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      <title>Ảnh về Barge | Tải hình ảnh miễn phí bản quyền &amp; độ phân giải cao</title>
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          <title><![CDATA[只今作業中 ＃川砂取り | ayukawa]]></title>
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          <description><![CDATA[Tải ảnh Barge xây dựng trên nước với núi ở phía sau chất lượng cao do ayukawa chụp miễn phí trên cizucu.]]></description>
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          <pubDate>Thu, 18 Apr 2024 00:17:34 GMT</pubDate>
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          <title><![CDATA[Barge làm việc trên mặt nước với các tòa nhà hiện đại gần đó | creampasta]]></title>
          <link>https://www.cizucu.com/vi/photos/VutDwsrIn3xD2k758xpD</link>
          <description><![CDATA[Tải ảnh Barge làm việc trên mặt nước với các tòa nhà hiện đại gần đó chất lượng cao do creampasta chụp miễn phí trên cizucu.]]></description>
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          <pubDate>Mon, 25 Mar 2024 23:48:49 GMT</pubDate>
          <atom:updated>2024-11-20T11:40:06+09:00</atom:updated>
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          <title><![CDATA[波止場 | garçon]]></title>
          <link>https://www.cizucu.com/vi/photos/vGkPLbEKkpSquLfoMUN9</link>
          <description><![CDATA[Tải ảnh Barge rỉ sét và thuyền làm việc trên mặt nước chất lượng cao do garçon chụp miễn phí trên cizucu.]]></description>
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          <pubDate>Sun, 04 Aug 2024 17:29:47 GMT</pubDate>
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            <media:description><![CDATA[Tải ảnh Barge rỉ sét và thuyền làm việc trên mặt nước chất lượng cao do garçon chụp miễn phí trên cizucu.]]></media:description>
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          <title><![CDATA[Barge nổi trên sông với đường chân trời thành phố | hiro]]></title>
          <link>https://www.cizucu.com/vi/photos/Qh4bOO9ZpqFHCX4BYTVy</link>
          <description><![CDATA[Tải ảnh Barge nổi trên sông với đường chân trời thành phố chất lượng cao do hiro chụp miễn phí trên cizucu.]]></description>
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            <name>hiro</name>
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          <pubDate>Fri, 01 Mar 2024 10:58:46 GMT</pubDate>
          <atom:updated>2024-11-22T06:15:14+09:00</atom:updated>
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          <title><![CDATA[photo poster project in kyoto (2025.8.24)  #photoposterproject #ppp #cizucu #Kyoto #gallerymetabo | Yukihiro]]></title>
          <link>https://www.cizucu.com/vi/photos/pISwZ6KhQ4oHZBlRjOpD</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Yukihiro trên cizucu.]]></description>
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            <name>Yukihiro</name>
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          <pubDate>Sun, 24 Aug 2025 21:07:52 GMT</pubDate>
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            <media:title><![CDATA[photo poster project in kyoto (2025.8.24)  #photoposterproject #ppp #cizucu #Kyoto #gallerymetabo | Yukihiro]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Yukihiro trên cizucu.]]></media:description>
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          <title><![CDATA[Large Magellanic Cloud 大マゼラン雲 撮影日2023/10/30 場所チリ（リモート撮影） 機材Samyang 135mm F2->3.5+ZWO 2600MM 露出SⅡ300秒x3枚Ha300秒x4枚+OⅢ300秒x8枚 #リコリモ#仙台天文同好会#天体#天体写真#星雲#銀河 | さら]]></title>
          <link>https://www.cizucu.com/vi/photos/gGfXsVx1eko4cxy3b5CH</link>
          <description><![CDATA[Tải ảnh Hình ảnh tuyệt đẹp về tinh vân và thiên hà trong vũ trụ chất lượng cao do さら chụp miễn phí trên cizucu.]]></description>
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            <name>さら</name>
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          <pubDate>Tue, 11 Mar 2025 17:13:50 GMT</pubDate>
          <atom:updated>2025-03-13T08:43:21+09:00</atom:updated>
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            <media:title><![CDATA[Large Magellanic Cloud 大マゼラン雲 撮影日2023/10/30 場所チリ（リモート撮影） 機材Samyang 135mm F2->3.5+ZWO 2600MM 露出SⅡ300秒x3枚Ha300秒x4枚+OⅢ300秒x8枚 #リコリモ#仙台天文同好会#天体#天体写真#星雲#銀河 | さら]]></media:title>
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            <media:description><![CDATA[Tải ảnh Hình ảnh tuyệt đẹp về tinh vân và thiên hà trong vũ trụ chất lượng cao do さら chụp miễn phí trên cizucu.]]></media:description>
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          <title><![CDATA[That day came, and I was in KL. Seedance Hackathon was postponed days earlier, but a friend made a connection. Evangel and I met in that moment, an impromptu collaboration.  So there we were, on a bare rooftop. Fireworks somewhere in the city, while Evangel danced with her own fire. Merdeka 118 towering behind her, and the full moon gazing upon me.  Sometimes the day we didn’t plan becomes the day we remember. | Arron Teo]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Arron Teo trên cizucu.]]></description>
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          <pubDate>Mon, 09 Mar 2026 10:21:02 GMT</pubDate>
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            <media:title><![CDATA[That day came, and I was in KL. Seedance Hackathon was postponed days earlier, but a friend made a connection. Evangel and I met in that moment, an impromptu collaboration.  So there we were, on a bare rooftop. Fireworks somewhere in the city, while Evangel danced with her own fire. Merdeka 118 towering behind her, and the full moon gazing upon me.  Sometimes the day we didn’t plan becomes the day we remember. | Arron Teo]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Arron Teo trên cizucu.]]></media:description>
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          <title><![CDATA[Neon, pigment, and the unblinking eye of childhood. On this stretch of Tokyo stone, the ritual of the "maid" is laid bare—not as a fantasy, but as a trade. As one girl constructs a costume of necessity, another deciphers the alchemy of the adult world. Between the glow of the screen and the silence of the pram, the city’s true face is found in the space between those who are performing, those who are watching, and those who have already looked away. | Petratheactionsuperstar]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Petratheactionsuperstar trên cizucu.]]></description>
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          <pubDate>Wed, 18 Mar 2026 04:11:12 GMT</pubDate>
          <atom:updated>2026-03-18T04:11:12+09:00</atom:updated>
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            <media:title><![CDATA[Neon, pigment, and the unblinking eye of childhood. On this stretch of Tokyo stone, the ritual of the "maid" is laid bare—not as a fantasy, but as a trade. As one girl constructs a costume of necessity, another deciphers the alchemy of the adult world. Between the glow of the screen and the silence of the pram, the city’s true face is found in the space between those who are performing, those who are watching, and those who have already looked away. | Petratheactionsuperstar]]></media:title>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></title>
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          <pubDate>Sun, 18 Jan 2026 15:17:34 GMT</pubDate>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]></title>
          <link>https://www.cizucu.com/vi/photos/5uQprujr5kh3O40uW4oI</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của a.da.md trên cizucu.]]></description>
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          <pubDate>Sun, 18 Jan 2026 16:03:24 GMT</pubDate>
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          <title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Souvik Roy trên cizucu.]]></description>
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            <name>Souvik Roy</name>
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          <pubDate>Sat, 14 Mar 2026 18:17:45 GMT</pubDate>
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            <media:title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Souvik Roy trên cizucu.]]></media:description>
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          <title><![CDATA[Present Absence This image was shot during winter at Versova beach at sunset. This frame freezes a fleeting paradox: a solitary silhouette, bathed in the sunset's crimson embrace, stands ankle-deep in the reflecting waves, phone aglow in hand, lost in digital reverie. What grips me is the exquisite irony, a man oblivious to such nature's symphony unfolding around him. Mumbai's beach sunsets are more than a beautiful spectacle; they are the city's soul laid bare, where one can experience profound serenity amid the chaos of skyscrapers and streetlife. This photograph isn't just a landscape; it serves a narrative about connection and disconnect.  I keep returning to this image because it serves as a gentle, haunting reminder. It asks us to look up, to put down the phone, and to let ourselves be fully engulfed by the "magical beauty" that is often standing right in front of us. | Souvik Roy]]></title>
          <link>https://www.cizucu.com/vi/photos/2liSNRVpSQ1iBWS2wvoy</link>
          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Souvik Roy trên cizucu.]]></description>
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          <pubDate>Mon, 16 Mar 2026 03:16:14 GMT</pubDate>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Souvik Roy trên cizucu.]]></media:description>
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          <title><![CDATA[The body rests where it does not belong. Draped across a splintered stump, the figure appears both offered and abandoned, suspended between elevation and collapse. Remnants lie bare and exposed; nakedness here is not intimacy but the anonymity of unadorned erasure. The coarse, surreal landscape remains indifferent to the scene—a neutral observer, if not entirely apathetic.   In this realm, nothing is settled with certainty.  Is this sleep, surrender, or aftermath?  ​体は、ふさわしくない場所に横たわっています。 折れた切り株に体をあずけるその姿は、何かに捧げられているようでもあり、捨てられているようにも見えます。 高揚と崩壊の狭間で、宙吊りになったまま。 ​そこにあるのは、隠すもののない姿です。 ここでの「裸」は、親しみを感じさせるものではありません。それは、名前も個性も消し去られた、ただの「存在」です。 荒々しい景色は、この光景に興味を示しません。ただ黙って見ているだけか、あるいは、全く気にかけていないかのようです。 ​この場所では、確かなことは何もありません。 これは眠りなのか、あきらめなのか、それとも何かが終わった後の姿なのでしょうか。 | Yamedre]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Yamedre trên cizucu.]]></description>
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            <name>Yamedre</name>
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          <pubDate>Sun, 21 Dec 2025 12:23:35 GMT</pubDate>
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            <media:title><![CDATA[The body rests where it does not belong. Draped across a splintered stump, the figure appears both offered and abandoned, suspended between elevation and collapse. Remnants lie bare and exposed; nakedness here is not intimacy but the anonymity of unadorned erasure. The coarse, surreal landscape remains indifferent to the scene—a neutral observer, if not entirely apathetic.   In this realm, nothing is settled with certainty.  Is this sleep, surrender, or aftermath?  ​体は、ふさわしくない場所に横たわっています。 折れた切り株に体をあずけるその姿は、何かに捧げられているようでもあり、捨てられているようにも見えます。 高揚と崩壊の狭間で、宙吊りになったまま。 ​そこにあるのは、隠すもののない姿です。 ここでの「裸」は、親しみを感じさせるものではありません。それは、名前も個性も消し去られた、ただの「存在」です。 荒々しい景色は、この光景に興味を示しません。ただ黙って見ているだけか、あるいは、全く気にかけていないかのようです。 ​この場所では、確かなことは何もありません。 これは眠りなのか、あきらめなのか、それとも何かが終わった後の姿なのでしょうか。 | Yamedre]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Yamedre trên cizucu.]]></media:description>
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