การแข่งขันนิตยสารโปรเจกต์โปสเตอร์ภาพถ่าย
ช่างตัดเสื้อสูงวัยโชว์มือที่โต๊ะทำงานในร้านเงียบสงบ
ช่างตัดเสื้อสูงวัยโชว์มือที่โต๊ะทำงานในร้านเงียบสงบ
Arthur Liew

“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life.

อาทิตย์ 29 มี.ค. 2569・ สิงคโปร์
22 มีนาคม 2569

Arthur Liew

“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life.

22 มีนาคม 2569
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