ภาพถ่าย Trazas | ดาวน์โหลดรูปภาพปลอดค่าลิขสิทธิ์และความละเอียดสูง https://www.cizucu.com/th/explore/photos/trazas th 2026-04-23T16:05:07+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. th https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[トラヤヌス帝記念柱 #トラヤヌス帝記念注　#ローマ　 #イタリア　#世界遺産 | AO]]> https://www.cizucu.com/th/photos/zHsdyCXun1nuuFWveOl8 AO https://www.cizucu.com/th/ao_8823 https://www.cizucu.com/th/photos/zHsdyCXun1nuuFWveOl8 Mon, 25 Mar 2024 23:07:14 GMT 2024-11-20T13:19:18+09:00 https://cdn.cizucu.com/images/photos/zHsdyCXun1nuuFWveOl8.jpg?auto=compress,format <![CDATA[温井ダムの蛍× Star Trails #温井ダム　#蛍　#星空 | decomp3104]]> https://www.cizucu.com/th/photos/VV7HRSdannabS7nCxvcT decomp3104 https://www.cizucu.com/th/users/lkDmAViQFXdT22UdWx6zk9WOUqt1 https://www.cizucu.com/th/photos/VV7HRSdannabS7nCxvcT Tue, 18 Jun 2024 19:03:03 GMT 2024-06-18T19:43:37+09:00 https://cdn.cizucu.com/images/photos/VV7HRSdannabS7nCxvcT.jpg?auto=compress,format <![CDATA[ป้ายขนาดใหญ่เขียนว่า I love TRAKAI พร้อมดอกไม้หลากสีในเบื้องหน้า | AK]]> https://www.cizucu.com/th/photos/DoUKPtF5ue9enQCR3v3e AK https://www.cizucu.com/th/users/F0ImG3uAaddemCf1ioJCU2bWGMA2 https://www.cizucu.com/th/photos/DoUKPtF5ue9enQCR3v3e Sat, 17 Feb 2024 12:42:21 GMT 2024-11-23T01:15:46+09:00 https://cdn.cizucu.com/images/photos/DoUKPtF5ue9enQCR3v3e.jpg?auto=compress,format <![CDATA[An exploration of the subtle dramas woven into everyday life, a meditation on duality. | Eagan Hsu]]> https://www.cizucu.com/th/photos/cmaNKkZmpIr6GYvsXMKF Eagan Hsu https://www.cizucu.com/th/users/triZumOk0fUiPQYB0YiWLtwVSge2 https://www.cizucu.com/th/photos/cmaNKkZmpIr6GYvsXMKF Fri, 06 Mar 2026 10:42:17 GMT 2026-03-06T10:42:17+09:00 https://cdn.cizucu.com/images/photos/cmaNKkZmpIr6GYvsXMKF.jpg?auto=compress,format <![CDATA[Title: Fragments of a Memory Description: Fragments of a Memory explores how memories gradually lose their clarity over time, yet continue to leave behind vivid traces in our minds. The blurred light trails reflect the way past moments are remembered — not as sharp, fixed images, but as shifting impressions shaped by emotion and the passage of time. Short Version: A visual interpretation of how memories fade and fragment over time, while remaining emotionally vivid. | efebeydersiniz]]> https://www.cizucu.com/th/photos/t5EKWiV3l1RaxQZmQv0z efebeydersiniz https://www.cizucu.com/th/users/3cQhMeIly9XN4SFWBjT1y3Adio03 https://www.cizucu.com/th/photos/t5EKWiV3l1RaxQZmQv0z Tue, 24 Mar 2026 09:47:38 GMT 2026-03-24T09:47:38+09:00 https://cdn.cizucu.com/images/photos/t5EKWiV3l1RaxQZmQv0z.jpg?auto=compress,format <![CDATA[Taken during a sunset in Sri Lanka, this image blends the fading light with handwritten traces from that moment, an attempt to hold onto something fleeting, where place and memory quietly overlap. | tiffany]]> https://www.cizucu.com/th/photos/yBGtHfObRxatszZkUjsq tiffany https://www.cizucu.com/th/users/0qDKYnh46fXYfjY4eqI0bqBk3Tw2 https://www.cizucu.com/th/photos/yBGtHfObRxatszZkUjsq Sat, 04 Apr 2026 03:47:32 GMT 2026-04-04T03:47:32+09:00 https://cdn.cizucu.com/images/photos/yBGtHfObRxatszZkUjsq.jpg?auto=compress,format <![CDATA[St Paul’s at night in motion This is my take on the classic shot of St Paul’s Cathedral framed with the black phone box taken at night with a London bus passing through the frame , creating beautiful light trails | Alan Worley]]> https://www.cizucu.com/th/photos/n2JCTaxl3mlg0KRLL0AI Alan Worley https://www.cizucu.com/th/users/WEen2nFPpRWWIK1mVFn2BJygXWE3 https://www.cizucu.com/th/photos/n2JCTaxl3mlg0KRLL0AI Sat, 04 Apr 2026 21:33:04 GMT 2026-04-04T21:33:04+09:00 https://cdn.cizucu.com/images/photos/n2JCTaxl3mlg0KRLL0AI.jpg?auto=compress,format <![CDATA[Walking through Kiyomizu-dera found the Yazaka Pagoda famous for its beautiful architecture and rich history. With the amount of traffic still present during nighttime, this work brings the energy of the moment with a historical structure as its background. The warm lights complimenting the colder hues brings contrast in color and highlights the subject in the work. In addition, the low exposure adds motion trails to indicate the movement of all the people present in the area. | d5hashin]]> https://www.cizucu.com/th/photos/2Z7XvygSMEmq6jK1Vhnr d5hashin https://www.cizucu.com/th/users/mXGQYkNLwcX3fKfEdgCFes4O1XP2 https://www.cizucu.com/th/photos/2Z7XvygSMEmq6jK1Vhnr Thu, 16 Apr 2026 16:09:11 GMT 2026-04-16T16:09:17+09:00 https://cdn.cizucu.com/images/photos/2Z7XvygSMEmq6jK1Vhnr.jpg?auto=compress,format <![CDATA[Lisbon, Portugal (July 2025) - First stop of my (almost) solo Portugal-Spain trip. I decided that for this trip, I will play with film simulations using Veres Deni Alex' recipes for Sony to maximise the European summer sun. I took this photo while waiting for my tram back to the city centre. I remember it was scorching hot, but I liked how the sun shone on the store and the facilities around it and how it still represents Lisbon, trams aside. | _jotriessomething]]> https://www.cizucu.com/th/photos/WzdwId8Hycik6J0VwAQS _jotriessomething https://www.cizucu.com/th/users/jYwyL9fsZrR3ajHx1TLep1bCn4n2 https://www.cizucu.com/th/photos/WzdwId8Hycik6J0VwAQS Sat, 21 Mar 2026 16:36:00 GMT 2026-03-21T16:36:00+09:00 https://cdn.cizucu.com/images/photos/WzdwId8Hycik6J0VwAQS.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/th/photos/cLMlwd2zuriHaAa7UIXB Arthur Liew https://www.cizucu.com/th/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/th/photos/cLMlwd2zuriHaAa7UIXB Sun, 22 Mar 2026 16:38:29 GMT 2026-03-22T16:38:29+09:00 https://cdn.cizucu.com/images/photos/cLMlwd2zuriHaAa7UIXB.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/th/photos/aCRdHvBtI6EE9pHD6Jud Arthur Liew https://www.cizucu.com/th/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/th/photos/aCRdHvBtI6EE9pHD6Jud Sun, 22 Mar 2026 16:32:12 GMT 2026-03-22T16:32:12+09:00 https://cdn.cizucu.com/images/photos/aCRdHvBtI6EE9pHD6Jud.jpg?auto=compress,format <![CDATA[“Not all heroes wear capes, some make them” is a photographic project centered on the tailors of Singapore. In a rapidly modernising city, tailoring has quietly become a fading craft, often overlooked and undervalued. Through this series, I hope to draw attention back to these artisans who have spent decades honing their skill. The visual approach focuses on raw, intimate details—the worn textures of an ageing tailoring shop, the quiet stillness of the space, and the lines etched on her face. These elements are not signs of decline, but of experience, resilience, and mastery. Every crease and surface tells a story of time, patience, and dedication to a craft that once held greater prominence. As society shifts toward technology and more “advanced” professions, traditional trades like tailoring risk being forgotten. This project is an attempt to pause, observe, and appreciate the hands that continue to create, repair, and sustain. In doing so, it serves as both a tribute and a gentle call to notice those whose work, though often unseen, has long shaped the fabric of everyday life. | Arthur Liew]]> https://www.cizucu.com/th/photos/RDduCIQ1jlKWBqn7gdBH Arthur Liew https://www.cizucu.com/th/users/eWLvNjGOEkM63yNJ2l0uLCpbVrk2 https://www.cizucu.com/th/photos/RDduCIQ1jlKWBqn7gdBH Sun, 22 Mar 2026 16:29:33 GMT 2026-03-22T16:29:33+09:00 https://cdn.cizucu.com/images/photos/RDduCIQ1jlKWBqn7gdBH.jpg?auto=compress,format <![CDATA[Juliet in the garden, December 2025 By Leonie Freeman In December 2025 I travelled to Ibiza to photograph a project about the colourful native Ibizan lizard facing extinction due to invasive snakes coming to the island. This lizard is an ancient species and a much loved symbol of the island. In the last decade numbers are down 80%, since snake eggs have been finding their way to Ibiza hidden in the roots of imported olive trees from mainland Spain. The snakes have multiplied hugely in numbers and have been killing and eating the lizards, who have no defence against the snakes. People living on Ibiza are coming together to try and save the beloved lizard, by making snake traps and lizard sanctuaries where hopefully numbers can recover. I was collaborating with Joanna Hruby, of Theatre of the Ancients, a puppet maker and performance artist. Joanna was putting on a Christmas play about the lizard and snake problem, at Can Cristofol farm. The play was a version of Shakespeare’s Room & Juliet, ‘Un Amor Impossible’…. Or ‘an impossible love’ between two species who can not co-exist on the island. With children dressed in amazing hand make costumes, the feuding families of the original Shakespeare play were instead lizards and snakes. Juliet, played by Fallon, was Juliet and fell in love with Romeo, a snake. In this portrait we see Fallon as Juliet, photographed at sunset in the orange garden at Can Cristofol. She is gleaming in the golden hour sun and it feels like she is in the garden of Eden. Shot on Mamiya 645 Pro camera with 45mm Mamiya Sekor lens. Using Kodak Gold 200 film. | Leonie Freeman]]> https://www.cizucu.com/th/photos/LcfITjpuir5fca1v6H39 Leonie Freeman https://www.cizucu.com/th/users/Z3nyxOavExSZa5rmcDPnnZRo9P03 https://www.cizucu.com/th/photos/LcfITjpuir5fca1v6H39 Tue, 07 Apr 2026 23:00:45 GMT 2026-04-07T23:00:52+09:00 https://cdn.cizucu.com/images/photos/LcfITjpuir5fca1v6H39.jpg?auto=compress,format <![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five. They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day. We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself. This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]> https://www.cizucu.com/th/photos/1IuVoF2K24vT83YiYK40 熊寶 https://www.cizucu.com/th/users/zdddXarNsJdBtAS3ArljH0VHCDA2 https://www.cizucu.com/th/photos/1IuVoF2K24vT83YiYK40 Tue, 14 Apr 2026 12:44:16 GMT 2026-04-14T12:44:16+09:00 https://cdn.cizucu.com/images/photos/1IuVoF2K24vT83YiYK40.jpg?auto=compress,format