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          <title><![CDATA[美しき水仙  先週末長居植物園(大阪府)へ訪れた時に撮った一枚  水仙が群生している前を通りかかった時良い西陽が水仙に当たって花弁が透過して輝いていたので構図を決めて撮影した一枚  camera: OM-D E-M1 mark ii lens: super Takumar 135mm f3.5 WB: auto ISO: 200 SS: 1/50s 絞り値(f値): f3.5  | kaz_shinganflex___]]></title>
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          <title><![CDATA[『小さな秋みぃつけた！』  日常の小さなひとこまに、心が満ちていく瞬間。  地べたに転がる栗の実を飾って愛でる。そんな小さな一コマが心に余白を作る。  そんな心の余白を今日は秋が満たしてくれる。  忙しなく過ぎていく日々の中で、僕たちは立ち止まる事を忘れてしまう。  小さな秋は、そんな僕に立ち止まるキッカケをくれました。  Shot on Nikon Zf Micro Nikkor Auto 55mm F3.5 | Mikke]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Mikke trên cizucu.]]></description>
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          <pubDate>Tue, 23 Sep 2025 10:55:14 GMT</pubDate>
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            <media:title><![CDATA[『小さな秋みぃつけた！』  日常の小さなひとこまに、心が満ちていく瞬間。  地べたに転がる栗の実を飾って愛でる。そんな小さな一コマが心に余白を作る。  そんな心の余白を今日は秋が満たしてくれる。  忙しなく過ぎていく日々の中で、僕たちは立ち止まる事を忘れてしまう。  小さな秋は、そんな僕に立ち止まるキッカケをくれました。  Shot on Nikon Zf Micro Nikkor Auto 55mm F3.5 | Mikke]]></media:title>
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          <title><![CDATA[『また合う日を楽しみに。』  曼珠沙華の花が咲く。数本の彼岸花は秋風になびいて健気に咲く。  思わず足を止めてしまう侘び寂びを感じる美しさがそこにある。  一面に咲き乱れた光景とは違った美しさがそこにある。  侘び寂び、秋の静けさや儚さをモノクロで表現したい。  Shot on Nikon Zf Micro Nikkor Auto 55mm F3.5  #彼岸花 #秋 #モノクロ  | Mikke]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Mikke trên cizucu.]]></description>
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          <pubDate>Tue, 23 Sep 2025 21:50:32 GMT</pubDate>
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            <media:title><![CDATA[『また合う日を楽しみに。』  曼珠沙華の花が咲く。数本の彼岸花は秋風になびいて健気に咲く。  思わず足を止めてしまう侘び寂びを感じる美しさがそこにある。  一面に咲き乱れた光景とは違った美しさがそこにある。  侘び寂び、秋の静けさや儚さをモノクロで表現したい。  Shot on Nikon Zf Micro Nikkor Auto 55mm F3.5  #彼岸花 #秋 #モノクロ  | Mikke]]></media:title>
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          <title><![CDATA[I was initially drawn to the visual harmony in the background: a woman in black-and-white walking her dog, their outfits matching with a deliberate aesthetic and symmetry.   But the street has a way of interrupting. In the foreground, an auto-rickshaw driver had dropped his pants, re-tucking his shirt. A gesture of professional pride performed with total indifference to the public eye.  While one half of the street is conscious of how they are seen, the other is simply existing in the thick of a long workday. It also got me questioning that "decency" is often a matter of perspective; for the driver, he wasn't exposing himself, he was simply preparing for his next fare. | Shikhar Bafna]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Shikhar Bafna trên cizucu.]]></description>
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            <media:title><![CDATA[I was initially drawn to the visual harmony in the background: a woman in black-and-white walking her dog, their outfits matching with a deliberate aesthetic and symmetry.   But the street has a way of interrupting. In the foreground, an auto-rickshaw driver had dropped his pants, re-tucking his shirt. A gesture of professional pride performed with total indifference to the public eye.  While one half of the street is conscious of how they are seen, the other is simply existing in the thick of a long workday. It also got me questioning that "decency" is often a matter of perspective; for the driver, he wasn't exposing himself, he was simply preparing for his next fare. | Shikhar Bafna]]></media:title>
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          <title><![CDATA[2017的跨年，我臨時起意衝去信義區拍煙火。11點才到信義國中在人擠人的現場，我沒有使用腳架，僅以手持搭配 Nikon D750 與小黑七（70-200mm）拍攝。  既然距離近到無法容納全景，我決定用長焦專注捕捉煙火的局部特寫與建築倒影。面對忽明忽暗的場景，我全權信賴相機的高光偏重測光與 Auto ISO，更依賴鏡頭強悍的防手震功能。最終，在這場手持拍攝的挑戰中，我成功凝結了清晰而獨特的煙火瞬間。 | Dean Cheng]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Dean Cheng trên cizucu.]]></description>
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          <pubDate>Mon, 26 Jan 2026 16:38:29 GMT</pubDate>
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            <media:title><![CDATA[2017的跨年，我臨時起意衝去信義區拍煙火。11點才到信義國中在人擠人的現場，我沒有使用腳架，僅以手持搭配 Nikon D750 與小黑七（70-200mm）拍攝。  既然距離近到無法容納全景，我決定用長焦專注捕捉煙火的局部特寫與建築倒影。面對忽明忽暗的場景，我全權信賴相機的高光偏重測光與 Auto ISO，更依賴鏡頭強悍的防手震功能。最終，在這場手持拍攝的挑戰中，我成功凝結了清晰而獨特的煙火瞬間。 | Dean Cheng]]></media:title>
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            <media:description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Dean Cheng trên cizucu.]]></media:description>
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