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      <title>Ảnh về Dente | Tải hình ảnh miễn phí bản quyền &amp; độ phân giải cao</title>
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          <title><![CDATA[Khung cảnh đường phố của cửa hàng với cửa sổ trưng bày có biển hiệu dante | つばさ製作所]]></title>
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          <description><![CDATA[Tải ảnh Khung cảnh đường phố của cửa hàng với cửa sổ trưng bày có biển hiệu dante chất lượng cao do つばさ製作所 chụp miễn phí trên cizucu.]]></description>
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          <pubDate>Mon, 29 Jan 2024 18:14:58 GMT</pubDate>
          <atom:updated>2024-11-24T11:57:29+09:00</atom:updated>
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            <media:description><![CDATA[Tải ảnh Khung cảnh đường phố của cửa hàng với cửa sổ trưng bày có biển hiệu dante chất lượng cao do つばさ製作所 chụp miễn phí trên cizucu.]]></media:description>
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          <title><![CDATA[A dense forest of tall, slender trees with textured bark and sparse branches, creating a serene and natural landscape. | Matthieu]]></title>
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          <pubDate>Mon, 09 Feb 2026 01:03:21 GMT</pubDate>
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          <title><![CDATA[Standstill From the window of a passing Shinkansen, a dense queue of taxis waits in silence outside Nagoya Station.  Vehicles built for motion remain suspended in place, forming a temporary stillness within the flow of the city.  Seen from speed, the city appears motionless. | sho13nabe]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của sho13nabe trên cizucu.]]></description>
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            <name>sho13nabe</name>
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          <pubDate>Wed, 25 Mar 2026 19:40:59 GMT</pubDate>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của sho13nabe trên cizucu.]]></media:description>
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          <title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></title>
          <link>https://www.cizucu.com/vi/photos/jrUyyDVwvyIJ5TtiMGXS</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Moodeeprincess trên cizucu.]]></description>
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            <name>Moodeeprincess</name>
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          <pubDate>Sun, 05 Apr 2026 06:44:38 GMT</pubDate>
          <atom:updated>2026-04-05T06:44:38+09:00</atom:updated>
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            <media:title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Moodeeprincess trên cizucu.]]></media:description>
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          <title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></title>
          <link>https://www.cizucu.com/vi/photos/d7oBNJGRG3OmKgbsoSBc</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Moodeeprincess trên cizucu.]]></description>
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            <name>Moodeeprincess</name>
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          <pubDate>Sun, 05 Apr 2026 06:46:15 GMT</pubDate>
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            <media:title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness, a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></media:title>
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          <title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness - a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></title>
          <link>https://www.cizucu.com/vi/photos/CxXrx2pjX0GCiSt7KmKs</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Moodeeprincess trên cizucu.]]></description>
          <author>
            <name>Moodeeprincess</name>
            <uri>https://www.cizucu.com/vi/users/sAbIZy3WtmPbbh0KhuBXR9mFchv2</uri>
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          <pubDate>Sun, 05 Apr 2026 06:30:24 GMT</pubDate>
          <atom:updated>2026-04-05T06:30:24+09:00</atom:updated>
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            <media:title><![CDATA[Surrounded by dense building blocks and repeated routines in Seoul, I remember the bridge as the only place where the uninterrupted sky could be seen. For me, the car was where our family spent the most time together, talking, while I gazed out of the window at the fast-moving cityscape - thinking, revisiting, and imagining. I also caught glimpses of people in their cars or on the subway crossing the bridge, looking out at the river and the distant scene, wondering where they were going and what concerns they might have.  Many of Seoul’s bridges were built during the decades of rapid growth in the 1960s and 70s, carrying people swiftly across the Han River as the city expanded. Yet while crossing them, I often found an unexpected stillness - a brief sanctuary where, for a moment, one could lose oneself in thought above the moving city. | Moodeeprincess]]></media:title>
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          <title><![CDATA[This work documents the vibrant Vittal Birdev Yatra, also known as the Yellow Festival, celebrated in Pattan Kodoli near Kolhapur, Maharashtra. What drew me to this festival was not just the explosion of turmeric in the air, but the faith behind it. Thousands of devotees gather, chanting and covering everything in yellow as a symbol of devotion, hope, and gratitude for a good agricultural season.  At the heart of the festival sits Sri Keloba Rajabau Waghmode, lovingly called the “Old Man,” under a banyan tree. People throw haldi over him and seek his blessings. He is believed to be a messenger of God, someone who predicts rain, farming conditions, and the community’s future.  Through my photographs, I wanted to capture more than color I wanted to show belief, tradition, and the emotional connection between people and ritual. One challenge was working in dense turmeric clouds, protecting my gear while staying present in the moment. Going forward, I want to continue documenting such cultural stories that reflect India’s deep rooted heritage and living traditions. | Streetwala]]></title>
          <link>https://www.cizucu.com/vi/photos/pFQEsppBNxxk6rpAASrB</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Streetwala trên cizucu.]]></description>
          <author>
            <name>Streetwala</name>
            <uri>https://www.cizucu.com/vi/users/OGYs9dPuIAXJAbbtI7qDEOZ2cq82</uri>
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          <pubDate>Wed, 25 Feb 2026 14:36:03 GMT</pubDate>
          <atom:updated>2026-02-25T14:36:03+09:00</atom:updated>
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            <media:title><![CDATA[This work documents the vibrant Vittal Birdev Yatra, also known as the Yellow Festival, celebrated in Pattan Kodoli near Kolhapur, Maharashtra. What drew me to this festival was not just the explosion of turmeric in the air, but the faith behind it. Thousands of devotees gather, chanting and covering everything in yellow as a symbol of devotion, hope, and gratitude for a good agricultural season.  At the heart of the festival sits Sri Keloba Rajabau Waghmode, lovingly called the “Old Man,” under a banyan tree. People throw haldi over him and seek his blessings. He is believed to be a messenger of God, someone who predicts rain, farming conditions, and the community’s future.  Through my photographs, I wanted to capture more than color I wanted to show belief, tradition, and the emotional connection between people and ritual. One challenge was working in dense turmeric clouds, protecting my gear while staying present in the moment. Going forward, I want to continue documenting such cultural stories that reflect India’s deep rooted heritage and living traditions. | Streetwala]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Streetwala trên cizucu.]]></media:description>
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