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      <title>Ảnh về Cluster | Tải hình ảnh miễn phí bản quyền &amp; độ phân giải cao</title>
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          <title><![CDATA[彼岸花 / cluster amaryllis  #彼岸花 #曼珠沙華 | ek_photofeeling]]></title>
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          <description><![CDATA[Tải ảnh Bóng của cây được chiếu sáng từ phía sau với hiệu ứng bokeh đẹp chất lượng cao do ek_photofeeling chụp miễn phí trên cizucu.]]></description>
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          <pubDate>Wed, 25 Sep 2024 21:46:04 GMT</pubDate>
          <atom:updated>2024-09-30T22:12:55+09:00</atom:updated>
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          <title><![CDATA[彼岸花 / cluster amaryllis  #彼岸花 #曼珠沙華 | ek_photofeeling]]></title>
          <link>https://www.cizucu.com/vi/photos/BjY2nIAyF6wvvhLNV7c2</link>
          <description><![CDATA[Tải ảnh Bóng hoa cỏ với ánh sáng mờ ở nền chất lượng cao do ek_photofeeling chụp miễn phí trên cizucu.]]></description>
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          <pubDate>Wed, 25 Sep 2024 21:45:19 GMT</pubDate>
          <atom:updated>2024-09-30T22:12:55+09:00</atom:updated>
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          <title><![CDATA[Cảnh roller coaster tại công viên giải trí bên bờ biển xanh | fujikko]]></title>
          <link>https://www.cizucu.com/vi/photos/sQkFzOLYSj3Uwtoi6HC9</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của fujikko trên cizucu.]]></description>
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            <name>fujikko</name>
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          <pubDate>Tue, 14 May 2024 06:01:14 GMT</pubDate>
          <atom:updated>2025-03-27T23:51:20+09:00</atom:updated>
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          <title><![CDATA[Farther Away, Closer Still | TONE]]></title>
          <link>https://www.cizucu.com/vi/photos/zHUs9kRSTJhRcejNOFqf</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của TONE trên cizucu.]]></description>
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            <name>TONE</name>
            <uri>https://www.cizucu.com/vi/users/AMsoZRMbGGWlHSkPoSCbuHXHOIu2</uri>
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          <pubDate>Sat, 13 Dec 2025 07:54:27 GMT</pubDate>
          <atom:updated>2025-12-13T07:54:27+09:00</atom:updated>
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            <media:title><![CDATA[Farther Away, Closer Still | TONE]]></media:title>
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          <title><![CDATA[Farther Away, Closer Still | TONE]]></title>
          <link>https://www.cizucu.com/vi/photos/qiXsXzll30WTAjEjplav</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của TONE trên cizucu.]]></description>
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            <name>TONE</name>
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          <pubDate>Sat, 13 Dec 2025 07:54:15 GMT</pubDate>
          <atom:updated>2025-12-13T07:54:15+09:00</atom:updated>
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            <media:title><![CDATA[Farther Away, Closer Still | TONE]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của TONE trên cizucu.]]></media:description>
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          <title><![CDATA[Farther Away, Closer Still | TONE]]></title>
          <link>https://www.cizucu.com/vi/photos/ltcq6Auvlus3gRvFfiz2</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của TONE trên cizucu.]]></description>
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            <name>TONE</name>
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          <pubDate>Sat, 13 Dec 2025 07:54:03 GMT</pubDate>
          <atom:updated>2025-12-13T07:54:03+09:00</atom:updated>
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          <title><![CDATA[Saw a flock of pigeons feeding, and the light from sun looks kind of nice. But as I got closer, the pigeons started to fly around and I thought this was the chance.  | Ed]]></title>
          <link>https://www.cizucu.com/vi/photos/cPxR3RKOJfM0YrsmNTmo</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Ed trên cizucu.]]></description>
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            <name>Ed</name>
            <uri>https://www.cizucu.com/vi/10969espada</uri>
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          <pubDate>Fri, 27 Mar 2026 11:44:45 GMT</pubDate>
          <atom:updated>2026-03-27T11:44:45+09:00</atom:updated>
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            <media:title><![CDATA[Saw a flock of pigeons feeding, and the light from sun looks kind of nice. But as I got closer, the pigeons started to fly around and I thought this was the chance.  | Ed]]></media:title>
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          <title><![CDATA[Graduation day at Tōdai (東大) - Imperial University of Tokyo.  Summer '25, Sept, I got captured inside Gothic cloister arcade, peeking at people through the keyhole, this entry has expanded space and time around me. | A pagan angel]]></title>
          <link>https://www.cizucu.com/vi/photos/4gDOKaamwN9GX5mSLKX5</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của A pagan angel trên cizucu.]]></description>
          <author>
            <name>A pagan angel</name>
            <uri>https://www.cizucu.com/vi/users/ARHkHrbajBOPBl6haSfkOtYNj0F2</uri>
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          <pubDate>Thu, 12 Feb 2026 11:08:04 GMT</pubDate>
          <atom:updated>2026-02-12T11:08:04+09:00</atom:updated>
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            <media:title><![CDATA[Graduation day at Tōdai (東大) - Imperial University of Tokyo.  Summer '25, Sept, I got captured inside Gothic cloister arcade, peeking at people through the keyhole, this entry has expanded space and time around me. | A pagan angel]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của A pagan angel trên cizucu.]]></media:description>
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          <title><![CDATA[Finding Color in the Noise  Street photography is often an exercise in patience and restraint. On Armenian Street in Georgetown, Penang, the umbrella installation fills the frame with repetition—layers of monochrome forms, tangled lines, and surrounding buildings competing relentlessly for attention. Every direction offers distraction. Nothing wants to stay quiet.  This photograph emerged from the challenge of seeing through that visual noise. The abundance of umbrellas and architectural clutter made it difficult to establish a clear subject. By isolating a single rainbow umbrella within the chaos, the image finds its anchor. Color becomes the language of focus, cutting through complexity and guiding the eye.  The result is not just documentation of a street art installation, but a reflection of the street photographer’s pursuit: to impose order on disorder, to wait for clarity within clutter, and to reveal meaning by choosing what to exclude. In a world full of visual repetition, sometimes one deliberate frame is enough to let individuality rise. | Big_Dins_Photos]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Big_Dins_Photos trên cizucu.]]></description>
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            <name>Big_Dins_Photos</name>
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          <pubDate>Sun, 18 Jan 2026 05:30:11 GMT</pubDate>
          <atom:updated>2026-01-18T05:30:11+09:00</atom:updated>
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            <media:title><![CDATA[Finding Color in the Noise  Street photography is often an exercise in patience and restraint. On Armenian Street in Georgetown, Penang, the umbrella installation fills the frame with repetition—layers of monochrome forms, tangled lines, and surrounding buildings competing relentlessly for attention. Every direction offers distraction. Nothing wants to stay quiet.  This photograph emerged from the challenge of seeing through that visual noise. The abundance of umbrellas and architectural clutter made it difficult to establish a clear subject. By isolating a single rainbow umbrella within the chaos, the image finds its anchor. Color becomes the language of focus, cutting through complexity and guiding the eye.  The result is not just documentation of a street art installation, but a reflection of the street photographer’s pursuit: to impose order on disorder, to wait for clarity within clutter, and to reveal meaning by choosing what to exclude. In a world full of visual repetition, sometimes one deliberate frame is enough to let individuality rise. | Big_Dins_Photos]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Big_Dins_Photos trên cizucu.]]></media:description>
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          <title><![CDATA[Some people feel that black and white photos look like memorial photos,  But to me, it’s not about death it feels more like a trace that's left behind  When color is taken away, we focus more on the expression, emotion, and the details we usually miss.  Black and white doesn’t create distance, it actually brings us closer to the subject.  So this image is not about an ending, it's about a more honest way of seeing.  and also i took this photo is her birthday present | Vanness Choon]]></title>
          <link>https://www.cizucu.com/vi/photos/4qSsAEGav42A4r1AUng8</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Vanness Choon trên cizucu.]]></description>
          <author>
            <name>Vanness Choon</name>
            <uri>https://www.cizucu.com/vi/users/MId4f4RKdtcmg9JLGphmluDRwKv2</uri>
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          <pubDate>Tue, 07 Apr 2026 19:26:51 GMT</pubDate>
          <atom:updated>2026-04-07T19:26:51+09:00</atom:updated>
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            <media:title><![CDATA[Some people feel that black and white photos look like memorial photos,  But to me, it’s not about death it feels more like a trace that's left behind  When color is taken away, we focus more on the expression, emotion, and the details we usually miss.  Black and white doesn’t create distance, it actually brings us closer to the subject.  So this image is not about an ending, it's about a more honest way of seeing.  and also i took this photo is her birthday present | Vanness Choon]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/4qSsAEGav42A4r1AUng8.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Vanness Choon trên cizucu.]]></media:description>
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          <title><![CDATA[From afar, this image resembles two bold brushstrokes painted across a blank canvas, forming an “X”. On closer inspection, it reveals a pair of Himalayan Vultures crossing paths in mid-air. Captured in Singapore on 5 January 2026, this moment is especially rare: Himalayan Vultures are vagrants to the region and are typically sighted only in late December and early January. This image remains special to me as it reflects aspects of minimalism, precise timing, and use of space to convey the majestic presence and elegance of the Himalayan Vultures in flight. | Zhi Heng]]></title>
          <link>https://www.cizucu.com/vi/photos/uwvj8lq11KXp18A8xkWV</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Zhi Heng trên cizucu.]]></description>
          <author>
            <name>Zhi Heng</name>
            <uri>https://www.cizucu.com/vi/users/jj3BdCn1YxVrCdFL995iWfIDMY63</uri>
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          <pubDate>Sat, 10 Jan 2026 17:11:31 GMT</pubDate>
          <atom:updated>2026-01-10T17:11:31+09:00</atom:updated>
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            <media:title><![CDATA[From afar, this image resembles two bold brushstrokes painted across a blank canvas, forming an “X”. On closer inspection, it reveals a pair of Himalayan Vultures crossing paths in mid-air. Captured in Singapore on 5 January 2026, this moment is especially rare: Himalayan Vultures are vagrants to the region and are typically sighted only in late December and early January. This image remains special to me as it reflects aspects of minimalism, precise timing, and use of space to convey the majestic presence and elegance of the Himalayan Vultures in flight. | Zhi Heng]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/uwvj8lq11KXp18A8xkWV.jpg?fm=jpg" type="image/jpeg" width="2792" height="3490" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/uwvj8lq11KXp18A8xkWV.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Zhi Heng trên cizucu.]]></media:description>
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          <title><![CDATA[The world of macro is a different universe altogether. What may seem small, unnoticed, or even frightening to the naked eye becomes something astonishing when seen up close. Through a macro lens and a touch of flash, every detail reveals itself — the texture of the centipede’s body, the delicate wings of the moth, the raw intensity of nature unfolding in silence. It may look scary at first glance, but step closer and you’ll discover a hidden world filled with drama, beauty, and stories we rarely pause to see. | Bryan Goh]]></title>
          <link>https://www.cizucu.com/vi/photos/WBfDEcNNWt6cfT1BNafV</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Bryan Goh trên cizucu.]]></description>
          <author>
            <name>Bryan Goh</name>
            <uri>https://www.cizucu.com/vi/users/Qs1bQ92eQQTi98ZDnmi1xsTq2aD2</uri>
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          <pubDate>Tue, 17 Feb 2026 20:21:22 GMT</pubDate>
          <atom:updated>2026-02-17T20:21:22+09:00</atom:updated>
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            <media:title><![CDATA[The world of macro is a different universe altogether. What may seem small, unnoticed, or even frightening to the naked eye becomes something astonishing when seen up close. Through a macro lens and a touch of flash, every detail reveals itself — the texture of the centipede’s body, the delicate wings of the moth, the raw intensity of nature unfolding in silence. It may look scary at first glance, but step closer and you’ll discover a hidden world filled with drama, beauty, and stories we rarely pause to see. | Bryan Goh]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/WBfDEcNNWt6cfT1BNafV.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/WBfDEcNNWt6cfT1BNafV.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Bryan Goh trên cizucu.]]></media:description>
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          <title><![CDATA[High above the quiet garden, the moonlight slipped between branches heavy with ripe figs. A faint flutter broke the still air as a Greater Short-Nosed Fruit Bat glided in, guided by scent rather than sight. The bat hovered briefly, sniffing the sweet aroma, then settled upside-down beneath a perfect fig. With surprising delicacy, it tore into the soft fruit, savoring each bite. Juice glistened on its fur as seeds scattered to the ground—future fig trees planted by accident . Unaware of its role as a gardener of the night, the little bat fed until satisfied, then disappeared into the darkness, carrying the forest’s future in its tiny jaws. | Arijit Das]]></title>
          <link>https://www.cizucu.com/vi/photos/1FnugL2afdkL2CuUBwio</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Arijit Das trên cizucu.]]></description>
          <author>
            <name>Arijit Das</name>
            <uri>https://www.cizucu.com/vi/users/tLqyycXyxrV9nzvrbsUePBeK9D12</uri>
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          <pubDate>Fri, 13 Mar 2026 16:50:12 GMT</pubDate>
          <atom:updated>2026-03-13T16:50:12+09:00</atom:updated>
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            <media:title><![CDATA[High above the quiet garden, the moonlight slipped between branches heavy with ripe figs. A faint flutter broke the still air as a Greater Short-Nosed Fruit Bat glided in, guided by scent rather than sight. The bat hovered briefly, sniffing the sweet aroma, then settled upside-down beneath a perfect fig. With surprising delicacy, it tore into the soft fruit, savoring each bite. Juice glistened on its fur as seeds scattered to the ground—future fig trees planted by accident . Unaware of its role as a gardener of the night, the little bat fed until satisfied, then disappeared into the darkness, carrying the forest’s future in its tiny jaws. | Arijit Das]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/1FnugL2afdkL2CuUBwio.jpg?fm=jpg" type="image/jpeg" width="4950" height="7020" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1FnugL2afdkL2CuUBwio.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/1FnugL2afdkL2CuUBwio.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Arijit Das trên cizucu.]]></media:description>
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          <title><![CDATA[As a vegan, finding satisfying, decadent, luxurious desserts is really hard. After a full week of work, sport, and house chores, I find incredible happiness in going for a solo exploration of the vegan pastry shops in town. At the counter, I take my time to decide on the dessert that matches my day vibes. Then, when it arrives, I savor every little piece with wonder: what are the ingredients of the sponge, which spices were used, and how is the custard made? I feel lucky and happy to be able to eat a delicious treat that is good for me and for the planet, without hurting the animals. When it is time to leave the shop, I feel recharged with positive vibes, grateful, and ready to take on what the next week has in store for me.  Lately, I took the time to freeze these happy moments in time with my film camera. In the picture, a carrot cake with cream cheese filling from Ovgo Baker in Tokyo.  #cake #carrotcake #vegan #christmasvibes #happysunday #blackandwhitefilmphoto #nikonfe2 | Giuliana E. Miceli]]></title>
          <link>https://www.cizucu.com/vi/photos/ONcdjCaE4a7tXO0fGQKO</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Giuliana E. Miceli trên cizucu.]]></description>
          <author>
            <name>Giuliana E. Miceli</name>
            <uri>https://www.cizucu.com/vi/users/X0Uppurh6OXofv9sRiTUGtUb9x73</uri>
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          <pubDate>Sat, 06 Dec 2025 13:27:26 GMT</pubDate>
          <atom:updated>2025-12-06T13:27:26+09:00</atom:updated>
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            <media:title><![CDATA[As a vegan, finding satisfying, decadent, luxurious desserts is really hard. After a full week of work, sport, and house chores, I find incredible happiness in going for a solo exploration of the vegan pastry shops in town. At the counter, I take my time to decide on the dessert that matches my day vibes. Then, when it arrives, I savor every little piece with wonder: what are the ingredients of the sponge, which spices were used, and how is the custard made? I feel lucky and happy to be able to eat a delicious treat that is good for me and for the planet, without hurting the animals. When it is time to leave the shop, I feel recharged with positive vibes, grateful, and ready to take on what the next week has in store for me.  Lately, I took the time to freeze these happy moments in time with my film camera. In the picture, a carrot cake with cream cheese filling from Ovgo Baker in Tokyo.  #cake #carrotcake #vegan #christmasvibes #happysunday #blackandwhitefilmphoto #nikonfe2 | Giuliana E. Miceli]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/ONcdjCaE4a7tXO0fGQKO.jpg?fm=jpg" type="image/jpeg" width="1545" height="1024" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/ONcdjCaE4a7tXO0fGQKO.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/ONcdjCaE4a7tXO0fGQKO.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/ONcdjCaE4a7tXO0fGQKO.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Giuliana E. Miceli trên cizucu.]]></media:description>
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          <title><![CDATA[Under the fluorescent glow of 7‑Eleven, a quiet kind of democracy unfolds. Here, in the threshold between street and shelter, differences dissolve—if only for a moment. Foreigners in transit, Thai locals on routine, migrant workers from Myanmar on break: they all arrive with the same gestures, the same small transactions, the same pause in motion. The counter becomes a shared horizon, where currencies, languages, and lives briefly align.  In Thailand, 7/11 is more than a convenience store—it is infrastructure, ritual, and refuge. It punctuates the day with iced coffees, toasted sandwiches, and the soft hum of air conditioning. It is a place of arrival without destination. Yet, embedded in this familiarity is a quiet tension: the rhythm of consumption mirrors the transient pace of those who pass through it. Quick, efficient, replaceable. A culture of immediacy—mirroring the itinerant lives of travelers who drift through, never fully staying.  There is a tenderness in this contradiction. Everyone loves 7/11. Not despite its uniformity, but because of it. It offers consistency in a landscape of movement. But that same consistency flattens difference, turning moments into transactions, encounters into routines.  This photograph captures that ambivalence. The saturated red hue—produced by pre-souped Kodak Gold 200 film—bathes the scene in a sense of heat and nostalgia, as if the image itself is dissolving under the weight of time and repetition. The familiar green-orange stripes are still visible, but altered, almost overwhelmed. What remains is an atmosphere: dense, fleeting, and slightly melancholic.  A place where everyone meets—yet no one stays. | analogbysissi]]></title>
          <link>https://www.cizucu.com/vi/photos/T23GHpu4jeBibaaVi8wS</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của analogbysissi trên cizucu.]]></description>
          <author>
            <name>analogbysissi</name>
            <uri>https://www.cizucu.com/vi/users/bGcW6RBOnzR08kS9qh7M8YjSgeQ2</uri>
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          <pubDate>Fri, 10 Apr 2026 15:23:09 GMT</pubDate>
          <atom:updated>2026-04-10T15:23:09+09:00</atom:updated>
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            <media:title><![CDATA[Under the fluorescent glow of 7‑Eleven, a quiet kind of democracy unfolds. Here, in the threshold between street and shelter, differences dissolve—if only for a moment. Foreigners in transit, Thai locals on routine, migrant workers from Myanmar on break: they all arrive with the same gestures, the same small transactions, the same pause in motion. The counter becomes a shared horizon, where currencies, languages, and lives briefly align.  In Thailand, 7/11 is more than a convenience store—it is infrastructure, ritual, and refuge. It punctuates the day with iced coffees, toasted sandwiches, and the soft hum of air conditioning. It is a place of arrival without destination. Yet, embedded in this familiarity is a quiet tension: the rhythm of consumption mirrors the transient pace of those who pass through it. Quick, efficient, replaceable. A culture of immediacy—mirroring the itinerant lives of travelers who drift through, never fully staying.  There is a tenderness in this contradiction. Everyone loves 7/11. Not despite its uniformity, but because of it. It offers consistency in a landscape of movement. But that same consistency flattens difference, turning moments into transactions, encounters into routines.  This photograph captures that ambivalence. The saturated red hue—produced by pre-souped Kodak Gold 200 film—bathes the scene in a sense of heat and nostalgia, as if the image itself is dissolving under the weight of time and repetition. The familiar green-orange stripes are still visible, but altered, almost overwhelmed. What remains is an atmosphere: dense, fleeting, and slightly melancholic.  A place where everyone meets—yet no one stays. | analogbysissi]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/T23GHpu4jeBibaaVi8wS.jpg?fm=jpg" type="image/jpeg" width="4961" height="7016" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/T23GHpu4jeBibaaVi8wS.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của analogbysissi trên cizucu.]]></media:description>
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          <title><![CDATA[I can't remember the exact date for this photo but this photo was taken at Plaza de España, Seville, Spain! I was with my friend walking around the area and I happened to see this lovely couple having their pre-wedding photoshoot right in front of the water fountain at the venue. I realised I had another angle that's a bit closer to the couple than what the photographer intended, and I decided to take my shot! I love seeing wedding photography / videography, as somebody who did wedding videography before.   My vision for this photo is, well, I hope everyone in their lives, be it single or attached or married, I hope that you (as the black shirt man) remember to love yourself while loving your inner child / your partner / your spouse (as the woman in the wedding dress). The shadows of the Woman's feet being lifted up by the man represents that, everyone regardless of their marital status, should have love in their life where they can overcome any obstacles together and be happy / contented with oneself (be it alone or as a nucleus). The natural Rainbow formed behind them was such a magnificent feature to be present in their photo. I hope everyone can remember that there are different colours to defining love and our feelings, because love is never a fixed shade or colour. Just like emotions, there are ups and downs in Love but the most important thing to remember out of all is that, we should embrace all of our own colours to find our own internal beauty and love ourselves even after overcoming your most difficult problems that you thought you would never get through (which can be represented by the water fountain spraying, but there's still a Rainbow shining right above the water).  | Chan Jian Liang]]></title>
          <link>https://www.cizucu.com/vi/photos/wabEk4UMRZfjPjeVSzPy</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Chan Jian Liang trên cizucu.]]></description>
          <author>
            <name>Chan Jian Liang</name>
            <uri>https://www.cizucu.com/vi/users/RE5XitgnvzN0FtDjC58Fh6T1rz03</uri>
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          <pubDate>Tue, 20 Jan 2026 22:11:12 GMT</pubDate>
          <atom:updated>2026-01-20T22:11:12+09:00</atom:updated>
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            <media:title><![CDATA[I can't remember the exact date for this photo but this photo was taken at Plaza de España, Seville, Spain! I was with my friend walking around the area and I happened to see this lovely couple having their pre-wedding photoshoot right in front of the water fountain at the venue. I realised I had another angle that's a bit closer to the couple than what the photographer intended, and I decided to take my shot! I love seeing wedding photography / videography, as somebody who did wedding videography before.   My vision for this photo is, well, I hope everyone in their lives, be it single or attached or married, I hope that you (as the black shirt man) remember to love yourself while loving your inner child / your partner / your spouse (as the woman in the wedding dress). The shadows of the Woman's feet being lifted up by the man represents that, everyone regardless of their marital status, should have love in their life where they can overcome any obstacles together and be happy / contented with oneself (be it alone or as a nucleus). The natural Rainbow formed behind them was such a magnificent feature to be present in their photo. I hope everyone can remember that there are different colours to defining love and our feelings, because love is never a fixed shade or colour. Just like emotions, there are ups and downs in Love but the most important thing to remember out of all is that, we should embrace all of our own colours to find our own internal beauty and love ourselves even after overcoming your most difficult problems that you thought you would never get through (which can be represented by the water fountain spraying, but there's still a Rainbow shining right above the water).  | Chan Jian Liang]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Chan Jian Liang trên cizucu.]]></media:description>
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