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          <title><![CDATA[#ヨーロッパ #ルーマニア #ヨーロッパ建築 #海外旅行 #europe #romania  | YuKoreeda ]]></title>
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          <title><![CDATA[Hippo scoping us out in Lake Kariba, Zimbabwe. All the others sunk underwater, this one remained and was quite menacing. You can feel the stare.  | Shayden Cathro]]></title>
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          <pubDate>Wed, 30 Oct 2024 00:43:32 GMT</pubDate>
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          <title><![CDATA[壁に残された視線 / A Gaze Left on the Wall  誰にも気づかれないまま、 ここに残る視線。  Unnoticed, a gaze remains.  #キリトリセカイ #スナップ写真 #street #落書き | dz a.k.a dashan]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก dz a.k.a dashan ใน cizucu]]></description>
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            <name>dz a.k.a dashan</name>
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          <pubDate>Sat, 18 Apr 2026 21:53:16 GMT</pubDate>
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          <title><![CDATA[This photograph represents a strong memory in my photographic journey as it reminds me of the moment where I noticed I may be able to take a decent photograph. It remains one of my favourite images I have taken to this day. | Sacks]]></title>
          <link>https://www.cizucu.com/th/photos/2hkapJsIJASbIcgPIcDd</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Sacks ใน cizucu]]></description>
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            <name>Sacks</name>
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          <pubDate>Sun, 05 Apr 2026 12:31:38 GMT</pubDate>
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            <media:title><![CDATA[This photograph represents a strong memory in my photographic journey as it reminds me of the moment where I noticed I may be able to take a decent photograph. It remains one of my favourite images I have taken to this day. | Sacks]]></media:title>
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          <title><![CDATA[Watching the students, I was reminded of a shared past of school days, repetition, and the quiet innocence embedded in routine. The photograph explores how nostalgia is not tied to a specific person, but to collective experiences we once lived without noticing. | puzzlehobs]]></title>
          <link>https://www.cizucu.com/th/photos/2SDE2Ijs4TmHPQJzcnlT</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก puzzlehobs ใน cizucu]]></description>
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            <name>puzzlehobs</name>
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          <pubDate>Tue, 06 Jan 2026 22:12:40 GMT</pubDate>
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          <title><![CDATA[Standstill From the window of a passing Shinkansen, a dense queue of taxis waits in silence outside Nagoya Station.  Vehicles built for motion remain suspended in place, forming a temporary stillness within the flow of the city.  Seen from speed, the city appears motionless. | sho13nabe]]></title>
          <link>https://www.cizucu.com/th/photos/DVqwj97uZqe2SH06OmL4</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก sho13nabe ใน cizucu]]></description>
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            <name>sho13nabe</name>
            <uri>https://www.cizucu.com/th/sho_13</uri>
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          <pubDate>Wed, 25 Mar 2026 19:40:59 GMT</pubDate>
          <atom:updated>2026-03-25T19:40:59+09:00</atom:updated>
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          <title><![CDATA[The Lost Romance and Dances was born from a dream and a place, the Seven Sisters Cliff. I had imagined it for a very long time, and when I finally stood there, the experience felt otherworldly. The sunset unveiled colors I had never seen before, painting the horizon in tones so magical that time itself seemed to pause. As evening dissolved into night, the cliffs transformed. What was once radiant with color became stark, monochrome, almost like the aftertaste of a love once held and suddenly taken away. This place felt alive with memory, a witness to joy, heartbreak, and longing through countless lives that had passed across its edge.  At its heart, The Lost Romance and Dances is a meditation on memory and return. The work drifts like a forgotten tide, carrying back fragments of love, loss, and longing. It is dedicated to those who have loved deeply and lost, who return not to reclaim but to rediscover. Within its imagery rests a fragile devotion, a romance both fleeting and eternal, kept alive in the quiet dance ofmemories returning. | INKAN]]></title>
          <link>https://www.cizucu.com/th/photos/c6X5QFypeVexSKsL3yma</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก INKAN ใน cizucu]]></description>
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            <name>INKAN</name>
            <uri>https://www.cizucu.com/th/users/394o0WNHj6P0jZeascrsAkgBWDx1</uri>
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          <pubDate>Sat, 14 Mar 2026 02:33:47 GMT</pubDate>
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            <media:title><![CDATA[The Lost Romance and Dances was born from a dream and a place, the Seven Sisters Cliff. I had imagined it for a very long time, and when I finally stood there, the experience felt otherworldly. The sunset unveiled colors I had never seen before, painting the horizon in tones so magical that time itself seemed to pause. As evening dissolved into night, the cliffs transformed. What was once radiant with color became stark, monochrome, almost like the aftertaste of a love once held and suddenly taken away. This place felt alive with memory, a witness to joy, heartbreak, and longing through countless lives that had passed across its edge.  At its heart, The Lost Romance and Dances is a meditation on memory and return. The work drifts like a forgotten tide, carrying back fragments of love, loss, and longing. It is dedicated to those who have loved deeply and lost, who return not to reclaim but to rediscover. Within its imagery rests a fragile devotion, a romance both fleeting and eternal, kept alive in the quiet dance ofmemories returning. | INKAN]]></media:title>
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          <title><![CDATA[This photograph was made during a period when I found myself unable to articulate my thoughts around mortality. My friend, who is living with cancer, became a quiet presence through which these feelings surfaced.  The dried flowers reference what has already passed — fragility, time, and the inevitability of change. Through this image, I am trying to view death differently: to embrace its presence, and in doing so, to celebrate the life that remains. Often, we do not truly think about death until it touches someone close to us. | Lousycameraman]]></title>
          <link>https://www.cizucu.com/th/photos/zwyI5V45BjqrtNtht6mx</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Lousycameraman ใน cizucu]]></description>
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            <name>Lousycameraman</name>
            <uri>https://www.cizucu.com/th/lousycameraman</uri>
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          <pubDate>Tue, 20 Jan 2026 16:30:45 GMT</pubDate>
          <atom:updated>2026-01-20T16:30:45+09:00</atom:updated>
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            <media:title><![CDATA[This photograph was made during a period when I found myself unable to articulate my thoughts around mortality. My friend, who is living with cancer, became a quiet presence through which these feelings surfaced.  The dried flowers reference what has already passed — fragility, time, and the inevitability of change. Through this image, I am trying to view death differently: to embrace its presence, and in doing so, to celebrate the life that remains. Often, we do not truly think about death until it touches someone close to us. | Lousycameraman]]></media:title>
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          <title><![CDATA[変わらない夕方の時間 / An Unchanging Evening Routine  毎日同じように繰り返される、夕方の散歩。 何気ない日常の中にも、光と影の美しさがある。  An evening walk, repeated every day. Even in the ordinary, there is beauty in light and shadow.  #キリトリセカイ #スナップ写真 #street #日常 | dz a.k.a dashan]]></title>
          <link>https://www.cizucu.com/th/photos/mPgjvhYwWTitMYE9fJW3</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก dz a.k.a dashan ใน cizucu]]></description>
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            <name>dz a.k.a dashan</name>
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          <pubDate>Sat, 18 Apr 2026 22:03:14 GMT</pubDate>
          <atom:updated>2026-04-18T22:03:14+09:00</atom:updated>
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            <media:title><![CDATA[変わらない夕方の時間 / An Unchanging Evening Routine  毎日同じように繰り返される、夕方の散歩。 何気ない日常の中にも、光と影の美しさがある。  An evening walk, repeated every day. Even in the ordinary, there is beauty in light and shadow.  #キリトリセカイ #スナップ写真 #street #日常 | dz a.k.a dashan]]></media:title>
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          <title><![CDATA[A silhouetted figure stands beneath an umbrella as a rainbow emerges through the fading storm. The composition balances stillness and motion the grounded presence of the subject against the passing flight of birds. This work explores hope not as certainty, but as persistence. It lives in the decision to remain present, even when clarity hasn’t arrived yet. | __rohit.uk]]></title>
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          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก __rohit.uk ใน cizucu]]></description>
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            <name>__rohit.uk</name>
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          <pubDate>Thu, 26 Mar 2026 07:23:01 GMT</pubDate>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก __rohit.uk ใน cizucu]]></media:description>
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          <title><![CDATA[Every morning, thousands of people rush to work beneath the towering glass buildings of Singapore’s financial district. An elderly man with a bag over his shoulder steps into a beam of sunlight breaking through the skyscrapers, briefly isolated in light while the rest of the city remains in shadow. Even in old age, some still carry on, continuing their daily journey beneath the towering symbols of success. | Simon]]></title>
          <link>https://www.cizucu.com/th/photos/20whH9LTjLKGIhtJk0Fb</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Simon ใน cizucu]]></description>
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            <name>Simon</name>
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          <pubDate>Wed, 04 Mar 2026 23:28:47 GMT</pubDate>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Simon ใน cizucu]]></media:description>
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          <title><![CDATA[A Passage at 68° North  At this latitude, the Nordic fishing villages sit quietly between sea and mountains, shaped by the landscape surrounding them. The bridges stretch across the islands, connecting these villages, appearing simple in form, yet remain resilient against the Arctic’s constant shifting weather.  Even in harsh weather, there is a stillness here. A calm that exists within chaos. | Felicity Gan]]></title>
          <link>https://www.cizucu.com/th/photos/wFqZnMBFteLEsFN7qFAj</link>
          <description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Felicity Gan ใน cizucu]]></description>
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            <name>Felicity Gan</name>
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          <pubDate>Sun, 05 Apr 2026 17:23:19 GMT</pubDate>
          <atom:updated>2026-04-05T17:23:19+09:00</atom:updated>
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            <media:title><![CDATA[A Passage at 68° North  At this latitude, the Nordic fishing villages sit quietly between sea and mountains, shaped by the landscape surrounding them. The bridges stretch across the islands, connecting these villages, appearing simple in form, yet remain resilient against the Arctic’s constant shifting weather.  Even in harsh weather, there is a stillness here. A calm that exists within chaos. | Felicity Gan]]></media:title>
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            <media:description><![CDATA[ดูภาพถ่ายที่น่าทึ่งจาก Felicity Gan ใน cizucu]]></media:description>
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