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          <title><![CDATA[天空的另一種海 Where the Sky Becomes a Sea  天空忽然有了潮汐 月亮像一座緩慢浮起的島 飛機無聲劃過那片深藍 重力在此刻變得遙遠 而我們正在另一種海裡航行  The sky begins to breathe like a tide. The moon rises, an island without a shore. An aircraft glides across the deep blue. Gravity loosens its hold. And we sail within another sea. | Zong ting ling]]></title>
          <link>https://www.cizucu.com/th/photos/7nqJtX8u5nr6NS8TBLhd</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Zong ting ling ใน cizucu]]></description>
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            <name>Zong ting ling</name>
            <uri>https://www.cizucu.com/th/users/MfUQJPNuypPOrMOgXbxsrkkaQIt1</uri>
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          <pubDate>Wed, 04 Mar 2026 04:31:16 GMT</pubDate>
          <atom:updated>2026-03-04T04:31:16+09:00</atom:updated>
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            <media:title><![CDATA[天空的另一種海 Where the Sky Becomes a Sea  天空忽然有了潮汐 月亮像一座緩慢浮起的島 飛機無聲劃過那片深藍 重力在此刻變得遙遠 而我們正在另一種海裡航行  The sky begins to breathe like a tide. The moon rises, an island without a shore. An aircraft glides across the deep blue. Gravity loosens its hold. And we sail within another sea. | Zong ting ling]]></media:title>
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          <title><![CDATA[Title: The Willow Veil  Viewed through the timeless curtain of a weeping willow, the frantic megalopolis is pushed into the distance, small and harmless. Nature reclaims the frame, offering a moment of 'Ma' (negative space) and stillness. The concrete remains, but the spirit has found its drift.  This work is currently competing in the 23rd International Photography Awards (IPA).  タイトル : The Willow Veil (柳の帳) 作品解説 : 枝垂れ柳の時を超えた帳（とばり）越しに眺めると、狂騒の巨大都市は彼方へと追いやられ、小さく無害なものへと変わります。自然が再び主役となり、「間」と静寂のひとときをもたらすのです。コンクリートは依然としてそこに在りますが、心はついにその漂うべき場所を見出したのです。 備考 : 本作品は、第23回 IPA (International Photography Awards) のコンペティション参加作品です。 | Corinne Vallienne]]></title>
          <link>https://www.cizucu.com/th/photos/u6ua0Jxsn1pE4fXLb5Yh</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Corinne Vallienne ใน cizucu]]></description>
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            <name>Corinne Vallienne</name>
            <uri>https://www.cizucu.com/th/japantokyodaybyday</uri>
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          <pubDate>Sat, 31 Jan 2026 17:58:07 GMT</pubDate>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Corinne Vallienne ใน cizucu]]></media:description>
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          <title><![CDATA[Veil Of Mist  台風一過だったからなのか、もともと上流からの水流があるのか、けっこう勢いのある流れがありました。  そのおかげか、やや曇りがかってウェットだったか、滝の周りに急に霧のヴェールがかかったかのような景色を収めることができました。  #waterfall #longexposure #滝 #渓流 | Norihiro "Norick" Ozaki]]></title>
          <link>https://www.cizucu.com/th/photos/1EhgU6XOrxCQ48k5AyaC</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Norihiro "Norick" Ozaki ใน cizucu]]></description>
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            <name>Norihiro "Norick" Ozaki</name>
            <uri>https://www.cizucu.com/th/tigershot78</uri>
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          <pubDate>Wed, 11 Jun 2025 01:07:23 GMT</pubDate>
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            <media:title><![CDATA[Veil Of Mist  台風一過だったからなのか、もともと上流からの水流があるのか、けっこう勢いのある流れがありました。  そのおかげか、やや曇りがかってウェットだったか、滝の周りに急に霧のヴェールがかかったかのような景色を収めることができました。  #waterfall #longexposure #滝 #渓流 | Norihiro "Norick" Ozaki]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Norihiro "Norick" Ozaki ใน cizucu]]></media:description>
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          <title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก 熊寶 ใน cizucu]]></description>
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            <name>熊寶</name>
            <uri>https://www.cizucu.com/th/users/zdddXarNsJdBtAS3ArljH0VHCDA2</uri>
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          <pubDate>Tue, 14 Apr 2026 12:44:16 GMT</pubDate>
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            <media:title><![CDATA[This photograph was taken during my journey through Liangshan. The day was bitterly cold, and the air was heavy with moisture. The cold did not feel like something that merely touched the skin—it felt as though it could pass through clothing and sink deep into the body. We crossed one frost-covered hill after another, and at the top of one of them, we came across a solitary house. There were no other people in sight for nearly a kilometer, yet inside lived a young brother and sister, both no older than about five.  They told us that the adults had gone to the market to sell cattle and sheep, leaving the two of them at home alone. There was no light in the house, and the floor was rough, cold concrete. Even with boots on, I could feel my toes growing painfully numb, yet they walked barefoot across the frost-covered floor as if they had long since grown used to it. Their runny noses clung to the tips of their noses, drying and wetting again and again, becoming one of the most direct traces of that winter day.  We asked them what they usually did at home, and they answered, quite naturally, that they liked biting thick pieces of cardboard for fun. As they spoke, they really did begin to bite into it. In that moment, I felt a quiet sadness. But then a beam of sunlight fell across the child’s face, and he burst into laughter, as if the harshness around him had not managed to define him. At that instant, I realized that what I was seeing was no longer just poverty or cold, but something far stronger—the resilience of life itself.  This photograph is important to me not because it documents hardship in a remote place, but because it reminds me that even in the most unforgiving environments, people can still hold on to joy, vitality, and light. What I felt that day was not simply sympathy, nor the shock of an outsider looking in, but a deep sense of respect. To me, this photograph is not about suffering. It is about resilience. It is not about deprivation, but about the light that remains, even within it. | 熊寶]]></media:title>
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