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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Ek Cheeze Dikhau ใน cizucu]]></media:description>
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          <title><![CDATA[Summer in Japan is always filled with energy despite the intense heat accompanying the high humidity. Amidst the heat, a group of Theraveda Buddhists hosted the Hti-Hoisting ceremony for a newly built Pagoda in Saitama. One of the fun moment is that the sponsor throw the money into the crowd and the crowd tried to grab them as much as possible. This is unique cultural moment which can be seen only in Myanmar. | kelvintetsuya]]></title>
          <link>https://www.cizucu.com/th/photos/nzPjCStIaDaI13iYDJl2</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก kelvintetsuya ใน cizucu]]></description>
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            <name>kelvintetsuya</name>
            <uri>https://www.cizucu.com/th/users/Y9dOOQ3yyXfiOjiYVyOhdfZOanS2</uri>
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          <pubDate>Wed, 18 Feb 2026 02:32:54 GMT</pubDate>
          <atom:updated>2026-02-18T02:32:54+09:00</atom:updated>
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            <media:title><![CDATA[Summer in Japan is always filled with energy despite the intense heat accompanying the high humidity. Amidst the heat, a group of Theraveda Buddhists hosted the Hti-Hoisting ceremony for a newly built Pagoda in Saitama. One of the fun moment is that the sponsor throw the money into the crowd and the crowd tried to grab them as much as possible. This is unique cultural moment which can be seen only in Myanmar. | kelvintetsuya]]></media:title>
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          <title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></title>
          <link>https://www.cizucu.com/th/photos/cu3LZEeOyIJhneSTLWrR</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Lucho Dávila ใน cizucu]]></description>
          <author>
            <name>Lucho Dávila</name>
            <uri>https://www.cizucu.com/th/users/6Ry0XZOxWTXAVeSJ3iXeswc8KoF3</uri>
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          <pubDate>Mon, 30 Mar 2026 21:51:53 GMT</pubDate>
          <atom:updated>2026-03-30T21:51:53+09:00</atom:updated>
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            <media:title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/cu3LZEeOyIJhneSTLWrR.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Lucho Dávila ใน cizucu]]></media:description>
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          <title><![CDATA[This photograph captures the intensity of Theyyam, a ritual where devotion, fire, and performance merge into a powerful spiritual moment. Shot in the midst of flying sparks and flames, the image reflects the raw energy and trance like state of the performer. My challenge was to document the moment without interrupting the sacred atmosphere while working in extremely low light and unpredictable fire bursts. Through this frame, I wanted to preserve not just the visual spectacle but the living cultural heritage behind the ritual | Saikiran Kesari]]></title>
          <link>https://www.cizucu.com/th/photos/V5JHBW1HDaXNSD8IsPHt</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Saikiran Kesari ใน cizucu]]></description>
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            <name>Saikiran Kesari</name>
            <uri>https://www.cizucu.com/th/users/7yxwA3chDThYdBy723P8VLpXbGP2</uri>
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          <pubDate>Sun, 15 Mar 2026 19:21:10 GMT</pubDate>
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            <media:title><![CDATA[This photograph captures the intensity of Theyyam, a ritual where devotion, fire, and performance merge into a powerful spiritual moment. Shot in the midst of flying sparks and flames, the image reflects the raw energy and trance like state of the performer. My challenge was to document the moment without interrupting the sacred atmosphere while working in extremely low light and unpredictable fire bursts. Through this frame, I wanted to preserve not just the visual spectacle but the living cultural heritage behind the ritual | Saikiran Kesari]]></media:title>
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/V5JHBW1HDaXNSD8IsPHt.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Saikiran Kesari ใน cizucu]]></media:description>
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          <title><![CDATA[Thee Kuttichathan Theyyam, captured in Kozhikode, embodies the fiery spirit of the revered deity believed to be the mischievous yet protective child spirit of Lord Shiva and Goddess Parvati.  Rooted in centuries old folklore, this ritual invokes Kuttichathan through vibrant costume, rhythmic chenda drum beats, dance, and sacred fire.  The photograph is not just an image of a ritual, but a living story of Kerala’s cultural heritage, preserved in flame and motion, witnessed by the local community and visitors from different parts of the world who comes together in spirit of faith and culture. Performed by the very talented Nidheesh Peruvannan Sir. | Poulomi Das]]></title>
          <link>https://www.cizucu.com/th/photos/0ufaljTfbGbNMY5rPlRC</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Poulomi Das ใน cizucu]]></description>
          <author>
            <name>Poulomi Das</name>
            <uri>https://www.cizucu.com/th/users/jn2H4skRTIQEknDvI1p3oRzn9AC2</uri>
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          <pubDate>Sat, 14 Mar 2026 22:35:46 GMT</pubDate>
          <atom:updated>2026-03-14T22:35:46+09:00</atom:updated>
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            <media:title><![CDATA[Thee Kuttichathan Theyyam, captured in Kozhikode, embodies the fiery spirit of the revered deity believed to be the mischievous yet protective child spirit of Lord Shiva and Goddess Parvati.  Rooted in centuries old folklore, this ritual invokes Kuttichathan through vibrant costume, rhythmic chenda drum beats, dance, and sacred fire.  The photograph is not just an image of a ritual, but a living story of Kerala’s cultural heritage, preserved in flame and motion, witnessed by the local community and visitors from different parts of the world who comes together in spirit of faith and culture. Performed by the very talented Nidheesh Peruvannan Sir. | Poulomi Das]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/0ufaljTfbGbNMY5rPlRC.jpg?fm=jpg" type="image/jpeg" width="4258" height="5677" />
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            <media:thumbnail url="https://cdn.cizucu.com/images/photos/0ufaljTfbGbNMY5rPlRC.jpg?auto=compress,format&amp;w=480&amp;h=360&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="480" height="360" />
            <media:thumbnail url="https://cdn.cizucu.com/images/photos/0ufaljTfbGbNMY5rPlRC.jpg?auto=compress,format&amp;w=1280&amp;h=720&amp;fit=fill&amp;fill=solid&amp;fill-color=000000" width="1280" height="720" />
            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Poulomi Das ใน cizucu]]></media:description>
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          <title><![CDATA[This photograph was taken in France last November. It depicts straw and a tarp found in a field. I made very minimal edits to the image, but the light on that day—softened by fog—transports us into what feels like a photography studio or an artist’s workshop from the 19th century. To me, the drapery appears almost sculptural.  この写真は昨年11月にフランスで撮影されました。写っているのは、畑で見つけた藁とブルーシートです。画像にはほとんど編集を加えていませんが、その日の霧に包まれた光によって、まるで19世紀の写真スタジオや芸術家のアトリエにいるかのような感覚が生まれています。私にとって、このドレープはほとんど彫刻的に感じられます。 | Bonjour tangor]]></title>
          <link>https://www.cizucu.com/th/photos/sX6boUUJ8Cbb80rXXGPV</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Bonjour tangor ใน cizucu]]></description>
          <author>
            <name>Bonjour tangor</name>
            <uri>https://www.cizucu.com/th/users/BfWXUO5CqdhjaFtcJXnfsvU6DKg1</uri>
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          <pubDate>Tue, 17 Mar 2026 16:42:37 GMT</pubDate>
          <atom:updated>2026-03-17T16:42:37+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was taken in France last November. It depicts straw and a tarp found in a field. I made very minimal edits to the image, but the light on that day—softened by fog—transports us into what feels like a photography studio or an artist’s workshop from the 19th century. To me, the drapery appears almost sculptural.  この写真は昨年11月にフランスで撮影されました。写っているのは、畑で見つけた藁とブルーシートです。画像にはほとんど編集を加えていませんが、その日の霧に包まれた光によって、まるで19世紀の写真スタジオや芸術家のアトリエにいるかのような感覚が生まれています。私にとって、このドレープはほとんど彫刻的に感じられます。 | Bonjour tangor]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/sX6boUUJ8Cbb80rXXGPV.jpg?fm=jpg" type="image/jpeg" width="5152" height="7728" />
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Bonjour tangor ใน cizucu]]></media:description>
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          <title><![CDATA[This work documents the vibrant Vittal Birdev Yatra, also known as the Yellow Festival, celebrated in Pattan Kodoli near Kolhapur, Maharashtra. What drew me to this festival was not just the explosion of turmeric in the air, but the faith behind it. Thousands of devotees gather, chanting and covering everything in yellow as a symbol of devotion, hope, and gratitude for a good agricultural season.  At the heart of the festival sits Sri Keloba Rajabau Waghmode, lovingly called the “Old Man,” under a banyan tree. People throw haldi over him and seek his blessings. He is believed to be a messenger of God, someone who predicts rain, farming conditions, and the community’s future.  Through my photographs, I wanted to capture more than color I wanted to show belief, tradition, and the emotional connection between people and ritual. One challenge was working in dense turmeric clouds, protecting my gear while staying present in the moment. Going forward, I want to continue documenting such cultural stories that reflect India’s deep rooted heritage and living traditions. | Streetwala]]></title>
          <link>https://www.cizucu.com/th/photos/pFQEsppBNxxk6rpAASrB</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Streetwala ใน cizucu]]></description>
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            <name>Streetwala</name>
            <uri>https://www.cizucu.com/th/users/OGYs9dPuIAXJAbbtI7qDEOZ2cq82</uri>
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          <pubDate>Wed, 25 Feb 2026 14:36:03 GMT</pubDate>
          <atom:updated>2026-02-25T14:36:03+09:00</atom:updated>
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            <media:title><![CDATA[This work documents the vibrant Vittal Birdev Yatra, also known as the Yellow Festival, celebrated in Pattan Kodoli near Kolhapur, Maharashtra. What drew me to this festival was not just the explosion of turmeric in the air, but the faith behind it. Thousands of devotees gather, chanting and covering everything in yellow as a symbol of devotion, hope, and gratitude for a good agricultural season.  At the heart of the festival sits Sri Keloba Rajabau Waghmode, lovingly called the “Old Man,” under a banyan tree. People throw haldi over him and seek his blessings. He is believed to be a messenger of God, someone who predicts rain, farming conditions, and the community’s future.  Through my photographs, I wanted to capture more than color I wanted to show belief, tradition, and the emotional connection between people and ritual. One challenge was working in dense turmeric clouds, protecting my gear while staying present in the moment. Going forward, I want to continue documenting such cultural stories that reflect India’s deep rooted heritage and living traditions. | Streetwala]]></media:title>
            <media:content url="https://cdn.cizucu.com/images/photos/pFQEsppBNxxk6rpAASrB.jpg?fm=jpg" type="image/jpeg" width="4000" height="6000" />
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Streetwala ใน cizucu]]></media:description>
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