lise air]]></title>
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          <pubDate>Sat, 12 Jul 2025 17:53:37 GMT</pubDate>
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          <title><![CDATA[STARBUCKS RESERVE ROASTERY TOKYO | Enzo]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Enzo trên cizucu.]]></description>
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          <pubDate>Fri, 15 Aug 2025 08:16:29 GMT</pubDate>
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          <title><![CDATA[『Observer of an Alien World』  Nikon Z6Ⅲ VILTROX 16mm F1.8 | かいと]]></title>
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          <pubDate>Sun, 15 Feb 2026 22:37:07 GMT</pubDate>
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          <title><![CDATA[STARBUCKS RESERVE ROASTERY TOKYOのパンやケーキのショーウィンドウ #カフェ #パン #ケーキ #スイーツ | Enzo]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Enzo trên cizucu.]]></description>
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          <pubDate>Fri, 15 Aug 2025 08:32:26 GMT</pubDate>
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          <title><![CDATA[Rudra Yogini  Two striking art forms, striding parallelly towards oneness as the traverse, creates a consecrated path to observe.   Starring~  Parvathy Baul & Ustād Mohi Bahauddin Dagar.  Location~  Birbhum/West Bengal  | Keya Atul Padalkar]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Keya Atul Padalkar trên cizucu.]]></description>
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          <title><![CDATA[Rudra Yogini ~ Two striking art forms, striding parallelly towards oneness as the traverse, creates a consecrated path to observe.  Starring ~ Parvathy Baul & Ustād Mohi Bahauddin Dagar  Location~ Birbhum/West Bengal  | Keya Atul Padalkar]]></title>
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          <pubDate>Tue, 17 Mar 2026 13:20:43 GMT</pubDate>
          <atom:updated>2026-03-17T13:20:43+09:00</atom:updated>
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            <media:title><![CDATA[Rudra Yogini ~ Two striking art forms, striding parallelly towards oneness as the traverse, creates a consecrated path to observe.  Starring ~ Parvathy Baul & Ustād Mohi Bahauddin Dagar  Location~ Birbhum/West Bengal  | Keya Atul Padalkar]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Keya Atul Padalkar trên cizucu.]]></media:description>
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        <item>
          <title><![CDATA[Cross Paths  Cross Paths observes different ways of moving within a shared urban space.  Part of WheelViews, the work explores motion, structure, and fleeting alignment in everyday life. | Danny Fok]]></title>
          <link>https://www.cizucu.com/vi/photos/sG1oI0WVv1tFKBwscgvc</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Danny Fok trên cizucu.]]></description>
          <author>
            <name>Danny Fok</name>
            <uri>https://www.cizucu.com/vi/users/LBXGTZAbqaZNu2mjK6qXjEyXkTM2</uri>
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          <pubDate>Wed, 07 Jan 2026 15:07:20 GMT</pubDate>
          <atom:updated>2026-01-07T15:07:20+09:00</atom:updated>
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            <media:title><![CDATA[Cross Paths  Cross Paths observes different ways of moving within a shared urban space.  Part of WheelViews, the work explores motion, structure, and fleeting alignment in everyday life. | Danny Fok]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/sG1oI0WVv1tFKBwscgvc.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/sG1oI0WVv1tFKBwscgvc.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/sG1oI0WVv1tFKBwscgvc.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Danny Fok trên cizucu.]]></media:description>
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        <item>
          <title><![CDATA[My neighborhood is very calm, my house faces a little bridge connecting the two sides of a canal that merges into the Sumida River. The canal is small but beautiful, framed by sakura trees that mark the seasons. On the weekends, I like to observe the comings and goings of life on the bridge, being inspired by its colors and vivacity from my window.  #Tokyo #neighborhood #Monzennakacho #bike #bridge #blackandwhitefilmphoto #nikonfe2 | Giuliana E. Miceli]]></title>
          <link>https://www.cizucu.com/vi/photos/touRY4TNnzSE0MQgM3hl</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Giuliana E. Miceli trên cizucu.]]></description>
          <author>
            <name>Giuliana E. Miceli</name>
            <uri>https://www.cizucu.com/vi/users/X0Uppurh6OXofv9sRiTUGtUb9x73</uri>
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          <pubDate>Sat, 06 Dec 2025 14:07:53 GMT</pubDate>
          <atom:updated>2025-12-06T14:07:53+09:00</atom:updated>
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            <media:title><![CDATA[My neighborhood is very calm, my house faces a little bridge connecting the two sides of a canal that merges into the Sumida River. The canal is small but beautiful, framed by sakura trees that mark the seasons. On the weekends, I like to observe the comings and goings of life on the bridge, being inspired by its colors and vivacity from my window.  #Tokyo #neighborhood #Monzennakacho #bike #bridge #blackandwhitefilmphoto #nikonfe2 | Giuliana E. Miceli]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/touRY4TNnzSE0MQgM3hl.jpg?fm=jpg" type="image/jpeg" width="1545" height="1024" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/touRY4TNnzSE0MQgM3hl.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/touRY4TNnzSE0MQgM3hl.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/touRY4TNnzSE0MQgM3hl.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Giuliana E. Miceli trên cizucu.]]></media:description>
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        <item>
          <title><![CDATA[Opposite to my hometown in Vietnam, Beppu’s peace and slow pace of life is so hard to get used to. But in that peace, people’s inner selves seem to stand out more instead of getting drowned by the chaotic noises and the bustling streets, and it’s really easy to spot too. Over the 3 years I spent here, Beppu gave me the chance to observe not only people but also myself, to understand my thoughts better.  I point my lens outward to the world, to have a peek into my own.  | vemuon]]></title>
          <link>https://www.cizucu.com/vi/photos/3pap5Q8kJc7BiyDWPBo7</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của vemuon trên cizucu.]]></description>
          <author>
            <name>vemuon</name>
            <uri>https://www.cizucu.com/vi/vemuon</uri>
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          <pubDate>Tue, 20 Jan 2026 00:22:24 GMT</pubDate>
          <atom:updated>2026-01-20T00:22:24+09:00</atom:updated>
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            <media:title><![CDATA[Opposite to my hometown in Vietnam, Beppu’s peace and slow pace of life is so hard to get used to. But in that peace, people’s inner selves seem to stand out more instead of getting drowned by the chaotic noises and the bustling streets, and it’s really easy to spot too. Over the 3 years I spent here, Beppu gave me the chance to observe not only people but also myself, to understand my thoughts better.  I point my lens outward to the world, to have a peek into my own.  | vemuon]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/3pap5Q8kJc7BiyDWPBo7.jpg?fm=jpg" type="image/jpeg" width="3555" height="3511" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/3pap5Q8kJc7BiyDWPBo7.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/3pap5Q8kJc7BiyDWPBo7.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/3pap5Q8kJc7BiyDWPBo7.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của vemuon trên cizucu.]]></media:description>
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        <item>
          <title><![CDATA[Kuntsilo is an award winning building and was a former grain silo on the island of Odderøya in Kristiansand. It used to serve as an emergency storage for 15000 tonnes of grain. | Thecynicalfox]]></title>
          <link>https://www.cizucu.com/vi/photos/sHDHl5CRlhtIZOL3EiLv</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Thecynicalfox trên cizucu.]]></description>
          <author>
            <name>Thecynicalfox</name>
            <uri>https://www.cizucu.com/vi/thecyicalfox</uri>
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          <pubDate>Mon, 12 Jan 2026 16:50:01 GMT</pubDate>
          <atom:updated>2026-01-12T16:50:01+09:00</atom:updated>
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            <media:title><![CDATA[Kuntsilo is an award winning building and was a former grain silo on the island of Odderøya in Kristiansand. It used to serve as an emergency storage for 15000 tonnes of grain. | Thecynicalfox]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/sHDHl5CRlhtIZOL3EiLv.jpg?fm=jpg" type="image/jpeg" width="4214" height="6839" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/sHDHl5CRlhtIZOL3EiLv.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/sHDHl5CRlhtIZOL3EiLv.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/sHDHl5CRlhtIZOL3EiLv.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Thecynicalfox trên cizucu.]]></media:description>
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          <webfeeds:featuredImage>https://cdn.cizucu.com/images/photos/sHDHl5CRlhtIZOL3EiLv.jpg?auto=compress,format</webfeeds:featuredImage>
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        <item>
          <title><![CDATA[This image is from a music video by FahProud.  I had the opportunity to document both the photos and behind-the-scenes video during the shoot. Going back to shooting behind the scenes made me reflect on when I first started working as a photographer.  I’ve always enjoyed capturing moments quietly, without anyone really noticing I’m there. I feel I do my best work when I have the freedom to observe and create, without the pressure of expectations. | michaelsirachuch]]></title>
          <link>https://www.cizucu.com/vi/photos/wPDTNPZo39s5BEYDr2EV</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của michaelsirachuch trên cizucu.]]></description>
          <author>
            <name>michaelsirachuch</name>
            <uri>https://www.cizucu.com/vi/michaelsirachuch</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/vi/photos/wPDTNPZo39s5BEYDr2EV</guid>
          <pubDate>Fri, 10 Apr 2026 01:55:23 GMT</pubDate>
          <atom:updated>2026-04-10T01:55:23+09:00</atom:updated>
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            <media:title><![CDATA[This image is from a music video by FahProud.  I had the opportunity to document both the photos and behind-the-scenes video during the shoot. Going back to shooting behind the scenes made me reflect on when I first started working as a photographer.  I’ve always enjoyed capturing moments quietly, without anyone really noticing I’m there. I feel I do my best work when I have the freedom to observe and create, without the pressure of expectations. | michaelsirachuch]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/wPDTNPZo39s5BEYDr2EV.jpg?fm=jpg" type="image/jpeg" width="4242" height="6000" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/wPDTNPZo39s5BEYDr2EV.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/wPDTNPZo39s5BEYDr2EV.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của michaelsirachuch trên cizucu.]]></media:description>
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          <webfeeds:featuredImage>https://cdn.cizucu.com/images/photos/wPDTNPZo39s5BEYDr2EV.jpg?auto=compress,format</webfeeds:featuredImage>
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        <item>
          <title><![CDATA[Regarding the exhibition theme of "That day", this was a photo taken in Osaka and it will be what I remember most about that day in Osaka. When on holiday I was running around trying to make the most of my time so that my holiday is not wasted. But I realised that I was missing out on the great scenes around me so I stopped to observe, waited for the right moment to take this picture. | Joshua Chiew]]></title>
          <link>https://www.cizucu.com/vi/photos/FOivrtLqJYASxtRrBAel</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Joshua Chiew trên cizucu.]]></description>
          <author>
            <name>Joshua Chiew</name>
            <uri>https://www.cizucu.com/vi/users/lsHOdpuaCKci2liwdAwjQsD2Rja2</uri>
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          <pubDate>Sun, 22 Mar 2026 23:07:39 GMT</pubDate>
          <atom:updated>2026-03-22T23:07:39+09:00</atom:updated>
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            <media:title><![CDATA[Regarding the exhibition theme of "That day", this was a photo taken in Osaka and it will be what I remember most about that day in Osaka. When on holiday I was running around trying to make the most of my time so that my holiday is not wasted. But I realised that I was missing out on the great scenes around me so I stopped to observe, waited for the right moment to take this picture. | Joshua Chiew]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/FOivrtLqJYASxtRrBAel.jpg?fm=jpg" type="image/jpeg" width="2433" height="3637" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/FOivrtLqJYASxtRrBAel.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/FOivrtLqJYASxtRrBAel.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/FOivrtLqJYASxtRrBAel.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Joshua Chiew trên cizucu.]]></media:description>
          </media:group>
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        <item>
          <title><![CDATA[Silhouettes. Here in urban Singapore, we have the 3rd largest species of deer in world (Sambar deer/Rusa unicolor). They occasionally venture out to areas near roads, to feed on vegetation that grows outside of the secondary forests. Unseen by many, these shy creatures prefer to avoid human encounters as they feed throughout the night. As responsible motorists/cyclists, we can all make an effort to observe a safe speed, while on roads flanking the central catchment area. This will contribute to increased safety for both human and animal alike. | ylint]]></title>
          <link>https://www.cizucu.com/vi/photos/O9au9ySiwGPQG4TZBOsg</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của ylint trên cizucu.]]></description>
          <author>
            <name>ylint</name>
            <uri>https://www.cizucu.com/vi/users/iHw53gEfltarEIvJWOpFJmxiwUF2</uri>
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          <pubDate>Tue, 13 Jan 2026 15:23:46 GMT</pubDate>
          <atom:updated>2026-01-13T15:23:46+09:00</atom:updated>
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            <media:title><![CDATA[Silhouettes. Here in urban Singapore, we have the 3rd largest species of deer in world (Sambar deer/Rusa unicolor). They occasionally venture out to areas near roads, to feed on vegetation that grows outside of the secondary forests. Unseen by many, these shy creatures prefer to avoid human encounters as they feed throughout the night. As responsible motorists/cyclists, we can all make an effort to observe a safe speed, while on roads flanking the central catchment area. This will contribute to increased safety for both human and animal alike. | ylint]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/O9au9ySiwGPQG4TZBOsg.jpg?fm=jpg" type="image/jpeg" width="3344" height="4938" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/O9au9ySiwGPQG4TZBOsg.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/O9au9ySiwGPQG4TZBOsg.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/O9au9ySiwGPQG4TZBOsg.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của ylint trên cizucu.]]></media:description>
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        <item>
          <title><![CDATA[This photo was taken at a kopitiam in Kuching, Malaysia. They serve coffee with butter over here and as you can see, it is a regular hangout spot for locals to talk about their day. I really enjoy the decor of the space as it reminds me of a simpler time. | toot_a_loot]]></title>
          <link>https://www.cizucu.com/vi/photos/p5LpWRZZdSfzF4LfqujX</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của toot_a_loot trên cizucu.]]></description>
          <author>
            <name>toot_a_loot</name>
            <uri>https://www.cizucu.com/vi/tootaloot</uri>
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          <pubDate>Tue, 13 Jan 2026 16:48:53 GMT</pubDate>
          <atom:updated>2026-01-13T16:48:53+09:00</atom:updated>
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            <media:title><![CDATA[This photo was taken at a kopitiam in Kuching, Malaysia. They serve coffee with butter over here and as you can see, it is a regular hangout spot for locals to talk about their day. I really enjoy the decor of the space as it reminds me of a simpler time. | toot_a_loot]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của toot_a_loot trên cizucu.]]></media:description>
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          <title><![CDATA[These 2 photo are from my photo series called “無” (VOID)  "VOID" is an exploration of the internal topography of displacement. As an international student, I exist within a carefully constructed fiction: the "well-being" I report to my family back home. This series documents the cost of that silence. Through my lens, the abstract weight of anxiety, depression, and frustration is given form. These images serve as a visual bridge between my hidden reality and the outside world—a language for the unspeakable. By revealing the fractured soul behind the facade, I invite the viewer to find their own echoes in my silence.  All photo captured on Pentax 67 and printed by hand in the darkroom, the oppressive, pitch-black skies are the result of a chance encounter with light—an accidental exposure of the photo paper. | Him謙]]></title>
          <link>https://www.cizucu.com/vi/photos/F3NgSSzO6r8lgqyxoKae</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Him謙 trên cizucu.]]></description>
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            <name>Him謙</name>
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          <pubDate>Wed, 15 Apr 2026 13:40:04 GMT</pubDate>
          <atom:updated>2026-04-15T13:40:04+09:00</atom:updated>
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            <media:title><![CDATA[These 2 photo are from my photo series called “無” (VOID)  "VOID" is an exploration of the internal topography of displacement. As an international student, I exist within a carefully constructed fiction: the "well-being" I report to my family back home. This series documents the cost of that silence. Through my lens, the abstract weight of anxiety, depression, and frustration is given form. These images serve as a visual bridge between my hidden reality and the outside world—a language for the unspeakable. By revealing the fractured soul behind the facade, I invite the viewer to find their own echoes in my silence.  All photo captured on Pentax 67 and printed by hand in the darkroom, the oppressive, pitch-black skies are the result of a chance encounter with light—an accidental exposure of the photo paper. | Him謙]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Him謙 trên cizucu.]]></media:description>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
          <link>https://www.cizucu.com/vi/photos/cLMlwd2zuriHaAa7UIXB</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Arthur Liew trên cizucu.]]></description>
          <author>
            <name>Arthur Liew</name>
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          <pubDate>Sun, 22 Mar 2026 16:38:29 GMT</pubDate>
          <atom:updated>2026-03-22T16:38:29+09:00</atom:updated>
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            <media:title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Arthur Liew trên cizucu.]]></media:description>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
          <link>https://www.cizucu.com/vi/photos/aCRdHvBtI6EE9pHD6Jud</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Arthur Liew trên cizucu.]]></description>
          <author>
            <name>Arthur Liew</name>
            <uri>https://www.cizucu.com/vi/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2</uri>
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          <pubDate>Sun, 22 Mar 2026 16:32:12 GMT</pubDate>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Arthur Liew trên cizucu.]]></media:description>
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