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          <title><![CDATA[ป้ายของ La Petite Cabane à Sucre ในควิเบกที่มีการออกแบบสีสันสดใส | fyonetsu]]></title>
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          <title><![CDATA[You're sure to find your favorite alley here.  Onomichi Hiroshima | morissy]]></title>
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          <title><![CDATA[Whether the flower or the seed comes first, I'm sure your smile will come first  #yellow  #flower  #iPhone  | daphoto]]></title>
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          <title><![CDATA[This was one of my very first works, back when I’d just stepped out into the world as an assistant photographer. It means a lot to me, especially now, because this marks my 20th year practicing photography, both as a job and as something I genuinely love.  Looking back, this image feels like a reminder of how far I’ve come. Everything was so pure back then, still a little naive. Money mattered, sure, but it was never the source of happiness. I just wanted to shoot. If I didn’t have the budget for models or fancy props, I’d make do with whatever was around in the studio I was working at.  Maybe this image didn’t fully make sense to me at that point in time but it does now. That’s what makes it even more meaningful. It sums up what photography has taught me over the years: to stay flexible, adapt, and keep creating no matter the circumstances. | Lousycameraman]]></title>
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          <pubDate>Tue, 20 Jan 2026 13:05:15 GMT</pubDate>
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            <media:title><![CDATA[This was one of my very first works, back when I’d just stepped out into the world as an assistant photographer. It means a lot to me, especially now, because this marks my 20th year practicing photography, both as a job and as something I genuinely love.  Looking back, this image feels like a reminder of how far I’ve come. Everything was so pure back then, still a little naive. Money mattered, sure, but it was never the source of happiness. I just wanted to shoot. If I didn’t have the budget for models or fancy props, I’d make do with whatever was around in the studio I was working at.  Maybe this image didn’t fully make sense to me at that point in time but it does now. That’s what makes it even more meaningful. It sums up what photography has taught me over the years: to stay flexible, adapt, and keep creating no matter the circumstances. | Lousycameraman]]></media:title>
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          <title><![CDATA[I didn’t really start my photography journey until a year ago when I got my first mirrorless camera, every shot to me is like a time capsule generator, like everything just freezes and stays at that very moment for every shutter release.  I am mainly a self proclaimed “cat photographer” now since I’ve been taking pictures of street cats in a park that is inside a super crowded area. I am not quite sure how the first batch of cats got there but they are mostly the offsprings of stray cats being abandoned there years ago.   I chose this picture particularly due to the fact that the moment is just so immaculate that he cat is posing like a guy with cool aura, that’s it. You rarely see a cat posing like that on a regular basis but hey, I did manage to capture that moment! | camphra]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก camphra ใน cizucu]]></description>
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          <pubDate>Sat, 25 Oct 2025 18:47:41 GMT</pubDate>
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            <media:title><![CDATA[I didn’t really start my photography journey until a year ago when I got my first mirrorless camera, every shot to me is like a time capsule generator, like everything just freezes and stays at that very moment for every shutter release.  I am mainly a self proclaimed “cat photographer” now since I’ve been taking pictures of street cats in a park that is inside a super crowded area. I am not quite sure how the first batch of cats got there but they are mostly the offsprings of stray cats being abandoned there years ago.   I chose this picture particularly due to the fact that the moment is just so immaculate that he cat is posing like a guy with cool aura, that’s it. You rarely see a cat posing like that on a regular basis but hey, I did manage to capture that moment! | camphra]]></media:title>
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          <title><![CDATA[This portrait is a part of series of photographs that I shot while on an assignment for the ‘Chinar Corps’.  Our itinerary included a village in the deeper ends of Kashmir. I was drawn to the daily life of the locals, how they travelled across the village and beyond, and their seemingly vanishing connectivity to the outside world.   Among the many faces that I saw, this gentleman drew my attention. His quiet demeanor and slow movements welcomed me to look at the daily life of his village through his eyes. There was something about his presence, warm and welcoming, yet deeply reserved. In my attempts to not be overbearing, I was able to break through and had the longest conversation with him and I forgot about trying to find other villagers. I have no regrets about it as his point of view stayed with me and I plan to take it with me.  It was his matured yet innocent expression that stayed with me. He had forgotten to smile in all his years of living in the village. Whenever I shoot portraits, I try to lighten the moment to make sure I get the most authentic expression from the subject. But with him, it felt like I would lie to the world if I did that. It, perhaps seemed unnecessary.  His face carried a calm intrigue, still, composed, and full of unspoken stories. Reality of portraits is subtler yet stronger than performance, it seemed. | Yash Rane]]></title>
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