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          <title><![CDATA[Budapest,Hungary  camera:FUJIFILM X-T50 lens:NOKTON Classic 35mm f1.4 film simulation : Classic Negative  #FUJIFILM  | A]]></title>
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          <title><![CDATA[Title: The Willow Veil  Viewed through the timeless curtain of a weeping willow, the frantic megalopolis is pushed into the distance, small and harmless. Nature reclaims the frame, offering a moment of 'Ma' (negative space) and stillness. The concrete remains, but the spirit has found its drift.  This work is currently competing in the 23rd International Photography Awards (IPA).  タイトル : The Willow Veil (柳の帳) 作品解説 : 枝垂れ柳の時を超えた帳（とばり）越しに眺めると、狂騒の巨大都市は彼方へと追いやられ、小さく無害なものへと変わります。自然が再び主役となり、「間」と静寂のひとときをもたらすのです。コンクリートは依然としてそこに在りますが、心はついにその漂うべき場所を見出したのです。 備考 : 本作品は、第23回 IPA (International Photography Awards) のコンペティション参加作品です。 | Corinne Vallienne]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Corinne Vallienne trên cizucu.]]></description>
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          <pubDate>Sat, 31 Jan 2026 17:58:07 GMT</pubDate>
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            <media:title><![CDATA[Title: The Willow Veil  Viewed through the timeless curtain of a weeping willow, the frantic megalopolis is pushed into the distance, small and harmless. Nature reclaims the frame, offering a moment of 'Ma' (negative space) and stillness. The concrete remains, but the spirit has found its drift.  This work is currently competing in the 23rd International Photography Awards (IPA).  タイトル : The Willow Veil (柳の帳) 作品解説 : 枝垂れ柳の時を超えた帳（とばり）越しに眺めると、狂騒の巨大都市は彼方へと追いやられ、小さく無害なものへと変わります。自然が再び主役となり、「間」と静寂のひとときをもたらすのです。コンクリートは依然としてそこに在りますが、心はついにその漂うべき場所を見出したのです。 備考 : 本作品は、第23回 IPA (International Photography Awards) のコンペティション参加作品です。 | Corinne Vallienne]]></media:title>
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          <title><![CDATA[Title: HI  One morning, light slipped through a gap in my curtains and left a mark on my front door. I wasn't looking for it — I just happened to see it.  I'm drawn to ordinary moments when light transforms a space. This one felt different. The light had arranged itself into something legible — a quiet greeting written in warmth and shadow, offered before I had even opened my eyes to the day.  The first thing you see is the "I" — a clean column of light, standing on its own. But look at the darkness surrounding it, the shadow that cuts through, the negative space between. Let your eyes rest there. It takes a second look. The "H" quietly appears. Together, they form something simple: hi.  The texture and marks already on the door became part of the letters, as if the surface had always been waiting to hold them. It wasn't planned. The light held its shape for a while — long enough to notice, long enough to photograph, long enough to feel like it meant something.  This photo is about paying attention — to light, to darkness, and to the thin line between the two. Every element had to align: the curtain gap, the angle of the morning sun, the moment I chose to stop and look. Change any one of them, and the greeting vanishes.  Some things only reveal themselves when you look at what surrounds them. This was one of those mornings. | Koh Min Xiang]]></title>
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          <pubDate>Fri, 01 May 2026 01:12:05 GMT</pubDate>
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