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          <title><![CDATA[Tenjin,Fukuoka,Japan | masaya]]></title>
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          <title><![CDATA[Light Bending 📷 Olympus Pen EED 🌟🌀Lens Filter 🎞 800T 📅 Dec 2025 📍 Tokyo, Japan #Halfframe #FilmPhotography #35mmFilm | JuskoLiy]]></title>
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          <title><![CDATA[Darkness, forcing truth, revealing hidden strength or ending illusions. | Anamika]]></title>
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          <title><![CDATA[A rainy day in Tenjin   #urban #rain #snap #福岡 | Yuki]]></title>
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          <title><![CDATA[vending machines  #vendingmachines #winter #snow #night #自動販売機 #冬 #夜 #shotoniphone #iphone  | daphoto]]></title>
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          <title><![CDATA[Initially, when I took this photo, I only noticed the vending machine right across the road while I was at the bus stop waiting for my bus. It felt like such a rare sight in Singapore to see a vending machine standing in the middle of nowhere, tucked under some of the new HDB flats.  While editing the photo later, I realised there was also a gentleman standing there holding his doggo, which gave this photo a cute and unexpected touch. | Miki]]></title>
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          <pubDate>Tue, 17 Feb 2026 20:01:28 GMT</pubDate>
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          <title><![CDATA[A fisheye perspective transforms the iconic Supertree Grove into a glowing cosmic canopy, bending the OCBC Skyway into an arc that frames the entire expanse.  Singapore rarely gets clear, starry night skies but in this moment, the illuminated Supertrees become our constellations. Their pink and violet lights scatter across the darkness like stars, transforming the urban canopy into a galaxy of our own. | kevouthere]]></title>
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          <pubDate>Wed, 18 Feb 2026 20:05:35 GMT</pubDate>
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          <title><![CDATA[This photograph is part of a series titled "Mothers in Tangent". I was fortunate to chance upon this female Long-tailed Macaque cradling her infant at the summit of Bukit Timah Hill, the highest natural point in Singapore. Coincidentally, a human mother is captured in the background tending to her daughter's hair—a fleeting moment where she mirrors the macaque, highlighting the universality of parental instincts. These two worlds exist in tangent, both nurturing their offspring as they reach the peak. | Brennan Chin (Visual Moments)]]></title>
          <link>https://www.cizucu.com/th/photos/TNon9gQsrRUcEDkkbmvm</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Brennan Chin (Visual Moments) ใน cizucu]]></description>
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            <name>Brennan Chin (Visual Moments)</name>
            <uri>https://www.cizucu.com/th/users/4z7hnzu4eLWVA8srEIi98U62JHT2</uri>
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          <pubDate>Wed, 14 Jan 2026 03:41:32 GMT</pubDate>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Brennan Chin (Visual Moments) ใน cizucu]]></media:description>
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          <title><![CDATA["In Darkness, We Find Light" Humanity has come so far to produce light and manipulate it that goes beyond its primary purpose which is to illuminate.  Now we use light to inspire and tell stories in the dark. Science and ingenuity is a powerful driving force of our current technology.  "Light Bending and Manipulation" with lens filters on multiple exposures capturing different artificial light sources. | JuskoLiy]]></title>
          <link>https://www.cizucu.com/th/photos/y4dUsQS7SWFJtsiebLQ6</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก JuskoLiy ใน cizucu]]></description>
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            <name>JuskoLiy</name>
            <uri>https://www.cizucu.com/th/juskoliy</uri>
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          <pubDate>Sat, 21 Mar 2026 09:11:14 GMT</pubDate>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก JuskoLiy ใน cizucu]]></media:description>
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          <title><![CDATA[Some people feel that black and white photos look like memorial photos,  But to me, it’s not about death it feels more like a trace that's left behind  When color is taken away, we focus more on the expression, emotion, and the details we usually miss.  Black and white doesn’t create distance, it actually brings us closer to the subject.  So this image is not about an ending, it's about a more honest way of seeing.  and also i took this photo is her birthday present | Vanness Choon]]></title>
          <link>https://www.cizucu.com/th/photos/4qSsAEGav42A4r1AUng8</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Vanness Choon ใน cizucu]]></description>
          <author>
            <name>Vanness Choon</name>
            <uri>https://www.cizucu.com/th/users/MId4f4RKdtcmg9JLGphmluDRwKv2</uri>
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          <pubDate>Tue, 07 Apr 2026 19:26:51 GMT</pubDate>
          <atom:updated>2026-04-07T19:26:51+09:00</atom:updated>
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            <media:title><![CDATA[Some people feel that black and white photos look like memorial photos,  But to me, it’s not about death it feels more like a trace that's left behind  When color is taken away, we focus more on the expression, emotion, and the details we usually miss.  Black and white doesn’t create distance, it actually brings us closer to the subject.  So this image is not about an ending, it's about a more honest way of seeing.  and also i took this photo is her birthday present | Vanness Choon]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Vanness Choon ใน cizucu]]></media:description>
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          <title><![CDATA[I love movies more than I love photography, so when I'm taking photos I gravitate towards scenes I've recently watched on screen that have stuck with me. In a way it makes me feel like I am creating my own little movie frame starting from a memory of a scene, with the two ending up intertwining and forming a new "false" memory.  Looking at the stern composition and subject of this image, not to mention that it's in black and white, I am fairly certain I was watching a lot of Fellini and Antonioni's classics at the time I took this image. My own false memory of Mastroianni walking the streets of Bank. London, 2025. | Franco Volpi]]></title>
          <link>https://www.cizucu.com/th/photos/AT0547TetpyjwEl35ryF</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Franco Volpi ใน cizucu]]></description>
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            <name>Franco Volpi</name>
            <uri>https://www.cizucu.com/th/users/koYtNqNSKaZsk6JSlEAEA3jrODf2</uri>
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          <pubDate>Tue, 31 Mar 2026 02:52:38 GMT</pubDate>
          <atom:updated>2026-03-31T02:52:38+09:00</atom:updated>
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            <media:title><![CDATA[I love movies more than I love photography, so when I'm taking photos I gravitate towards scenes I've recently watched on screen that have stuck with me. In a way it makes me feel like I am creating my own little movie frame starting from a memory of a scene, with the two ending up intertwining and forming a new "false" memory.  Looking at the stern composition and subject of this image, not to mention that it's in black and white, I am fairly certain I was watching a lot of Fellini and Antonioni's classics at the time I took this image. My own false memory of Mastroianni walking the streets of Bank. London, 2025. | Franco Volpi]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Franco Volpi ใน cizucu]]></media:description>
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