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      <title>Ảnh về Borne | Tải hình ảnh miễn phí bản quyền &amp; độ phân giải cao</title>
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      <description><![CDATA[Tìm 8 ảnh Borne độ phân giải cao tốt nhất trên cizucu. Tất cả đều miễn phí bản quyền, tải xuống miễn phí và hoàn hảo cho mọi dự án mà không cần ghi nguồn.]]></description>
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          <title><![CDATA[Biển tròn có Pétale N° 91½ Fée de jardin Bonne Chance 36 Rêve trong đen trắng | ハル]]></title>
          <link>https://www.cizucu.com/vi/photos/JLLaWTTZ11k12Zcl1bpE</link>
          <description><![CDATA[Tải ảnh Biển tròn có Pétale N° 91½ Fée de jardin Bonne Chance 36 Rêve trong đen trắng chất lượng cao do ハル chụp miễn phí trên cizucu.]]></description>
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            <name>ハル</name>
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          <pubDate>Thu, 19 Dec 2024 18:06:33 GMT</pubDate>
          <atom:updated>2024-12-19T18:06:57+09:00</atom:updated>
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            <media:description><![CDATA[Tải ảnh Biển tròn có Pétale N° 91½ Fée de jardin Bonne Chance 36 Rêve trong đen trắng chất lượng cao do ハル chụp miễn phí trên cizucu.]]></media:description>
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          <title><![CDATA[The born of Takoyaki  #Osaka #takoyaki #japanesefood #japan #japan #food #tako | Joanne Chan]]></title>
          <link>https://www.cizucu.com/vi/photos/X7Gm1JE4XWPDwEwUqiSV</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Joanne Chan trên cizucu.]]></description>
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            <name>Joanne Chan</name>
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          <pubDate>Wed, 11 Jun 2025 17:58:48 GMT</pubDate>
          <atom:updated>2025-06-11T17:58:48+09:00</atom:updated>
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            <media:title><![CDATA[The born of Takoyaki  #Osaka #takoyaki #japanesefood #japan #japan #food #tako | Joanne Chan]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Joanne Chan trên cizucu.]]></media:description>
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          <title><![CDATA[Born to be wild  #japan #notopeninsula #あばれ祭 #祭り | Jang Kumi]]></title>
          <link>https://www.cizucu.com/vi/photos/8DLbLXgRHqTcklSrweVk</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Jang Kumi trên cizucu.]]></description>
          <author>
            <name>Jang Kumi</name>
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          <pubDate>Thu, 11 Jul 2024 22:27:54 GMT</pubDate>
          <atom:updated>2024-07-19T08:00:36+09:00</atom:updated>
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            <media:title><![CDATA[Born to be wild  #japan #notopeninsula #あばれ祭 #祭り | Jang Kumi]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Jang Kumi trên cizucu.]]></media:description>
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          <title><![CDATA["Waking gets earlier now, Sicily, 2019" - Taken from the series MTWTFSS, a fragmented photographic journal amassed almost accidentally and spanning over 15 years. Shot on film, Harris-Taylor captures the mundane and everyday, the minutia of everyday life. Borne out by love and a desire to document what surrounds her, the process of making the work is therapeutic and acts as an attempt to control that which can't be. | Sophie Harris-Taylor]]></title>
          <link>https://www.cizucu.com/vi/photos/OPN3NpM6QdtFUYQeC5SZ</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Sophie Harris-Taylor trên cizucu.]]></description>
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            <name>Sophie Harris-Taylor</name>
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          <pubDate>Sun, 05 Apr 2026 22:40:45 GMT</pubDate>
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            <media:title><![CDATA["Waking gets earlier now, Sicily, 2019" - Taken from the series MTWTFSS, a fragmented photographic journal amassed almost accidentally and spanning over 15 years. Shot on film, Harris-Taylor captures the mundane and everyday, the minutia of everyday life. Borne out by love and a desire to document what surrounds her, the process of making the work is therapeutic and acts as an attempt to control that which can't be. | Sophie Harris-Taylor]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Sophie Harris-Taylor trên cizucu.]]></media:description>
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          <title><![CDATA[This is a photo I took in December 2025 while visiting my parents back home in Dubai. One of my favorite things to do whenever I’m there is to photograph the older side of the city, the one I was born and raised in. When people think of Dubai, they often picture skyscrapers and luxury, but there’s so much more to the city beyond that image. This photo shows an abra which is a small wooden boat used to ferry people across the creek. It’s a simple, everyday mode of transport that many people don’t discover until they experience the city firsthand. For me, it’s a reminder of the quieter, timeless side of Dubai that still lives alongside the modern skyline. | Gautami Golani]]></title>
          <link>https://www.cizucu.com/vi/photos/tNvj9nrgQC5d5SljdyVw</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Gautami Golani trên cizucu.]]></description>
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            <name>Gautami Golani</name>
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          <pubDate>Wed, 21 Jan 2026 01:20:58 GMT</pubDate>
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            <media:title><![CDATA[This is a photo I took in December 2025 while visiting my parents back home in Dubai. One of my favorite things to do whenever I’m there is to photograph the older side of the city, the one I was born and raised in. When people think of Dubai, they often picture skyscrapers and luxury, but there’s so much more to the city beyond that image. This photo shows an abra which is a small wooden boat used to ferry people across the creek. It’s a simple, everyday mode of transport that many people don’t discover until they experience the city firsthand. For me, it’s a reminder of the quieter, timeless side of Dubai that still lives alongside the modern skyline. | Gautami Golani]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Gautami Golani trên cizucu.]]></media:description>
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          <title><![CDATA[This portrait was taken in Moscow 2022 during my first experiments with fashion portrait photography. At that time, I had just gained access to a studio, and the model and I simply played with light, without a clear plan or expectations. It was an attempt to capture a mood rather than create a specific image.  The result was a photograph that remains one of my favorites to this day. There is a sense of silence and depth in it, as if the gaze comes from another time. The light gently draws the face out of the darkness, leaving a feeling of both fragility and inner strength.  Sometimes the most important works are born not from a carefully constructed concept, but from pure experimentation and trust in the moment. | Liza Medvedeva]]></title>
          <link>https://www.cizucu.com/vi/photos/l7VzRAizhwBNTQosF4N3</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Liza Medvedeva trên cizucu.]]></description>
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            <name>Liza Medvedeva</name>
            <uri>https://www.cizucu.com/vi/users/izN8mAH1xrflfRBeXFE1dCE6BIw1</uri>
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          <pubDate>Sun, 15 Feb 2026 17:10:10 GMT</pubDate>
          <atom:updated>2026-02-15T17:10:10+09:00</atom:updated>
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            <media:title><![CDATA[This portrait was taken in Moscow 2022 during my first experiments with fashion portrait photography. At that time, I had just gained access to a studio, and the model and I simply played with light, without a clear plan or expectations. It was an attempt to capture a mood rather than create a specific image.  The result was a photograph that remains one of my favorites to this day. There is a sense of silence and depth in it, as if the gaze comes from another time. The light gently draws the face out of the darkness, leaving a feeling of both fragility and inner strength.  Sometimes the most important works are born not from a carefully constructed concept, but from pure experimentation and trust in the moment. | Liza Medvedeva]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Liza Medvedeva trên cizucu.]]></media:description>
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          <title><![CDATA[The Lost Romance and Dances was born from a dream and a place, the Seven Sisters Cliff. I had imagined it for a very long time, and when I finally stood there, the experience felt otherworldly. The sunset unveiled colors I had never seen before, painting the horizon in tones so magical that time itself seemed to pause. As evening dissolved into night, the cliffs transformed. What was once radiant with color became stark, monochrome, almost like the aftertaste of a love once held and suddenly taken away. This place felt alive with memory, a witness to joy, heartbreak, and longing through countless lives that had passed across its edge.  At its heart, The Lost Romance and Dances is a meditation on memory and return. The work drifts like a forgotten tide, carrying back fragments of love, loss, and longing. It is dedicated to those who have loved deeply and lost, who return not to reclaim but to rediscover. Within its imagery rests a fragile devotion, a romance both fleeting and eternal, kept alive in the quiet dance ofmemories returning. | INKAN]]></title>
          <link>https://www.cizucu.com/vi/photos/c6X5QFypeVexSKsL3yma</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của INKAN trên cizucu.]]></description>
          <author>
            <name>INKAN</name>
            <uri>https://www.cizucu.com/vi/users/394o0WNHj6P0jZeascrsAkgBWDx1</uri>
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          <pubDate>Sat, 14 Mar 2026 02:33:47 GMT</pubDate>
          <atom:updated>2026-03-14T02:33:47+09:00</atom:updated>
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            <media:title><![CDATA[The Lost Romance and Dances was born from a dream and a place, the Seven Sisters Cliff. I had imagined it for a very long time, and when I finally stood there, the experience felt otherworldly. The sunset unveiled colors I had never seen before, painting the horizon in tones so magical that time itself seemed to pause. As evening dissolved into night, the cliffs transformed. What was once radiant with color became stark, monochrome, almost like the aftertaste of a love once held and suddenly taken away. This place felt alive with memory, a witness to joy, heartbreak, and longing through countless lives that had passed across its edge.  At its heart, The Lost Romance and Dances is a meditation on memory and return. The work drifts like a forgotten tide, carrying back fragments of love, loss, and longing. It is dedicated to those who have loved deeply and lost, who return not to reclaim but to rediscover. Within its imagery rests a fragile devotion, a romance both fleeting and eternal, kept alive in the quiet dance ofmemories returning. | INKAN]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của INKAN trên cizucu.]]></media:description>
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          <title><![CDATA[Feral Grace II: Bound, Yet Willing to Fly  Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series.  At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted.  The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum.  Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it.  《野性優雅 II：向前飛行的束縛》  《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。  在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。  畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。  真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của W Mick trên cizucu.]]></description>
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            <name>W Mick</name>
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          <pubDate>Sun, 21 Dec 2025 01:52:37 GMT</pubDate>
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            <media:title><![CDATA[Feral Grace II: Bound, Yet Willing to Fly  Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series.  At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted.  The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum.  Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it.  《野性優雅 II：向前飛行的束縛》  《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。  在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。  畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。  真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]></media:title>
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