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          <title><![CDATA[All eyes on me  #someone | yukarin.KagiAke]]></title>
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          <pubDate>Sun, 04 Jun 2023 08:59:37 GMT</pubDate>
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          <title><![CDATA[Someone to stay, someone to go | selpisro]]></title>
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          <pubDate>Wed, 04 Feb 2026 12:49:39 GMT</pubDate>
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          <title><![CDATA[Someone slipped. Someone’s sliding and someone’s snapping   #filmphotography #yuzawa #skiphoto #minoltarivazoom70ex | pwdrolls]]></title>
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          <pubDate>Thu, 26 Feb 2026 18:38:51 GMT</pubDate>
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          <title><![CDATA[Afternoon light, a place meant for waiting. Someone chose to rest instead. The day carried on quietly.  | benjamin]]></title>
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          <pubDate>Mon, 23 Mar 2026 20:53:54 GMT</pubDate>
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          <title><![CDATA[Left behind, by the window.  Light lingers where someone once stood— a quiet trace, almost gone.  —  窓辺に、置き去りにされたもの。  光の中に、さっきまでの気配が 静かに残っている。  #日常の再発見 #静かな時間 #光と影 | benjamin]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก benjamin ใน cizucu]]></description>
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          <pubDate>Thu, 26 Mar 2026 20:09:57 GMT</pubDate>
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            <media:title><![CDATA[Left behind, by the window.  Light lingers where someone once stood— a quiet trace, almost gone.  —  窓辺に、置き去りにされたもの。  光の中に、さっきまでの気配が 静かに残っている。  #日常の再発見 #静かな時間 #光と影 | benjamin]]></media:title>
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          <title><![CDATA[This photograph was made during a period when I found myself unable to articulate my thoughts around mortality. My friend, who is living with cancer, became a quiet presence through which these feelings surfaced.  The dried flowers reference what has already passed — fragility, time, and the inevitability of change. Through this image, I am trying to view death differently: to embrace its presence, and in doing so, to celebrate the life that remains. Often, we do not truly think about death until it touches someone close to us. | Lousycameraman]]></title>
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          <pubDate>Tue, 20 Jan 2026 16:30:45 GMT</pubDate>
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            <media:title><![CDATA[This photograph was made during a period when I found myself unable to articulate my thoughts around mortality. My friend, who is living with cancer, became a quiet presence through which these feelings surfaced.  The dried flowers reference what has already passed — fragility, time, and the inevitability of change. Through this image, I am trying to view death differently: to embrace its presence, and in doing so, to celebrate the life that remains. Often, we do not truly think about death until it touches someone close to us. | Lousycameraman]]></media:title>
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          <title><![CDATA[ONÍGÈLÈ YÍ , taken in a small record shop in Peckham , London , this photographs follow a simple, quiet moment . Records stacked on shelves, music that lived many lives.  In Yoruba language , someone might say “ONÍGÈLÈ YÍ” when noticing a person wearing gele in a way that catches the eyes, it’s not about showing off , it’s recognition, attention and respect. That’s what these pictures are all about .  | Adisaolashile]]></title>
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          <pubDate>Tue, 17 Feb 2026 21:33:53 GMT</pubDate>
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          <title><![CDATA[That instant recognition, when something ordinary suddenly connects us back to someone important.  The moment I took this photo, I recognized something I once had but never truly valued until it was gone. It reminded me of my grandmother—the quiet reason I am here today. Sometimes a single image can bring back the weight of memories and the people who shaped us long before we understood their worth. | Anamika]]></title>
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          <pubDate>Sat, 14 Mar 2026 01:57:30 GMT</pubDate>
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            <media:title><![CDATA[That instant recognition, when something ordinary suddenly connects us back to someone important.  The moment I took this photo, I recognized something I once had but never truly valued until it was gone. It reminded me of my grandmother—the quiet reason I am here today. Sometimes a single image can bring back the weight of memories and the people who shaped us long before we understood their worth. | Anamika]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/9kCJljqc2Dn8wVHzN9lG.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Anamika ใน cizucu]]></media:description>
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        <item>
          <title><![CDATA[You are an ‘Art’ to Someone  You know how they say, “oh what an honour to be a Muse to an Artist” Now whom to call ‘The Art’ and whom ‘The Artist’ is a frivolous battle. It is what is right in front of your eyes that tells everything. An Artist’s love for an ‘Art’ and a ‘Lover’s’ love for the ‘Artist’. It makes me wonder what could any “Art” count in the face of this strongest impulse called “Love”  | Drishti Gowda]]></title>
          <link>https://www.cizucu.com/th/photos/Q2UXrVZSja44vDkW9rcV</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Drishti Gowda ใน cizucu]]></description>
          <author>
            <name>Drishti Gowda</name>
            <uri>https://www.cizucu.com/th/users/pz5fnme1yVgVSeHjB4YtCunhYCC3</uri>
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          <pubDate>Fri, 20 Mar 2026 23:28:12 GMT</pubDate>
          <atom:updated>2026-03-20T23:28:12+09:00</atom:updated>
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            <media:title><![CDATA[You are an ‘Art’ to Someone  You know how they say, “oh what an honour to be a Muse to an Artist” Now whom to call ‘The Art’ and whom ‘The Artist’ is a frivolous battle. It is what is right in front of your eyes that tells everything. An Artist’s love for an ‘Art’ and a ‘Lover’s’ love for the ‘Artist’. It makes me wonder what could any “Art” count in the face of this strongest impulse called “Love”  | Drishti Gowda]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/Q2UXrVZSja44vDkW9rcV.jpg?fm=jpg" type="image/jpeg" width="1365" height="2048" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Q2UXrVZSja44vDkW9rcV.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Q2UXrVZSja44vDkW9rcV.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/Q2UXrVZSja44vDkW9rcV.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Drishti Gowda ใน cizucu]]></media:description>
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        <item>
          <title><![CDATA[This is a One-In-A-Million shot. I had to get up to the highest floor in the Pan Pacific hotel without getting caught, I waited for 1 hour hoping to get someone crossing the bridge and also not get caught by security. With little to no hope, no one crossed, right as I was about to leave I spotted a Bride and a Groom walking across the bridge to take their wedding photo. I took out my camera and i shot this amazing photo. I hope to find this couple somewhere in Singapore and pass them this beautiful photo. | Danish Yaqin]]></title>
          <link>https://www.cizucu.com/th/photos/tsl1VRZ8bYFrRR9EBMyT</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Danish Yaqin ใน cizucu]]></description>
          <author>
            <name>Danish Yaqin</name>
            <uri>https://www.cizucu.com/th/users/U0nicaF4PrNvQcEZ3BVhE2iMrp23</uri>
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          <pubDate>Thu, 15 Jan 2026 17:03:51 GMT</pubDate>
          <atom:updated>2026-01-15T17:03:51+09:00</atom:updated>
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            <media:title><![CDATA[This is a One-In-A-Million shot. I had to get up to the highest floor in the Pan Pacific hotel without getting caught, I waited for 1 hour hoping to get someone crossing the bridge and also not get caught by security. With little to no hope, no one crossed, right as I was about to leave I spotted a Bride and a Groom walking across the bridge to take their wedding photo. I took out my camera and i shot this amazing photo. I hope to find this couple somewhere in Singapore and pass them this beautiful photo. | Danish Yaqin]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/tsl1VRZ8bYFrRR9EBMyT.jpg?fm=jpg" type="image/jpeg" width="2621" height="3931" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/tsl1VRZ8bYFrRR9EBMyT.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/tsl1VRZ8bYFrRR9EBMyT.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/tsl1VRZ8bYFrRR9EBMyT.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Danish Yaqin ใน cizucu]]></media:description>
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        <item>
          <title><![CDATA[I took this photo on the last day day of my three day trip to Hong Kong in November 2025. As someone who loves capturing lines, symmetry and geometry, this spot was on the top of my list of places to visit in the city. When I arrived it in the morning, the play of light and shadow was just perfect. I waited for a while, hoping for a subject to step into the frame and add a sense of scale and depth. Luckily, two people walked through and I was able to capture the shot I had been imagining. | Gautami Golani]]></title>
          <link>https://www.cizucu.com/th/photos/scnvLfFNHxfnAXX0K7zj</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Gautami Golani ใน cizucu]]></description>
          <author>
            <name>Gautami Golani</name>
            <uri>https://www.cizucu.com/th/users/bFG0G5hunNUksWb1Xw5wXNFzYXC3</uri>
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          <pubDate>Wed, 21 Jan 2026 01:20:57 GMT</pubDate>
          <atom:updated>2026-01-21T01:20:57+09:00</atom:updated>
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            <media:title><![CDATA[I took this photo on the last day day of my three day trip to Hong Kong in November 2025. As someone who loves capturing lines, symmetry and geometry, this spot was on the top of my list of places to visit in the city. When I arrived it in the morning, the play of light and shadow was just perfect. I waited for a while, hoping for a subject to step into the frame and add a sense of scale and depth. Luckily, two people walked through and I was able to capture the shot I had been imagining. | Gautami Golani]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/scnvLfFNHxfnAXX0K7zj.jpg?fm=jpg" type="image/jpeg" width="4000" height="5003" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/scnvLfFNHxfnAXX0K7zj.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/scnvLfFNHxfnAXX0K7zj.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/scnvLfFNHxfnAXX0K7zj.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Gautami Golani ใน cizucu]]></media:description>
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        <item>
          <title><![CDATA[Let your light shine  It’s always a surprise, how something so small can have a very big meaning. This small flame is just there caring for nothing like if it’s a day or night. It’s just there letting it’s light shine. Giving light if someone needs it. I think this pretty much gives a reflection of what I am and what I want to be. Being a great believer in God or universe if you say, I took this photo at night during my prayers. The interesting thing about this lamp, is that if you look close enough, you will see a flower & sometimes I have seen butterflies too. Whenever I see them I believe that my prayer has been heard. (Just a believe I have, not that it’s actually true)  | Anamika]]></title>
          <link>https://www.cizucu.com/th/photos/O797H3ePbKxuqGDdvLjo</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Anamika ใน cizucu]]></description>
          <author>
            <name>Anamika</name>
            <uri>https://www.cizucu.com/th/users/y3Dz5ve8H8VkHLBmMus8zu1tfhd2</uri>
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          <pubDate>Wed, 18 Feb 2026 11:16:35 GMT</pubDate>
          <atom:updated>2026-02-18T11:16:35+09:00</atom:updated>
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            <media:title><![CDATA[Let your light shine  It’s always a surprise, how something so small can have a very big meaning. This small flame is just there caring for nothing like if it’s a day or night. It’s just there letting it’s light shine. Giving light if someone needs it. I think this pretty much gives a reflection of what I am and what I want to be. Being a great believer in God or universe if you say, I took this photo at night during my prayers. The interesting thing about this lamp, is that if you look close enough, you will see a flower & sometimes I have seen butterflies too. Whenever I see them I believe that my prayer has been heard. (Just a believe I have, not that it’s actually true)  | Anamika]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/O797H3ePbKxuqGDdvLjo.jpg?fm=jpg" type="image/jpeg" width="4284" height="5712" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/O797H3ePbKxuqGDdvLjo.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/O797H3ePbKxuqGDdvLjo.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/O797H3ePbKxuqGDdvLjo.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Anamika ใน cizucu]]></media:description>
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          <title><![CDATA[I’ve always been interested in pushing the vertical format on social media — seeing how much story I could fit into a small rectangle.  Around 2019, I started blending different images together, mostly out of instinct. I wasn’t trying to say anything specific. I was just experimenting, chasing energy, and making work that felt exciting.  When I looked at this image, it made me remember a version of myself I hadn’t thought about in a while.  Someone younger, reckless with energy, shooting almost every other weekend, posting constantly, chasing progress and social credit without questioning it.  This image feels like those two versions existing at the same time. Not a before and after, but an overlap.  It made me wonder if we forget how foolishly passionate we once were about the things we’re still doing every day. | Don Lim]]></title>
          <link>https://www.cizucu.com/th/photos/q5Y2PPw0VqFRE9uckJR5</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Don Lim ใน cizucu]]></description>
          <author>
            <name>Don Lim</name>
            <uri>https://www.cizucu.com/th/users/bkuZ69RpzEd7kWvHeCn1Iwchd2y1</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/th/photos/q5Y2PPw0VqFRE9uckJR5</guid>
          <pubDate>Thu, 15 Jan 2026 16:03:31 GMT</pubDate>
          <atom:updated>2026-01-15T16:03:31+09:00</atom:updated>
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            <media:title><![CDATA[I’ve always been interested in pushing the vertical format on social media — seeing how much story I could fit into a small rectangle.  Around 2019, I started blending different images together, mostly out of instinct. I wasn’t trying to say anything specific. I was just experimenting, chasing energy, and making work that felt exciting.  When I looked at this image, it made me remember a version of myself I hadn’t thought about in a while.  Someone younger, reckless with energy, shooting almost every other weekend, posting constantly, chasing progress and social credit without questioning it.  This image feels like those two versions existing at the same time. Not a before and after, but an overlap.  It made me wonder if we forget how foolishly passionate we once were about the things we’re still doing every day. | Don Lim]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/q5Y2PPw0VqFRE9uckJR5.jpg?fm=jpg" type="image/jpeg" width="4000" height="5000" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/q5Y2PPw0VqFRE9uckJR5.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/q5Y2PPw0VqFRE9uckJR5.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/q5Y2PPw0VqFRE9uckJR5.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Don Lim ใน cizucu]]></media:description>
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        <item>
          <title><![CDATA[In the restless heart of Mumbai, the historic Brihanmumbai Municipal Corporation Building rises like a silent monument to time. Its intricate architecture stands unmoved, rooted in history, while the world around it flows endlessly.  The streaks of light racing across the frame are not merely vehicles—they are fragments of human stories. Each trail is a journey, a fleeting moment of someone chasing a destination, a dream, or simply tomorrow. In contrast, the illuminated structure remains calm and composed, as if quietly observing the city’s endless rhythm.  This photograph becomes a dialogue between permanence and impermanence. The building represents memory, identity, and the weight of the past, while the flowing lights symbolize the urgency of the present and the uncertainty of the future. Together they form a visual metaphor for Mumbai itself—a city where history stands firm while millions of dreams rush forward every second. | Nishikantsnaps]]></title>
          <link>https://www.cizucu.com/th/photos/wrp6m3nBJ201XnfheCWK</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Nishikantsnaps ใน cizucu]]></description>
          <author>
            <name>Nishikantsnaps</name>
            <uri>https://www.cizucu.com/th/users/Rki5wUVOK0fCsi9t5F3X8uJCrIb2</uri>
          </author>
          <guid isPermaLink="true">https://www.cizucu.com/th/photos/wrp6m3nBJ201XnfheCWK</guid>
          <pubDate>Fri, 13 Mar 2026 13:29:26 GMT</pubDate>
          <atom:updated>2026-03-13T13:29:26+09:00</atom:updated>
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            <media:title><![CDATA[In the restless heart of Mumbai, the historic Brihanmumbai Municipal Corporation Building rises like a silent monument to time. Its intricate architecture stands unmoved, rooted in history, while the world around it flows endlessly.  The streaks of light racing across the frame are not merely vehicles—they are fragments of human stories. Each trail is a journey, a fleeting moment of someone chasing a destination, a dream, or simply tomorrow. In contrast, the illuminated structure remains calm and composed, as if quietly observing the city’s endless rhythm.  This photograph becomes a dialogue between permanence and impermanence. The building represents memory, identity, and the weight of the past, while the flowing lights symbolize the urgency of the present and the uncertainty of the future. Together they form a visual metaphor for Mumbai itself—a city where history stands firm while millions of dreams rush forward every second. | Nishikantsnaps]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/wrp6m3nBJ201XnfheCWK.jpg?fm=jpg" type="image/jpeg" width="2000" height="2500" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/wrp6m3nBJ201XnfheCWK.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/wrp6m3nBJ201XnfheCWK.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/wrp6m3nBJ201XnfheCWK.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Nishikantsnaps ใน cizucu]]></media:description>
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        <item>
          <title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></title>
          <link>https://www.cizucu.com/th/photos/FGecy4iXa0FxyLmFPs1x</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Serene Teo ใน cizucu]]></description>
          <author>
            <name>Serene Teo</name>
            <uri>https://www.cizucu.com/th/users/MS8bT7nahBOt8T9NcnwxpToVv9h1</uri>
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          <guid isPermaLink="true">https://www.cizucu.com/th/photos/FGecy4iXa0FxyLmFPs1x</guid>
          <pubDate>Sun, 15 Mar 2026 16:26:26 GMT</pubDate>
          <atom:updated>2026-03-15T16:26:26+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/FGecy4iXa0FxyLmFPs1x.jpg?fm=jpg" type="image/jpeg" width="6112" height="9184" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/FGecy4iXa0FxyLmFPs1x.jpg?auto=compress,format&amp;w=120&amp;h=90&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="120" height="90" />
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          <title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></title>
          <link>https://www.cizucu.com/th/photos/4ZXYEpJisBKlm4YA82Qu</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Serene Teo ใน cizucu]]></description>
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            <name>Serene Teo</name>
            <uri>https://www.cizucu.com/th/users/MS8bT7nahBOt8T9NcnwxpToVv9h1</uri>
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          <pubDate>Mon, 16 Mar 2026 23:54:50 GMT</pubDate>
          <atom:updated>2026-03-16T23:54:50+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was made in Shirakawa-go, a small mountain village in Japan known for its traditional gassho-style houses. During winter, the landscape transforms into a quiet monochrome world where layers of mountains, forests, and snow shape the atmosphere of the village.  Rather than focusing on dramatic moments, the work observes stillness and atmosphere. The village appears small against the surrounding mountains, while a lone hut in the foreground anchors the scene within the vast winter landscape. Snow softens the terrain and simplifies the forms, allowing the quiet character of the place to emerge.  As someone who primarily photographs street and documentary work, where moments unfold quickly and unpredictably, standing in this winter landscape was a very different experience. The stillness of the village and the gentle rhythm of falling snow invited a slower way of seeing — one that simply allows the landscape to reveal itself in its own time. | Serene Teo]]></media:title>
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          <title><![CDATA[This work documents the vibrant Vittal Birdev Yatra, also known as the Yellow Festival, celebrated in Pattan Kodoli near Kolhapur, Maharashtra. What drew me to this festival was not just the explosion of turmeric in the air, but the faith behind it. Thousands of devotees gather, chanting and covering everything in yellow as a symbol of devotion, hope, and gratitude for a good agricultural season.  At the heart of the festival sits Sri Keloba Rajabau Waghmode, lovingly called the “Old Man,” under a banyan tree. People throw haldi over him and seek his blessings. He is believed to be a messenger of God, someone who predicts rain, farming conditions, and the community’s future.  Through my photographs, I wanted to capture more than color I wanted to show belief, tradition, and the emotional connection between people and ritual. One challenge was working in dense turmeric clouds, protecting my gear while staying present in the moment. Going forward, I want to continue documenting such cultural stories that reflect India’s deep rooted heritage and living traditions. | Streetwala]]></title>
          <link>https://www.cizucu.com/th/photos/pFQEsppBNxxk6rpAASrB</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Streetwala ใน cizucu]]></description>
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            <name>Streetwala</name>
            <uri>https://www.cizucu.com/th/users/OGYs9dPuIAXJAbbtI7qDEOZ2cq82</uri>
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          <pubDate>Wed, 25 Feb 2026 14:36:03 GMT</pubDate>
          <atom:updated>2026-02-25T14:36:03+09:00</atom:updated>
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            <media:title><![CDATA[This work documents the vibrant Vittal Birdev Yatra, also known as the Yellow Festival, celebrated in Pattan Kodoli near Kolhapur, Maharashtra. What drew me to this festival was not just the explosion of turmeric in the air, but the faith behind it. Thousands of devotees gather, chanting and covering everything in yellow as a symbol of devotion, hope, and gratitude for a good agricultural season.  At the heart of the festival sits Sri Keloba Rajabau Waghmode, lovingly called the “Old Man,” under a banyan tree. People throw haldi over him and seek his blessings. He is believed to be a messenger of God, someone who predicts rain, farming conditions, and the community’s future.  Through my photographs, I wanted to capture more than color I wanted to show belief, tradition, and the emotional connection between people and ritual. One challenge was working in dense turmeric clouds, protecting my gear while staying present in the moment. Going forward, I want to continue documenting such cultural stories that reflect India’s deep rooted heritage and living traditions. | Streetwala]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Streetwala ใน cizucu]]></media:description>
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          <title><![CDATA[Happiness and grief are not emotions you would expect to co-exist at a wedding but somehow, it did for me on the day my older brother and sister-in-law got married.  In 2022, months before my brother and sister-in-law got married, my paternal granddad passed on, missing his chance to see his very first grandchild get married.  And being the secondary photographer at your sibling's wedding with that reminder just flashing through your mind the entire day, it silently increases the weight of your role and responsibility to document the occasion.  Photographed is my paternal grandma who is still alive but does not remember my granddad due to her dementia and my brother alongside my sister-in-law who is telling my grandma that they were getting married that very day.  The reason I chose this photo among all the photos I shot that day was because of how intimate it felt and how it reminded me of the importance of documentation.  Although my granddad never made it to the wedding, my grandma did and for that, I'm thankful I got to document these moments during such a loaded occasion.  With all that in mind, I hope you walk away from this photo, documenting more moments in your own life because someday, someone would want to look back on a moment when they still had you. | Tristan Tan]]></title>
          <link>https://www.cizucu.com/th/photos/HYQtjMa45dQlz5PrPH13</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Tristan Tan ใน cizucu]]></description>
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            <name>Tristan Tan</name>
            <uri>https://www.cizucu.com/th/users/sveWBa5Xithgvc2oZ0zUbvnYPKn2</uri>
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          <pubDate>Sat, 21 Feb 2026 04:20:42 GMT</pubDate>
          <atom:updated>2026-02-21T04:20:42+09:00</atom:updated>
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            <media:title><![CDATA[Happiness and grief are not emotions you would expect to co-exist at a wedding but somehow, it did for me on the day my older brother and sister-in-law got married.  In 2022, months before my brother and sister-in-law got married, my paternal granddad passed on, missing his chance to see his very first grandchild get married.  And being the secondary photographer at your sibling's wedding with that reminder just flashing through your mind the entire day, it silently increases the weight of your role and responsibility to document the occasion.  Photographed is my paternal grandma who is still alive but does not remember my granddad due to her dementia and my brother alongside my sister-in-law who is telling my grandma that they were getting married that very day.  The reason I chose this photo among all the photos I shot that day was because of how intimate it felt and how it reminded me of the importance of documentation.  Although my granddad never made it to the wedding, my grandma did and for that, I'm thankful I got to document these moments during such a loaded occasion.  With all that in mind, I hope you walk away from this photo, documenting more moments in your own life because someday, someone would want to look back on a moment when they still had you. | Tristan Tan]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Tristan Tan ใน cizucu]]></media:description>
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