ภาพถ่าย Vierge | ดาวน์โหลดรูปภาพปลอดค่าลิขสิทธิ์และความละเอียดสูง https://www.cizucu.com/th/explore/photos/vierge th 2026-04-10T05:08:05+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. th https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[Tall leafless trees emerge from a misty valley landscape shrouded in thick morning fog. | Matthieu]]> https://www.cizucu.com/th/photos/o3rL1Pw8U4SJ2qLPHc0F Matthieu https://www.cizucu.com/th/matthieu https://www.cizucu.com/th/photos/o3rL1Pw8U4SJ2qLPHc0F Mon, 09 Feb 2026 00:57:16 GMT 2026-02-09T00:57:16+09:00 https://cdn.cizucu.com/images/photos/o3rL1Pw8U4SJ2qLPHc0F.jpg?auto=compress,format <![CDATA[When I walked into the Time Square’s Starbucks, what caught my eyes was more than a decorum, it was almost like it was reminding or mocking me of something. It was then I captured this and it was pure cinema in a shot. This showed me how we are equally hanging by a thread; emptied, face down, and yet clinging to the last ounce of reassurance that we are not alone. That every other person walking into this coffee shop is facing the same verge of meeting rock bottom. Emptied once again; passing through the entrance to refill life back into themselves knowing well they are incessantly bound to this perfunctory drudgery. | Drishti Gowda]]> https://www.cizucu.com/th/photos/lePw6oiR2g3KSHPdN3nt Drishti Gowda https://www.cizucu.com/th/users/pz5fnme1yVgVSeHjB4YtCunhYCC3 https://www.cizucu.com/th/photos/lePw6oiR2g3KSHPdN3nt Mon, 16 Mar 2026 23:06:23 GMT 2026-03-16T23:06:23+09:00 https://cdn.cizucu.com/images/photos/lePw6oiR2g3KSHPdN3nt.jpg?auto=compress,format <![CDATA[This photograph captures the intensity of Theyyam, a ritual where devotion, fire, and performance merge into a powerful spiritual moment. Shot in the midst of flying sparks and flames, the image reflects the raw energy and trance like state of the performer. My challenge was to document the moment without interrupting the sacred atmosphere while working in extremely low light and unpredictable fire bursts. Through this frame, I wanted to preserve not just the visual spectacle but the living cultural heritage behind the ritual | Saikiran Kesari]]> https://www.cizucu.com/th/photos/V5JHBW1HDaXNSD8IsPHt Saikiran Kesari https://www.cizucu.com/th/users/7yxwA3chDThYdBy723P8VLpXbGP2 https://www.cizucu.com/th/photos/V5JHBW1HDaXNSD8IsPHt Sun, 15 Mar 2026 19:21:10 GMT 2026-03-15T19:21:10+09:00 https://cdn.cizucu.com/images/photos/V5JHBW1HDaXNSD8IsPHt.jpg?auto=compress,format <![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village. Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge. As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]> https://www.cizucu.com/th/photos/FGecy4iXa0FxyLmFPs1x Serene Teo https://www.cizucu.com/th/users/MS8bT7nahBOt8T9NcnwxpToVv9h1 https://www.cizucu.com/th/photos/FGecy4iXa0FxyLmFPs1x Sun, 15 Mar 2026 16:26:26 GMT 2026-03-15T16:26:26+09:00 https://cdn.cizucu.com/images/photos/FGecy4iXa0FxyLmFPs1x.jpg?auto=compress,format <![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village. Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge. As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]> https://www.cizucu.com/th/photos/4ZXYEpJisBKlm4YA82Qu Serene Teo https://www.cizucu.com/th/users/MS8bT7nahBOt8T9NcnwxpToVv9h1 https://www.cizucu.com/th/photos/4ZXYEpJisBKlm4YA82Qu Mon, 16 Mar 2026 23:54:50 GMT 2026-03-16T23:54:50+09:00 https://cdn.cizucu.com/images/photos/4ZXYEpJisBKlm4YA82Qu.jpg?auto=compress,format <![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival. In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]> https://www.cizucu.com/th/photos/cu3LZEeOyIJhneSTLWrR Lucho Dávila https://www.cizucu.com/th/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3 https://www.cizucu.com/th/photos/cu3LZEeOyIJhneSTLWrR Mon, 30 Mar 2026 21:51:53 GMT 2026-03-30T21:51:53+09:00 https://cdn.cizucu.com/images/photos/cu3LZEeOyIJhneSTLWrR.jpg?auto=compress,format