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          <pubDate>Fri, 06 Jun 2025 14:59:37 GMT</pubDate>
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          <title><![CDATA[Sunrise At Balcón de Europa Nerja, Spain  RICOH GR3X | jelly white]]></title>
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          <pubDate>Tue, 03 Mar 2026 13:21:30 GMT</pubDate>
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          <title><![CDATA[Trial in London Hyde Park | Rachel Wu]]></title>
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          <pubDate>Tue, 10 Mar 2026 18:42:52 GMT</pubDate>
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          <pubDate>Mon, 09 Feb 2026 01:05:44 GMT</pubDate>
          <atom:updated>2026-02-09T01:05:44+09:00</atom:updated>
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          <title><![CDATA[Dramatic aerial view of thick cloud layers with a towering cumulonimbus cloud rising into a dark, stormy sky. | Matthieu]]></title>
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          <pubDate>Mon, 09 Feb 2026 01:00:56 GMT</pubDate>
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          <title><![CDATA[Emerging softly through a veil of greenery, the Taj Mahal stands as a serene anchor in a changing world. A monument of the past among medernity, there is a profound equilibrium here - where the rigid stillness of Mughal architecture has life breathed into it by the rhythmic comings and goings of the collective soul. A landscape caught between the eternal and the ephemeral; a study of impact found in silence. | aman.photos_]]></title>
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          <pubDate>Sat, 03 Jan 2026 18:05:01 GMT</pubDate>
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          <title><![CDATA[Amidst the transience of Tokyo, where glass and steel are but fleeting shadows, only the clarity of the spirit remains. Upon the raw skin of concrete, the geisha’s presence lingers like an eternal whisper. Even as the city fades, light and tradition stand as the only immutable architecture of our souls. ガラスと鉄の影が移ろう東京の無常の中で、ただ精神の光だけがそこに留まります。コンクリートの肌に浮かぶ芸者の面影は、永遠の囁きのようです。都市が消え去っても、光と伝統こそが私たちの魂に刻まれた唯一の不変の建築なのです。 | Corinne Vallienne]]></title>
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          <pubDate>Mon, 09 Mar 2026 11:10:42 GMT</pubDate>
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            <media:title><![CDATA[Amidst the transience of Tokyo, where glass and steel are but fleeting shadows, only the clarity of the spirit remains. Upon the raw skin of concrete, the geisha’s presence lingers like an eternal whisper. Even as the city fades, light and tradition stand as the only immutable architecture of our souls. ガラスと鉄の影が移ろう東京の無常の中で、ただ精神の光だけがそこに留まります。コンクリートの肌に浮かぶ芸者の面影は、永遠の囁きのようです。都市が消え去っても、光と伝統こそが私たちの魂に刻まれた唯一の不変の建築なのです。 | Corinne Vallienne]]></media:title>
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          <title><![CDATA[The Lost Romance and Dances was born from a dream and a place, the Seven Sisters Cliff. I had imagined it for a very long time, and when I finally stood there, the experience felt otherworldly. The sunset unveiled colors I had never seen before, painting the horizon in tones so magical that time itself seemed to pause. As evening dissolved into night, the cliffs transformed. What was once radiant with color became stark, monochrome, almost like the aftertaste of a love once held and suddenly taken away. This place felt alive with memory, a witness to joy, heartbreak, and longing through countless lives that had passed across its edge.  At its heart, The Lost Romance and Dances is a meditation on memory and return. The work drifts like a forgotten tide, carrying back fragments of love, loss, and longing. It is dedicated to those who have loved deeply and lost, who return not to reclaim but to rediscover. Within its imagery rests a fragile devotion, a romance both fleeting and eternal, kept alive in the quiet dance ofmemories returning. | INKAN]]></title>
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            <name>INKAN</name>
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          <pubDate>Sat, 14 Mar 2026 02:33:47 GMT</pubDate>
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            <media:title><![CDATA[The Lost Romance and Dances was born from a dream and a place, the Seven Sisters Cliff. I had imagined it for a very long time, and when I finally stood there, the experience felt otherworldly. The sunset unveiled colors I had never seen before, painting the horizon in tones so magical that time itself seemed to pause. As evening dissolved into night, the cliffs transformed. What was once radiant with color became stark, monochrome, almost like the aftertaste of a love once held and suddenly taken away. This place felt alive with memory, a witness to joy, heartbreak, and longing through countless lives that had passed across its edge.  At its heart, The Lost Romance and Dances is a meditation on memory and return. The work drifts like a forgotten tide, carrying back fragments of love, loss, and longing. It is dedicated to those who have loved deeply and lost, who return not to reclaim but to rediscover. Within its imagery rests a fragile devotion, a romance both fleeting and eternal, kept alive in the quiet dance ofmemories returning. | INKAN]]></media:title>
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          <title><![CDATA[Feral Grace II: Bound, Yet Willing to Fly  Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series.  At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted.  The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum.  Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it.  《野性優雅 II：向前飛行的束縛》  《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。  在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。  畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。  真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]></title>
          <link>https://www.cizucu.com/th/photos/4YB1R7rZka3WwEA2UxGN</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก W Mick ใน cizucu]]></description>
          <author>
            <name>W Mick</name>
            <uri>https://www.cizucu.com/th/mick116</uri>
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          <pubDate>Sun, 21 Dec 2025 01:52:37 GMT</pubDate>
          <atom:updated>2025-12-21T01:52:37+09:00</atom:updated>
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            <media:title><![CDATA[Feral Grace II: Bound, Yet Willing to Fly  Feral Grace is a photographic series created in 2025, consisting of six works. This image is the second piece in the series.  At the beginning of this project, I believed freedom meant the absence of restraint—an escape from all forms of binding. However, through the process of creating this work, my understanding of freedom shifted.  The body in the image is tethered by ropes, suggesting entanglement with reality, emotion, or fate. Birds circle the sky above, embodying instinct, desire, and untamed movement. A red glow pulses beneath the figure, symbolizing an inner force—caught between suppression and momentum.  Freedom, I came to realize, is not defined by being unbound, but by the willingness to move forward despite restraint. It is a quiet yet resolute form of wildness—an elegance born not outside of limitation, but within it.  《野性優雅 II：向前飛行的束縛》  《野性優雅》是一個於 2025 年創作的攝影系列，共六件作品。本作為系列中的第二部。  在創作之初，我曾以為自由意味著不被任何事物所束縛——是一種逃離、是一種完全的鬆綁。然而在完成這件作品後，我逐漸意識到，自由並非束縛的缺席，而是一種選擇。  畫面中的身體被繩索牽引，彷彿被現實、情感或命運所纏繞；飛鳥在空中盤旋，象徵著渴望、直覺與野性。紅色的光源如同內在的脈動，在壓抑與前行之間閃爍。  真正的自由，或許不是掙脫所有限制，而是在被束縛的狀態中，仍然願意向前、仍然選擇飛行。 那是一種溫柔卻堅定的野性，一種在現實之中誕生的優雅。 | W Mick]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก W Mick ใน cizucu]]></media:description>
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