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          <title><![CDATA[2024年の写真活動の中で最も嬉しかったことは、コンテスト<Life Camera>にて受賞できたことだ。 自分の納得できる色味が完成して、その色味にマッチする被写体と出逢えたのもラッキーだった。 これは再度RAWデータから現像したものだが、色味の変更は不要だった。初版と違いを出すためにアスペクト比は変えた 現像して気づいたのは。左下の黄色い部分がないと、この作品はつまらないものになっていたということ。（自分の中での判断） 　 通称<第2六本木ヒルズ計画>にてこの風景もなくなる予定だが、こうやって作品として残すことができて、多くの人にも見てもらえたのはよかった。 みなさまありがとうございました。 感謝のことばで2024年の写真家活動を終えます 明日からもまた毎日撮るけどね。😆  #20241231 #RPG #MNT #TOKYO #RPGHLL2 #cityscape  | つばさ製作所]]></title>
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          <title><![CDATA[特急列車がスッポリ入る福井の玉ねぎ  #structures #サンドーム福井  | morissy]]></title>
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          <title><![CDATA[解体工事の工期が終わろうとしている。このあとは新築工事に移行。  #structure #AKS #MNT #tokyo #buildings #restructure #cityscape | つばさ製作所]]></title>
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          <title><![CDATA[破壊と創造  #structure #AKS #MNT #TIS #tokyo #cityscape #wall | つばさ製作所]]></title>
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          <title><![CDATA[#structure #tokyostation #people  | yumi]]></title>
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          <title><![CDATA[#structure #moody #까망필름 | 까망필름]]></title>
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          <title><![CDATA[Quiet structure  | minghui]]></title>
          <link>https://www.cizucu.com/th/photos/FecjvdBpVp3lqKcKf08i</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก minghui ใน cizucu]]></description>
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          <title><![CDATA[#Structure #TodaySky #今日の空 #LookUpTheSky #Tokyo #Japan #Snapshot #stilllife #contrast  #tokyoview  #tokyosnap #color #tokyotower | Ya Ka]]></title>
          <link>https://www.cizucu.com/th/photos/XsN2HTUB5Dm3eVNwPiSO</link>
          <description><![CDATA[ดาวน์โหลดภาพถ่าย หอคอยโตเกียวมองจากด้านล่างใต้ท้องฟ้าสีฟ้าใส ที่ถ่ายโดย Ya Ka ที่มีคุณภาพสูงและฟรีจาก cizucu]]></description>
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        <item>
          <title><![CDATA['Texture & Form'  A close study of an elephant’s trunk and tusk highlights the textures and structure that define its strength - form shaped by both function and time. | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/th/photos/X13jRQpvvliICdDokUdD</link>
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          <title><![CDATA[ส่วนบนของหอคอยโตเกียวพื้นหลังท้องฟ้าสีฟ้าสtructuraสีแดงและขาว | Yuya]]></title>
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          <title><![CDATA['Shared Air'  A lion rests in the foreground as human structures rise in the distance. Two worlds share the same air — one wild, one built — each shaping the space the other must now navigate. | Jasmine Ee (Wildlife with Jas)]]></title>
          <link>https://www.cizucu.com/th/photos/02wXUGQpMStRTkvv95MV</link>
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          <title><![CDATA[Cross Paths  Cross Paths observes different ways of moving within a shared urban space.  Part of WheelViews, the work explores motion, structure, and fleeting alignment in everyday life. | Danny Fok]]></title>
          <link>https://www.cizucu.com/th/photos/sG1oI0WVv1tFKBwscgvc</link>
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          <title><![CDATA[Uniform light fills the interior of an elevated passageway. Located within a Russian train station, this space guides the viewer’s eye naturally forward through its restrained structure and repeating rhythm. | KOMA]]></title>
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          <pubDate>Fri, 23 Jan 2026 17:04:01 GMT</pubDate>
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          <title><![CDATA[Mount Fuji seen from a Shinkansen window. Not as a distant symbol, but as part of the everyday industrial landscape. Smoke, wires, and structures quietly share the same horizon. | sho13nabe]]></title>
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          <pubDate>Wed, 25 Mar 2026 20:46:58 GMT</pubDate>
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            <media:title><![CDATA[Mount Fuji seen from a Shinkansen window. Not as a distant symbol, but as part of the everyday industrial landscape. Smoke, wires, and structures quietly share the same horizon. | sho13nabe]]></media:title>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></title>
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          <pubDate>Sun, 18 Jan 2026 15:17:34 GMT</pubDate>
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            <media:title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon this monastery nearby where I live. As I explored the place, I started taking notice of this one elderly lady circling this large structure by herself as she recites her prayer and holds onto her incense. What drew me to this scene was how shooting through the plastic cover (used to shelter the place) helps blur the colours and detail of the structure behind her and silhouette the woman even more, which helps really translate the feeling of serene isolation I wanted to capture. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've otherwise gone unnoticed, but the ability to further express the emotional depth within a particular moment   on top of authenticity is what has led me to start adopting abstract elements in my photography. | a.da.md]]></media:title>
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          <title><![CDATA[In the restless heart of Mumbai, the historic Brihanmumbai Municipal Corporation Building rises like a silent monument to time. Its intricate architecture stands unmoved, rooted in history, while the world around it flows endlessly.  The streaks of light racing across the frame are not merely vehicles—they are fragments of human stories. Each trail is a journey, a fleeting moment of someone chasing a destination, a dream, or simply tomorrow. In contrast, the illuminated structure remains calm and composed, as if quietly observing the city’s endless rhythm.  This photograph becomes a dialogue between permanence and impermanence. The building represents memory, identity, and the weight of the past, while the flowing lights symbolize the urgency of the present and the uncertainty of the future. Together they form a visual metaphor for Mumbai itself—a city where history stands firm while millions of dreams rush forward every second. | Nishikantsnaps]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Nishikantsnaps ใน cizucu]]></description>
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          <pubDate>Fri, 13 Mar 2026 13:29:26 GMT</pubDate>
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            <media:title><![CDATA[In the restless heart of Mumbai, the historic Brihanmumbai Municipal Corporation Building rises like a silent monument to time. Its intricate architecture stands unmoved, rooted in history, while the world around it flows endlessly.  The streaks of light racing across the frame are not merely vehicles—they are fragments of human stories. Each trail is a journey, a fleeting moment of someone chasing a destination, a dream, or simply tomorrow. In contrast, the illuminated structure remains calm and composed, as if quietly observing the city’s endless rhythm.  This photograph becomes a dialogue between permanence and impermanence. The building represents memory, identity, and the weight of the past, while the flowing lights symbolize the urgency of the present and the uncertainty of the future. Together they form a visual metaphor for Mumbai itself—a city where history stands firm while millions of dreams rush forward every second. | Nishikantsnaps]]></media:title>
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          <title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก a.da.md ใน cizucu]]></description>
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          <pubDate>Sun, 18 Jan 2026 16:03:24 GMT</pubDate>
          <atom:updated>2026-01-18T16:03:24+09:00</atom:updated>
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            <media:title><![CDATA[This photo was taken last year during the Chinese New Year period, where I stumbled upon a Buddhist monastery near where I live. As I further explored this place, I took notice of the elderly woman circling around this large display, quietly reciting her prayers with incense in hand. What drew me to this scene in particular is how shooting through the plastic cover (made to shelter the place) helped blur the detail and mesh the colours of the structure, in addition to further silhouetting the woman who already looks so small in the frame, emphasizing on the sense of lone serenity that intrigued me about this moment. To me, street photography has always been about having the sense to capture the scenes in the everyday that might've gone ignored, with this photo being amongst the first where I infused abstract elements in my work to draw on the emotional depth of the photo even more, on top of authenticity. | a.da.md]]></media:title>
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