<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:media="http://search.yahoo.com/mrss/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:webfeeds="http://webfeeds.org/rss/1.0"><channel>
      <atom:link href="https://www.cizucu.com/vi/explore/photos/informale/feed" rel="self" type="application/rss+xml" />
      <title>Ảnh về Informale | Tải hình ảnh miễn phí bản quyền &amp; độ phân giải cao</title>
      <link>https://www.cizucu.com/vi/explore/photos/informale</link>
      <description><![CDATA[Tìm 2 ảnh Informale độ phân giải cao tốt nhất trên cizucu. Tất cả đều miễn phí bản quyền, tải xuống miễn phí và hoàn hảo cho mọi dự án mà không cần ghi nguồn.]]></description>
      <language>vi</language>
      <lastBuildDate>2026-04-07T14:07:13+09:00</lastBuildDate>
      <ttl>60</ttl>
      <generator>cizucu RSS Feed Generator</generator>
      <copyright>© 2026 cizucu Inc. All rights reserved.</copyright>
      <dc:language>vi</dc:language>
      <dc:rights><![CDATA[© 2026 cizucu Inc.]]></dc:rights>
      <webfeeds:icon>https://www.cizucu.com/assets/favicons/favicon.ico</webfeeds:icon>
      <webfeeds:cover image="https://www.cizucu.com/assets/ogp_logo.png" />
      <webfeeds:accentColor>#080c4c</webfeeds:accentColor>
      <webfeeds:related layout="card" target="browser" />
      <webfeeds:analytics id="G-K31H9023EK" engine="GoogleAnalytics" />
    
        <item>
          <title><![CDATA[Alienation of Dharavi :   A Bombay slum with a $1-billion informal economy  “We stopped the Adani Group’s redevelopment survey twice in protest. Our homes, our work, our lives are here. Redevelopment will only mean displacement. They say anyone who came after 2000 will be pushed far away, and even we must pay to stay,” says Naseem, a Dharavi resident.  In picture : Labourers stacking up a sack of clay — This is from Dharavi’s informal pottery industry, which has been running for over 100 years. Dharavi, spread across 590 acres, is home to nearly a million people from diverse backgrounds. Pottery is just one of many livelihoods here, alongside leather, garments, and others — all now at risk of being displaced & alienated by the proposed slum redevelopment plan. | Bombay Noir]]></title>
          <link>https://www.cizucu.com/vi/photos/blvZqys7p3C6BXz4owuH</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Bombay Noir trên cizucu.]]></description>
          <author>
            <name>Bombay Noir</name>
            <uri>https://www.cizucu.com/vi/users/tay5ia7oZ0M8Hk3zKpy8CxmZQ0g2</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/vi/photos/blvZqys7p3C6BXz4owuH</guid>
          <pubDate>Sat, 14 Mar 2026 13:27:45 GMT</pubDate>
          <atom:updated>2026-03-14T13:27:45+09:00</atom:updated>
          <enclosure url="https://cdn.cizucu.com/images/photos/blvZqys7p3C6BXz4owuH.jpg?fm=jpg" length="0" type="image/jpeg" />
          <media:group>
            <media:title><![CDATA[Alienation of Dharavi :   A Bombay slum with a $1-billion informal economy  “We stopped the Adani Group’s redevelopment survey twice in protest. Our homes, our work, our lives are here. Redevelopment will only mean displacement. They say anyone who came after 2000 will be pushed far away, and even we must pay to stay,” says Naseem, a Dharavi resident.  In picture : Labourers stacking up a sack of clay — This is from Dharavi’s informal pottery industry, which has been running for over 100 years. Dharavi, spread across 590 acres, is home to nearly a million people from diverse backgrounds. Pottery is just one of many livelihoods here, alongside leather, garments, and others — all now at risk of being displaced & alienated by the proposed slum redevelopment plan. | Bombay Noir]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/blvZqys7p3C6BXz4owuH.jpg?fm=jpg" type="image/jpeg" width="4082" height="6123" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/blvZqys7p3C6BXz4owuH.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/blvZqys7p3C6BXz4owuH.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/blvZqys7p3C6BXz4owuH.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Bombay Noir trên cizucu.]]></media:description>
          </media:group>
          <webfeeds:featuredImage>https://cdn.cizucu.com/images/photos/blvZqys7p3C6BXz4owuH.jpg?auto=compress,format</webfeeds:featuredImage>
        </item>
      
        <item>
          <title><![CDATA[Living in Happyland  In 2019, I spent a weekend in Aroma, Tondo, Manila — an informal settlement often known as Happyland. The name comes from Hapilan, meaning dump site, a reminder of the harsh environment the community lives in.   I was invited by a friend who runs a shelter for boys in the area. During my time there, I met children and families living in extreme poverty, many relying on scavenging at nearby dump sites to survive. Yet what stayed with me was not just the hardship, but the warmth of the people. I was welcomed openly, with laughter, curiosity, and generosity that felt deeply sincere.   As a photographer, I struggled with how to tell this story. Rather than focusing only on deprivation, I chose to document moments of hope — the smiles, friendships, and quiet resilience of everyday life. The children spoke freely about their dreams of becoming nurses, engineers, and software developers, believing strongly in a future beyond their present circumstances.   This experience reshaped my understanding of happiness, showing me how dignity, community, and hope endure even in the most difficult places. | Victor Tan KH]]></title>
          <link>https://www.cizucu.com/vi/photos/5rLps4AdmWu1rEHn4sQW</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Victor Tan KH trên cizucu.]]></description>
          <author>
            <name>Victor Tan KH</name>
            <uri>https://www.cizucu.com/vi/users/iVywoqF9Dgd0tIYYYiwLtXXfs1n2</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/vi/photos/5rLps4AdmWu1rEHn4sQW</guid>
          <pubDate>Sun, 18 Jan 2026 21:43:45 GMT</pubDate>
          <atom:updated>2026-01-18T21:43:45+09:00</atom:updated>
          <enclosure url="https://cdn.cizucu.com/images/photos/5rLps4AdmWu1rEHn4sQW.jpg?fm=jpg" length="0" type="image/jpeg" />
          <media:group>
            <media:title><![CDATA[Living in Happyland  In 2019, I spent a weekend in Aroma, Tondo, Manila — an informal settlement often known as Happyland. The name comes from Hapilan, meaning dump site, a reminder of the harsh environment the community lives in.   I was invited by a friend who runs a shelter for boys in the area. During my time there, I met children and families living in extreme poverty, many relying on scavenging at nearby dump sites to survive. Yet what stayed with me was not just the hardship, but the warmth of the people. I was welcomed openly, with laughter, curiosity, and generosity that felt deeply sincere.   As a photographer, I struggled with how to tell this story. Rather than focusing only on deprivation, I chose to document moments of hope — the smiles, friendships, and quiet resilience of everyday life. The children spoke freely about their dreams of becoming nurses, engineers, and software developers, believing strongly in a future beyond their present circumstances.   This experience reshaped my understanding of happiness, showing me how dignity, community, and hope endure even in the most difficult places. | Victor Tan KH]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/5rLps4AdmWu1rEHn4sQW.jpg?fm=jpg" type="image/jpeg" width="2557" height="3835" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/5rLps4AdmWu1rEHn4sQW.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/5rLps4AdmWu1rEHn4sQW.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/5rLps4AdmWu1rEHn4sQW.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Victor Tan KH trên cizucu.]]></media:description>
          </media:group>
          <webfeeds:featuredImage>https://cdn.cizucu.com/images/photos/5rLps4AdmWu1rEHn4sQW.jpg?auto=compress,format</webfeeds:featuredImage>
        </item>
      </channel></rss>