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          <title><![CDATA[เท้าของนักกีฬาเจudo ที่พันกันระหว่างการแข่งขัน | fuu111]]></title>
          <link>https://www.cizucu.com/th/photos/1GhrQFfqxxXMKZs13Jbx</link>
          <description><![CDATA[ดาวน์โหลดภาพถ่าย เท้าของนักกีฬาเจudo ที่พันกันระหว่างการแข่งขัน ที่ถ่ายโดย fuu111 ที่มีคุณภาพสูงและฟรีจาก cizucu]]></description>
          <author>
            <name>fuu111</name>
            <uri>https://www.cizucu.com/th/users/tgcIwdf6WbfjdpP9h2AxwM1eN9s1</uri>
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          <pubDate>Tue, 30 Apr 2024 15:03:54 GMT</pubDate>
          <atom:updated>2024-04-30T15:46:40+09:00</atom:updated>
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            <media:description><![CDATA[ดาวน์โหลดภาพถ่าย เท้าของนักกีฬาเจudo ที่พันกันระหว่างการแข่งขัน ที่ถ่ายโดย fuu111 ที่มีคุณภาพสูงและฟรีจาก cizucu]]></media:description>
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        <item>
          <title><![CDATA[welcome to my hometown Baandung, Udon Thani ,Thailand Most busy place in 2000 The Place Where I Start My First Journey with my mom | jobbie_mcr00]]></title>
          <link>https://www.cizucu.com/th/photos/owznHPcaVIJJwSMsMqOx</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก jobbie_mcr00 ใน cizucu]]></description>
          <author>
            <name>jobbie_mcr00</name>
            <uri>https://www.cizucu.com/th/users/JILDZwyElkWsOGeaWYXXbLzookF2</uri>
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          <pubDate>Sat, 11 Apr 2026 23:26:37 GMT</pubDate>
          <atom:updated>2026-04-11T23:26:37+09:00</atom:updated>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก jobbie_mcr00 ใน cizucu]]></media:description>
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        <item>
          <title><![CDATA[I wandered around the markets of Little India. During my walk, I chanced upon a scene of a man unloading a bag of supplies, a simple and fleeting moment that I chose to capture which goes unseen on an ordinary day | Iman Ismail]]></title>
          <link>https://www.cizucu.com/th/photos/qAiiOmYwMZ7iGzWIQanC</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Iman Ismail ใน cizucu]]></description>
          <author>
            <name>Iman Ismail</name>
            <uri>https://www.cizucu.com/th/users/xnGkZSihC2P8bDSI9o7hxnN3IyB3</uri>
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          <pubDate>Thu, 05 Mar 2026 09:42:49 GMT</pubDate>
          <atom:updated>2026-03-05T09:42:49+09:00</atom:updated>
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            <media:title><![CDATA[I wandered around the markets of Little India. During my walk, I chanced upon a scene of a man unloading a bag of supplies, a simple and fleeting moment that I chose to capture which goes unseen on an ordinary day | Iman Ismail]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/qAiiOmYwMZ7iGzWIQanC.jpg?fm=jpg" type="image/jpeg" width="4000" height="4000" />
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Iman Ismail ใน cizucu]]></media:description>
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        <item>
          <title><![CDATA[As I explored Taiwan, I stumbled upon a quiet moment where everyone gathered to watch the sun set.  The sky burned gold as the light softened the world into silhouettes.  The kind of light that makes strangers pause , and for me, snap.  I realised that day that some photographs simply aren’t planned.  You just happen to be there to enjoy the moment when the whole world turns into shadows and gold.  | katherine]]></title>
          <link>https://www.cizucu.com/th/photos/tHvwyDigfPeMjxFym1yk</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก katherine ใน cizucu]]></description>
          <author>
            <name>katherine</name>
            <uri>https://www.cizucu.com/th/users/v1guRGNcdDZYl0ZFCKVnyiYVO8u1</uri>
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          <pubDate>Fri, 06 Mar 2026 13:42:20 GMT</pubDate>
          <atom:updated>2026-03-06T13:42:20+09:00</atom:updated>
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            <media:title><![CDATA[As I explored Taiwan, I stumbled upon a quiet moment where everyone gathered to watch the sun set.  The sky burned gold as the light softened the world into silhouettes.  The kind of light that makes strangers pause , and for me, snap.  I realised that day that some photographs simply aren’t planned.  You just happen to be there to enjoy the moment when the whole world turns into shadows and gold.  | katherine]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/tHvwyDigfPeMjxFym1yk.jpg?fm=jpg" type="image/jpeg" width="4000" height="6000" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/tHvwyDigfPeMjxFym1yk.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/tHvwyDigfPeMjxFym1yk.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก katherine ใน cizucu]]></media:description>
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        <item>
          <title><![CDATA[once upon a time   すれ違う瞬間がよく映ってました。そして相手は絵の中の人物でした🙂street mural artがあれほど上手くできたのはほかにありますか？  また同じ場所にイキタイ  #lyon #moment #iphonegraphy | lylayaki]]></title>
          <link>https://www.cizucu.com/th/photos/fLgZ63Hgsq8RXqUJ8JNW</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก lylayaki ใน cizucu]]></description>
          <author>
            <name>lylayaki</name>
            <uri>https://www.cizucu.com/th/lylayaki</uri>
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          <pubDate>Sun, 18 Feb 2024 12:43:22 GMT</pubDate>
          <atom:updated>2025-03-27T23:49:49+09:00</atom:updated>
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            <media:title><![CDATA[once upon a time   すれ違う瞬間がよく映ってました。そして相手は絵の中の人物でした🙂street mural artがあれほど上手くできたのはほかにありますか？  また同じ場所にイキタイ  #lyon #moment #iphonegraphy | lylayaki]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/fLgZ63Hgsq8RXqUJ8JNW.jpg?fm=jpg" type="image/jpeg" width="2448" height="2448" />
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก lylayaki ใน cizucu]]></media:description>
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          <title><![CDATA[That day came, and I was in KL. Seedance Hackathon was postponed days earlier, but a friend made a connection. Evangel and I met in that moment, an impromptu collaboration.  So there we were, on a bare rooftop. Fireworks somewhere in the city, while Evangel danced with her own fire. Merdeka 118 towering behind her, and the full moon gazing upon me.  Sometimes the day we didn’t plan becomes the day we remember. | Arron Teo]]></title>
          <link>https://www.cizucu.com/th/photos/KfUv2On08VgoN0ckoKRU</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Arron Teo ใน cizucu]]></description>
          <author>
            <name>Arron Teo</name>
            <uri>https://www.cizucu.com/th/users/Hnf9fhclZjeywWM41UAlecjJIXt2</uri>
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          <pubDate>Mon, 09 Mar 2026 10:21:02 GMT</pubDate>
          <atom:updated>2026-03-09T10:21:02+09:00</atom:updated>
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            <media:title><![CDATA[That day came, and I was in KL. Seedance Hackathon was postponed days earlier, but a friend made a connection. Evangel and I met in that moment, an impromptu collaboration.  So there we were, on a bare rooftop. Fireworks somewhere in the city, while Evangel danced with her own fire. Merdeka 118 towering behind her, and the full moon gazing upon me.  Sometimes the day we didn’t plan becomes the day we remember. | Arron Teo]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Arron Teo ใน cizucu]]></media:description>
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        <item>
          <title><![CDATA[This photograph is part of a series titled "Mothers in Tangent". I was fortunate to chance upon this female Long-tailed Macaque cradling her infant at the summit of Bukit Timah Hill, the highest natural point in Singapore. Coincidentally, a human mother is captured in the background tending to her daughter's hair—a fleeting moment where she mirrors the macaque, highlighting the universality of parental instincts. These two worlds exist in tangent, both nurturing their offspring as they reach the peak. | Brennan Chin (Visual Moments)]]></title>
          <link>https://www.cizucu.com/th/photos/TNon9gQsrRUcEDkkbmvm</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Brennan Chin (Visual Moments) ใน cizucu]]></description>
          <author>
            <name>Brennan Chin (Visual Moments)</name>
            <uri>https://www.cizucu.com/th/users/4z7hnzu4eLWVA8srEIi98U62JHT2</uri>
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          <pubDate>Wed, 14 Jan 2026 03:41:32 GMT</pubDate>
          <atom:updated>2026-01-14T03:41:32+09:00</atom:updated>
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            <media:title><![CDATA[This photograph is part of a series titled "Mothers in Tangent". I was fortunate to chance upon this female Long-tailed Macaque cradling her infant at the summit of Bukit Timah Hill, the highest natural point in Singapore. Coincidentally, a human mother is captured in the background tending to her daughter's hair—a fleeting moment where she mirrors the macaque, highlighting the universality of parental instincts. These two worlds exist in tangent, both nurturing their offspring as they reach the peak. | Brennan Chin (Visual Moments)]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/TNon9gQsrRUcEDkkbmvm.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Brennan Chin (Visual Moments) ใน cizucu]]></media:description>
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        <item>
          <title><![CDATA[Like the train arriving and departing upon schedule, so too do the cherry blossoms appear before quickly fading from view. I believe this photo captures the feeling of fleeting moments. 電車が定刻通りに来ては発車するように桜も同じ来ては過ぎ去ってしまう。この写真は、移ろいゆく一瞬を映していると思う。 | tran.john.photo]]></title>
          <link>https://www.cizucu.com/th/photos/jNIGidiOKNV5ofnc7y6e</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก tran.john.photo ใน cizucu]]></description>
          <author>
            <name>tran.john.photo</name>
            <uri>https://www.cizucu.com/th/users/GtVMmA9aWoh3D1O5OWlxCG2iQjD3</uri>
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          <pubDate>Mon, 13 Apr 2026 22:00:59 GMT</pubDate>
          <atom:updated>2026-04-13T22:00:59+09:00</atom:updated>
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            <media:title><![CDATA[Like the train arriving and departing upon schedule, so too do the cherry blossoms appear before quickly fading from view. I believe this photo captures the feeling of fleeting moments. 電車が定刻通りに来ては発車するように桜も同じ来ては過ぎ去ってしまう。この写真は、移ろいゆく一瞬を映していると思う。 | tran.john.photo]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/jNIGidiOKNV5ofnc7y6e.jpg?fm=jpg" type="image/jpeg" width="2557" height="3616" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/jNIGidiOKNV5ofnc7y6e.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/jNIGidiOKNV5ofnc7y6e.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก tran.john.photo ใน cizucu]]></media:description>
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          <title><![CDATA[Hi, this is a portrait of a middle-aged man that I took back in 2020. I was on a solo trip to India to experience the Holi festival. It was an eye-opening experience for me, and I am honoured to have experienced this festival first-hand.  After the main celebration at Shri Dwarkadhish Temple, where devotees threw coloured powder at one another, I took to the streets just outside the temple, where the party continued, with people dancing and singing. Among the many portraits I took that day, I chanced upon this man and signalled to ask if it was okay for me to snap a quick portrait of him—and thus, this image was created. | Amsyar Ashaary]]></title>
          <link>https://www.cizucu.com/th/photos/1Kl9GX36axe5C6q3oIK8</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Amsyar Ashaary ใน cizucu]]></description>
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            <name>Amsyar Ashaary</name>
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          <pubDate>Sun, 22 Mar 2026 21:53:43 GMT</pubDate>
          <atom:updated>2026-03-22T21:53:43+09:00</atom:updated>
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            <media:title><![CDATA[Hi, this is a portrait of a middle-aged man that I took back in 2020. I was on a solo trip to India to experience the Holi festival. It was an eye-opening experience for me, and I am honoured to have experienced this festival first-hand.  After the main celebration at Shri Dwarkadhish Temple, where devotees threw coloured powder at one another, I took to the streets just outside the temple, where the party continued, with people dancing and singing. Among the many portraits I took that day, I chanced upon this man and signalled to ask if it was okay for me to snap a quick portrait of him—and thus, this image was created. | Amsyar Ashaary]]></media:title>
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          <title><![CDATA[Hi, this is a portrait of a father and son that I took back in 2020. I was on a solo trip to India to experience the Holi festival. It was an eye-opening experience for me, and I am honoured to have experienced this festival first-hand.  After the main celebration at Shri Dwarkadhish Temple, where devotees threw coloured powder at one another, I took to the streets just outside the temple, where the party continued, with people dancing and singing. Among the many portraits I took that day, I chanced upon this father and son and signalled to ask if it was okay for me to snap a quick portrait of them—and thus, this image was created. | Amsyar Ashaary]]></title>
          <link>https://www.cizucu.com/th/photos/0dwoPbHAGQlxMTLop6kw</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Amsyar Ashaary ใน cizucu]]></description>
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            <name>Amsyar Ashaary</name>
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          <pubDate>Sun, 22 Mar 2026 23:15:29 GMT</pubDate>
          <atom:updated>2026-03-22T23:15:29+09:00</atom:updated>
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            <media:title><![CDATA[Hi, this is a portrait of a father and son that I took back in 2020. I was on a solo trip to India to experience the Holi festival. It was an eye-opening experience for me, and I am honoured to have experienced this festival first-hand.  After the main celebration at Shri Dwarkadhish Temple, where devotees threw coloured powder at one another, I took to the streets just outside the temple, where the party continued, with people dancing and singing. Among the many portraits I took that day, I chanced upon this father and son and signalled to ask if it was okay for me to snap a quick portrait of them—and thus, this image was created. | Amsyar Ashaary]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Amsyar Ashaary ใน cizucu]]></media:description>
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          <title><![CDATA[Mount Fuji Viewing Spot, Kawaguchi Asama Shrine 河口湖靜謐一隅 遙拜所注視著遠方的富士山 晨霧像是大地為富士河口湖町蓋的薄被 隨著陽光斜照了進來 讓一切漸漸清晰 一早無人的遙拜所 獨享了這粉色黎明完整的生命週期  A quiet corner of Kawaguchiko, A distant worship place gazes upon Mt. Fuji. Morning mist, like a gentle quilt laid over the land, Softly illuminated by the slanting sunlight, Slowly revealing everything with clarity. In the early hour, an empty worship site, Where I alone witness the full life cycle of this pink dawn. | Lawrence Liou]]></title>
          <link>https://www.cizucu.com/th/photos/dLwRdM8lYffqBzY9p6Of</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Lawrence Liou ใน cizucu]]></description>
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            <name>Lawrence Liou</name>
            <uri>https://www.cizucu.com/th/momoliou</uri>
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          <pubDate>Wed, 07 Jan 2026 15:13:37 GMT</pubDate>
          <atom:updated>2026-01-07T15:13:37+09:00</atom:updated>
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            <media:title><![CDATA[Mount Fuji Viewing Spot, Kawaguchi Asama Shrine 河口湖靜謐一隅 遙拜所注視著遠方的富士山 晨霧像是大地為富士河口湖町蓋的薄被 隨著陽光斜照了進來 讓一切漸漸清晰 一早無人的遙拜所 獨享了這粉色黎明完整的生命週期  A quiet corner of Kawaguchiko, A distant worship place gazes upon Mt. Fuji. Morning mist, like a gentle quilt laid over the land, Softly illuminated by the slanting sunlight, Slowly revealing everything with clarity. In the early hour, an empty worship site, Where I alone witness the full life cycle of this pink dawn. | Lawrence Liou]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Lawrence Liou ใน cizucu]]></media:description>
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          <title><![CDATA[Amidst the transience of Tokyo, where glass and steel are but fleeting shadows, only the clarity of the spirit remains. Upon the raw skin of concrete, the geisha’s presence lingers like an eternal whisper. Even as the city fades, light and tradition stand as the only immutable architecture of our souls. ガラスと鉄の影が移ろう東京の無常の中で、ただ精神の光だけがそこに留まります。コンクリートの肌に浮かぶ芸者の面影は、永遠の囁きのようです。都市が消え去っても、光と伝統こそが私たちの魂に刻まれた唯一の不変の建築なのです。 | Corinne Vallienne]]></title>
          <link>https://www.cizucu.com/th/photos/npfZSamp3sezVDiZMAJb</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Corinne Vallienne ใน cizucu]]></description>
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            <name>Corinne Vallienne</name>
            <uri>https://www.cizucu.com/th/japantokyodaybyday</uri>
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          <pubDate>Mon, 09 Mar 2026 11:10:42 GMT</pubDate>
          <atom:updated>2026-03-09T11:10:42+09:00</atom:updated>
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            <media:title><![CDATA[Amidst the transience of Tokyo, where glass and steel are but fleeting shadows, only the clarity of the spirit remains. Upon the raw skin of concrete, the geisha’s presence lingers like an eternal whisper. Even as the city fades, light and tradition stand as the only immutable architecture of our souls. ガラスと鉄の影が移ろう東京の無常の中で、ただ精神の光だけがそこに留まります。コンクリートの肌に浮かぶ芸者の面影は、永遠の囁きのようです。都市が消え去っても、光と伝統こそが私たちの魂に刻まれた唯一の不変の建築なのです。 | Corinne Vallienne]]></media:title>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></title>
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            <uri>https://www.cizucu.com/th/users/wLkRPPkJVNhxaYlznXVZoat6s4h1</uri>
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          <pubDate>Sun, 18 Jan 2026 15:17:34 GMT</pubDate>
          <atom:updated>2026-01-18T15:17:34+09:00</atom:updated>
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            <media:title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></media:title>
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