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      <title>Ảnh về Carpets | Tải hình ảnh miễn phí bản quyền &amp; độ phân giải cao</title>
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      <description><![CDATA[Tìm 11 ảnh Carpets độ phân giải cao tốt nhất trên cizucu. Tất cả đều miễn phí bản quyền, tải xuống miễn phí và hoàn hảo cho mọi dự án mà không cần ghi nguồn.]]></description>
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          <title><![CDATA[carpet | k.2SSD]]></title>
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          <pubDate>Tue, 11 Jun 2024 22:32:21 GMT</pubDate>
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          <title><![CDATA[ヒメマルカツオブシムシ Varied Carpet Beetle Anthrenus verbasci 横浜市  #Insect #昆虫 | konoda]]></title>
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          <description><![CDATA[Tải ảnh Côn trùng nâu có đốm trên hoa vàng chất lượng cao do konoda chụp miễn phí trên cizucu.]]></description>
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          <pubDate>Mon, 20 May 2024 16:35:27 GMT</pubDate>
          <atom:updated>2024-05-31T17:34:54+09:00</atom:updated>
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            <media:description><![CDATA[Tải ảnh Côn trùng nâu có đốm trên hoa vàng chất lượng cao do konoda chụp miễn phí trên cizucu.]]></media:description>
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          <title><![CDATA[Một bàn chân trong giày cao gót đen resting on a carpet | kenstock]]></title>
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          <description><![CDATA[Tải ảnh Một bàn chân trong giày cao gót đen resting on a carpet chất lượng cao do kenstock chụp miễn phí trên cizucu.]]></description>
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          <pubDate>Sun, 17 Mar 2024 11:27:42 GMT</pubDate>
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            <media:description><![CDATA[Tải ảnh Một bàn chân trong giày cao gót đen resting on a carpet chất lượng cao do kenstock chụp miễn phí trên cizucu.]]></media:description>
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          <title><![CDATA[yellow carpet  朝陽に染まるキガラシの花 | 佐藤 勇人]]></title>
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          <pubDate>Mon, 19 May 2025 06:15:48 GMT</pubDate>
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          <title><![CDATA[【BLUE CARPET】 撮影していると寄って来るユリカモメさん「えびせんはないよ！」（笑）　撮影は名古屋城のお堀なのですが冬場には沢山のユリカモメが集まります。  #ユリカモメ #名古屋城 #お堀 #水鳥 #コンデジ #ネオ一眼 #animal | RYUURI]]></title>
          <link>https://www.cizucu.com/vi/photos/49me29SM9u5YhGBxAt4n</link>
          <description><![CDATA[Tải ảnh Một con hải âu ở phía trước với những con hải âu mờ ảo xếp hàng ở phía sau chất lượng cao do RYUURI chụp miễn phí trên cizucu.]]></description>
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          <pubDate>Fri, 26 Jul 2024 14:35:41 GMT</pubDate>
          <atom:updated>2024-08-25T17:07:38+09:00</atom:updated>
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            <media:title><![CDATA[【BLUE CARPET】 撮影していると寄って来るユリカモメさん「えびせんはないよ！」（笑）　撮影は名古屋城のお堀なのですが冬場には沢山のユリカモメが集まります。  #ユリカモメ #名古屋城 #お堀 #水鳥 #コンデジ #ネオ一眼 #animal | RYUURI]]></media:title>
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            <media:description><![CDATA[Tải ảnh Một con hải âu ở phía trước với những con hải âu mờ ảo xếp hàng ở phía sau chất lượng cao do RYUURI chụp miễn phí trên cizucu.]]></media:description>
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          <title><![CDATA[I wandered around the markets of Little India. During my walk, I chanced upon a scene of a man unloading a bag of supplies, a simple and fleeting moment that I chose to capture which goes unseen on an ordinary day | Iman Ismail]]></title>
          <link>https://www.cizucu.com/vi/photos/qAiiOmYwMZ7iGzWIQanC</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Iman Ismail trên cizucu.]]></description>
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          <pubDate>Thu, 05 Mar 2026 09:42:49 GMT</pubDate>
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          <title><![CDATA[Sand Shade– where light, wind, and time shape the nature  The first light of day carves a sharp line across the dune, dividing the world into light and shadow. Each ripple on the slope is a record etched by centuries of shifting winds. Below, the dead trees stand as quiet witnesses to one of the oldest deserts on Earth | TONTOXIN]]></title>
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          <pubDate>Sat, 14 Feb 2026 03:02:41 GMT</pubDate>
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          <title><![CDATA[A Language Beyond Words  Chiang Mai taught me that the deepest conversations do not always depend on perfect language.  I met this man one morning at the local markets, surrounded by the sounds of vendors calling out and the smell of fresh fruit and street food in the air. We sat together as strangers for ten minutes that felt timeless. He spoke no English, and I spoke only basic Thai, just enough for simple conversation, yet somehow we shared something far deeper.  Through gestures, smiles, laughter, and patient listening, we spoke about life, family, and the beauty of everyday moments. I love overcoming language barriers, and Thailand has shown me how powerful human connection can be when both people are willing to meet halfway   The Thai people carry a rare kindness that is gentle, open, and endlessly welcoming. This photograph is a tribute to my love for Thailand and to the people who remind me that language is not just spoken, but felt | Lanna Shuttered Moments]]></title>
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          <pubDate>Sat, 14 Feb 2026 10:30:49 GMT</pubDate>
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            <media:title><![CDATA[A Language Beyond Words  Chiang Mai taught me that the deepest conversations do not always depend on perfect language.  I met this man one morning at the local markets, surrounded by the sounds of vendors calling out and the smell of fresh fruit and street food in the air. We sat together as strangers for ten minutes that felt timeless. He spoke no English, and I spoke only basic Thai, just enough for simple conversation, yet somehow we shared something far deeper.  Through gestures, smiles, laughter, and patient listening, we spoke about life, family, and the beauty of everyday moments. I love overcoming language barriers, and Thailand has shown me how powerful human connection can be when both people are willing to meet halfway   The Thai people carry a rare kindness that is gentle, open, and endlessly welcoming. This photograph is a tribute to my love for Thailand and to the people who remind me that language is not just spoken, but felt | Lanna Shuttered Moments]]></media:title>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
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          <pubDate>Sun, 22 Mar 2026 16:38:29 GMT</pubDate>
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            <media:title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></media:title>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
          <link>https://www.cizucu.com/vi/photos/aCRdHvBtI6EE9pHD6Jud</link>
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          <pubDate>Sun, 22 Mar 2026 16:32:12 GMT</pubDate>
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          <title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></title>
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          <pubDate>Sun, 22 Mar 2026 16:29:33 GMT</pubDate>
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            <media:title><![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill.  The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence.  As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]></media:title>
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