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          <title><![CDATA[Khung cảnh hùng vĩ của Pháo đài Amer với những ngọn đồi xung quanh | mmizuki1817]]></title>
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          <pubDate>Thu, 26 Feb 2026 19:22:02 GMT</pubDate>
          <atom:updated>2026-02-26T19:22:02+09:00</atom:updated>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
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            <name>Ek Cheeze Dikhau</name>
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          <pubDate>Thu, 05 Mar 2026 03:14:04 GMT</pubDate>
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          <title><![CDATA[Captured at the Gomti Ghat beside the Dwarkadhish Temple in Dwarka, Gujarat, this photograph documents a quiet yet powerful moment of devotion during the early golden hour.  Amidst a crowded morning of ritual bathing, I focused on a woman from the Mer (Maher) community, whose traditional tattoos function as permanent jewellery, a cultural identity inscribed onto skin. Her gold-plated Vedhla earrings and red tie-dyed saree reflect a living heritage that continues to exist within contemporary India.  I intentionally chose a frame that conceals her face. The absence of identity shifts attention toward texture, tradition, light, and ritual rather than individuality. The golden sunlight interacting with wet skin and tribal markings transforms a simple act of prayer into a timeless visual narrative.  This work explores themes of cultural continuity, dignity, and the coexistence of tradition within modern spaces. | Ek Cheeze Dikhau]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Ek Cheeze Dikhau trên cizucu.]]></description>
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            <name>Ek Cheeze Dikhau</name>
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          <pubDate>Thu, 26 Feb 2026 18:25:42 GMT</pubDate>
          <atom:updated>2026-02-26T18:25:42+09:00</atom:updated>
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          <title><![CDATA[Juliet in the garden, December 2025 By Leonie Freeman  In December 2025 I travelled to Ibiza to photograph a project about the colourful native Ibizan lizard facing extinction due to invasive snakes coming to the island. This lizard is an ancient species and a much loved symbol of the island. In the last decade numbers are down 80%, since snake eggs have been finding their way to Ibiza hidden in the roots of imported olive trees from mainland Spain. The snakes have multiplied hugely in numbers and have been killing and eating the lizards, who have no defence against the snakes. People living on Ibiza are coming together to try and save the beloved lizard, by making snake traps and lizard sanctuaries where hopefully numbers can recover.  I was collaborating with Joanna Hruby, of Theatre of the Ancients, a puppet maker and performance artist. Joanna was putting on a Christmas play about the lizard and snake problem, at Can Cristofol farm. The play was a version of Shakespeare’s Room & Juliet, ‘Un Amor Impossible’…. Or ‘an impossible love’ between two species who can not co-exist on the island. With children dressed in amazing hand make costumes, the feuding families of the original Shakespeare play were instead lizards and snakes.   Juliet, played by Fallon, was Juliet and fell in love with Romeo, a snake. In this portrait we see Fallon as Juliet, photographed at sunset in the orange garden at Can Cristofol. She is gleaming in the golden hour sun and it feels like she is in the garden of Eden.   Shot on Mamiya 645 Pro camera with 45mm Mamiya Sekor lens. Using Kodak Gold 200 film.  | Leonie Freeman]]></title>
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          <description><![CDATA[Xem thêm những tác phẩm tuyệt vời của Leonie Freeman trên cizucu.]]></description>
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          <pubDate>Tue, 07 Apr 2026 23:00:45 GMT</pubDate>
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