Ảnh về Fransig | Tải hình ảnh miễn phí bản quyền & độ phân giải cao https://www.cizucu.com/vi/explore/photos/fransig vi 2026-04-22T05:50:18+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. vi https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[In transit but completely present. | Priyanshu Bhargava]]> https://www.cizucu.com/vi/photos/dUF0FgAnrfhjhB792AW2 Priyanshu Bhargava https://www.cizucu.com/vi/users/pfha34DDk2Y8u3RUQ3JmM3AZpoC3 https://www.cizucu.com/vi/photos/dUF0FgAnrfhjhB792AW2 Mon, 16 Mar 2026 20:28:05 GMT 2026-03-16T20:28:05+09:00 https://cdn.cizucu.com/images/photos/dUF0FgAnrfhjhB792AW2.jpg?auto=compress,format <![CDATA[I saw him sitting there long before the boarding call. Not rushing. Not scrolling endlessly. Just reading, as the planes moved outside. Everyone else was in transit he already seemed at peace with it. #shotonfilm #visualstorytelling #quietmoments #inbetweenplaces #streetphotography | Akshob Ram Kumar]]> https://www.cizucu.com/vi/photos/vnRZsnqnEDA7c3jWZT9p Akshob Ram Kumar https://www.cizucu.com/vi/akvisuals04 https://www.cizucu.com/vi/photos/vnRZsnqnEDA7c3jWZT9p Sat, 17 Jan 2026 01:05:07 GMT 2026-01-17T01:05:07+09:00 https://cdn.cizucu.com/images/photos/vnRZsnqnEDA7c3jWZT9p.jpg?auto=compress,format <![CDATA[Dreams here are not just pretty images, they are paths to travel, skies to soar, minimal lights at the end of an immense corridor. Architecture becomes a metaphor for the process, a liminal space: the darkness is the fears and those slits of light are the ideas and desires that call us from afar. What invites us to transit, always in movement towards that clarity and to the transit through new nuances: search, get lost, try again. In the end, more than finding a perfect dream, what remains is the mark of the path traveled, the wake of that inner journey that reveals who we are when we decide to follow what our spirit yearns for. | Daniel]]> https://www.cizucu.com/vi/photos/ZnyO3IOFX2BuEHliyvOr Daniel https://www.cizucu.com/vi/users/ZaW40P2crvZXPdx6NEX1YL6WGrp1 https://www.cizucu.com/vi/photos/ZnyO3IOFX2BuEHliyvOr Sun, 05 Apr 2026 19:57:46 GMT 2026-04-05T19:57:46+09:00 https://cdn.cizucu.com/images/photos/ZnyO3IOFX2BuEHliyvOr.jpg?auto=compress,format <![CDATA[OK Commuter I: Dissolved Hours Ghosted in blue and white, the commuter exists only as a trace—neither arriving nor leaving, but endlessly passing through. Time slips here, stretched and smeared, ungraspable. In this blur lies a familiar truth: whole portions of our lives dissolve in transit, unmarked and unremembered, carried away in the rhythm of getting somewhere else. | Paddy]]> https://www.cizucu.com/vi/photos/wGXzElHr1eBGOoHwptoM Paddy https://www.cizucu.com/vi/users/1GGRwG7jDWNBYbt5kpsLVjwWOAl2 https://www.cizucu.com/vi/photos/wGXzElHr1eBGOoHwptoM Mon, 20 Apr 2026 21:05:50 GMT 2026-04-20T21:05:50+09:00 https://cdn.cizucu.com/images/photos/wGXzElHr1eBGOoHwptoM.jpg?auto=compress,format <![CDATA[Title: The Willow Veil Viewed through the timeless curtain of a weeping willow, the frantic megalopolis is pushed into the distance, small and harmless. Nature reclaims the frame, offering a moment of 'Ma' (negative space) and stillness. The concrete remains, but the spirit has found its drift. This work is currently competing in the 23rd International Photography Awards (IPA). タイトル : The Willow Veil (柳の帳) 作品解説 : 枝垂れ柳の時を超えた帳（とばり）越しに眺めると、狂騒の巨大都市は彼方へと追いやられ、小さく無害なものへと変わります。自然が再び主役となり、「間」と静寂のひとときをもたらすのです。コンクリートは依然としてそこに在りますが、心はついにその漂うべき場所を見出したのです。 備考 : 本作品は、第23回 IPA (International Photography Awards) のコンペティション参加作品です。 | Corinne Vallienne]]> https://www.cizucu.com/vi/photos/u6ua0Jxsn1pE4fXLb5Yh Corinne Vallienne https://www.cizucu.com/vi/japantokyodaybyday https://www.cizucu.com/vi/photos/u6ua0Jxsn1pE4fXLb5Yh Sat, 31 Jan 2026 17:58:07 GMT 2026-01-31T17:58:07+09:00 https://cdn.cizucu.com/images/photos/u6ua0Jxsn1pE4fXLb5Yh.jpg?auto=compress,format <![CDATA[Under the fluorescent glow of 7‑Eleven, a quiet kind of democracy unfolds. Here, in the threshold between street and shelter, differences dissolve—if only for a moment. Foreigners in transit, Thai locals on routine, migrant workers from Myanmar on break: they all arrive with the same gestures, the same small transactions, the same pause in motion. The counter becomes a shared horizon, where currencies, languages, and lives briefly align. In Thailand, 7/11 is more than a convenience store—it is infrastructure, ritual, and refuge. It punctuates the day with iced coffees, toasted sandwiches, and the soft hum of air conditioning. It is a place of arrival without destination. Yet, embedded in this familiarity is a quiet tension: the rhythm of consumption mirrors the transient pace of those who pass through it. Quick, efficient, replaceable. A culture of immediacy—mirroring the itinerant lives of travelers who drift through, never fully staying. There is a tenderness in this contradiction. Everyone loves 7/11. Not despite its uniformity, but because of it. It offers consistency in a landscape of movement. But that same consistency flattens difference, turning moments into transactions, encounters into routines. This photograph captures that ambivalence. The saturated red hue—produced by pre-souped Kodak Gold 200 film—bathes the scene in a sense of heat and nostalgia, as if the image itself is dissolving under the weight of time and repetition. The familiar green-orange stripes are still visible, but altered, almost overwhelmed. What remains is an atmosphere: dense, fleeting, and slightly melancholic. A place where everyone meets—yet no one stays. | analogbysissi]]> https://www.cizucu.com/vi/photos/T23GHpu4jeBibaaVi8wS analogbysissi https://www.cizucu.com/vi/users/bGcW6RBOnzR08kS9qh7M8YjSgeQ2 https://www.cizucu.com/vi/photos/T23GHpu4jeBibaaVi8wS Fri, 10 Apr 2026 15:23:09 GMT 2026-04-10T15:23:09+09:00 https://cdn.cizucu.com/images/photos/T23GHpu4jeBibaaVi8wS.jpg?auto=compress,format